Christaro said: coolcat said: I'll definitely agree with regards to Satch and Vai... they're masters of making the electric guitar the lead melodic instrument... I think it's a musician thing. Musicians (and in particular guitar players) listen to music in a whole different way than non-musicians. When guitar players hear a guitar solo we immediately pay attention to: melody, timing, structure of the solo, sound, attack, sustain etc. Prince is a good guitar player but that's it. Nothing great or brilliant. He can never beat Steve Vai or Joe Satriani. Not in a million years. Those guys are Masters on their instruments. The reason I love Prince so much is that he is so versatile. With Prince it's the entire package: singing, playing several instruments, songwriting, studio technique, performing, dancing. Among the non-instrumental players, I'd have to say Prince is my favorite guitar player... But I just think the instrumental players including Jeff Beck, Satch, Vai, Eric Johnson... have taken rock guitar to another level because the guitar has to entirely replace the voice... | |
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Small Club. Just My Imagination. Total eargasm.
I'm just sayin'. We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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technical ability has nothing to do with anything. i mean, there's a reason why outside of guitar nerds nobody gives a shit about boring turds like eric johnson
nod I think it's a musician thing. Musicians (and in particular guitar players) listen to music in a whole different way than non-musicians. When guitar players hear a guitar solo we immediately pay attention to: melody, timing, structure of the solo, sound, attack, sustain etc.
what a lot of nonsense. if when you hear a guitarist letting rip you're primarily paying attention to all those things as individual elements, like a teacher grading an exam paper, i feel deeply deeply sorry for you. john coltrane has a famous quote to which says the exact opposite, that if you're truly immersed in a truly great solo neither the player nor the listener should care whatsoever about any kind of theory or technical detail; if you're a truly great player all that stuff should be intuitive anyway. how could you listen to coltrane's solo on "ole", for example, for the first time and just comprehend it technically? it would be absurd. and ask any jazz musician - not a soulless instrumental shred guitarist, a real jazz musician - and they'll tell you the same thing. so would jimi hendrix have. stuff like that is useful for a technical breakdown (i.e. "how did he play that") but it has nothing to do with, on an emotional, human level, as you feel it run through your ear and your brain, how "good" a guitar solo is. | |
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Genesia said: Small Club. Just My Imagination. Total eargasm.
I'm just sayin'. yep. and Small Club Rave un2 the joy fantastic, multiple eargasms! | |
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machinegun said: Genesia said: Small Club. Just My Imagination. Total eargasm.
I'm just sayin'. yep. and Small Club Rave un2 the joy fantastic, multiple eargasms! That whole show makes me wet. We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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Genesia said: machinegun said: yep. and Small Club Rave un2 the joy fantastic, multiple eargasms! That whole show makes me wet. You know, Prince only has himself to blame if he doesn't get the respect as a guitarist he deserves. 2 good aftershows on video and DVD would have ended any question of his abilities and put an end to these threads too! | |
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theghostoftonym said: technical ability has nothing to do with anything. i mean, there's a reason why outside of guitar nerds nobody gives a shit about boring turds like eric johnson
If someone said the same thing about Prince, then prince fans would be up in arms saying that the public is just ignorant about Prince... they'd never say, well there's a reason the public doesn't give a shit... Prince is just a turd. It's a double standard. what a lot of nonsense. if when you hear a guitarist letting rip you're primarily paying attention to all those things as individual elements, like a teacher grading an exam paper, i feel deeply deeply sorry for you. john coltrane has a famous quote to which says the exact opposite, that if you're truly immersed in a truly great solo neither the player nor the listener should care whatsoever about any kind of theory or technical detail; if you're a truly great player all that stuff should be intuitive anyway. how could you listen to coltrane's solo on "ole", for example, for the first time and just comprehend it technically? it would be absurd. and ask any jazz musician - not a soulless instrumental shred guitarist, a real jazz musician - and they'll tell you the same thing. so would jimi hendrix have. stuff like that is useful for a technical breakdown (i.e. "how did he play that") but it has nothing to do with, on an emotional, human level, as you feel it run through your ear and your brain, how "good" a guitar solo is. I think he's just saying that a musician develops a different type of intuition that is more affected by technique. The intuition comes first, then we analyze why we liked or didn't like the music, so that we can talk about it. It's all subjective at the end anyway. Different strokes for different folks. [Edited 7/25/07 12:48pm] | |
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bigbrother said: Those of you who complain that he doesn't play like Vai or Satriani et al. should remember that both of those guys rate Prince highly as both a guitarist and musician. I think people- especially some musicians -tend to assume that because Prince is a multi-instumentalist that he is merely 'ok' on those instruments rather than very good to excellent. I think Prince has a very distinctive style and personality to his guitar playing (both rhythm and lead)in addition to his piano/keyboard and bass skills and as another org member says, his leads often sing and are therefore memorable (a lot like his idol Santana). It's not a matter of how many notes you play ( as your repeated reference to speed indicates) but how you build the solo and I think Prince mixes the melodic and rhythmic aspects very well to create solos which convey emotion and build to an apex. He also uses speed when necessary but contrasts it nicely with sustained/feedback notes and muted rhythmical flurries and tones (ICNTTPOYM - live and The Ride). What I might criticise slightly is that the Purple Rain solo structure and build-up has been repeated thematically a few too many times in other songs. Also, his playing is not often well mixed on his CD output.
