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New topic PrintablePhase3 said: RJOrion said: it has my vote...i thought moonbeam levels was bad, but when i hear P screeching tralalalalala, a new level of worst has been achieved What are your favorite unreleased songs? 86 In A Large Room With No Light Coco Boys original Extralovable 30 minute I Would Die 4 U [Edited 8/9/20 15:29pm] | |
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solid list, decidedly UNSOLID cosmic day and moonbeam opinions | |
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A lot of talk about Camille and ‘its’ origin and meaning. Not to poo poo anyone’s theories or thoughts, but to me it feels as if Prince was playing around with vox effects and liked it enough to try it out on a few songs and he was happy with the results but wanted to distance himself from them so came up with the name Camille. Similar to all the other pseudonyms he came up with. | |
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And similar to other psuedonyms he came up with he had a bit of a phase of obsession with the psuedonym and would use it without particular consistency just because he liked it. | |
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As for "Cosmic Day"
Some fans want linn drum + funk workout #5,083, all I ever wanted from "new" Prince songs is exactly what made me a fan of Prince in the first place--"new" ideas, "new" attempts", "new" concepts... I believe he could do anything, and I love when he tries anything new musically. Cosmic Day fits that bill. I will always appreciate and enjoy something wholly unique in his catalogue over something rote that I know he could do it in his sleep, even if it is indeed "fonky". | |
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RJOrion said: Phase3 said: What are your favorite unreleased songs? 86 In A Large Room With No Light Coco Boys original Extralovable 30 minute I Would Die 4 U [Edited 8/9/20 15:29pm] Never been crazy about Coco Boys.Good but not great and 30 min of die 4 u is a bit too much. My favorites would be Fushia Light Empty Room 1995 version 17 days extended Open Book | |
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Phase3 said: Empty Room 1995 version That's the original from 1985... Neversin. O(+>NIИ<+)O
“Is man merely a mistake of God's? Or God merely a mistake of man's?” - Friedrich Wilhelm Nietzsche | |
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Neversin said: Phase3 said: Empty Room 1995 version That's the original from 1985... Neversin. I forgot about it being the original but yes your right that's the one.That version really is a timeless track.Doesnt sound like it was made in 85 at all to me.But back on topic,anyone who likes any of Prince's speed up songs should have no problem liking cosmic day [Edited 8/9/20 17:41pm] | |
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herb4 said:
The world where I haven't heard any other songs that the estate officially released for SoTT Deluxe I suppose (?) So please accept my apologies if I missed two previous ones. I've been a little busy the last 4 - 6 months trying not to die so maybe I have trouble keeping up. This is an odd comment. The first two releases were Witness 4 the Prosecution and I Could Never Take the Place of Your Man (1979 demo). One of these is sticky at this very moment. I don’t quite understand how you could miss that. I’m not trying to be mean or anything; it’s just weird. Btw, I agree that Cosmic Day wouldn’t be a good first release. But the actual first and second releases were solid, imo. "Love & honesty, peace & harmony" | |
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O(+>NIИ<+)O
“Is man merely a mistake of God's? Or God merely a mistake of man's?” - Friedrich Wilhelm Nietzsche | |
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But all of that is neither here nor there, I'm just answering you because you addressed that question to me. I don't think Prince needed an academic reference point for Camille anyway. Again, if you reject the basic concept that we were told Camille is Prince tapping into his female side, then what exactly do you think Camille is? There is no Camille then. | |
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[Edited 8/9/20 19:55pm] The check. The string he dropped. The Mona Lisa. The musical notes taken out of a hat. The glass. The toy shotgun painting. The things he found. Therefore, everything seen–every object, that is, plus the process of looking at it–is a Duchamp. | |
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[Edited 8/9/20 21:20pm] | |
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[Edited 8/10/20 7:08am] The check. The string he dropped. The Mona Lisa. The musical notes taken out of a hat. The glass. The toy shotgun painting. The things he found. Therefore, everything seen–every object, that is, plus the process of looking at it–is a Duchamp. | |
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I'm still in awe of this song. It seemed so elusive. First we only had the song title and description, which made me think it was probably a great song Then the one minute snippet which was very frustrating as I loved that one minute. Then the extra minute which again was frustrating as it faded you could hear it was going to start to get even more interesting. I always thought we might get a guitar solo and then the song would end. What actually happens is even better than I imagined. I spent years longing to hear this song in it's entirety and I'm so pleased to finally have it Now I have to wait for the Clare fischer version. Is this released version the same as the one various people claimed to have had for years? | |
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Sure... It were more idiot reviewers (and music shows and whatnot) either repeating the same bullshit or making up an explanation based only on the title of the track (there were a shitload of UK, Dutch, German and US mags that repeated the same bullshit back then...)
