Someone created a poll asking how people feel about C&D being bad, on Prince reddit and so far 163 have voted. 40 agree with Rolling Stone Magazine 123 think Rolling Stone Magazine is crazy. [Edited 2/16/23 13:32pm] | |
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It's an okay album.Nothing special.
"Dinner With Delores" is nice.I like the lyrics."Dig U Better Dead" is cool too.
"I Rock,Therefore I Am" is the big clunker on the album.That song is garbage. | |
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[Edited 2/17/23 1:05am] | |
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It's all in Prince's marketing of the album.
[Edited 2/17/23 12:45pm] | |
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So Rolling Stone finally got something right? Crazy. | |
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The funny thing is, too many times the things the critics hate, I like better than the things they rave about. And that's how I ended up here. I like what I like. I give no apologies. Time keeps on slipping into the future...
This moment is all there is... | |
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Mission accomplished.
Rolling Stone are just pathetic and sad these days trying to stay relevant. So they put out these ridiculous lists to rile up the fan bases and manufacture interaction and clicks.. and people fall for it every single time.. Hard to believe I've been on the org for over 25 years now! | |
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To be fair, they were doing it pre-social media with their "Top 10 greatest albums of all time" consisting of 7 Beatles albums and 3 Dylan albums or whatever. | |
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This time I agree with RS. | |
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I disagree that Chaos and Disorder is his worst. They should have picked Rave. | |
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Emancipation was the real stinker that year. If we hadn't had C&D and Girl 6 to balance it out, I would have been so let down... | |
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I disagee completely. It was a cohesive rock album (with the exception of ´Dig U better dead´ and ´I rock therefore I am´with some cool songs and a great band. . . If I had to choose a Prince album for that list it would be MPLSound (I dont even consider it an album) or one of those NPGMC releases (Chocolate Invasion, Slaughterhouse) | |
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Yeah, MPLSound or 20Ten would be the best choice from a purely philosophic standpoint at least--Prince doing his best 80s Prince impression. Purple Rain II and III, 25 years too late. | |
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WhisperingDandelions said: Yeah, MPLSound or 20Ten would be the best choice from a purely philosophic standpoint at least--Prince doing his best 80s Prince impression. Purple Rain II and III, 25 years too late. Oh hell yeah, those are definitely the sequels to PR. Lord knows PR had hella ballads and slow jams and elevator grooves. | |
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Why is it a bad thing ? | |
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...because it's diametrically opposed to everything he stood for as artist for the prior 25 years? | |
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Your asinine contrarian gimmick notwithstanding, MPLSound has 3 ballads, PR literally has 4. | |
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WhisperingDandelions said:
Your asinine contrarian gimmick notwithstanding, MPLSound has 3 ballads, PR literally has 4. Four ballads on Purple Rain, you say??? The Beautiful Ones Purple Rain Umm... | |
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Not sure about that, he told Larry King that he could do something similar to Purple Rain if he had the right people around him. He wasn't opposed to recreating something like that but it seems like he wasn't in a rush at the time (after 84) because he wanted to explore other avenues as an artist.
With the right promotion MPLSound or 20Ten wouldn't have been bleh. | |
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Take Me with U (this track always gets ignored, do you all apply your requisite protege shade to his solo albums too?) Eye Would Dye 4 U | |
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"could" but didn't, "could" but wouldn't, you're emphasizing my point, the exact point he was trying to make with that choice of words.
[Edited 2/21/23 18:57pm] | |
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Yeah, those two songs are 100% not ballads. | |
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I think Chaos and Disorder doesn't get a ton of love because it was preceded by such a long train of legendary albums. Its an album that gets lost in the shuffle. If Chaos and Disorder was released in say...2008 or something, I think it would be much more widely praised by everyone.
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If it were released in 2008, it'd have been a blessing compared to other stuff in that period. Sorry, it's the Hodgkin's talking. | |
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Rolling Stone has resorted to clickbait in recent years. I don't see how they're taken seriously in 2023 "We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world." | |
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That's interesting to hear about some fan perspective about the whole Prince vs Warner Bros situation at that time. A shorterned version could have worked as a bonus disk, but I guess Prince wanted it to count as an full album release, so he could move on from Warner Bros. | |
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TrivialPursuit said:
If it were released in 2008, it'd have been a blessing compared to other stuff in that period. I think that's part of it - that people take on the attitude toward the material as presented to them. But I also think it's just not what people were looking for at that time. Most of the material on Come, Gold, and Chaos were all done together and all out there in the atmosphere in different configurations. It was a shock to see how it all shook out - I can't be the only person who was stunned that Gold didn't have three of the most ever present songs of the era: Days of Wild, Ripop, and Acknowledge Me. And then I think people were a little let down with Chaos because it was characterized as a rock record but it was missing yet more of the rockier stuff people were familiar with but hadn't been put on Come or Gold - namely, Calhoun and What's My Name (and we later discovered Da Bang was originally on the Chaos tracklist too). What it did have were a few familiar songs, some really cringey reggae instead of the reggae we wanted, more rapping that we had thought we escaped with the exit of Tony M, and yet more ultra pasteurization on music we already knew (similar to what happened to Endorphinmachine). Taken out of context and decades later, yeah Chaos can be seen in its own light and much of the missing material saw the light of day eventually. But you're sitting down listening to a record that's still missing the new classics he hyped and instead you get "Dig U Better Dead" and some (lovely, but) mellow Rosie crooning on "I Will." You wanted to hear the crunch and grind of The Undertaker on a rock record produced during the same sessions (more or less) but you're hearing a (lovely but) minimal solo on "Into the Light" (which we saw yet more of "The Holy River"). Those of us who were there and were disappointed by what we got prob do still have some lingering disappointment to some degree because we know what it coulda been. | |
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Back then at the time I loved it cos as you say Come, Gold, C&D and even Exodus were from the same great batch. . Thinking about it there were 4 videos made (that we know of) from C&D which goes towards dispelling the 'throwaway album' notion. . And yes I was totally stunned and gutted at the time to not get Days Of Wild and Acknowledge Me on TGE. I watched those 2 on repeat on my VHS copy of TBE movie. | |
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dodger07 said:
Back then at the time I loved it cos as you say Come, Gold, C&D and even Exodus were from the same great batch. . Thinking about it there were 4 videos made (that we know of) from C&D which goes towards dispelling the 'throwaway album' notion. . And yes I was totally stunned and gutted at the time to not get Days Of Wild and Acknowledge Me on TGE. I watched those 2 on repeat on my VHS copy of TBE movie. Honing in on the videos - bear in mind, he was doing videos for damn near everything at the time. And C&D was put together much later once the previous two had been released and the dust on that era had settled. I think that is why you see so much new stuff on there. Prince was funny because I don't think he hated any of that material and I think the album artwork and blurb were just really conceptual art. If he didn't care about the record and how it fit into the grand scheme of things, he wouldn't have bothered putting material on it that bled into the next era thematically. Into the Light and I Will, and perhaps even that whole side of the album, is clearly bridging the gap between Gold and Emancipation. I think Prince had a habit of doing that even with other hodge podge albums like The Black Album. He couldn't help but put the latest song he recorded on there to give a little nod to the future. | |
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