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Reply #30 posted 11/09/11 12:11pm

runphilrun

OldFriends4Sale said:

"I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the darkness at Tannhäuser Gate. All those moments will be lost in time like tears in the rain. Time to die"

Great quote..Rutger Hauer said in an interview, that he improvised this line of dialogue.

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Reply #31 posted 11/09/11 12:36pm

OldFriends4Sal
e

runphilrun said:

OldFriends4Sale said:

"I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the darkness at Tannhäuser Gate. All those moments will be lost in time like tears in the rain. Time to die"

Great quote..Rutger Hauer said in an interview, that he improvised this line of dialogue.

It really is,

and this line had so much background on Earth 2019

it made you imagine what else was out there in this movie

And it made me feel sorry for the replicants

Pris' dying scene

the other female's chase & death scene

and the other guy's photo collection

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Reply #32 posted 11/10/11 5:14am

OldFriends4Sal
e

Sean Young plays Rachael, struggling with her identity, haunted by memories that may not be her own and afraid that she will discover she is a replicant.



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Reply #33 posted 11/10/11 5:15am

OldFriends4Sal
e



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Reply #34 posted 11/10/11 5:41am

OldFriends4Sal
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Reply #35 posted 11/10/11 5:45am

OldFriends4Sal
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Reply #36 posted 11/10/11 5:45am

OldFriends4Sal
e

Mary Sean Young and Rutger Hauer

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Reply #37 posted 11/10/11 5:47am

OldFriends4Sal
e

Remember Sean Young as that alluring Replicant with an up-do in the 1982 science fiction classic Blade Runner? Oh, to be a bio-engineered fly on the wall of that seminal SF film. Oh hey, Young can help with that. Turns out the star who played Rachael apparently took some Polaroids while on the Blade Runner set, which include snapshots of herself with Deckard (Harrison Ford) and that other Replicant on a rainy rooftop Roy Batty (Rutger Hauer).

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Reply #38 posted 11/14/11 8:18am

OldFriends4Sal
e

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Reply #39 posted 11/14/11 8:21am

OldFriends4Sal
e

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Reply #40 posted 11/14/11 8:23am

OldFriends4Sal
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Reply #41 posted 11/14/11 8:24am

OldFriends4Sal
e

Blade Runner is one of the most popular and influential science-fiction films of all time - and it has become an enduring cult classic favorite. It was directed by Ridley Scott and stars Harrison Ford, Rutger Hauer and Sean Young. The screenplay, written by Hampton Fancher and David Peoples, is loosely based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick.

This 1982 film depicts a dystopian Los Angeles in November 2019. It has become a dark, polluted and overcrowded city dominated by cloud-piercing buildings and looming neon billboards, the air dense with acid rain and flying traffic, as well as Replicants - human androids. Deckard's former job in the police department was as a blade runner, a euphemism for detectives that hunt down and "retire" rogue replicants. Deckard is forced back into active duty.

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Reply #42 posted 11/14/11 8:26am

OldFriends4Sal
e

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Reply #43 posted 11/14/11 8:26am

OldFriends4Sal
e

bladerunner-curbscene-660

In his concept art for Blade Runner, Oscar-winning production designer Syd Mead pictured Los Angeles in 2019 as a dark, sleek dystopia — imagery that would influence sci-fi aesthetics for decades to come.

Now the man who designed the future for Ridley Scott is offering some of his Blade Runner collectibles to the highest bidder. A signed copy of Oblagon: Concepts of Syd Mead, a book that contains 17 pages of Blade Runner pre-production work (pictured), will be sold at Bonhams & Butterfields’ 20th Century Decorative Arts auction Tuesday, along with other pieces associated with the 1982 techno-thriller.

Mead's vision of the Los Angeles skyline circa 2019. <br/>Images courtesy Bonham and Butterfields.</em>

Mead's vision of the Los Angeles skyline, circa 2019.

Mead designed cars for the Ford Motor Company before getting into movies, then created the look for landmark pictures including Star Trek: The Motion Picture, Tron, Aliens and Mission: Impossible III.

Before the auction, Mead joins movie producer Michael Deeley and Frances Anderton, host of KCRW’s Design and Archi...re Podcast, for a 7:30 p.m. Thursday panel discussion titled “Blade Runner: Designing the Future,” hosted at Bonham’s Los Angeles headquarters, 7601 Sunset Blvd.

The night sky, as pictured by Mead.

The world of Blade Runner at night is pictured by Mead.

Bonhams & Butterfields rep Katie Nortonis said the panel will explore “the relevance of the important environmental and social themes of Blade Runner as well as the film’s continued impact on the design zeitgeist. It will be especially interesting to explore the film’s prescient vision of a Los Angeles future as viewed through the lens of the present-day cityscape.”

The brooding skyscrapers of future Los Angeles.

Mead envisions the brooding skyscrapers of Los Angeles circa 2019.