Anyway, if you want to hear shredded speed arpeggios listen to someone like Yngwie Malmsteen who while technically impressive seems more intent on showing off over really creating guitar parts that bring the songs to life, are memorable and which also reveal the soul of the player. Remember, music isn't just about technical proficiency and complexity for its own sake but creating something which speaks to people. On this latter point, Prince has reduced audiences (including myself) to tears (and yes,for a good reason) with the beauty, phrasing and sheer emotion of his guitar playing. How many of these 'technical wizards' can do the same? Btw, Prince's solo at the 2004 Hall of Fame (USA) awards was really impressive and highly lauded by all accounts. Well written, with good points, and very true. "He's a musician's musician..." | |
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EmbattledWarrior said: While listening to purple rain, i've noticed that Prince hasn't really given uss a Killer guitar solo on record. It seems to me that it's not his main priority to create solos. He plays what he feels. And theirs nothing wrong with that but his playing is pretty inconsisstent, and hasn't changed throughout the years. His playing has gotten better (faster) but his ability to construct decent solos is still not good. He's gotten close, (joy in repition, Shhh, The Sensual Everafter) But i have to say their isn't one solo that i myself said "Damn i wish i created that"
And as a guitar player, and soloist, i can vouch that prince prretty much doesn't know wtf he's doing... Best solo i've ever heard him play was the r&r rendition of MGGW, but other than that nothing... Maybe its something only a musician can see, But am i alone on this? I HAVE TO DISAGREE ...SHEILA E. SAID IN AN INTERVIEW THAT PRINCE DOESNT PLAY BY THE SO CALLED RULES THAT OTHER PRODUCERS GO BY ...HE PLAYS BY FEELING. AND EVEN IF IT DOESNT SOUND POLISHED IN THE END AS LONG AS HIS PERSONAL EXPRESSION IS IN THE SOUND...IN 1991 I SAW AN INTERVIEW ON VH1 WITH JAMES HETFILD(MATALLICA)..HE JOKED ABOUT GETTING VERY DEPRESSED WHEN HE HEARD THE OPENING GUITAR LICK ON WHEN DOVES CRY ...HE TRIED TO PLAY IT AND COULDNT GET IT RIGHT AFTER A NUMBER OF ATTEMPTS...HE ADMITTED TO SWEARING ,AND BROKE A GUITAR ON THE WALL OUT OF ANGER ...HE LAUGHED AT THE FACT THAT HE WAS PISSED FOR 2 DAYS ...HE SAID " SOMETHING AINT RIGHT"HOW CAN ONE GUY PLAY SO MANY INSTRUMENTS AND STILL KICK MY ASS ON GUITARS...HE ALSO SAID THAT HE PLAYED THE FIRST 15 SECOND OF THE SONG MAYBE 1,000 TIMES JUST TO SOLVE THAT PUZZLE...HE WAS CRACKING UP IN THAT INTERVIEW.hE REFFERED TO "THAT JERRY CURLED KID".HE REALLY DIG PRINCE GUITAR PLAYING ..HE CALL IT A MYSTERY(WHILE LAUGHING). | |
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Christaro said: coolcat said: I'll definitely agree with regards to Satch and Vai... they're masters of making the electric guitar the lead melodic instrument... I think it's a musician thing. Musicians (and in particular guitar players) listen to music in a whole different way than non-musicians. When guitar players hear a guitar solo we immediately pay attention to: melody, timing, structure of the solo, sound, attack, sustain etc. Prince is a good guitar player but that's it. Nothing great or brilliant. He can never beat Steve Vai or Joe Satriani. Not in a million years. Those guys are Masters on their instruments. The reason I love Prince so much is that he is so versatile. With Prince it's the entire package: singing, playing several instruments, songwriting, studio technique, performing, dancing. Wrong. How would U explain Steve Vai, Jeff Beck, Eric Clapton, Pete Townshend, and countless other guitar players that consider him great on guitar? I'm a player, and these particular ears hear much brilliance in his playing. I think it oould be nearly the opposite of what U say... That guitarists have a hard time thinking of Prince as a guitar player, because of his versatility in other areas, and because of his image. "He's a musician's musician..." | |
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For me, the best Prince guitar solo of all time was during "While My Guitar Gently Weeps" at the Hall of Fame ceremony.
