Debate over Motown's 'first white act' crops up after Marie's death; historian settles itWho was the first white artist signed to Motown? DetNews, Dec. 28: Teena Marie was one of the best-known white acts on Motown, but there were many who preceded her. Rare Earth was probably the most successful, signing to Motown in 1968 and hitting with "Get Ready," "I Just Want to Celebrate" and others. But there was also R. Dean Taylor ("Indiana Wants Me"), Chris Clark, rockabilly artist Johnny Powers, Nick and the Jaguars and others. All valid, but neither were the first. So who was?
"Don't Let Him Shop Around" was an answer record to Smokey Robinson and the Miracles' "Shop Around." It was released in February 1961. Motown Junkies: Debbie Dean was the first white artist to sign with Motown, and the first white female performer to appear on a Motown single. (Nick and the Jaguars, who had released the surf rock instrumental Ich-i-bon #1 in August 1959, were the first white performers on a Motown label, but theirs was a one-off deal for Tamla to release that one pre-recorded single, rather than them actually signing a contract with Berry Gordy.) Commercially, Rare Earth was Motown's first profitable white act, with hits like "I Just Want to Celebrate" and a cover of the Temps' "Get Ready."
Finally, there's the matter of Chris Clark, who had a brief run with Motown, but is better known for her non-musical contributions. She co-wrote the script for the Diana Ross film vehicle, "Lady Sings the Blues," which earned her an Oscar nomination.
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She sure was a fly white girl fer sure! | |
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as I stated - Teena was good - but crowning her a queen of a non-existent genre is a bit much and may she rest in peace
A singer/artist that sang soul music, who happened to be Caucasian, I agree she was good at her craft, not an artist that I particularly was into - but I give her the due props, but a title - not needed.
Jimi Hendrix usually wins most polls as Best Guitarist or best Rock Guitarist, but he is not called The Black King of Rock Guitar Just saying. Either you are the KIng or the Queen, no need to have a special denotation in front of it. Music Royalty in Motion | |
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Listening to Congo Square-Wow what a great cd Harlem Blues is a great song! Her voice still captivated | |
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Soul is a genre. It doesn't say "Queen of Ivory Soul". It's no different than saying "blue-eyed soul". Daryl Hall has said he doesn't like that term. I've also seen groups like Living Colour called "Black rock" and Charlie Pride referred to as a "Black country singer". I've also heard Black people call Rock N' Roll "White boy" music. People are into race I guess. James Brown used to give himself all kinds of titles. Is "New New Super Heavy Funk" a genre? Because James is the "Minister" of it. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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To be quite honest, I'm quite PISSED people gotta put race behind anything. I never at once thought of Teena in terms of race, same with Darryl Hall, Todd Rundgren and even Charlie Pride. If you're filled with music, no matter what genre, it shouldn't be based on color but I guess since we're so fragmented when it comes to race relations, I guess labeling it puts smiles on people's faces. It just don't put a smile on mine's or maybe I'm someone who thinks music should be color-blind. | |
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That's why I don't get Black people today complaining that Elvis Presley "stole" black music. They don't say Barry White or Gamble & Huff "stole" white music by using orchestras on their songs or Marian Anderson "stealing" European music by singing opera. I've never understood the thinking by many Black people that they have to make a certain kind of music or they're not "Black" enough or sellouts (ie. Lionel Richie, Tracy Chapman, Tina Turner, Whitney Houston, Jazzy Jeff & Fresh Prince, Dionne Warwick, Johnny Mathis, 5th Dimension, Sammy Davis Jr). Look at Prince. Pop radio stations ignore his more R&B or funk songs and R&B stations ignore the pop and rock songs. [Edited 12/29/10 12:22pm] You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Thank God it took 671 posts for this ridiculous diatribe to show it's ugly face so we could remember and respect her in peace the rest of the time. 2010: Healing the Wounds of the Past.... http://prince.org/msg/8/325740 | |
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Look, you invalidate every word flying from your keyboard right now with poor choices in timing and thread use. This it not the time, place or thread for that passive aggresive bullshit. I am not particularly happy with the perseverative focus on some things that I see people chewing on, but if we could wait a bit for the response conversation, or at least have it in a thread that is not busy providing solace to her loved ones, that would be great. Your are busy trying to split hairs to support your opinion, while Teena was busy splitting musical notes like atoms to bring the world joy. | |
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You mean you didn't see all of those comments by the other poster saying Teena is a disco singer and so is not worthy of attention. And then he or she even made a separate thread about it. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Marsha Ambrosius performed a cover version of Lady T's ‘Yes Indeed’ last night in London. | |
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Yeah I've been increasingly annoyed by all of that. | |
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One of Lady T's final interviews. | |
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Oh, I saw all that. This shit was trying to get racial and i'm glad it took this long for this crap to begin. I wish it didn't even need to be discussed. Teena will always be respected by all her fans, black/white/puertoricanjustafreekin 2010: Healing the Wounds of the Past.... http://prince.org/msg/8/325740 | |
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I'm actually mad. It took until the poor girl died for her to get the coverage she never fucking got when she was living. | |
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I mentioned this pages ago, she's more famous now than she was when lovergirl was on the charts. Its amazing what stories get press during a slow/holiday weekend. ABC World News even gave her bout 3 minutes Monday Night. The Most Important Thing In Life Is Sincerity....Once You Can Fake That, You Can Fake Anything. | |
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See?! That's the kind of...and she barely had crossover hits as it was. Makes me the more madder Motown and Epic didn't fully PROMOTE HER!!!!!!!!!!! | |
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Yet, she never sold out..
