uhh actually he snapped on the 2 and 4.. pat boone was on some high-tempo shit | |
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Hotlegs said: sosgemini said: Remy Shand should have been the next Justin Timbernutts...
Remy is different b/c he truly has more soul and ain't faking the funk like Justin doing. Exactly.Remy Shand is a real soul artist,making real soul music. | |
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This thread doesn't make any sense, i believe if we claim to love music so much then we should be able to look beyond the media hype because thats all it is, it is designed to over rate and promote what they think or what they have been paid to tell us who the next big thing is, it's their job and you don't have to believe the hype. There are a lot of artists out there (black and white) who don't get the recognition they deserve, Lewis Taylor at the top of the list... in the UK anyway | |
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Hotlegs said: TheFrog said: i think this whole, "white guys/gals venturing into black guys/gals music" is crap. All modern music was basically black music once, so what the fuck are we sayin?
now, if you want to diss Timberlake, fine. He's a damn good dancer though. Shame Justified only had three good tracks - the big singles. Eminem is a hugely talented guy. Nas is still probably my favourite rapper though. Vanilla Ice - he was never "rated" was he? How can he be overrated? He was always a laughing stock. And the Joss Stone thing - damn, that girl has a brilliant voice. So do loads of other people, but it's more a beauty thing, not about colour. There are shit loads of black and white women who have good voices, but have basically made it ahead of others with good/better voices, because they're pretty. Simple as that. All the people you have mentioned in your post with the exception of Nas are frauds. Of course, it depends on your music background/expereince and cultural background then you will be more likely to see through the mirage of studio generated artist who aren't about shit. whatever. I disagree, but hey. My post actually wasn't sticking up for some of the "frauds" you mention, as you'll note. Joss Stone has a great voice, live. She had a great voice when she was first successful in a UK talent competition when she was barely in her teens, years and years ago. You think she isn't "about shit". I disagree. But, hey. | |
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Hotlegs said: VoicesCarry said: Yeah, if you like a scratchy-voiced blond singing like she's developing a cleft palate. Exactly. VC, you hit it right on the nose with that statement. | |
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Maybe the industry looks at it like the Sam Phillips quote:
"If I could “find a white man who could sing like a black man, I could make a million dollars.” | |
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cranshaw62 said: Maybe the industry looks at it like the Sam Phillips quote:
"If I could “find a white man who could sing like a black man, I could make a million dollars.” Sad, but true. | |
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Calling Joss Stone! Calling Joss Stone! Your thread is ready, and please bring Eminem with you! [Edited 4/18/05 15:27pm] The ORG - the only place where you can be called a wigger, a racist and a Nazi and be banned for defending yourself. It's so hard being white nowadays...
Proud to be a NONA GAYE fan! | |
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VoicesCarry said: npgmaverick said: I am SO glad U said that! Conversely, I wonder if Martha Wash would b as well respected if she looked like Beyonce? Consumers of all races r not only lead by marketing, they are consumed by it. Which is why we have discussions like this. Teena Marie (like Dusty Springfield before her) came about before the advent of MTV, back when listening was the actual point of enjoying a record. I've said it before and I'll say it again, if Joss Stone's record came out 25 years ago, she'd b hailed as the second coming of Aretha. Yep, I said it and I'm not taking it back! Oh, you don't have to take it back. Because the UK press already did that when they were hyping her first release 2 years ago. Which only proves that she certainly would not have been hyped as such 25 years ago, when acts like Teena Marie would have laughed her off the stage, and when she would have been completely drowned out by a Rick James production. That Joss Stone is supposed to be the best thing modern soul has going for it is a frightening prospect indeed. [Edited 4/14/05 18:10pm] Now who's living is the past. It seems that u'll confuse with anyone who sell loads as overated. Where do u draw the line? | |
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Or that pre-released hyping of records necessarily means they're pap. The Strokes' album was about the most hyped debut album in recent years, and it turned out to be a fine album. Same with Franz Ferdinand's album.
I certainly wouldn't compare Joss Stone to Aretha. To me, that's utterly fantastical. She's not in the same sport, let alone the same league. I also wouldn't make snide comments about her voice as a means of proving a non-existent point. So one person doesn't like her voice. Another does. Big fucking deal. | |
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VoicesCarry said: TheFrog said: And the Joss Stone thing - damn, that girl has a brilliant voice.
Yeah, if you like a scratchy-voiced blond singing like she's developing a cleft palate. Gosh! | |
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NadiaAdare said: Calling Joss Stone! Calling Joss Stone! Your thread is ready, and please bring Eminem with you!
