we get it. you hate it. lol.
its still a significant album. perhaps his most significant 90s album (and better than that overcooked mess that he released in 1992 ).
well emancipation is probably more signifcant, in many ways, but no one needs an SDE of that, and well the music isnt as fun. | |
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TwiliteMan said: Vannormal said:
I didn't know that... You can be forgiven for that, because it’s not true. It’s a false narrative repeated by folks who don’t really know what they’re talking about, and don’t read the magazines in question. Paid content is definitely a thing, but it is always marked as such. Cover features are certainly facilitated by record company PR departments, but they are NOT paid for. I think you’re correct that there’s less press coverage for this SDE, and part of that is likely down to less interest in the period, but it’s also a reflection of the gutting of the music press (and media in general) that has gone on the last few years - there are fewer reviews of D&P because there are fewer reviews these days, period. [Edited 11/16/23 16:05pm] My mum literally does those deals for a living . So I think I know a little bit about that side of things. | |
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Prince fans are a tad too addicted to "fun".
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WhisperingDandelions said: Prince fans are a tad too addicted to "fun".
Thank you God for what I had, a little more I would be glad. | |
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WhisperingDandelions said: Prince fans are a tad too addicted to "fun".
What great deep, non fun prince songs are you hankering for? That opus of worldly commentary that is the gold experience? Or that introspective, reflective masterwork that is the symbol album? I go to prince for fun music (with some exceptions, i also go to him for strange, weird, challenging, but often he does those things with fun too), yes. My favourite music of his generally has a joyfulness, a sense of someone enjoying themselves. If i want other kinds of music, i have other artists for that. | |
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It simply isn't that good of release.Of course I dig it, and Prince fans like it but Let's be honest about this. The same amout of output.........matches the input from the Estate. Graycap23 was ME! | |
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. - Well, compared to his classics from 80-88, it wasn´t the innovative, trend setter Prince. But it had some real good songs and a great band | |
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ShellyMcG said: TwiliteMan said: You can be forgiven for that, because it’s not true. It’s a false narrative repeated by folks who don’t really know what they’re talking about, and don’t read the magazines in question. Paid content is definitely a thing, but it is always marked as such. Cover features are certainly facilitated by record company PR departments, but they are NOT paid for. I think you’re correct that there’s less press coverage for this SDE, and part of that is likely down to less interest in the period, but it’s also a reflection of the gutting of the music press (and media in general) that has gone on the last few years - there are fewer reviews of D&P because there are fewer reviews these days, period. [Edited 11/16/23 16:05pm] My mum literally does those deals for a living . So I think I know a little bit about that side of things. Then you should ask her to explain it to you! The UK and Ireland have the same laws about paid content being marked as such. | |
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TwiliteMan said: ShellyMcG said: My mum literally does those deals for a living . So I think I know a little bit about that side of things. Then you should ask her to explain it to you! The UK and Ireland have the same laws about paid content being marked as such. No need to get snippy. I'll explain it to you as best as I can. I'm not fluent in legal speak but I know the gist of it. And these kinds of things absolutely do happen by the way. Regardless of laws. It's not really a black and white thing for these kinds of deals. Of course, there are paid ads and there are articles where no such payments have taken place that come from a desire by the editor or whoever to write stuff that will sell magazines (or in my mum's case now, attract clicks on a website with the intention of gaining subscribers). But there is a grey area that exists within that. It happens more with videogames on my mum's site but it has happened with music and movies too. Let's say, for example, (and this is only an example, I'm not trying to get anyone in trouble here) Sony have a new product launch for the PlayStation 5. It's something that is hugely sought after and interest is high. But before they launch that, they have something else coming out. Something not in such high demand. It is made clear to websites and magazines and YouTubers that if this less in demand product doesn't receive glowing reviews and/or positive press then access to the more popular product will be withheld. Now, this kind of thing seems to happen all the time in the videogame world. One or two companies use that particular tactic a lot. But these kinds of things aren't exclusive to games. They happen in movies and music and publishing industries too. It's not strictly illegal, apparently. But even if it was, I kind of think they would find some way around it. | |
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Well, could it be that this has to do with the artistic merrit of D&P compared to the previous releases ? | |
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Well N.E.W.S. and Around the World in a Day would both be in my Top 5 LPs, for instance. 90s wise D&P does nothing for me but Emancipation has his absolute best material of the decade amidst the filler. "Fun" and "funk" crowd generally doesn't seem to care for the grown & sexy R&B for whatever reason...