Other Blade Runner-related auction items include a promotional light-up umbrella with illuminated shaft (estimated value $300 to 500); signed promotional poster from Blade Runner: The Final Cut ($100 to 200); a signed copy of Deeley’s 2009 autobiography, Blade Runners, Deer Hunte...ult Movies ($50-100); and a 1982 reissue of Philip K. Dick’s 1968 short story Do Androids Dream of Electric Sheep?, which inspired the Blade Runner movie.

Firearms of the future.

Firearms of the future, as envisioned by production designer Mead.
Images courtesy Bonham and Butterfields

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Reply #44 posted 11/14/11 8:34am

PurpleJedi

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I so need to rent this movie this coming weekend...

By St. Boogar and all the saints at the backside door of Purgatory!
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Reply #45 posted 11/14/11 9:18am

eyewishuheaven

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PurpleJedi said:

I so need to rent this movie this coming weekend...

I'd recommend straight-up buying it... it definitely warrants repeated viewing. wink

PRINCE: the only man who could wear high heels and makeup and STILL steal your woman!
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Reply #46 posted 11/14/11 9:24am

PurpleJedi

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eyewishuheaven said:

PurpleJedi said:

I so need to rent this movie this coming weekend...

I'd recommend straight-up buying it... it definitely warrants repeated viewing. wink

hmmm

...Amazon here I come... pc

By St. Boogar and all the saints at the backside door of Purgatory!
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Reply #47 posted 11/14/11 11:40am

sextonseven

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PurpleJedi said:

eyewishuheaven said:

I'd recommend straight-up buying it... it definitely warrants repeated viewing. wink

hmmm

...Amazon here I come... pc

You've never seen it before?

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Reply #48 posted 11/14/11 12:19pm

PurpleJedi

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sextonseven said:

PurpleJedi said:

hmmm

...Amazon here I come... pc

You've never seen it before?

I saw it AGES ago - prob when I was a teen.

By St. Boogar and all the saints at the backside door of Purgatory!
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Reply #49 posted 11/14/11 2:29pm

retina

I first saw it in the mid eighties while I was sick at home, and on that murky VHS copy on a small TV screen nearly none of its glorious atmosphere came across. I also thought the voice-over was stupid, so when I finally got to see it in a proper theatre without narration I was very impressed. But then he started changing the special effects - which to me is as if Leonardo Da Vinci would suddenly step into the Louvre and start painting over the Mona Lisa - and now a sequel, decades later? It just seems foolish.

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Reply #50 posted 11/15/11 9:15am

OldFriends4Sal
e

Do Androids Dream of Electric Sheep? cover

Do Androids Dream of Electric Sheep?
By Philip K. Dick

Plot Summary:
By 2021, the World War had killed millions, driving entire species into extinction and sending mankind off-planet. Those who remained coveted any living creature, and for people who couldn't afford one, companies built incredibly realistic simulacrae: horses, birds, cats, sheep. . . They even built humans.

Emigrees to Mars received androids so sophisticated it was impossible to tell them from true men or women. Fearful of the havoc these artificial humans could wreak, the government banned them from Earth. But when androids didn't want to be identified, they just blended in.

Rick Deckard was an officially sanctioned bounty hunter whose job was to find rogue androids, and to retire them. But cornered, androids tended to fight back, with deadly results.
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Reply #51 posted 11/15/11 9:17am

OldFriends4Sal
e

Do Androids Dream of comic book adaptations?

Mon, Apr 13, 2009

Books, Comics and cartoons

Total Dick-Head, a blog dedicated to the weird, wonderful and endlessly fascinating works of the great Philip K Dick, posts on the upcoming comics version of Do Androids Dream of Electric Sheep by Boom! Studios, a 24-issue version of the story which should be pretty true to the original text.

We are thrilled that DO ANDROIDS DREAM OF ELECTRIC SHEEP? is being adapted for this audience by such a talented team. We’ve been incredibly impressed with BOOM!’s ability to create such a faithful interpretation of the original work without sacrificing their own original instincts and artistic sensibilities,” said Laura Leslie and Isa Dick Hackett of Electric Shepherd Productions. “Through this medium, readers will now have visual access to parts of the novel not explored in the film adaptation BLADE RUNNER,” PKD’s daughters Laura Leslie and Isa Dick Hackett.

Philip K Dick Do Androids Dream Electric Sheep Boom Studios.jpg

(one of the variant covers for Boom! Studios’ Do Androids Dream of Electric Sheep; not sure of the cover artist here, there are several covers from different artists but the Boom! site doesn’t say which is which)

As I’m sure most readers will be aware, the original PKD tale was the inspiration for the now classic science fiction film Blade Runner, although the new comic version intends to cleave more to the original text than the film and, as PKD’s daughter said, it will offer up aspects of the tale which the film didn’t. I’ve been reading and re-reading PKD’s work pretty much my entire adult life and he’s an author I always recommend to others (his regular themes of personal identity, memory, paranoia, science, society and control become more relevant with each passing decade), so I’m pretty interested in seeing what Boom! do with this series (and I like that they are using the original text and giving it a whole 24 issues to breathe in, not condensing it into 6, kudos for that move, it shows great respect for the source material).