[Edited 4/18/05 15:27pm] | |
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Hotlegs said: NadiaAdare said: Calling Joss Stone! Calling Joss Stone! Your thread is ready, and please bring Eminem with you!
[Edited 4/18/05 15:27pm] Why the hate for joss? I don't like her musically but saying she got fame because she is white is ridiculous. Same with eminem. I guess it is their fault they are white so they must be overated. | |
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DavidEye said: Hotlegs said: Remy is different b/c he truly has more soul and ain't faking the funk like Justin doing. Exactly.Remy Shand is a real soul artist,making real soul music. | |
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thesexofit said: Hotlegs said: Why the hate for joss? I don't like her musically but saying she got fame because she is white is ridiculous. Same with eminem. I guess it is their fault they are white so they must be overated. Joss Stone is at best a lounge act. If she were 45 and black, she wouldn't be here. But she is 16, white, blonde, and HOT, and so she is here, massacring soul music as we speak. And Eminem.....let's not get started on him. | |
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VoicesCarry said: thesexofit said: Why the hate for joss? I don't like her musically but saying she got fame because she is white is ridiculous. Same with eminem. I guess it is their fault they are white so they must be overated. Joss Stone is at best a lounge act. If she were 45 and black, she wouldn't be here. But she is 16, white, blonde, and HOT, and so she is here, massacring soul music as we speak. And Eminem.....let's not get started on him. Man voices, u accept mairahs bland shit, hate j lo's bland shit but like soul music but cannot stnad joss stone. I imagine she gets good reviews. U usually love astists who get good reviews. | |
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thesexofit said: VoicesCarry said: Joss Stone is at best a lounge act. If she were 45 and black, she wouldn't be here. But she is 16, white, blonde, and HOT, and so she is here, massacring soul music as we speak. And Eminem.....let's not get started on him. Man voices, u accept mairahs bland shit, hate j lo's bland shit but like soul music but cannot stnad joss stone. I imagine she gets good reviews. U usually love astists who get good reviews. I'm not going to take musical criticism from someone who owns a Jennifer Love Hewitt CD, thankyouverymuch. But let me clear something up: Mariah's "bland shit" is saved by a stellar voice. J.Lo's bland shit is actually rancid shit, and Joss gets good reviews, much like Norah Jones gets good reviews and many orgers still think she's....shit? [Edited 4/19/05 4:54am] | |
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thesexofit said: Hotlegs said: Why the hate for joss? I don't like her musically but saying she got fame because she is white is ridiculous. Same with eminem. I guess it is their fault they are white so they must be overated. ----- No they are overated and they are overated because they are white. Sorry African-Americans always give props to kick ass artist but,I think we all know that a white artist has a better chance of selling more CD's than an African-American. Record companies are always going to pust whoever can appeal to the masses. Unfortunatly, know they are not even going to bother to find anyone with any real talent. | |
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laurarichardson said: thesexofit said: Why the hate for joss? I don't like her musically but saying she got fame because she is white is ridiculous. Same with eminem. I guess it is their fault they are white so they must be overated. ----- No they are overated and they are overated because they are white. Sorry African-Americans always give props to kick ass artist but,I think we all know that a white artist has a better chance of selling more CD's than an African-American. Record companies are always going to pust whoever can appeal to the masses. Unfortunatly, know they are not even going to bother to find anyone with any real talent. I agree that, unfortunately, you get a record company with a black artist and a white artist with precisely the same talent, the record company will probably think the white artist will sell more. I disagree that record companies don't bother to find people with real talent though (clearly a lot of stuff is manufactured rubbish, but that's not all of it). And if you don't mind my saying so, your first two sentences are weird (re: "overrated because they are white", and "African-Americans always give props to kick-ass artists".) | |
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TheFrog said: laurarichardson said: ----- No they are overated and they are overated because they are white. Sorry African-Americans always give props to kick ass artist but,I think we all know that a white artist has a better chance of selling more CD's than an African-American. Record companies are always going to pust whoever can appeal to the masses. Unfortunatly, know they are not even going to bother to find anyone with any real talent. I agree that, unfortunately, you get a record company with a black artist and a white artist with precisely the same talent, the record company will probably think the white artist will sell more. I disagree that record companies don't bother to find people with real talent though (clearly a lot of stuff is manufactured rubbish, but that's not all of it). And if you don't mind my saying so, your first two sentences are weird (re: "overrated because they are white", and "African-Americans always give props to kick-ass artists".) ----- Jesue help me on this board (LOL). African-Americans give credit to artist that can really bring it who are white. We are not going to put some down just because they are white if they have talent. George Micheal and Teena Marie come to mind. | |
