badujunkie said: eleven said: Do u need a hug or something? I'm kind of confused with the intention of your post. Is it really a bad thing to not be a big star in the US when so many now are just maufactured or reality show contestants? I'm sure that the producers she chose for this album indicate her desire to try and get on the charts again in the US but being on the top of US charts certainly deos not automatically mean it's a good album. There's a lot of crap on the top of the charts these days and I couldn't care less where her album lands on it as long as the music is good. For her to say that the reason was in part working with an english producer is a truth-- she was making a euro dance inspired album and stuart was known for that (he certainly wasn't known as a hot american hit maker), I don't think it was so off base for her to point that out. Yes - I always need a hug. I just thought it was funny that she just totally disregarded the plain fact that her international audience is who's responsible for 75% of her income from record sales, that they are the ones who can help her claim she sells 8 -10 million of each album, that she tried to position it as it's just a matter of which producers she uses and not that she still has more loyal fans and is a bigger star in other countries. It's just a plain, simple fact and it's so like her to just brush that off and say it's because she worked with an English producer - on the one hand, I think she's quick and smart to answer like that, on the other, it's like come on, just admit (like Tina Turner has for 15 years now) that you're bigger in Europe. damn...i don't even read your posts anymore...but I get bored 2 see them on the board | |
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Elle photoshoot leaked:
More Vanity Fair pics: "There is no such thing in life as normal..." | |
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midnightmover said: Madonna's voice is just not suited to modern R&B tracks. That problem was also apparent on Bedtime Stories, but it's even more noticeable here.
Actually Madonna is pretty much aware of that. This is how she described the concept behind the Bedtime Stories album: "I wanted a lot more of an R&B feel to this record," she explains. "The idea going in was to juxtapose my singing style with a hard core hip-hop sensibility and have the finished product still sound like a Madonna record. I began the process by meeting with the hip-hop producers whose work I most admired." She intentionally wants to create something new with mixing R&B tracks with her non-R&B voice. | |
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sounds like crap
well , was to be expected | |
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i like the magazine photos that have come out in this era,
i am however still at a loss as to how it was decided to have that "hard candy" cover i hate the 2 images together, and know that they could have done better | |
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stevenpottle said: She's got the whole world in her hands!!!
That is sad to see. Her lower body looks great, but her face has been stretched and pulled to the point of freakdom. Growing up, I thought Madonna was the sexiest woman in the world. Up until 1993 there is no-one I would rather have shagged. That's why it's even sadder to see what she's doing to herself. I know if she had no surgery people would say she was looking old, but I think it's better to look old than to look like an alien. “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson | |
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LiveToTell86 said: midnightmover said: Madonna's voice is just not suited to modern R&B tracks. That problem was also apparent on Bedtime Stories, but it's even more noticeable here.
Actually Madonna is pretty much aware of that. This is how she described the concept behind the Bedtime Stories album: "I wanted a lot more of an R&B feel to this record," she explains. "The idea going in was to juxtapose my singing style with a hard core hip-hop sensibility and have the finished product still sound like a Madonna record. I began the process by meeting with the hip-hop producers whose work I most admired." She intentionally wants to create something new with mixing R&B tracks with her non-R&B voice. Errr, no. The concept behind Bedtime Stories was to get Madonna back on US radio, and bring her record sales back up to par. The way to do it was by hiring the hot producers of the moment. Only problem is you can't admit that in an interview, so instead, like a politician, you come up with justifications like this one. You've got to hand it to Madonna. She's a pro. “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson | |
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Raze said: btw, I really don't like this "4 Minutes" song. I've really tried to. I listened to it on repeat for a half an hour 3 days in a row, and I just can't get into it.
The lyrics are horrible (as are those on the other 2 songs I've heard). I can't even tell what this song is supposed to be about, aside from showing off her new friends and them saying Madonna-Madonna over and over. It's like a big starfucking cirle jerk, but don't ask me what the lyrics are actually ABOUT. They're so cliched and non-sequitir that they have absolutely no meaning. And why is she always saying "Yeah" in her songs lately? It's the new "say goodbye" or "walking out the door" or "mmmmm-mmmmm" And please, Madonna producers, PLEASE go back to processing her vocals. It was nice the first time ("I Deserve It"), but the novelty has worn off. Everything sounds pinched and nasally lately. Strangely enough, I'm still looking forward to the album, though I hate all 3 songs I've heard from it so far. And they all suffer from exactly the same problems: lyrics, vocals, producer intrusion, etc. And that snipped of "Miles Away" with people talking over it doesn't sound any more promising to me than the rest of it. I agree totally. It's not just that she's using cliches. It's that the cliches have absolutely no relevance. What does "the road to hell is paved with good intentions" have to do with the theme of the song? It's just put in there for no reason. The whole thing is so sloppy that it's an insult to the craft of songwriting and to the audience who she wants to sell this to. But her hubris is understandable. The fact is she's been doing this for years and never gets criticized for it, and the fans don't seem to notice or care. So what incentive does she have to raise her game? [Edited 3/29/08 17:04pm] “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson | |
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Martinelli said: they asked her about the rumor that she's worth $325 million.She replied "Is that it?!" | |
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LiveToTell86 said: midnightmover said: Madonna's voice is just not suited to modern R&B tracks. That problem was also apparent on Bedtime Stories, but it's even more noticeable here.