And, as with some other quality literary comics interpretations we’ve seen in the last few years, I’d hope that the comic version will introduce new readers to the twisted and astonishing worlds of the PKD and inspire them to seek out the prose works for themselves. The first issue is due in June, using the original text and including Backmatter by Warren Ellis, with four variant covers by Denis Calero, Bill Sienkiewicz, Scott Keating and Moritat, with the series art coming from Steven Dupre; its available to pre-order from our comics site now.

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Reply #52 posted 11/15/11 9:19am

OldFriends4Sal
e


" Do Androids Dream of Electric Sheep: Lovers "


" Do Androids Dream of Electric Sheep: Sleeper "

24" x 36" oil on panel
© 2009 Donato Giancola
available for purchase, please contact the artist

24" x 36" oil on panel
© 2009 Donato Giancola
available for purchase, please contact the artist

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Reply #53 posted 11/15/11 9:19am

OldFriends4Sal
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Reply #54 posted 11/15/11 9:27am

OldFriends4Sal
e

There is a subtext of Christian allegory in Blade Runner, particularly in regard to the Roy Batty character. Given the replicants' superhuman abilities, their identity as created beings (by Tyrell) and "fall from the heavens" (off-world) makes them analogous to fallen angels. In this context, Roy Batty shares similarities with Lucifer as he prefers to "reign in hell" (Earth) rather than "serve in heaven". This connection is also apparent when Roy deliberately misquotes William Blake, "Fiery the angels fell..." (Blake wrote "Fiery the angels rose..." in America, A Prophecy). Nearing the end of his life, Roy creates a stigmata by driving a nail into his hand, and becomes a Christ-like figure by sacrificing himself for Deckard. Upon his death a dove appears to symbolise Roy's soul ascending into the heavens.

Zhora's gunshot wounds are both on her shoulder blades. The end result makes her look like an angel whose wings have been cut off. Zhora makes use of a serpent that "once corrupted man" in her performance.

A Nietzschean interpretation has also been argued for the film on several occasions. This is especially true for the Batty character, arguably a biased prototype for Nietzsche's übermensch -- not only due to his intrinsic characteristics, but also because of the outlook and demeanor he displays in many significant moments of the film. For instance:

  • A modern audience might admire Batty’s will to flee the confinements of slavery and perhaps sympathize with his existential struggle to live. Initially, however, his desire to live is subsumed by his desire for power to extend his life. Why? In Heidegger’s view, because death inevitably limits the number of choices we have, freedom is earned by properly concentrating on death. Thoughts of mortality give us a motive for taking life seriously. Batty’s status as a slave identifies him as an object, but his will to power casts him as an agent and subject in the Nietzschean sense. His physical and psychological courage to rebel is developed as an ethical principle in which he revolts against a social order that has conspired against him at the genetic, cultural, and political levels. In Heidegger’s view, Batty’s willingness to defy social conformity allows for him to authentically pursue the meaning of his existence beyond his programming as a soldier. Confronting his makers becomes part of his quest, but killing them marks his failure to transcend his own nature.
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Reply #55 posted 11/15/11 9:30am

OldFriends4Sal
e

OldFriends4Sale said:

The climate of the city of Los Angeles, in A.D. 2019, is very different from today's. It is strongly implied that industrial pollution has adversely affected planet Earth's environment, i.e. global warming and global dimming. Real animals are rare in the Blade Runner world. In Philip K. Dick's 1968 novel, Do Androids Dream of Electric Sheep?, animal extinction and human depopulation of the planet were consequent to the radioactive fallout of a nuclear war; Owls were the first species to become extinct. This ties in with Deckard's comment about Dr. Tyrell's artificial owl: "It must be expensive." (cf. post-apocalyptic science fiction)

Given the many Asian peoples populating Los Angeles in A.D. 2019, and the cityspeak dialect policeman Gaff speaks to the Blade Runner, Rick Deckard, clearly indicates that much cultural mixing has happened. Globalization also is reflected in the name of the Shimago-Domínguez Corporation, whose slogan proclaims: "Helping America into the New World". This indicates that a mass migration is occurring, as there is a status quo that people want to escape.

The cultural and religious mixing can also be verified at the scene where Deckard chases Zhora. At the streets, we can see people dressed traditionally as Jews, hare krishnas, as well as young boys dressed as punks.

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Reply #56 posted 11/15/11 9:31am

OldFriends4Sal
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Reply #57 posted 11/15/11 10:02am

OldFriends4Sal
e

OldFriends4Sale said:

My favorite replicant

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Reply #58 posted 11/16/11 1:52pm

Phishanga

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I'm going to watch it again this Friday. Who's joining? biggrin

Hey loudmouth, shut the fuck up, right?
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Reply #59 posted 11/18/11 6:41am

PurpleJedi

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Phishanga said:

I'm going to watch it again this Friday. Who's joining? biggrin

wave

I'll hit Blockbuster on the way home...!

By St. Boogar and all the saints at the backside door of Purgatory!
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