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laurarichardson said: TheFrog said: I agree that, unfortunately, you get a record company with a black artist and a white artist with precisely the same talent, the record company will probably think the white artist will sell more. I disagree that record companies don't bother to find people with real talent though (clearly a lot of stuff is manufactured rubbish, but that's not all of it). And if you don't mind my saying so, your first two sentences are weird (re: "overrated because they are white", and "African-Americans always give props to kick-ass artists".) ----- Jesue help me on this board (LOL). African-Americans give credit to artist that can really bring it who are white. We are not going to put some down just because they are white if they have talent. George Micheal and Teena Marie come to mind. Thanks. I understood what you were saying. I just thought it was a very strange thing to say. I still do. | |
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TheFrog said: laurarichardson said: ----- No they are overated and they are overated because they are white. Sorry African-Americans always give props to kick ass artist but,I think we all know that a white artist has a better chance of selling more CD's than an African-American. Record companies are always going to pust whoever can appeal to the masses. Unfortunatly, know they are not even going to bother to find anyone with any real talent. I agree that, unfortunately, you get a record company with a black artist and a white artist with precisely the same talent, the record company will probably think the white artist will sell more. I disagree that record companies don't bother to find people with real talent though (clearly a lot of stuff is manufactured rubbish, but that's not all of it). And if you don't mind my saying so, your first two sentences are weird (re: "overrated because they are white", and "African-Americans always give props to kick-ass artists".) If that were true, then real artists wouldn't resort to founding their own independent labels every second. | |
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VoicesCarry said: TheFrog said: I agree that, unfortunately, you get a record company with a black artist and a white artist with precisely the same talent, the record company will probably think the white artist will sell more. I disagree that record companies don't bother to find people with real talent though (clearly a lot of stuff is manufactured rubbish, but that's not all of it). And if you don't mind my saying so, your first two sentences are weird (re: "overrated because they are white", and "African-Americans always give props to kick-ass artists".) If that were true, then real artists wouldn't resort to founding their own independent labels every second. of course it's true, and the fact that independent labels are founded obviously doesn't mean that logically my statement wasn't true. I'm not going to make any sweeping generalisations. Hence my saying that a lot of stuff is manufactured rubbish. Many talented artists may well have to find other methods of becoming recorded artists, such as independent labels. Record companies don't send scouts out to thousands of pubs, clubs and minor gigs every year in the UK (i speak of the UK for obvious reasons) with the sole purpose of finding pretty young white things with no talent. | |
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thesexofit said: Why the hate for joss?
I dunno...cuz she sucks rocks? The ORG - the only place where you can be called a wigger, a racist and a Nazi and be banned for defending yourself. It's so hard being white nowadays...
Proud to be a NONA GAYE fan! | |
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TheFrog said: VoicesCarry said: If that were true, then real artists wouldn't resort to founding their own independent labels every second. of course it's true, and the fact that independent labels are founded obviously doesn't mean that logically my statement wasn't true. I'm not going to make any sweeping generalisations. Hence my saying that a lot of stuff is manufactured rubbish. Many talented artists may well have to find other methods of becoming recorded artists, such as independent labels. Record companies don't send scouts out to thousands of pubs, clubs and minor gigs every year in the UK (i speak of the UK for obvious reasons) with the sole purpose of finding pretty young white things with no talent. Maybe, but it's what they promote and push that matters. Do they practise what you preach? No. And so I don't consider your statement to be true - a major label is all about the bottom line, and has no investment in artistic development anymore. An artist doesn't follow through on their promise sales-wise, well, the label ain't going to support or nurture any artistic development. They're out the door, better luck next time. If what you said was true, we'd see the mainstream being dominated by plain looking or downright ugly people with superb voices and musicianship. Just as it was in the 60's and 70's, where talent mattered more than Were You Photogenic In A Video. The labels aren't really into promoting that, however, because it's easier to fix someone's hair and tits than it is to actually foster artistic development. [Edited 4/19/05 8:28am] | |
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to prove this isnt really a thread about race...