Without exaggeration, I can tell you that my jaw dropped, my entire body pulsed...it was like this spiritual/intellectual/quasi-sexual (which is pathetic) moment. If I remember reading correctly, Prince wasn't even familiar with that song, and yet he TRANSCENDED it. The look on Dhani Harrison's face was confirmation of what was happening. When you let yourself get "into" a listening of "Purple Rain," that's about as close as you're gonna get to feeling that way. But I can see why some of you who are musicians might not put that riff in the pantheon of great guitar work. I would part ways with you, however, in assuming that Prince is not capable of it! Keith/Kacey | |
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machinegun said: Genesia said: That whole show makes me wet. You know, Prince only has himself to blame if he doesn't get the respect as a guitarist he deserves. 2 good aftershows on video and DVD would have ended any question of his abilities and put an end to these threads too! We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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theghostoftonym said: technical ability has nothing to do with anything. i mean, there's a reason why outside of guitar nerds nobody gives a shit about boring turds like eric johnson
nod I think it's a musician thing. Musicians (and in particular guitar players) listen to music in a whole different way than non-musicians. When guitar players hear a guitar solo we immediately pay attention to: melody, timing, structure of the solo, sound, attack, sustain etc.
what a lot of nonsense. if when you hear a guitarist letting rip you're primarily paying attention to all those things as individual elements, like a teacher grading an exam paper, i feel deeply deeply sorry for you. john coltrane has a famous quote to which says the exact opposite, that if you're truly immersed in a truly great solo neither the player nor the listener should care whatsoever about any kind of theory or technical detail; if you're a truly great player all that stuff should be intuitive anyway. how could you listen to coltrane's solo on "ole", for example, for the first time and just comprehend it technically? it would be absurd. and ask any jazz musician - not a soulless instrumental shred guitarist, a real jazz musician - and they'll tell you the same thing. so would jimi hendrix have. stuff like that is useful for a technical breakdown (i.e. "how did he play that") but it has nothing to do with, on an emotional, human level, as you feel it run through your ear and your brain, how "good" a guitar solo is. Good point. "He's a musician's musician..." | |
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coolcat said: theghostoftonym said: technical ability has nothing to do with anything. i mean, there's a reason why outside of guitar nerds nobody gives a shit about boring turds like eric johnson
If someone said the same thing about Prince, then prince fans would be up in arms saying that the public is just ignorant about Prince... they'd never say, well there's a reason the public doesn't give a shit... Prince is just a turd. It's a double standard. the public isnt ignorant about prince. he still has legendary status across all genres, and an immense live reputation. a standing which seems even more impressive when you consider his studio output for the last ten years has been quite bad but vai or satriani or eric johnson have never broken out of their exclusive "guitarist's guitarist" fanbases I think he's just saying that a musician develops a different type of intuition that is more affected by technique. The intuition comes first, then we analyze why we liked or didn't like the music, so that we can talk about it... just like any discussion about why we like or dislike certain songs... but whether or not a solo is "good" is not anything to do with technicality. like i said, it's useful for secondary "how did he play that" analysis, but on a purely human level it's irrelevant. b.b. king's stuff is very technically simple, for example. whereas clueless shred bozos like paul gilbert are technically advanced but just sound like a tape rewinding a lot of the time, and generally their solos are like a chicken running around with its head cut off and im a musician, by the way. ive played guitar for 10 years and classical piano (and latterly jazz/r&b piano) for 15 [Edited 7/25/07 12:55pm] | |
