Count me in on this 100%, i didnt have MTV, grew up in Brooklyn, and my Fridays were spent in front of the TV jumping back and forth between friday night videos and NY Hot Tracks, this was before the cosby kids took over Friday Night Videos and other hosts, in the beginning that show was 90minutes of straight videos with not too much commercials. Also props to NY Hot tracks, some people think this show only played "RB" but this was an all inclusive show, one week you could see an interview with Lisa Lisa, the next, Ashford and SImpson, the next Billy Joel, and thats how the playlist ran too. I thank these two shows aalso U68, for exposing me too other artists that MTV was playing, u would never see freestyle artists like Expose or the Cover Girls on MTV, and my favorite band ever was NOT broken by MTV in america, it was technically U68 that premiered that video before anyone did, and then after a few weeks MTV had it.
But as for the MJ thing, sure videos pushed him into the stratosphere with exposure, it did for tons of artists, and also helped new ones unknown get known, but to say MJ might be what he was if not for video, is def not true "We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F | |
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Actually ITV in some regions had an overnight show in the mid to late 80's called 'The Box' which preceded what you are talking about. It showed videos for free, no calling up nonsense. Different entirely. | |
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So I wasn't far off? | |
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I very much believe if Michael never made any music videos for 'Thriller' he still wouldve been popular. 'Billie Jean' was the first music video from 'Thriller' yet it barely created a buzz. When he appeared on Motown 25 it was the most talked about singular performance on network television. So that video did not elevate him to the pop stratosphere to me it was his live performance. I dont know if MTV was playing Billie Jean at the time of the special but Im sure they were playing it afterwards.
My family had cable back in 1980. I remember the channel HBO was the one we looked at. About two years later I was turing the dial(before remote control) and I came across MTV. The first video I seen on that network was by David Bowie but I remember how intrigued I was by this and I kept going back to it. MTV did introduce me to a new genre of music 'New Wave'.
In order to watch R&B videos we tuned in to NY Hot Tracks which was first then Friday Night Videos then U68 rap videos with Ralp McDaniels. | |
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No i agree on that Motown 25 was the igniter, it was a huge show, and it was the visual of a move that no one ever saw, it wasnt HYPED up like anything today, u didnt get HYPED a month before the show by someone tweeting "mikes going to do the moon walk" a million times a day, so in that respect those times the unexpected always won out, nothing is unexpected now, everything is calculated. There is no way in hell MJ knew that dance move would be the shit, just like John Travolta didnt thiink that pose in the white suit was anything more than the end of his photoshoot that day, little did they know it was going to be iconic. Back then icons were made by what they did, now you try to be iconic by what you say you are going to do.
MTV was a great thing early on, even through till about 86-87 maybe 88 even, but then like all "new things" they get sold away, i mean think about Myspace and Youtube and Facebook and Twitter good for the first few then at some point its lost its luster, mtv lost it when its sale went into effect, that was pretty much the end. "We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F | |
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Not true. The Jukebox Network (later renamed The Box) was available in 1989. Even back then, you had to lived in specific regions of the USA to get it on TV synication. I was able to watch Jukebox in the Baton Rouge area a lot better than in the New Orleans area.
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OK. But wasn't it a tv performance, not a video or MTV, that really took the Thriller album and MJ's carer to the next level? I'm not trying to take away the historical significance of the "Thriller" video or MJ's love of making short films. I'm just saying that the Motown 25 perfomance had a bigger impact. I'm sick and tired of the Prince fans being sick and tired of the Prince fans that are sick and tired! | |
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No you're right. Motown 25 pushed Michael to the stratosphere. Prior to Motown 25, Thriller had initially peaked at No. 1 and Def Leppard's Pyromania took its place (if I remember my MJ factoids list correctly). After M25, sales pushed back up and he reclaimed the No. 1 spot. I think "Beat It", the single and video, was released either before or after M25. Ironic thing was Michael turned it down numerous times because he wanted to focus on solo work and not a J5 reunion. When Michael told Berry he wanted a solo spot, it changed the course of history. It was really that moonwalk. The videos were extra on that gravy really. | |
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Oh I agree. I was just saying the album didn't start really taking off until Billie Jean's release. the Motown 25 performance took the album and Michael to a completely different level "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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But it did take off. There is no way to break it down into fragments. Thriller was always going to be a megahit. This was a known. Off the Wall was huge and Thriller was expected to be AS big if not bigger. Where is the mystery?
The video phenomenon isn't as strong of an impact on someone's career as some give it credit for being. Prince, for instance, has always had shitty videos no matter what and he remains successful. Granted, his music is much more diverse and less formulaic so it doesn't appeal to everyone. | |
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Yeah and Michael had the SMARTS to know where he was going with Thriller. Everyone else was shocked. | |
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hee hee... | |
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exactly... i grew up in the bronx and brooklyn, and the videos which came out of michael (and his brothers) prior to- and even after- thriller we saw on new york hot tracks or video music box or whatever... i didn't see MTV until about 1991, 1992 or so, after the dangerous album. and michael was HUGE when i was growing up! all the kids wanted to be like him. | |
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Who do people think was pulling the strings of the Michael Jackson career? MJ!