We all forgot to mention Whitney & Mariah. and that Justin Gearni (sic?) from the first season of American Idol. Space for sale... | |
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VoicesCarry said: TheFrog said: of course it's true, and the fact that independent labels are founded obviously doesn't mean that logically my statement wasn't true. I'm not going to make any sweeping generalisations. Hence my saying that a lot of stuff is manufactured rubbish. Many talented artists may well have to find other methods of becoming recorded artists, such as independent labels. Record companies don't send scouts out to thousands of pubs, clubs and minor gigs every year in the UK (i speak of the UK for obvious reasons) with the sole purpose of finding pretty young white things with no talent. Maybe, but it's what they promote and push that matters. Do they practise what you preach? No. And so I don't consider your statement to be true - a major label is all about the bottom line, and has no investment in artistic development anymore. An artist doesn't follow through on their promise sales-wise, well, the label ain't going to support or nurture any artistic development. They're out the door, better luck next time. If what you said was true, we'd see the mainstream being dominated by plain looking or downright ugly people with superb voices and musicianship. Just as it was in the 60's and 70's, where talent mattered more than Were You Photogenic In A Video. The labels aren't really into promoting that, however, because it's easier to fix someone's hair and tits than it is to actually foster artistic development. [Edited 4/19/05 8:28am] Give me a break voices. There has ALWAYS been shit. U just don' see the shit from the 60's and 70's anymore because guess what, it was shit and no one wants to hear it ever again! And there are exceptions. The monkees had some greast songs and a great tv series for example. | |
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VoicesCarry said: TheFrog said: of course it's true, and the fact that independent labels are founded obviously doesn't mean that logically my statement wasn't true. I'm not going to make any sweeping generalisations. Hence my saying that a lot of stuff is manufactured rubbish. Many talented artists may well have to find other methods of becoming recorded artists, such as independent labels. Record companies don't send scouts out to thousands of pubs, clubs and minor gigs every year in the UK (i speak of the UK for obvious reasons) with the sole purpose of finding pretty young white things with no talent. Maybe, but it's what they promote and push that matters. Do they practise what you preach? No. And so I don't consider your statement to be true - a major label is all about the bottom line, and has no investment in artistic development anymore. An artist doesn't follow through on their promise sales-wise, well, the label ain't going to support or nurture any artistic development. They're out the door, better luck next time. If what you said was true, we'd see the mainstream being dominated by plain looking or downright ugly people with superb voices and musicianship. Just as it was in the 60's and 70's, where talent mattered more than Were You Photogenic In A Video. The labels aren't really into promoting that, however, because it's easier to fix someone's hair and tits than it is to actually foster artistic development. [Edited 4/19/05 8:28am] I agree with everything you say, except this idea that record companies aren't interested in talent at all. They are to some extent, because it is not just hair and tits which succeeds. Which is why we don't have just a million Britneys (granted, we have a fair few. ) They want their bottom line, it's true - but talent does come into that. You can't just write that off totally. Also, i agree with sexofit that the 60s and 70s were full of manufactured shit too. The bit which really hits home of what you say though, voices, for me, is your point about artists not getting the chance to develop anymore. you're spot on with that. you need a hit immediately, or you're history. That's crap for music. | |
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NadiaAdare said: thesexofit said: Why the hate for joss?
I dunno...cuz she sucks rocks? | |
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thesexofit said: VoicesCarry said: Maybe, but it's what they promote and push that matters. Do they practise what you preach? No. And so I don't consider your statement to be true - a major label is all about the bottom line, and has no investment in artistic development anymore. An artist doesn't follow through on their promise sales-wise, well, the label ain't going to support or nurture any artistic development. They're out the door, better luck next time. If what you said was true, we'd see the mainstream being dominated by plain looking or downright ugly people with superb voices and musicianship. Just as it was in the 60's and 70's, where talent mattered more than Were You Photogenic In A Video. The labels aren't really into promoting that, however, because it's easier to fix someone's hair and tits than it is to actually foster artistic development. [Edited 4/19/05 8:28am] Give me a break voices. There has ALWAYS been shit. U just don' see the shit from the 60's and 70's anymore because guess what, it was shit and no one wants to hear it ever again! And there are exceptions. The monkees had some greast songs and a great tv series for example. There was always shit, and there will always be shit. However, there was also an explosion of talent in the 60's and 70's that I feel is absent from the mainstream today. Most people do. I hope you wake up soon if you feel the golden age of music was really 1990-1993. Come to think of it, even the teen pop shit of the 60's beats anything we have today. Brenda Lee had a voice, y'know. [Edited 4/19/05 10:36am] | |
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