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Giovanni777 said: Christaro said: I think it's a musician thing. Musicians (and in particular guitar players) listen to music in a whole different way than non-musicians. When guitar players hear a guitar solo we immediately pay attention to: melody, timing, structure of the solo, sound, attack, sustain etc. Prince is a good guitar player but that's it. Nothing great or brilliant. He can never beat Steve Vai or Joe Satriani. Not in a million years. Those guys are Masters on their instruments. The reason I love Prince so much is that he is so versatile. With Prince it's the entire package: singing, playing several instruments, songwriting, studio technique, performing, dancing. Wrong. How would U explain Steve Vai, Jeff Beck, Eric Clapton, Pete Townshend, and countless other guitar players that consider him great on guitar? I'm a player, and these particular ears hear much brilliance in his playing. I think it oould be nearly the opposite of what U say... That guitarists have a hard time thinking of Prince as a guitar player, because of his versatility in other areas, and because of his image. Interesting point Giovanni. Many respected guitarists like Prince. I think that as guitar players in the music business they've taken the time to actually understand Prince's playing and would have also had opportunities to meet and play with him on occasion too. Whereas the general rock guitar loving public in jeans and t-shirts [nothing wrong with that by the way!] who are fans of these very guitarists, don't like Prince because neither his image nor his music fit in to their perception of a rock hero. How can a weird and somewhat feminine acting little guy that sings pop songs like TMBGITW be great on guitar? They won't even give him the time of day. Even guitar magazines would be reluctant to put him on the covers and elevate him to that sort of status for fear of reader's complaints even though very occasionally they've tried. | |
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as far as purple rain solo goes, if he wasnt such a great vocalist then the end 'oh, oh, oh, oh' part would have been transfered to the guitar. that melodic line is more memorable than the solo and connects better with the audience when played live. | |
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machinegun i agree with you | |
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hahaha, i assume u havent been to a live preformance.
simple as that | |
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spoida said: as far as purple rain solo goes, if he wasnt such a great vocalist then the end 'oh, oh, oh, oh' part would have been transfered to the guitar. that melodic line is more memorable than the solo and connects better with the audience when played live.
Neon Rendezvous... We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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thebanishedone said: while i agree that prince always plays tehnicly better solos on purple rain everytime he plays it live(althought studio version is live ) Did you listen to the Superbowl Purple Rain guitar solo? Man, that really sucked. | |
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coolcat said: Christaro said: I think it's a musician thing. Musicians (and in particular guitar players) listen to music in a whole different way than non-musicians. When guitar players hear a guitar solo we immediately pay attention to: melody, timing, structure of the solo, sound, attack, sustain etc. Prince is a good guitar player but that's it. Nothing great or brilliant. He can never beat Steve Vai or Joe Satriani. Not in a million years. Those guys are Masters on their instruments. The reason I love Prince so much is that he is so versatile. With Prince it's the entire package: singing, playing several instruments, songwriting, studio technique, performing, dancing. Among the non-instrumental players, I'd have to say Prince is my favorite guitar player... But I just think the instrumental players including Jeff Beck, Satch, Vai, Eric Johnson... have taken rock guitar to another level because the guitar has to entirely replace the voice... I think the point is that those guys you mentioned do nothing else but guitar playing. I heard that Steve Vai practised 12 hours per day when he was a teenager. Becoming a really great and brilliant guitar player takes hours and hours of practising. | |
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theghostoftonym said: technical ability has nothing to do with anything. i mean, there's a reason why outside of guitar nerds nobody gives a shit about boring turds like eric johnson
nod I think it's a musician thing. Musicians (and in particular guitar players) listen to music in a whole different way than non-musicians. When guitar players hear a guitar solo we immediately pay attention to: melody, timing, structure of the solo, sound, attack, sustain etc.