Actually Madonna is pretty much aware of that. This is how she described the concept behind the Bedtime Stories album: "I wanted a lot more of an R&B feel to this record," she explains. "The idea going in was to juxtapose my singing style with a hard core hip-hop sensibility and have the finished product still sound like a Madonna record. I began the process by meeting with the hip-hop producers whose work I most admired." She intentionally wants to create something new with mixing R&B tracks with her non-R&B voice. I'll never understand why people are so surprised/shocked when she does R&B.She's always done that kinda music.Her first album is mostly R&B.The song "Holiday" was originally offered to Patti LaBelle."Borderline" was produced by the same guy who produced Stephanie Mills' 1980 hit "Never Knew Love Like This Before".Some of the songs on 'Erotica' have a hip-hop feel ("Waiting","Secret Garden") and of course,'Bedtime Stories' is almost entirely R&B.Madonna has always appreciated black music styles.I knew it was just a matter of time before she worked with R&B producers again. | |
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go2theMax said: badujunkie said: Yes - I always need a hug. I just thought it was funny that she just totally disregarded the plain fact that her international audience is who's responsible for 75% of her income from record sales, that they are the ones who can help her claim she sells 8 -10 million of each album, that she tried to position it as it's just a matter of which producers she uses and not that she still has more loyal fans and is a bigger star in other countries. It's just a plain, simple fact and it's so like her to just brush that off and say it's because she worked with an English producer - on the one hand, I think she's quick and smart to answer like that, on the other, it's like come on, just admit (like Tina Turner has for 15 years now) that you're bigger in Europe. damn...i don't even read your posts anymore...but I get bored 2 see them on the board wow that hurts I'll leave it alone babe...just be me | |
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RockAbilly said: i like the magazine photos that have come out in this era,
i am however still at a loss as to how it was decided to have that "hard candy" cover i hate the 2 images together, and know that they could have done better I like the album cover for what it is,but truthfully,I like some of the fan-created artwork even better.Robster's fake 'Licorice' artwork is far superior than what Madonna came up with. | |
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stevenpottle said: Elle photoshoot leaked:
More Vanity Fair pics: I'm gonna have to make a trip to Barnes and Noble this week I gotta get the new issues of Q,Vanity Fair,and Interview.Are there any others I should look for? | |
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SoulAlive said: RockAbilly said: i like the magazine photos that have come out in this era,
i am however still at a loss as to how it was decided to have that "hard candy" cover i hate the 2 images together, and know that they could have done better I like the album cover for what it is,but truthfully,I like some of the fan-created artwork even better.Robster's fake 'Licorice' artwork is far superior than what Madonna came up with. whoa robster is still around? soulalive - were you ever on madonnamad? I'll leave it alone babe...just be me | |
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midnightmover said: Raze said: btw, I really don't like this "4 Minutes" song. I've really tried to. I listened to it on repeat for a half an hour 3 days in a row, and I just can't get into it.
