More like ignore. | |
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I'm not sure what's special about this album. It's no different than any other R&B singer of the time like Peabo Bryson, Jeffrey Osbourne, Rockie Robbins, Randy Brown, Carl Carlton, James Ingram, etc. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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it's music that is made to be ignored! He was the FIRST to do this! My Legacy
http://prince.org/msg/8/192731 | |
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That said he did have some fine material in it. Not ashamed to admit "You Are" is one of my favorite songs. | |
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I guess it's good enough that people did not realize I was joking My Legacy
http://prince.org/msg/8/192731 | |
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I got the joke. | |
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No, Lionel is not the first. My relatives only listened to R&B, and this is just a run of the mill album of the time. It has nice tunes, but nothing that was different. Even the later Commodores albums before Lionel left were like this record. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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again, joking My Legacy
http://prince.org/msg/8/192731 | |
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I thought that album is a better example of what the thread was asking for since I thought it was the one that, actually, introduced the Minneapolis sound to the world rather than 1999 which was just a really good album.
I'm probably wrong though. | |
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Let's not forget about this:
[img:$uid]http://i82.photobucket.com/albums/j247/pandadub/nwa_album_cover_straight_outta_compton.jpg[/img:$uid] | |
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I was going to mention this one also. One of my favorite albums, definitely changed music, not necessarily for the better. Still, I love this album. I have many memories attached to it. | |
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I just saw Ice Cube in Oakland at a small club called the Uptown and he KILLED it! Despite all the family movies he's made and how much money he has made since NWA- he is still a dope ass mc! And, he's still FINE too!! (Like Prince) | |
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If I had to pick ONE album that had the biggest impact on me since the year it was released, this would be it. Even today, my computer boots up to the wav file I sampled from the hit song:
"Good evening.
Can't believe George turns 70 this summer! I'm so grateful to that man! | |
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same heah | |
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Dirty Mind wasn't even mentioned, you're right, but I think the album's impact is that for a black man to talk about touchy issues like incest and a place where "everybody just a freakin'" (and the cover!) was definitely mind-boggling plus the sexuality in that album and its flirtation with new wave and post-punk music, it definitely changed parts of the "R&B" game. So you got a point. | |
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Tha Carter 3 - Everyone tries to spit punchlines like Wayne now.
T- Pain's first album.
Autotune Representative. You're so glam, every time I see you I wanna slam! | |
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what about THIS:
that 'believe' song is what popularized it, even though the jamaicans (and a few others) had been using autotune as an effect prior to the mark taylor-production. [Edited 4/9/11 2:21am] | |
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To be honest, any P-Funk era album (Parliament, Funkadelic, George, Bootsy's Rubber Band, Parlet, Brides of Funkenstein, Quasar, etc.) between 1970 and 1979 were game-changers in music. | |
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You are very correct about that. | |
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Andy is a four letter word. | |
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For the worst right?? | |
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Yep. That one killed funk and this one buried it.....
Andy is a four letter word. | |
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How I know you was gonna come here? | |
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That's the difference. When this album came out, Lionel was not really an r&b singer anymore. He was a "pop" singer with "country" overtones. All of the singers you mentioned were still doing r&b at the time (except for Peabo and Jeffery who also attempted to do the pop thing). **--••--**--••**--••--**--••**--••--**--••**--••-
U 'gon make me shake my doo loose! http://www.twitter.com/nivlekbrad | |
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[img:$uid]http://sleevage.com/wp-content/uploads/2007/07/michael_jackson_dangerous-f.jpg[/img:$uid] | |
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The later Commodores albums were all pop orientated (except Heroes). After Lionel's ballads started being million sellers, Motown pushed Lionel's slow jams and didn't focus on the r&b side of things. **--••--**--••**--••--**--••**--••--**--••**--••-
U 'gon make me shake my doo loose! http://www.twitter.com/nivlekbrad | |
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Not to me. This album pretty much marked the end of an era (New Jack Swing). **--••--**--••**--••--**--••**--••--**--••**--••-
U 'gon make me shake my doo loose! http://www.twitter.com/nivlekbrad | |
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People still appreciated it though- and MJ publicity machine made it popular. | |
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