Troy Gua’s fans today learnt of the news that his “Le Petit Prince” project will be removed from the Internet on Friday 16th November 2012.
There is no doubt in my mind that Troy’s efforts have always been driven by his love and respect for Prince’s work, and that his passion and positivity has been a beacon for Prince fans across the globe.
His talent and dedication is inspiring and I find it hard to believe that Prince hasn’t found some joy in seeing what most of his fans acknowledge as a loving, creative tribute to him and to his life’s work.
Therefore, I can only assume that the main reason he has requested its removal is due to business or financial matters and/or legal complications.
Of course, as Troy himself has said, he does not want to do anything contrary to the wishes of the artist who has inspired him to put countless hours and enormous effort into this project, and Prince is absolutely entitled to make this request and, presumably, effectively able to enforce it.
However, like so many that are fans of both artists, I sincerely hope that he reconsiders.
Artwork hangs on walls in galleries the world over, depicting great musicians from Beethoven to Stevie Wonder. Musicians have inspired painters, sculptors and other artists as much as they have, in turn, inspired musicians and it is difficult to bring to mind an instance in which a piece of art depicting a fellow creator has somehow diminished their commercial value, or taken market share that would otherwise have benefited its subject.
Although, as much as Prince is clearly the inspiration behind the project, the character that is Le Petit Prince (or LPP) has certainly taken on a life of its own. LPP represents Troy's interpretation and re-imagining of Prince, not Prince himself. Conceptually it's very different to simply trying to make "a Prince doll" and most, if not all of Troy's fans understand that LPP is Troy's own artwork - a creation in its own right - as inspired by the styles, images and artwork of Prince.
Troy has stated that he receives no profits from the small amount of merchandise he has created and that any income generated simply goes back into the project.
I’d imagine that he would be very open to discussing a compromise, whereby should merchandise sales start to turn a profit, that it would be mutually beneficial to both him and Prince.
Though income from the project is “meagre”, to use Troy’s word, enthusiasm is not. Prince fans around the world are captivated by his work and he has used his artwork to celebrate recent album milestones and tours in a way that can only increase publicity to Prince’s immediate benefit.
The thought of Prince working with Troy to create something to celebrate the launch of Andy Allo’s “Superconductor” album later this month is a delightful one. It would almost certainly be a purple sensation, spreading across the Prince-related corners of the Internet like wildfire and potentially even to some media outlets.
Of course, Prince should be able to benefit from this project at least as much as, if not more than, Troy himself, and I’m certain that it would bring Troy nothing but joy to see his creation bringing such success to another.
Right now, however, it would seem evident that Troy is alone in this mindset.
I hope that I’m wrong. I hope that, when he sees how beloved this character is, how it is a positive element in the online Prince community amidst considerable negativity, and how it is almost universally celebrated by his fans, that Prince will reconsider his position and allow Troy to continue to share his work.
If he doesn’t, I understand. Though it may seem otherwise, I don’t mean to tell Mr. Nelson his business.
I am simply a devoted fan of Prince who has derived so much joy from seeing Troy’s work and I can’t sit here and let “Le Petit Prince” disappear into the night without speaking my piece.
I wish both artists an abundance of joy, success and love. I will always be grateful to them for what they've shared with us already and I look forward to celebrating all of their future creations.
Warmest regards,
Claire Hennekam