The lyrics are horrible (as are those on the other 2 songs I've heard). I can't even tell what this song is supposed to be about, aside from showing off her new friends and them saying Madonna-Madonna over and over. It's like a big starfucking cirle jerk, but don't ask me what the lyrics are actually ABOUT. They're so cliched and non-sequitir that they have absolutely no meaning. And why is she always saying "Yeah" in her songs lately? It's the new "say goodbye" or "walking out the door" or "mmmmm-mmmmm" And please, Madonna producers, PLEASE go back to processing her vocals. It was nice the first time ("I Deserve It"), but the novelty has worn off. Everything sounds pinched and nasally lately. Strangely enough, I'm still looking forward to the album, though I hate all 3 songs I've heard from it so far. And they all suffer from exactly the same problems: lyrics, vocals, producer intrusion, etc. And that snipped of "Miles Away" with people talking over it doesn't sound any more promising to me than the rest of it. I agree totally. It's not just that she's using cliches. It's that the cliches have absolutely no relevance. What does "always the bridesmaid, never the bride" have to do with the theme of the song? Or "the road to hell is paved with good intentions"? They're just put in there for no reason. The whole thing is so sloppy that it's an insult to the craft of songwriting and to the audience who she wants to sell this to. But her hubris is understandable. The fact is she's been doing this for years and never gets criticized for it, and the fans don't seem to notice or care. So what incentive does she have to raise her game? Send us some links to your songs,so then I can take your comments seriously... | |
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heartbeatocean said: midnightmover said: I agree totally. It's not just that she's using cliches. It's that the cliches have absolutely no relevance. What does "always the bridesmaid, never the bride" have to do with the theme of the song? Or "the road to hell is paved with good intentions"? They're just put in there for no reason. The whole thing is so sloppy that it's an insult to the craft of songwriting and to the audience who she wants to sell this to. But her hubris is understandable. The fact is she's been doing this for years and never gets criticized for it, and the fans don't seem to notice or care. So what incentive does she have to raise her game? Send us some links to your songs,so then I can take your comments seriously... Another over-emotional fan. There's no need to get so defensive. Madonna's lyrics are all over the place. That's not an opinion. It's a fact. If you can tell me what the hell those cliches I mentioned have got to do with the song then go ahead. If not, then you're just showing yourself to be a zealot. “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson | |
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badujunkie said: SoulAlive said: I like the album cover for what it is,but truthfully,I like some of the fan-created artwork even better.Robster's fake 'Licorice' artwork is far superior than what Madonna came up with. whoa robster is still around? soulalive - were you ever on madonnamad? Yeah,I was on Madonnamad I loved that site! Robster is still around.He's on one of the Madonna forums,I forgot which one.He's the one who comes up with those creative fake album covers.His 'Licorice' artwork even fooled the mainstream media! [Edited 3/29/08 14:21pm] | |
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midnightmover said: heartbeatocean said: Send us some links to your songs,so then I can take your comments seriously... Another over-emotional fan. There's no need to get so defensive. Madonna's lyrics are all over the place. That's not an opinion. It's a fact. If you can tell me what the hell those cliches I mentioned have got to do with the song then go ahead. If not, then you're just showing yourself to be a zealot. No,Midnightmover,it's an OPINION,not a fact.You spend all your time,on this thread and others,spewing worthless opinions.Nothing you say is a fact,so stop pretending that your words carry any weight. Like heartbeatocean said....send us some links to YOUR SONGS and let's see if you can come up with something better.Become the superstar that Madonna is.Let's see YOU have the same success that she has had.You bitch about everything she does,but I don't see you doing any better.After 25 years,Madonna still has a career,so she must be doing something right. . [Edited 3/29/08 15:09pm] | |
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speaking of Robster,here's another excellent album cover he came up with...
Early on,there was a rumor that the album would be titled 'Madame'.I think this cover would have worked well with that title. | |
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SoulAlive said: badujunkie said: whoa robster is still around? soulalive - were you ever on madonnamad? Yeah,I was on Madonnamad I loved that site! Robster is still around.He's on one of the Madonna forums,I forgot which one.He's the one who comes up with those creative fake album covers.His 'Licorice' artwork even fooled the mainstream media! [Edited 3/29/08 14:21pm] who were you? i was sh*thead. ha. wonder whatever happened to Pud Whacker... I'll leave it alone babe...just be me | |
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SoulAlive said: speaking of Robster,here's another excellent album cover he came up with...
Early on,there was a rumor that the album would be titled 'Madame'.I think this cover would have worked well with that title. that is FUCKING genuis. I remember seeing that awhile back - the music that would go with that album cover would be dope as hell. If madonna continues the R&B streak I would love 2 see her work with dallas austin again, maybe james poyser, ?uestlove, 9th Wonder, even Jam & Lewis... I'll leave it alone babe...just be me | |
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badujunkie said: SoulAlive said: Yeah,I was on Madonnamad I loved that site! Robster is still around.He's on one of the Madonna forums,I forgot which one.He's the one who comes up with those creative fake album covers.His 'Licorice' artwork even fooled the mainstream media! [Edited 3/29/08 14:21pm] who were you? i was sh*thead. ha. wonder whatever happened to Pud Whacker... I remeber PudWhacker!!! That guy cracked me up! He's hilarious.Last time I checked,he posts on the Madonnanation forums.I hardly ever post there. I can't recall what my name was on Madonnamad.It was so long ago,and I'm sure that I changed my name regularly,lol. | |
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badujunkie said: SoulAlive said: speaking of Robster,here's another excellent album cover he came up with...
