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the Gold Experience 1994 -1996
The Gold Experience ... And he found a new color the SLAVE All that glitters ain’t Gold Do U Want 2 See It Liberated From Warner Bros Records? Release Date: NEVER!
Welcome 2 The Dawn U have just accessed the Beautiful Experience This experience will cover courtship, sex, commitment, Fetishes, loneliness, vindication, love and hate Please enjoy your experience
Hate vs Love? No Contest... Love will always win!!! Love God Love Life, Lovesexy, Peace & be Wild
artistic freedom for everyone with fearlessness and limitlessness well of the fore; love and care to be liberally distributed and accepted; peace to reign; dolphins to leap; choirs of children to sing and, um, George Michael to write that ballet
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On 1 February 1994, Warner Bros. and Paisley Park Enterprises announced that they were terminating the Paisley Park Records label, a joint venture between and Warner Bros. since 1992. While under ’s sole aegis, the label could probably have survived for as long as he saw fit, but with Warner Bros. holding the purse strings, the financial burden proved too great. Apart from releases, it hadn’t come up with a hit. Albums by Eric Leeds, Carmen Electra, Mavis Staples and George Clinton had all failed to catch fire. The plush offices in Century City, which he had never set foot in, were closed and its twelve staff laid off. “I did not get the feeling that it even mattered to him,” Marylou Badeau (Vice-President at Warner Bros.) recalled.
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1.) P Control – 5:59
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It was the long wait between seeing Prince live for the first time at Wembley arena during the "Ultimate Live Experience" and the release of THE GOLD EXPERIENCE that really turned me on to Prince At the time I wasn't a fan of his old stuff and only went to the concert to take my wife and sister (who were big fans) but the stuff he played live from THE GOLD EXPERIENCE - WOW! The fact I couldn't get the album drove me to find bootlegs of his "modern" stuff (which meant trawling record fairs in those days!) and I wore out my vhs videos of the Glam Slam concerts I also remember hanging out at the Prince store in Camden hoping to hear songs from the album Great memories! | |
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Glam Slam Ulysses was a 1993 musical production by Prince, loosely based on Homer's Odyssey, featuring a combination of live performances and video, with thirteen previously unreleased songs. Each song represented an element from Homer's Odyssey (Ulysses is the Latin name for the protagonist, Odysseus). The musical received a limited performance at Prince's Glam Slam nightclub, with a few shows being performed in late August to early September 1993. Carmen Electra, who was relatively unknown at the time, was a featured dancer in the performance, as was Frank Williams. Jamie King provided the choreography. When Prince first announced to change his name to an unpronounceable symbol on June 7, 1993, he also stated that he would no longer be releasing new albums; instead he was to focus on alternative performances, films, etc., while his record company, Warner Bros. Records, would be able to release albums from Prince's vault of unreleased material to fulfill his contract. The first of these alternative performances would be Glam Slam Ulysses.
Most of the songs would eventually be released in some form over time. "Pope" was released as part of 1993's The Hits/The B-Sides compilation. The bulk of the remaining material would be considered for the Come album, albeit not all of the planned songs made the final release. Come would end up including the following tracks: "Pheromone", "Dark", "Loose", "Space", "Race" and "Come", though "Dark", "Loose", and "Race" were heavily remixed and "Come" was re-recorded as an entirely new number. Although not listed on the Glam Slam Ulysses track listing, "Orgasm", originally part of "What's My Name" was also included on Come. "Dolphin" and "Endorphinmachine" would end up being released on The Gold Experience in 1995 — both songs would be slightly remixed. "Interactive" was considered at one point, but did not make the final release. "Interactive", "What's My Name" and "Strays of the World" would eventually be released on Prince's Crystal Ball in 1998, with little changes to the original versions. Also on Crystal Ball were remixes of "Dark" and "Loose" (called "So Dark" and "Get Loose"), as well as a track called "18 & Over", which is essentially a remix of the album version of "Come", but with new lyrics.
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ENTERTAINMENT WEEKLY Music Pop/Rock 0{+> Those who have had a hard time keeping track of TAFKAP's prolific, exasperating career may want to take notice again. And not because of the recording-as-virtual-reality shtick that shakily frames Experience, but in spite of it. This is a buoyant, raucous effort, imbued with enough funk, passion, and playfulness to make it more akin to a party -- rather than concept -- album. A- -- Mike Flaherty
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Not one of my favorite eras or album, however it was a lenghty and successful time for promotion. Especially the Love 4 One Another VH1 Premire. 319, Shhh, P Control and Endorphinmachine are awesome. None of the songs are bad..the album as a whole was just overbearing. By the time I got to Billy Jack Bitch I was beat down.
I was proud to be a Prince fan at the time, however I was concerned about his weight and size.
