My Legacy
http://prince.org/msg/8/192731 | |
- E-mail - orgNote - Report post to moderator |
[img:$uid]http://i82.photobucket.com/albums/j247/pandadub/Boogie-Down-Productions-Criminal-Minded-Explicit-2010-Bootleg-3cd.jpg[/img:$uid]
[img:$uid]http://i82.photobucket.com/albums/j247/pandadub/metallica.jpg[/img:$uid]
[img:$uid]http://i82.photobucket.com/albums/j247/pandadub/kraftwerk.jpg[/img:$uid] | |
- E-mail - orgNote - Report post to moderator |
Good album but do you think it really changed the face of music? "Baduizm" was released a few years prior to this. | |
- E-mail - orgNote - Report post to moderator |
| |
- E-mail - orgNote - Report post to moderator |
I know not many people here are into bluegrass or country, but this is an important album
You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
- E-mail - orgNote - Report post to moderator |
post 1955: (for better or worse)
Elvis - Elvis Presley Little Richard - Here's Little Richard
James Brown - Live at the Apollo Bob Dylan - Freewheelin' Bob Dylan The Beatles - A Hard Day's Night Bob Dylan - Highway 65 The Byrds - Mr.Tambourine Man The Beatles - Revolver The Rolling Stones - Aftermath Beach Boys - Pet Sounds Bob Dylan - Blonde On Blonde The Beatles - Sgt.Peppers Hendrix - Are You Experienced Pink Floyd - The Piper at the Gates of Dawn The Beatles - White Album Elvis - NBC Special Led Zeppelin - II
Black Sabbath - Paranoid Marvin Gaye - What's Goin' On Parliament - Maggot Brain Led Zeppelin - IV The Rolling Stones - Exile on Main St. Stevie Wonder - Talking Book David Bowie - Ziggy Stardust Bob Marley - Burnin' Roxy Music - For Your Pleasure Marvin Gaye - Let's Get It On Stevie Wonder - Innervisions Peter Frampton - Comes Alive Aerosmith - Rocks Ramones - Ramones David Bowie - Low Kraftwerk - Trans-Europe Express Television - Marquee Moon Sex Pistols - Nevermind with the Bollocks Judas Priest - Stained Class Blondie - Paralell Lines The Clash - London Calling
Prince - Dirty Mind Depeche Mode - Speak and Spell The Human League - Dare Michael Jackson - Thriller Prince - 1999 Iron Maiden - The Number of the Beast Def Leppard - Pyromania Madonna - Madonna RUN DMC - RUN DMC Prince - Purple Rain Bruce Springsteen - Born in the USA Whitney Houston - Whitney Houston Metallica - Master of Puppets Slayer - Reign in Blood Janet Jackson - Control U2- The Joshua Tree Guns N' Roses - Appetite for Destruction Public Enemy - It Takes a Nation of Millions
Depeche Mode - Violator Metallica - Metallica Nirvana - Nevermind Primal Scream - Screamadelica Dr.Dre - The Chronic Sepultura - Chaos AD Blur - Parklife Nine Inch Nails - Downward Spiral Korn - Korn Notorious BIG - Ready to Die Mariah Carey - Daydream Bjork - Post Beck - Odelay Spice Girls - Spice Goldie - Timeless Madonna - Ray of Light Shania Twain - Come On Over Backstreet Boys - Millenium
Eminem - Marshall Matters LP Linkin Park - Hybrid Theory Slipknot - Iowa System of a Down - Toxicity The Strokes - Is This It Kanye West - College Dropout Arcade Fire - Funeral Amy Whinehouse - Back to Black Britney Spears - Blackout David Guetta - One Love [Edited 4/7/11 14:15pm] | |
- E-mail - orgNote - Report post to moderator |
I agree that the Prince sound, such as on 1999 and Purple Rain did that
Control is another good example
I believe Thriller set a blueprint too, especially for the structure of good albums, and how so many songs were starting to sound influenced by Billie Jean and Beat It right after, or even PYT or WBSS. Songs like Like A Virgin, Carribbean Queen etc. | |
- E-mail - orgNote - Report post to moderator |
[Edited 4/7/11 14:34pm] You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
- E-mail - orgNote - Report post to moderator |
| |
- E-mail - orgNote - Report post to moderator |
Although "smooth jazz" existed before this album, it was pretty much the first one that really caught on with mainstream listeners. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
- E-mail - orgNote - Report post to moderator |
Kenny G isn't a Jazz artist.
| |
- E-mail - orgNote - Report post to moderator |
[img:$uid]http://i82.photobucket.com/albums/j247/pandadub/BADUErykah1997BADUIZMLIVE.jpg[/img:$uid]
[img:$uid]http://i82.photobucket.com/albums/j247/pandadub/bobmarley-2.jpg[/img:$uid]
[img:$uid]http://i82.photobucket.com/albums/j247/pandadub/boysdontcry.jpg[/img:$uid]
[img:$uid]http://i82.photobucket.com/albums/j247/pandadub/esg.jpg[/img:$uid] [Edited 4/7/11 17:19pm] | |
- E-mail - orgNote - Report post to moderator |
Joe Tyler gets my vote for most extensive music knowledge on The Org. Dude, u should start a magazine. Most agree, Rolling Stone has lost it | |
- E-mail - orgNote - Report post to moderator |
You work for the Wynton Marsalis jazz police, eh? I didn't say Kenny was jazz, but "smooth jazz". Smooth or contemporary jazz is just another word for instrumental R&B & pop for yuppies/buppies and Kenny made it popular. Miles Davis says there's no such thing as jazz at all and it's a racist word. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
- E-mail - orgNote - Report post to moderator |
I always wanted to work at Penthouse, as a photographer...