what a lot of nonsense. if when you hear a guitarist letting rip you're primarily paying attention to all those things as individual elements, like a teacher grading an exam paper, i feel deeply deeply sorry for you. john coltrane has a famous quote to which says the exact opposite, that if you're truly immersed in a truly great solo neither the player nor the listener should care whatsoever about any kind of theory or technical detail; if you're a truly great player all that stuff should be intuitive anyway. how could you listen to coltrane's solo on "ole", for example, for the first time and just comprehend it technically? it would be absurd. and ask any jazz musician - not a soulless instrumental shred guitarist, a real jazz musician - and they'll tell you the same thing. so would jimi hendrix have. stuff like that is useful for a technical breakdown (i.e. "how did he play that") but it has nothing to do with, on an emotional, human level, as you feel it run through your ear and your brain, how "good" a guitar solo is. You got me wrong. Of course a guitar solo is a way of expressing your feelings. Feeling comes in the first place, always. What's so great about being a guitar player and hear somebody play a solo is that u know exactly what's going on. You follow the solo in your mind and u know exactly what techniques are used. I guess this is hard to explain to a non-musician. When I hear lousy guitar players I immediately create a different solo in my head. Like: I would have used that note or specific melody. And when I hear really great players they just amaze me. A really fantastic guitar solo cuts right through your soul. Unfortunally, that happens to me with Prince very seldom. | |
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coolcat said:[quote] theghostoftonym said: technical ability has nothing to do with anything. i mean, there's a reason why outside of guitar nerds nobody gives a shit about boring turds like eric johnson
If someone said the same thing about Prince, then prince fans would be up in arms saying that the public is just ignorant about Prince... they'd never say, well there's a reason the public doesn't give a shit... Prince is just a turd. It's a double standard. what a lot of nonsense. if when you hear a guitarist letting rip you're primarily paying attention to all those things as individual elements, like a teacher grading an exam paper, i feel deeply deeply sorry for you. john coltrane has a famous quote to which says the exact opposite, that if you're truly immersed in a truly great solo neither the player nor the listener should care whatsoever about any kind of theory or technical detail; if you're a truly great player all that stuff should be intuitive anyway. how could you listen to coltrane's solo on "ole", for example, for the first time and just comprehend it technically? it would be absurd. and ask any jazz musician - not a soulless instrumental shred guitarist, a real jazz musician - and they'll tell you the same thing. so would jimi hendrix have. stuff like that is useful for a technical breakdown (i.e. "how did he play that") but it has nothing to do with, on an emotional, human level, as you feel it run through your ear and your brain, how "good" a guitar solo is. I think he's just saying that a musician develops a different type of intuition that is more affected by technique. The intuition comes first, then we analyze why we liked or didn't like the music, so that we can talk about it. It's all subjective at the end anyway. Different strokes for different folks. [Edited 7/25/07 12:48pm] [/quote It happens at the same time. It's like a union of feeling & mind. That's when great art is being created. It's a 2 way system. | |
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Giovanni777 said: Christaro said: I think it's a musician thing. Musicians (and in particular guitar players) listen to music in a whole different way than non-musicians. When guitar players hear a guitar solo we immediately pay attention to: melody, timing, structure of the solo, sound, attack, sustain etc. Prince is a good guitar player but that's it. Nothing great or brilliant. He can never beat Steve Vai or Joe Satriani. Not in a million years. Those guys are Masters on their instruments. The reason I love Prince so much is that he is so versatile. With Prince it's the entire package: singing, playing several instruments, songwriting, studio technique, performing, dancing. Wrong. How would U explain Steve Vai, Jeff Beck, Eric Clapton, Pete Townshend, and countless other guitar players that consider him great on guitar? I'm a player, and these particular ears hear much brilliance in his playing. I think it oould be nearly the opposite of what U say... That guitarists have a hard time thinking of Prince as a guitar player, because of his versatility in other areas, and because of his image. Can you be more specific? | |
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EmbattledWarrior said: coolcat said: I think the soloing on Play in the Sunshine, Extra Loveable, Let's Go Crazy, Computer Blue, When Doves Cry, Purple Rain , Bambi, I'm Yours, Dolphin and Gold are all pretty killer...