People give Quincy and Freddy D so much credit and they forget that Michael himself was a genius. He ain't Britney fuckin Spears. | |
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Yeah that's how I remember it. As big of an MJ/ Jacksons fan as I always was I remember not giving a damn about no Beat It or Billie Jean video back in the day. I remember kids in my 3rd grade class telling our teacher about the BJ video, bed lighting up and stuff and she was like Then M25 broadcasts and that same teacher, eand everybody else lol, was like about any and ALL things MJ after that. And Barry knew it, which is why he put out all those J5/ MJ releases of old shit so all the new fans would buy it. And they did, too. I'm sick and tired of the Prince fans being sick and tired of the Prince fans that are sick and tired! | |
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We were discussing the UK channel, "The Box"....nothing to with what you're talking about. |
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Barry would release a new J5 album out whenever there was a new Michael or Jacksons album out "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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Yeah but it wasn't until 1981 that he sought to make profit. Technically it started with Joyful Jukebox Music in 1976 (after The Jacksons and the TV series), then Boogie (after Destiny). But One Day in Your Life was the first real attempt to have chart success with Michael's Motown catalog, which they did with the title track (#1 in the UK) and then Farewell My Summer Love and a list of other hits collection during the Thriller craze. One compilation for the J5 even had it credited to Michael Jackson AND the Jackson 5. | |
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yeah, i only saw HBO, and WHT. and video music box used to be on channel 31, i think, where i was... and i totally remember friday night videos before the tv stars on it... | |
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i miss carlos deJesus...
we stayed up late at night at my grandmother's house watching it, and switching beteween the two shows too!. shows like that too, was where i saw the 'she's out of my life', 'rock with you' and 'don't stop til you get enough' videos. this was before MTV's premiere. this was also where i saw the 'can you feel it' film. this was the first music film michael actually (co)conceived, with credits and everything. people never mention this, when speaking about the music films like 'thriller'.
[Edited 4/6/11 2:36am] [Edited 4/6/11 2:40am] | |
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and i love how a bunch of songs from 'forever, michael' were on that collection, when it seems as if motown seemingly did little to nothing to promote the album in 1975. and 'one day in your life' fared better as a single in the UK, hitting no. 1 in 1981 (as you mentioned). 'take me back' (one of the best during michael's motown era) was the b-side for the single in 1981. 'we're almost there' was the original flipside in 1975 (opposite 'take me back')... i have both editions of the 45- the US 1975 edition, and the UK 1981 edition.
'farewell my summer love' was a terrible collection with those remixed tracks... the 1986 (looking back to yesterday) and 1995 (anthology) collections are MUCH better. | |
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wasn't the jacksons' concert in 1978 (for 'destiny') done for channel four? [Edited 4/6/11 2:52am] | |
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This isn't the first time the two "Boxes" were confused with each other. My apologies. | |
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For me the MTV/video shit was never the main draw with MJ.
I just always really liked his voice, and his dancing and the music itself.
So to answer the question, his impact is that he was a damn talented guy who did a lot of damn good songs. Talented enough that not many can surpass him, and songs good enough that a lot of them are unforgettable. "I don't think you'd do well in captivity." - random person's comment to me the other day | |
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a very nice solo career....
I remember listening to Casey Kasems AT40 back in the days and all of his chart trivia... back then albums were not pushed to the max with videos and "milked" to the last drop concerning singles... and Off The Wall was only the fourth album in history to spawn four top 10 singles.. two of the other albums were soundtracks with various artists doing the hits (Grease and Saturday Night Fever) so they do not really count. the remaining one was Fleetwood Mac Rumours. so OTW was the first album by a solo act ever to make such an impact (if that is an impact you were asking for in your thread title...)
yeah, a "very nice solo career" but nothing outstanding yet... okay... please continue
kids
[Edited 4/6/11 23:54pm] If you want to make God laugh, tell him your plans. | |
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I remember exactly where I was and who I was with when I saw this. Not only was I blown away, I remember thinking 2 myself, "That was thee BEST performance I've ever seen on television". We were all just sort of speechless after that. | |
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that performance took things to a whole new level.People were blown away and 'Thriller' started selling like hotcakes. | |
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yeah me too, and I remember people talking about it afterward.
the funny thing is, he lip synched it, which would bother me today. But we had never seen anything like it. And I had actually seen mimes do the moonwalk, but that did not matter. It was just mesmerizing.
That is all the Ushers and Beyonces and Justins need to do to be the "next MJ." Amaze us with your brilliance. Just one time! My Legacy
http://prince.org/msg/8/192731 | |
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Agreed with most of what you said | |
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