From Come - Gold he was pale and thin. you can tell he was depressed or working himself overtime. He finally looked better during Emancipation where he seemed happy. Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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It was both an exciting and a frustrating time to be a Prince fan. Frustrating because he didn't want to be "Prince". I understand that he got tired of his old image, but naming yourself after a symbol? That people turned into Tafkap? How silly is that?
Exciting because he went underground. You really had to look for his new music and when you found it, it was better than it had been in years. For the last 5 years, since Batman, his music had been disappointing, too commercial, but now, silly name change or not, he had re-invented himself and made the best music in years. And then ruined everything by declaring war with his record company. Which meant that albums came out too late (we heared everything already on bootlegs anyway) and had no promotion. And then I'm not even talking about his annoying habit of burying all his music under segues and sound effects and the likes. In other words, the music was good, but everything else was a total mess. | |
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One of his best albums and it came out the year I was born Billy Jack Bitch and Endorphinmachine are my favs from the album. My fav pic of him in this era:
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Love Sign
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I've always loved these threads and even morso this being my favourite era. . He didn't look in the best of health but he knocked out a raft of great material. | |
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This is my favorite Era after the 1999 Era and the album is definitely in my top 6. His look during this Era is so cool... the cane, lollipops, EXTREMELY androgynous image, everything. The music rocks like nothing else too; Endorphinmachine, Shhh, Dolphin, BJB, Shy... everything on the album is top notch, Prince in top form! Purple Music is my drug and I'm jonesin!!!!! | |
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This is a GREAT GREAT cd. My favorites: Billy Jack Bitch, I Hate You, Endorphinmachine. Shame none were ever played on the radio and Prince didn't get the appreciation and honor he deserved for all of his hard work (as usual). Superfunkycalifragisexy! | |
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Actually,"I Hate U" got alot of radio airplay on R&B stations.The song could have been a huge hit if Prince had delivered the video He was feuding with Warners and refused to cooperate with their promotional plans. | |
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May 13.1994
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Love that video! Purple Music is my drug and I'm jonesin!!!!! | |
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PROLOGUE
"So how can we do an interview that's not like an interview?" asks 0{+> as he spoons a dollop of jam into his tea. We're sitting in the Cote Jardin restaurant in Monte Carlo's historic Hotel de Paris, overlooking a small garden that overlooks the Mediterranean Sea. He is here to accept an award for Outstanding Contribution to the Pop Industry at the 1994 World Music Awards. I am here at his request, the final step in a full year of putting together his first lengthy conversation with a journalist since 1990.
Those 12 months have been an especially remarkable time for 0{+> whom some call "the artist formerly known as Prince," or any number of variations on that theme; others, of course, will always call him Prince, much to his dismay. The year has included--in addition to the controversial name-change that signaled the "retirement" of one of this era's biggest pop stars and the songs that made him famous--a sales slump and the closing of his Paisley Park Records label. He went through four publicity firms in nine months. But this run of hard times was quickly followed by a triumphant rise with the single "The Most Beautiful Girl in the World," his biggest hit in several years. And at the end of this particular peculiar period, 0{+> has emerged with some of the best music he's ever made--though whether the world will ever be able to hear it is another question, in the hands of managers and lawyers and Warner Bros. Records as they negotiate how or if all this music will be released. . Which, perhaps, is why he feels that now is the time to talk after a long silence. It seems to be part of a campaign to generally increase his visibility by appearing at events like the World Music Awards, for instance--exactly the kind of thing the reclusive Prince of old would have avoided like the plague. Or to introduce three new songs on Soul Train or publish a book--titled The Sacrifice of Victor--of photos from his last European tour that presents him much more up close and personal than he has been shown in the past. . Meanwhile, he continues to move forward, exploring new, alternative outlets for his music, like an innovative CD-ROM extravaganza, 0{+> Interactive, that incorporates dozens of songs into a kind of video game/video jukebox--or the Joffrey Ballet's wildly successful Billboards, set to his music, which may lead to his writing a full-length ballet score soon. And through it all, he has kept writing and recording new songs--or "experiences," as he now likes to call them--and struggling to find a way to get as many of them as possible released to the public. . "I just want to be all that I can be," 0{+> says in his dressing room at the Monte Carlo Sporting Club, site of the World Music Awards. "Bo Jackson can play baseball and football--can you imagine what I would do if I could do all I can? If they let me loose, I can wreck shit."
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. Except that's when he collapsed and had to be hospitalized. © Bart Van Hemelen
This posting is provided AS IS with no warranties, and confers no rights. It is not authorized by Prince or the NPG Music Club. You assume all risk for your use. All rights reserved. | |
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That, the stuff with his kid and his marriage fell apart. I don't think he was very happy or healthy around that time. He looked very ill during most of the mid 90s.