Early on,there was a rumor that the album would be titled 'Madame'.I think this cover would have worked well with that title. that is FUCKING genuis. I remember seeing that awhile back - the music that would go with that album cover would be dope as hell. If madonna continues the R&B streak I would love 2 see her work with dallas austin again, maybe james poyser, ?uestlove, 9th Wonder, even Jam & Lewis... That artwork is better than the official album cover.Madonna should hire Robster to design her album covers! If Madonna does another R&B album,I want her to work with Dangermouse of Gnarls Barkley.I bet she could do a really edgy,interesting album with him. | |
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SoulAlive said: midnightmover said: Another over-emotional fan. There's no need to get so defensive. Madonna's lyrics are all over the place. That's not an opinion. It's a fact. If you can tell me what the hell those cliches I mentioned have got to do with the song then go ahead. If not, then you're just showing yourself to be a zealot. No,Midnightmover,it's an OPINION,not a fact.You spend all your time,on this thread and others,spewing worthless opinions.Nothing you say is a fact,so stop pretending that your words carry any weight. Like heartbeatocean said....send us some links to YOUR SONGS and let's see if you can come up with something better.Become the superstar that Madonna is.Let's see YOU have the same success that she has had.You bitch about everything she does,but I don't see you doing any better.After 25 years,Madonna still has a career,so she must be doing something right. . [Edited 3/29/08 15:09pm] Damn, this response is immature and over-emotional. Listen son, it ain't an opinion that "The road to hell is paved with good intentions" is a cliche that doesn't really relate to the theme. I challenge you to prove otherwise. You won't be able to do that because I'm right, as any objective person would know. Several Madonna fans have said the exact same thing, so it's not just me. If her own fans are noticing it, doesn't that tell you that there might be some substance to the claim? “The man who never looks into a newspaper is better informed than he who reads them, inasmuch as he who knows nothing is nearer to truth than he whose mind is filled with falsehoods and errors.”
- Thomas Jefferson | |
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midnightmover said: Raze said: btw, I really don't like this "4 Minutes" song. I've really tried to. I listened to it on repeat for a half an hour 3 days in a row, and I just can't get into it.
The lyrics are horrible (as are those on the other 2 songs I've heard). I can't even tell what this song is supposed to be about, aside from showing off her new friends and them saying Madonna-Madonna over and over. It's like a big starfucking cirle jerk, but don't ask me what the lyrics are actually ABOUT. They're so cliched and non-sequitir that they have absolutely no meaning. And why is she always saying "Yeah" in her songs lately? It's the new "say goodbye" or "walking out the door" or "mmmmm-mmmmm" And please, Madonna producers, PLEASE go back to processing her vocals. It was nice the first time ("I Deserve It"), but the novelty has worn off. Everything sounds pinched and nasally lately. Strangely enough, I'm still looking forward to the album, though I hate all 3 songs I've heard from it so far. And they all suffer from exactly the same problems: lyrics, vocals, producer intrusion, etc. And that snipped of "Miles Away" with people talking over it doesn't sound any more promising to me than the rest of it. I agree totally. It's not just that she's using cliches. It's that the cliches have absolutely no relevance. What does "the road to hell is paved with good intentions" have to do with the theme of the song? It's just put in there for no reason. The whole thing is so sloppy that it's an insult to the craft of songwriting and to the audience who she wants to sell this to. Yes! And to take the point even further, what IS the "theme" of the song? Is it about sex? dancing? love? saving the world? what? "Half of what I say is meaningless; but I say it so that the other half may reach you." - Kahlil Gibran | |
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Raze said: midnightmover said: I agree totally. It's not just that she's using cliches. It's that the cliches have absolutely no relevance. What does "the road to hell is paved with good intentions" have to do with the theme of the song? It's just put in there for no reason. The whole thing is so sloppy that it's an insult to the craft of songwriting and to the audience who she wants to sell this to. Yes! And to take the point even further, what IS the "theme" of the song? Is it about sex? dancing? love? saving the world? what? It's about peddling out Timbaland/lake as her new high profile friends. Feel free to join in the Prince Album Poll 2018! Let'a celebrate his legacy by counting down the most beloved Prince albums, as decided by you! | |
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Moonbeam said: Raze said: Yes! And to take the point even further, what IS the "theme" of the song? Is it about sex? dancing? love? saving the world? what? It's about peddling out Timbaland/lake as her new high profile friends. Well, yes. That's what I said originally. A star-fucking circle-jerk. But the song itself.... there' s just nothing to it. I'm disappointed. I'm probably still going to enjoy the album... or that there IS an album, but the 3 songs so far do nothing for me but turn me off. "Half of what I say is meaningless; but I say it so that the other half may reach you." - Kahlil Gibran | |
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midnightmover said: Raze said: btw, I really don't like this "4 Minutes" song. I've really tried to. I listened to it on repeat for a half an hour 3 days in a row, and I just can't get into it.