What would you consider a killer solo? I do think he relies a little too much on improvising his solos on record... a little too many bends and vibratos... [Edited 7/25/07 2:35am] the 15 - 20 second solo on Zeppelin Tangerine beat any solo Prince has made in his life, Neil Young, Cortez the killer Isley Bros , Summer Breeze Bell bottom blues, clapton, simple yet melodic Thanks for the pepperoni - George Harrison November Rain - GnR , Slash at his melodic best Free Bird - Skynyrd Marooned- Pink Floyd Comfortabvly numb - Pink Floyd i can go on and on, it just seems to me when it comes to solos Prince is melodically challenged Neil Young's solo better than Prince ? that's hysterical [Edited 7/25/07 15:25pm] | |
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Dewrede said: EmbattledWarrior said: the 15 - 20 second solo on Zeppelin Tangerine beat any solo Prince has made in his life, Neil Young, Cortez the killer Isley Bros , Summer Breeze Bell bottom blues, clapton, simple yet melodic Thanks for the pepperoni - George Harrison November Rain - GnR , Slash at his melodic best Free Bird - Skynyrd Marooned- Pink Floyd Comfortabvly numb - Pink Floyd i can go on and on, it just seems to me when it comes to solos Prince is melodically challenged Neil Young's solo better than Prince ? that's hysterical [Edited 7/25/07 15:25pm] I don't think neil was actually soloing, i think it was one of the cats from Crazy Horse ,But that is one of the top solos on that song and its simple, just a bunch of push downs and pull offs but the harmonics and melodic licks are beautiful I am a Rail Road, Track Abandoned
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ok
I love Prince's early 80's live performances his guitar playing then was great | |
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EmbattledWarrior said: While listening to purple rain, i've noticed that Prince hasn't really given uss a Killer guitar solo on record. It seems to me that it's not his main priority to create solos. He plays what he feels. And theirs nothing wrong with that but his playing is pretty inconsisstent, and hasn't changed throughout the years. His playing has gotten better (faster) but his ability to construct decent solos is still not good. He's gotten close, (joy in repition, Shhh, The Sensual Everafter) But i have to say their isn't one solo that i myself said "Damn i wish i created that"
And as a guitar player, and soloist, i can vouch that prince prretty much doesn't know wtf he's doing... Best solo i've ever heard him play was the r&r rendition of MGGW, but other than that nothing... Maybe its something only a musician can see, But am i alone on this? I think "Why You Wanna Treat Me So Bad" is a great, well-constructed solo. Still, one of my favorite (not just Prince) guitar solos ever. And this is coming from a guitarist. Also, the "3 Chains 'O Gold" guitar solo is cool as well. It has a beginning, middle and end. There are more examples, too. I think there's more than a little overanalysis of Prince's guitar playing as of late. My author page: https://www.amazon.com/au...eretttruth | |
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Christaro said: You got me wrong. Of course a guitar solo is a way of expressing your feelings. Feeling comes in the first place, always. What's so great about being a guitar player and hear somebody play a solo is that u know exactly what's going on. You follow the solo in your mind and u know exactly what techniques are used. I guess this is hard to explain to a non-musician. When I hear lousy guitar players I immediately create a different solo in my head. Like: I would have used that note or specific melody. well, for a start, i'm not a non-musician (if by musician you mean "someone who is proficient at a musical instrument") as ive said. ive played guitar for 10 years and classical piano (and latterly jazz/r&b piano) for 15 and anyway....you're still missing the point if you listen like that. you say you listen to things and imagine what notes you would have played instead; thats so sad you listen to music like that. surely that extends to less-than-great parts of great solos too, then? to take an extreme example, when john coltrane was trying to kick his heroin addiction he used to lock himself in his bedroom in his lowest moments and just blow agonisingly into his horn, just let all his tension and frustration out through it. it was his outlet for the deepest darkest depths of his soul. now how absurd would it be if you overheard trane's playing from outside his bedroom, waited until he had finished, then opened the door and said to him, as he stood there emotionally exhausted with tears streaming down his cheeks, "that was pretty solid trane my man, but in measure 26, i'd have preferred it if you had played a long held b flat then descended down the scale rapidly, rather than ascending up the b flat minor triad four times then moving onto A flat and A natural." see how silly, not to mention disrespectful, that would be? [Edited 7/25/07 17:16pm] | |
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bigbrother said: Those of you who complain that he doesn't play like Vai or Satriani et al. should remember that both of those guys rate Prince highly as both a guitarist and musician. I think people- especially some musicians -tend to assume that because Prince is a multi-instumentalist that he is merely 'ok' on those instruments rather than very good to excellent.
No, us musicians tend to be more realistic and objective because we're privy to the techniques that Prince uses. A lot of things that fans see as being super-amazing are things that are seen differently from a musicians point of view. On the flip side, what some see as a relatively simple solo - "Purple Rain" - I see as something catchy and singable. And yes, I've heard the unedited 1st Avenue performance As a matter of fact, the main song responsible for me picking up a guitar was "When You Were Mine". There wasn't any crazy lead playing on that, but the riff was catchy and the actual sound and attitude coming from the Hohner did it for me. I'm of two feelings - the musician side of me loves stuff like Satriani, Eric Johnson and such, while the music lover side of me loves Motown, where you'll be hard-pressed to find anyone besides a sax player taking a solo. Joe Satriani himself once explained (as he illustrated the riff from the U2 song that Prince's "Guitar" has been compared to) how simple yet powerful the riff was. Sometimes, there's power in simplicity. My author page: https://www.amazon.com/au...eretttruth | |
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