But why care what I think? Inform yourself, weed out the bullshit and then make up your own mind... O(+>NIИ<+)O
“Is man merely a mistake of God's? Or God merely a mistake of man's?” - Friedrich Wilhelm Nietzsche | |
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ah, fair enough! You should listen to the other two tracks released so, you're missing out! | |
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on first listening one thought: did he write this with a female band in mind? Maybe as a gift to the Bangles? | |
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Krid said: on first listening one thought: did he write this with a female band in mind? Maybe as a gift to the Bangles? I thought that too.Whenever I listen to cosmic day,I visualize the bangles on stage singing it like they did in the music video for "Walk like a Egyptian " | |
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I can relate to almost all the comments on this thread. My first reaction was that it's throwaway that was meant for the vault, especially the cheesy melody, but from the start I found the production interesting. Been listening on repeat because it's fascinating but still wouldn't say I love it. Fits to me with Good Love, All my Dreams etc, but thinking of it as intended for a female singer a la Sheena Easton or the Bangles def makes a lot of sense. For so,e reason, it keeps bringing to mind the C&D album for some reason. Dinner with Delores keeps popping in my head, not sure why. Imagine it with regular vocals - could fit on the album, guess because of the guitar, which is cool. Overall, agree with the general consensus - fascinating song, glad we have, but understand why it was vaulted. And the Camille discussion is cool. Never got the female after ego idea either, Camille's clearly a guy - but ,a year they meant an expression of P's feminine side? I.e. P as a male expressing his feminine side = Camille? (Not that he ever had a prob expressing his feminine side as himself!) I saw Camille mainly as a weird cheeky persona, like those used by GC or Bootsy... "We've never been able to pull off a funk number"
"That's becuase we're soulless auttomatons" | |
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RJOrion said: that "tra-la-la-la-la-la" refrain, is ear splitting awful - Well... thát’s the Disney part you don’t like. Strange though, he used these kind of childish melodies quite often in many songs. I think it ads thé perfect colour to the sparse rhythm section to begin with. As high pitched as it is, it makes it more cheesier and eerie though, Which is super good in my humble opinion. - - "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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The Colors R brighter, the Bond is much tighter
No Child's a failure Until the Blue Sailboat sails him away from his dreams Don't Ever Lose, Don't Ever Lose Don't Ever Lose Your Dreams | |
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O(+>NIИ<+)O
“Is man merely a mistake of God's? Or God merely a mistake of man's?” - Friedrich Wilhelm Nietzsche | |
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bonatoc said:
the lalalala refrain sung in Large Room has much a better rhythmic delivery and placement, and far better melodic qualities than the shrill and soul-less Cosmic Day refrain you tried to compare it to. and i never mentioned Shakespeare...anywhere...ever i suspect you love the song and i dont like the song...and maybe even for the same reasons...but who knows. so what was YOUR point? [Edited 8/10/20 13:21pm] | |
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But tell us some more about how his attitudes towards the LGBTQ later in life factored into Camille. You're free to disagree with half baked opinions of your own, but going out of your way to incessantly call people dumb...reflects on you. Quasi Prince insiders get exposed for what blowhards they can be with every release. Stick to what you're useful for. [Edited 8/10/20 13:35pm] | |
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