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ACT III SCENE I So how do you pronounce it? "You don't." And is that ever a problem when people around you want to address you? "No." A very final, definite no. But what becomes clear is that there are reasons for the name-change, and after sitting with 0{+> for several hours, it even starts to make some kind of sense. "I followed the advice of my spirit," is the short answer. But it is, first of all, about age-old questions of naming and identity. The man born Prince Rogers Nelson goes on to explain, "I'm not the son of Nell. I don't know who that is, 'Nell's son,' and that's my last name. I asked Gilbert Davison [ 0{+>'s manager and closest friend, and president of NPG Records] if he knew who David was, and he didn't even know what I was talking about. I started thinking about that, and I would wake up nights thinking, Who am I? What am I?"
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May 3.1994 Stars & Bars
& The New Power Generation
Pleased to meet you... Hope you've guessed my name. For the first time since God alone knows when, the artist formerly known as Prince talks exclusively and extensively about identity, insecurity, George Michael, Nelson Mandela, ballet, boogie, opera, orgasm, freedom and the future. "I follow the advice of my spirit," he tells Adrian Deevoy. His name is not Prince. And he is not funky. His name is Albert. And he is lurching across the dancefloor in search of accommodating company. Slightly balding and chunkier than he looks in photographs, he moors behind a gyrating female and clumsily interfaces. Up on the stage another man whose name is not Prince says, "This is dedicated to Prince Albert, the funkiest man in Monaco." It's a wonder he can get the words out with his tongue buried so deep in his cheek. Prince Albert beams and grinds arhythmically on. Prince laughs, throws a swift shape and stops the funk on the one. It's his party and he'll lie if he wants to. One hundred and twenty people have been invited to the Stars &alt; Bars club in Monte Carlo for this most exclusive of celebrations. The champagne is free, the spirits are freer and the house band is possibly the best live act on the planet. You probably remember them as Prince And The New Power Generation. They're still the NPG but he's not Prince any more. He is 0{+> (to give him his full title). Sir Hieroglyphicford for short. Ursula Andress is at the bar, sipping sensually at a flute of champagne. A few generations and a couple of yards along, Claudia Shiffer is doing likewise. It's that sort of a do. Everyone is wearing impossibly shiny shoes and gold epaulettes. If God weren't resting his suave old soul, you'd expect David Niven to walk in with Peter Wyngarde on his arm. Without trying too hard, you can imagine Fellini standing in the corner saying, "Christ, this is weird!" Quit what the gnarled jet-setters are making of the music programme is anyone's guess. At 1.15am the Barry Manilow tape was exchanged for a stripped down five-piece (and non- stop disco dancer Mayte - pronounced My Tie - Garcia) who have just embarked upon the most daunting funk experience of a lifetime. A knot of maybe 15 perfumed debs cluster around the lip of the stage. Naturally you join them and find yourself standing so close to the Artist Formerly Known As Prince (AFKAP to use the diminutive) that you can hear him singing unamplified behind his microphone.
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Released February 24, 1994
Prince / - all vocals and instruments, except where noted Ricky Peterson - additional keyboards [Ricky P.] on The Most Beautiful Girl In The World James Behringer - additional guitar on The Most Beautiful Girl In The World - production, arrangement, mixer and engineer, art direction Ricky Peterson - co-production and arrangement on The Most Beautiful Girl In The World | |
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Release of The Most Beautiful Girl In The World
Box Talk 777
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A1. Beautiful (5:55)
The Most Beautiful Girl In The World was the first single to be released from Prince's 17th album The Gold Experience, the first album to be credited to (although no album was connected to the single at the time of its release). It was also the first single to be credited to , and the first to be released independently of Warner Bros., as well as the first release of any kind from NPG Records (the replacement to the defunct Paisley Park Records). The single was released only five months after The Hits collections, and was clearly intended as a break from the past. It became Prince's first UK number one single, although there were allegations that Prince's organization had bought thousands of copies of the single around the world to ensure its success. Three months after the single's release, an EP called The Beautiful Experience followed, containing several remixes of the song, each with separate titles (rather than remix names in parentheses). This release contains different artwork also, but is included here, as it was not the only variation. CD singles were also released of the Staxowax and Mustang Mix versions, also included here. Prince wanted to release different tracks independently, but Warner Bros. had required that only one song be released independently, so his response was to put out several different versions of the song, some so different that they could be considered separate tracks. The single's originally-planned b-side, New World, had been blocked for release by Warner Bros., so Prince instead recorded the Beautiful version of The Most Beautiful Girl In The World, which uses many of the same musical elements as New World. -PrinceVault
3.22.1994 @ Paisley Patk video shoot 4 the Most Beautiful Girl In the World Mustang Mix
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Images from The Most Beautiful Girl in the World video
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