And stayed true to her craft | |
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I hear you Timmy. I'm actually mad at myself, because I've been listening to music of hers now that I've never heard before. Even the songs that I've been familiar with all these years suddenly sounds so much more amazing. I'm hearing things in her voice now that I never noticed before. Even though I was rocking Lady T just days before she even passed away, why did it take her death for me to take my appreciation of her up another level?
I really REALLY miss her right now. Again; may she be resting peacefully. | |
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Same here. | |
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That's the odd thing. But I guess I can take one over the other. Just don't get why they're suddenly posting her like they all loved her. | |
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Death always sells, unfortunately. John Lennon's Double Fantasy album didn't really start selling until he got shot. The general public wasn't interested in Michael Jackson's music until he died. He was just famous for jokes and tabloid stories. It's not just music either. It's not likely that Bruce Lee or Marilyn Monroe would be as big a deal if they lived to be an old age or didn't die suddenly under mysterious circumstances. It's the same for Jimi Hendrix, Jim Morrison, & Bob Marley. People who lived to an old age aren't given the same recognition. Look at Lena Horne, Jimmy Stewart, Sammy Davis Jr, James Brown, Ray Charles, Dean Martin, George Burns, Cary Grant, Rita Hayworth, and many others. Not much was said about them when they died. Look at the elders today like Little Richard, Chuck Berry, Willie Nelson, B.B. King, Tony Bennett, etc. The media isn't saying anything about them and they get little or no airplay. The only senior that is still really popular as far as the mainstream is concerned is Clint Eastwood, but still there's not a lot of press about him. But in his case, I'm sure he likes it that way. Clint has never been interested in the "Hollywood" life or the media. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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When is her funeral? I'M NOT SHOUTING, JEEZ! | |
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Guys, I think these are from her Robbery period from 1983.. at least that's what my black/white copies say.. Corbis has put '1985'.. might be from her Starchild album.. however, I don't think it's from the Emerald City period.. dunno..
.. [Edited 12/29/10 16:07pm] May you rest in peace, my beautiful queen, Teena Marie | |
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Sorry, but I unfortunately did not find larger images.
The funeral services at present remain unknown, although an autopy on her was supposedly completed today. | |
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I knew I was off lol thanks | |
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I was wrong I'm pretty sure now they're from the Starchild period (1984)..
She has the same earring as in the painting from her album cover:
May you rest in peace, my beautiful queen, Teena Marie | |
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Last Updated: December 29. 2010 4:12PM
Lady T, Aretha, Dinah — who's the queen?Susan Whitall / Detroit News Music WriterThere's been a lot of debate over the last few days about whether Motown's Teena Marie, who died Sunday, was ever called "The Ivory Queen of Soul," and if calling her that takes away from the no-holds-barred, universally acknowledged world champion "Queen of Soul," Aretha Franklin.
The "Ivory Queen" moniker sounds more like newspaper obit-ready, record company marketing than the true will of the people. More of her fans would probably call Teena Marie "Lady T," which she dubbed herself in song.
Here in Detroit, and in most of the hemisphere there is only one Queen. But lest we forget, before Aretha there were other musical queens.
The great 1920s blues singer Bessie Smith was recognized as the "Queen" or "Empress" of the blues. There's a Detroit connection to another "Queen" — no modifier needed — denoting Dinah Washington, popular in the 1950s and early '60s. The fiery, troubled jazz-blues singer of such classics as "What a Difference a Day Makes" and "This Bitter Earth" burned through seven husbands and once cleared a nightclub table of glassware because the girl singer on stage sang one of her numbers. Washington died 47 years ago here in Detroit, at the home on Buena Vista that she shared with Detroit Lions defensive back Dick "Night Train" Lane. Her death was deemed an overdose of diet pills.
She was first crowned the Queen of the Jukeboxes — her rhythm-and-blues records in the '50s were popular in restaurants and clubs — but that quickly became "Queen of the Blues," and then shortened to just "Queen." From The Detroit News: http://detnews.com/article/20101229/ENT04/12290416/Lady-T--Aretha--Dinah-&mdash--who-s-the-queen?#ixzz19YAdmzqP From The Detroit News: http://detnews.com/article/20101229/ENT04/12290416/Lady-T--Aretha--Dinah-&mdash--who-s-the-queen?#ixzz19YATam7Z | |
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Riding with her idol Smokey Robinson on Cruise Control Don't laugh at my funk
This funk is a serious joint | |
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This statement just boggles my mind.
So true, and "WTF????"
"Remember, one man's filler is another man's killer" -- Haystack | |
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