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The "Originals" he gave away from the same era are markedly superior material, though. The formal "Prince" album in this case had the worst Prince songs of 1991, his best material of the era was given to Maritka, Rosie Gaines, Javetta Steele, Patti LaBelle etc. | |
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D&P is just not that great of an album, plus a less interesting set of vault tracks (to me at least). I am not that surprised this set is less well received than SOTT or 1999. I would love to get the live blu-ray, but not at the price we currently have to pay for this set. RIP Prince: thank U 4 a funky Time... | |
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emancipation has prob his best 90s album buried inside it. a lot of it also fairly bland and marred a bit by being a tad too 'mature', almost an idea of when you are married, you should rein it back a bit, though in his defence, it didnt feel contrived, it just felt like he had been listening to a lot of babyface/waiting to exhale. around the world in a day is plenty of fun. NEWS is plenty of.... stuff i dont care for. im not being condescending, merely commenting that there are areas prince just could and did not want to go, sorry to say. at some point in his 30s/40s, all those songs too obsessed with sounding 'fun' and upbeat and like a good party started to sound seriously played out, and just lacking in gravitas (eg musicology). my favourite songs from this period are things like here, walk in sand, future love song, reflection, revelation. but prince is a bit like sinatra, hes one of my favourite singers, but he didnt really often let his guard down as a vocalist. he wasnt like marvin gaye or kurt cobain. with prince, its not necessarily the character or emotion of the vocal, its what he was singing, the song, the melody, etc. [Edited 11/18/23 13:23pm] | |
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Sign of the times. Album releases just don't get much attention anymore. Remasters, DEs and SDEs are most often just for the fans and collectors. | |
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How are the sales of D&P SDE going by the way? Anyone ? [Edited 11/20/23 2:27am] "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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I've been trying to find a thread on its chart performance, but have failed in that search. | |
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Me too. I'm not all that good with internet search... For that we need Prince specialists, or people like Bizzie, Bart... I'm very curious to see how well it's selling so far... "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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The estate doesn't have the power/money to get him into the press, and Prince hasn't had the sales numbers since the early 90s to warrant a big spend by the record labels. I'd happily sacrifice the disc full of radio edits for a disc of new remixes by known producers and cover versions that would have some real appeal to radio. A lot of fans however, would cry blasphemy and at volume. | |
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Most people stream anymore. Only the die-hard Prince fans are buying these expensive SDEs. | |
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Wouldn't it be a great idea to have contemporary great producers or DJ's mixing the unreleased vault trax? Like... asap? ... as a little push and extra promo, a follow up to the SDE release. I would love that! Download only, or via YT, spotify etc... What ya'll think? "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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they should do something special with “Open Book”.Maybe put together a video using old footage and release it as a single.It’s a really great song and Prince’s version really deserves a wider audience. | |
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Vannormal said: Wouldn't it be a great idea to have contemporary great producers or DJ's mixing the unreleased vault trax? Like... asap? ... as a little push and extra promo, a follow up to the SDE release. I would love that! Download only, or via YT, spotify etc... What ya'll think? I think that would be awful. Something BIG Is Coming. | |
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Why? Give it some new impulses, make it hard for the producers to sauce it up for a contemporary feel. Honestly, I for one am not a great remix lover, but in this case i could be fun to give an extra spin to (careful now) mediocre unreleased Prince tunes. Why not. What could go wrong. Imagine this : Anderson.Paak doing "The Last Dance (Bang Pow Zoom and the Whole Nine)" Skaiwater doing "Schoolyard" The Weekend doing "Spirit" JD Beck & Domi - "Letter 4 Miles" Daft Punk doing "Daddy Pop 12inch" Shubostar doing "Martika's Kitchen" Meshell N'degeOcello doing "Get Blue" and "Pain" Jack Antonoff "Hey U" Rick Rubin doing "Blood On The Sheets" Jahaan Sweet doing "Something Funky (This House Comes)" Beck doing "Hold Me" Diplo doing "Skip 2 My U My Darling" Q-Tip doing "Work That Fat" Skrillex doing "Streetwalker" Kendrik Lamar doing "Blood On The Sheets" Damon Albarn doing "The Voice" Finneas O'Connell "Open Book" doing "Standing At The Altar" Pharrell doing "Alice Through The Lookig Glass" ... Just a few ideas...
