donnyenglish said: Four episodes in and it is still the same page, different book. Still talking about the Revolution's influence. The podcast should be called "The Breakup and Influnece of the Revolution" because the four episodes have very little to do with the actual album that he made, in part, to distance himself from the band. You guys have fun with the series because most of you apparently love the narrative. Four episodes of whitewashing has lost my interest. Looking forward to hearing the music next week. [Edited 9/17/20 4:50am] ...and yet you keep insisting that we hear from people like Miko, who wasn’t even around when this album was made! Lol. Get your priorities straight. Check your privilege. | |
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OnlyNDaUsa said: Well Levi is in it... where's miko? Not even in America, at the time, apparently. | |
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. In an earlier podcast in the series, it was mentioned that Dream Factory was not an album they were working on so much as a name for where songs went that didn't fit with whatever album project they were doing "this one's for the Dream Factory!" or words to that effect. Roadhouse Garden was never brought up as an album concept. And to me... Roadhouse Garden is about much the same concept as Paisley Park, a place where you can make music and be happy. I think whatever Roadhouse Garden was as a concept morphed into Around The World In A Day after that song was there and Paisley Park was there. This might simply be memory being what it is after almost 35 years and Roadhouse Garden being a thing for a mention in the podcasts for Around The World In A Day Super Deluxe (I can dream)
Paisley Park is in your heart - Love Is Here! | |
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jaawwnn said: Where IS Miko? Hmm Lol saying W&L wrote In a Large Room, are they just trolling the org now? Go listen to Podcast juice. These are the facts. | |
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mediumdry said: it was an interesting episode... nice to hear some other voices now. But somewhat forgettable, somehow. I relistened it immediately to see if I missed something. Hope it'll pick up again, but the first two floored me, the two after that, not so much. It was so forgettable I had to listen to it twice! Nice. | |
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BINGO. Most likely P's lyrics Might be nit-picking but these podcasts need to be checking the facts.
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i'm not gonna lie i felt a sickness in my stomach for a few minutes after hearing "in a large room with no light, written by wendy and lisa" | |
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jaawwnn said: Nope, never, you should save your blood pressure and stop listening. I mean, sure its told the story from 1985 to 1986 in chronological order and any idiot can see that 1987 comes right after 1986 but i predict you'll never hear the story you want to hear. Maybe Wendy will say she wrote housequake and you can really have a meltdown? Perfect summation of the transparent anxieties coming out of some people. Thanks. | |
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These are so fun to listen to. I can't remember being THIS excited for a Prince release since the old days.
Soul Psychodelicide is the one from this Podcast that made me almost drool.
The Ball is one I can't wait to hear clearly. The current one I have is awful. | |
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tab32792 said: TrevorAyer said: big fan of rev but these podcasts are a bit redundant and lacking in any real interesting info .. i get that it leads up to sott but a lot of these interviews would work better for the parade box .. honestly the rev sound out of the loop talking about sott .. cuz they were .. at that point prince was not working WITH them but rather maintaining a somewhat professional demeaner until the inevitable end that was already decided .. they should rather answer every question with .. i dont really know cuz we were on our way out at that point .. instead of pretending to be a big part of things when they weren't ... maybe the other 19 podcasts will give some prince songs insight instead of just rev breakup insight This | |
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Why anyone judges the sound quality of the upcoming release on a snippet in a PODCAST is quite peculiar | |
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RJOrion said: jaawwnn said: Where IS Miko? Hmm Lol saying W&L wrote In a Large Room, are they just trolling the org now? crazy, isnt it? You and facts don’t really go together do they? Please. Refer to the record. That’s all you need to do. Dayum. | |
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Ymaginatif said: The Revolution certainly gets a lot of attention in these podcasts ...
Actually, the podcasts are about them, and you get the feeling that the Sign O The Times live band was merely a disturbance - an accident that happened to them.
I miss the days when their tendency to self-aggrandaziment was nipped in the bud by the threat of lawsuits ... The sott sessions were done while they were still together. Before the parade tour even. So it makes sense. Plus the sott band had nothing to do with the album. But yes I really hope the sott band get mixed attention in the next few episodes. They deserve it. | |
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Except, Miko said he was there when the album was made and that said it was all Prince. I guess we should only believe Wendy and Lisa and not other band members who contradict them. [Edited 9/17/20 7:42am] [Edited 9/17/20 7:45am] | |
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RighteousOne said: donnyenglish said: Four episodes in and it is still the same page, different book. Still talking about the Revolution's influence. The podcast should be called "The Breakup and Influnece of the Revolution" because the four episodes have very little to do with the actual album that he made, in part, to distance himself from the band. You guys have fun with the series because most of you apparently love the narrative. Four episodes of whitewashing has lost my interest. Looking forward to hearing the music next week. [Edited 9/17/20 4:50am] ...and yet you keep insisting that we hear from people like Miko, who wasn’t even around when this album was made! Lol. Get your priorities straight. Check your privilege. Bud, you may not know this, but Miko was very much around when this album was made. Prince was recording with him in the warehouse as you can clearly hear on We Can Funk. People do seem to forget that Miko was a full fledged member of the Revolution. See the Anotherloverholenyohead video for more blatantly obvious context. And then we have Miko's words themselves which hold just as much water as anyone else around at the time. [Edited 9/17/20 7:46am] | |
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Miko's words about being there:
not all true if you were in the room like I have been
This is all so funny for me! I'm there since 1983 and know much more than what I've read by people who weren't in the same room including past engineers. Which many times on many tracks I've seen only himself working the controls that the engineers set up and then asked to leave! Many have forgotten that I was actually there with him
it was all him! Others where just others! People crying now mega years late? Pat's on the back bullshit! I'm sad because he can't tell his side of the story but I can but don't want to call folks liars!