| |
- E-mail - orgNote - Report post to moderator |
[img:$uid]http://i51.tinypic.com/f55dae.jpg[/img:$uid]
[img:$uid]http://i55.tinypic.com/3466oeq.jpg[/img:$uid]
[img:$uid]http://i52.tinypic.com/14l3rbc.jpg[/img:$uid]
[img:$uid]http://i51.tinypic.com/2zegoc2.jpg[/img:$uid]
[img:$uid]http://i55.tinypic.com/2rol637.jpg[/img:$uid] "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
- E-mail - orgNote - Report post to moderator |
Thank you my friend '
I like Kenny G, idc he get's a lot of crap from people who like to call him such thing's as the ''Vanilla Ice'' of jazz but he's a talented guy Pistols sounded like "Fuck off," wheras The Clash sounded like "Fuck Off, but here's why.."- Thedigitialgardener
All music is shit music and no music is real- gunsnhalen Datdonkeydick- Asherfierce Gary Hunts Album Isn't That Good- Soulalive | |
- E-mail - orgNote - Report post to moderator |
No. | |
- E-mail - orgNote - Report post to moderator |
| |
- E-mail - orgNote - Report post to moderator |
Take it up with the "smooth jazz" stations (generally called something like "The Wave") all over the USA that play the Kenny G, Najee, Gerald Albright, etc. music. I didn't name it that, and don't care really. If you want to waste time nitpicking over something that's not even important, go right ahead. With someone else that is. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
- E-mail - orgNote - Report post to moderator |
did anyone mention Paul's Boutique from the Beastie's? (moreso than Licensed to Ill which was really a Run DMC album since they wrote it).
Also, Urban Hang Suite from Maxwell
People's Instinctive Travels & Paths of Rhythm/3 Feet High & Rising - ATCQ/DeLa Soul | |
- E-mail - orgNote - Report post to moderator |
It's not that serious. | |
- E-mail - orgNote - Report post to moderator |
You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
- E-mail - orgNote - Report post to moderator |
she popularized 'girl power' in many ways... i grew up around girls who wanted to BE madonna when this album came out.
they took 'the message' to a whole 'nother level. they used hip hop solely to spead socio-political messages like not many had none before.
like it or not, shawn carter inspired a whole wave of hip hop, fighting between materialism and political consciousness... some did it way better than him, but for many, this man is a point of reference.
those in the west could finally play like the jamaicans, hee hee...
huey lewis came out of the sessions for this album... you know what happened there... and many were inspired by the 'stream of consciousness', bar-band style too.
this begat the whole 'riot grrrl' phenomenon, in many ways... even more than bands like the slits. i mean, kathleen hanna even jacked poly styrene's vocal style.
even though they were big in the CBGB's scene, this was the album which brought punk and hip hop together, for all intents and purposes. remember the 'wild style' collaboration?
even though joan armatrading, terry collier and odetta came before her, ms. chapman popularized the genre for the masses, in my opinion.
this is the first major 'mashup' record i can recall, and still, one of the best.
and the on-u/adrian sherwood/tackhead catalog... which inspired everything from 'industrial', hip hop and reggae... sherwood (with doug wimbish, skip mc donald and keith leblanc) played on 'the message', as well as essentially being the initial force behind those nine inch nails songs. he then worked with lee perry...
people were like, 'you mean black people play... ROCK music?' hee hee... and of course wimbish has associations here as well. | |
- E-mail - orgNote - Report post to moderator |
While I think its awesome that you included Thriller, because it did help to shape yesterday's post-disco into today's dance-pop & a lot of other things (and took way too long for someone to post here), I think it's still way too early to post JM's album. Influence takes about 20 years to show itself. That album just came out last year and I don't know if anyone can hear its the infleunce in the work of today's music/artist. Also, its influence hasn't even shown any dominance on the Billboard charts. I mean, I want to post Kanye West's My Beautiful Dark Twisted Fantasy because it's a wonderful album, but I think it's still too early.
Maybe in the future though? Eveything on the radio still sounds hella different from it. | |
- E-mail - orgNote - Report post to moderator |
[img:$uid]http://sleevage.com/wp-content/uploads/2007/07/michael_jackson_dangerous-f.jpg[/img:$uid]
[Edited 4/8/11 8:46am] | |
- E-mail - orgNote - Report post to moderator |
wow, really???
that album, despite the excellent songwriting, arrived 2 years late... | |
- E-mail - orgNote - Report post to moderator |
I got Germ Free Adolescents playing on my stereo and I definitely agree especially with the tone of Poly's voice. Just great stuff! Definitely a precursor to the riot grrrl movement. | |
- E-mail - orgNote - Report post to moderator |
I was just joking with The ArchAndroid. Maybe one day, though.
MBDTF is definitely a possibility. I think that The ArchAndroid might become one of those "Forgotten Classics" like Dirty Mind or Controversy, that changed the game but were never too popular.
And yeah, I was flipping out when I saw that Thriller hadn't been posted yet. . I expected it to be in the first reply. | |
- E-mail - orgNote - Report post to moderator |
nobody's going to challenge this choice? My Legacy
http://prince.org/msg/8/192731 | |
- E-mail - orgNote - Report post to moderator |