"The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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Vannormal said: It looks like there is little to no interest from the media (specifically music magazines) to discuss or cite this new D&P SDE. Compare it to the releases of 1999 SDE or SOTT SDE.... Is it because of the quality? Or is it perhaps just the intention of The Estate? Meta products and other Internet companies aside, I find virtually little to no promotion, interst or hype created. Or have I missed something? Reviews are there, but also far fewer, (and they are mediocre). Maybe this D&P is some kind of anticipated one-off release, meaning a quick assemblage, wrap it up and go. It also received virtually little or no attention on the radio. Not even when the singles were pre-released. The packaging and execution of the final product are also very minimal in my opinion, just enough to meet a minimal expectation. The (print)quality of a lot of photo's is slack. The accompanying book is OK, but not extraordinary either. No attention has even been paid to the special hologram of the orignal release, which was a clever marking move at the time anyway. You could choose with and without the hologram. What do you guys think? Unfortunately, the unreleased and live music on the album is average at best. The estate would’ve been better off releasing ATWIAD SDE or PARADE SDE. Whether or not some want to admit it, all the gems are from the 80’s era albums. | |
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Vannormal said:
Why? Give it some new impulses, make it hard for the producers to sauce it up for a contemporary feel. Honestly, I for one am not a great remix lover, but in this case i could be fun to give an extra spin to (careful now) mediocre unreleased Prince tunes. Why not. What could go wrong. Imagine this : Anderson.Paak doing "The Last Dance (Bang Pow Zoom and the Whole Nine)" Skaiwater doing "Schoolyard" The Weekend doing "Spirit" JD Beck & Domi - "Letter 4 Miles" Daft Punk doing "Daddy Pop 12inch" Shubostar doing "Martika's Kitchen" Meshell N'degeOcello doing "Get Blue" and "Pain" Jack Antonoff "Hey U" Rick Rubin doing "Blood On The Sheets" Jahaan Sweet doing "Something Funky (This House Comes)" Beck doing "Hold Me" Diplo doing "Skip 2 My U My Darling" Q-Tip doing "Work That Fat" Skrillex doing "Streetwalker" Kendrik Lamar doing "Blood On The Sheets" Damon Albarn doing "The Voice" Finneas O'Connell "Open Book" doing "Standing At The Altar" Pharrell doing "Alice Through The Lookig Glass" ... Just a few ideas...
I think you're just joking. Something BIG Is Coming. | |
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It's charted which means that a lot of diehards have purchased it. The general public and casual fans would not spend that much money on an sde. | |
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Which is why it's ludicruous they intentionally chose this album to get an SDE based on sales from the general public and casual fans over 30+ years ago. [Edited 11/26/23 13:28pm] | |
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Id say the energy around this release went down fast, not because d+p hasnt held up, but because the vault tracks just arent that amazing. There are about 12 to 15 very good ones but the overall quality just isnt on the level of the sott sde which makes it hard to really get to grips with the highlights. And while the live show is def good, this show benefits from the polish of the proper tour. This era i think could do with more curation, not just throwing it all out there. It also tells me the vault highlights from this point on will likely not be as bountiful as from the 80s records. [Edited 11/26/23 13:46pm] | |
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