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do you also have info on which bandmembers had beef with which other bandmembers? That may colour how they talk about eachother. it's best to have multiple sources for any remarks. In that light Miko's remarks don't have much corroboration yet. Paisley Park is in your heart - Love Is Here! | |
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donnyenglish said:
Except, Miko said he was there when the album was made and that it was all Prince. | |
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LoveGalore said: RighteousOne said: ...and yet you keep insisting that we hear from people like Miko, who wasn’t even around when this album was made! Lol. Get your priorities straight. Check your privilege. Bud, you may not know this, but Miko was very much around when this album was made. Prince was recording with him in the warehouse as you can clearly hear on We Can Funk. People do seem to forget that Miko was a full fledged member of the Revolution. See the Anotherloverholenyohead video for more blatantly obvious context. And then we have Miko's words themselves which hold just as much water as anyone else around at the time. [Edited 9/17/20 7:46am] I’m sure he was around, yes, but it don’t seem like the geezer was involved much, if at all, in the recording process. Can you not accept that? Bud. | |
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RighteousOne said: LoveGalore said: Bud, you may not know this, but Miko was very much around when this album was made. Prince was recording with him in the warehouse as you can clearly hear on We Can Funk. People do seem to forget that Miko was a full fledged member of the Revolution. See the Anotherloverholenyohead video for more blatantly obvious context. And then we have Miko's words themselves which hold just as much water as anyone else around at the time. [Edited 9/17/20 7:46am] I’m sure he was around, yes, but it don’t seem like the geezer was involved much, if at all, in the recording process. Can you not accept that? Bud. No because he's clearly stated otherwise. Bud. So I'm pretty sure if we can take every bit of W&L's recollection as gospel (despite it being inconsistent) then surely we can take Miko's too. | |
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LoveGalore said: RighteousOne said: I’m sure he was around, yes, but it don’t seem like the geezer was involved much, if at all, in the recording process. Can you not accept that? Bud. No because he's clearly stated otherwise. Bud. So I'm pretty sure if we can take every bit of W&L's recollection as gospel (despite it being inconsistent) then surely we can take Miko's too. | |
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RighteousOne said: LoveGalore said: No because he's clearly stated otherwise. Bud. So I'm pretty sure if we can take every bit of W&L's recollection as gospel (despite it being inconsistent) then surely we can take Miko's too. You may need to reread what I said because you're definitely not clear on that. What I said was pretty succinct. | |
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RighteousOne said: tab32792 said: This 😂😂😂 that has nothing to do with why I said that. Majority of the songs on the released album (just like with most of the albums with “and the Revolution” on them as well) were solo works. Them being women have nothing to do with what I said | |
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funkbabyandthebabysitters said: Ymaginatif said: The Revolution certainly gets a lot of attention in these podcasts ...
Actually, the podcasts are about them, and you get the feeling that the Sign O The Times live band was merely a disturbance - an accident that happened to them.
I miss the days when their tendency to self-aggrandaziment was nipped in the bud by the threat of lawsuits ... The sott sessions were done while they were still together. Before the parade tour even. So it makes sense. Plus the sott band had nothing to do with the album. But yes I really hope the sott band get mixed attention in the next few episodes. They deserve it. No they only 8 songs (half the album) was done prior to October 86 when he got rid of them | |
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LoveGalore said: RighteousOne said: You’re tiring me out. Let’s see if I have you straight. Miko stated something so it must be true. Wendy and Lisa state something and it must not? Never mind that they’ve got independent corroborations from other individual sources (who don’t mention Miko, BTW). What use are facts when you have hearsay? You may need to reread what I said because you're definitely not clear on that. What I said was pretty succinct. No, it’s VERY clear what your intention is: Miko is to believed (despite just his word). W & L are to be doubted (despite evidence). Don’t try to weasel out of this, your implication is very clear. But why? That’s the real question. | |
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donnyenglish said: jaawwnn said: Where IS Miko? Hmm Lol saying W&L wrote In a Large Room, are they just trolling the org now? The podcast went out of their way to credit that song to WL. Putting aside whether the podcast misrepresented that Prince had nothing to do with writing the song, that effort to continue to highlight their contribution rather than to highlight Prince’s genius is the problem with this series. There is an agenda and they are all in on it because many of you eat it up. Let’s pray Ezra does not make the same mistake in the netflix documentary. [Edited 9/17/20 5:42am] [Edited 9/17/20 5:47am] The truth is what it is whether you agree with it or not. Amazing how fragile some fans can be about a writing credit. Prince may be the purple Yoda, but Wendy & Lisa and Eric Leeds also sit on the Jedi Council. | |
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Anybody willing to listen to multiple episodes of this podcast already knows that Prince was a musical genius and talented man, I'm not sure why some fans have such an insecure knee-jerk reaction to any praise given to his collaborators. | |
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