The lyrics are horrible (as are those on the other 2 songs I've heard). I can't even tell what this song is supposed to be about, aside from showing off her new friends and them saying Madonna-Madonna over and over. It's like a big starfucking cirle jerk, but don't ask me what the lyrics are actually ABOUT. They're so cliched and non-sequitir that they have absolutely no meaning. And why is she always saying "Yeah" in her songs lately? It's the new "say goodbye" or "walking out the door" or "mmmmm-mmmmm" And please, Madonna producers, PLEASE go back to processing her vocals. It was nice the first time ("I Deserve It"), but the novelty has worn off. Everything sounds pinched and nasally lately. Strangely enough, I'm still looking forward to the album, though I hate all 3 songs I've heard from it so far. And they all suffer from exactly the same problems: lyrics, vocals, producer intrusion, etc. And that snipped of "Miles Away" with people talking over it doesn't sound any more promising to me than the rest of it. I agree totally. It's not just that she's using cliches. It's that the cliches have absolutely no relevance. What does "the road to hell is paved with good intentions" have to do with the theme of the song? It's just put in there for no reason. The whole thing is so sloppy that it's an insult to the craft of songwriting and to the audience who she wants to sell this to. But her hubris is understandable. The fact is she's been doing this for years and never gets criticized for it, and the fans don't seem to notice or care. So what incentive does she have to raise her game? [Edited 3/29/08 17:04pm] this is exactly my problem with the song. the beat is actually cool for me, it's the fact that the lyrics sound like they were harvested from a bunch of other songs that never made it to completion. there is no consistency or coherence, no real theme. i can dance to it at the clubs but i have no interest in listening to it anywhere else. and still...why does she only have 4 minutes to save the world? from what? or whom? too much mess for me. An individualist is a man who lives for his own sake and by his own mind; he neither sacrifices himself to others nor sacrifices others to himself... | |
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sassybritches said: midnightmover said: I agree totally. It's not just that she's using cliches. It's that the cliches have absolutely no relevance. What does "the road to hell is paved with good intentions" have to do with the theme of the song? It's just put in there for no reason. The whole thing is so sloppy that it's an insult to the craft of songwriting and to the audience who she wants to sell this to. But her hubris is understandable. The fact is she's been doing this for years and never gets criticized for it, and the fans don't seem to notice or care. So what incentive does she have to raise her game? [Edited 3/29/08 17:04pm] this is exactly my problem with the song. the beat is actually cool for me, it's the fact that the lyrics sound like they were harvested from a bunch of other songs that never made it to completion. there is no consistency or coherence, no real theme. i can dance to it at the clubs but i have no interest in listening to it anywhere else. and still...why does she only have 4 minutes to save the world? from what? or whom? too much mess for me. Yeah, I heard it in a club last night. And I shook my ass to it. So I can now appreciate it on that level. But I don't think I'm ever going to get the urge to just listen to this song on my iPod or stereo. Interestingly, it was played back to back with Janet's "Feedback." I preferred "Feedback" for the dancefloor, but apparently I was one of the few who did, judging by the reaction of everyone else. Kids these days. Sheesh. "Half of what I say is meaningless; but I say it so that the other half may reach you." - Kahlil Gibran | |
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$ Minutes is a great dance tune. The middle eight is pure escapism. i don't care what it's about. Probably the video will enlighten us...
Madonna's first album was dance, the enhancement to disco. Her second album was produced by Nile Rodgers and some of her True Blue album songs have a blackish feel as well. Open Your Heart. True Blue sounds like a cheap Motown track. Keep It Together, Rescue Me, most of the Erotica album,. Bedtime Stories... they're black. With a bit of fantasy, even the song Music sounds black. just imagien a black woman singing it. she does commercial pop-black songs. and I don't think her new songs sound like a hip-hop record. thank god her songs are faster than Mariah Careys granny-rhythm songs... | |
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