Wouldn’t You Love To Love Me....those cascading chords and harmonics in the coda...my gosh...endless joy and exuberance!! [Edited 6/7/19 19:14pm] | |
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[Edited 6/7/19 19:21pm] | |
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you have track 15 wrong. Youre My Love is the song that you are missing. | |
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Can't get enough of Make Up We should all say 'thank you, Prince' in unison for the beautiful music he left here on earth for us. Sure, the Estate can't please everyone. But the music is outstanding. Thank you, Prince. | |
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"Sex Shooter" is a big suprise : and after having heard recently Vanity 6's version, Prince sining it falsetto then the spoken vocals is priceless and very disturbing... (lol)
it sounds like if Prince use the same backing track he would use for Vanity 6 version. That just that it speed-up a little bit, increasing the pitch to sing it in falsetto. Too bad it has an early fade out. I'm pretty sure that it was far more "extended"... perhaps one day through Eye records...?
"Manic Monday" : after the Eye "version" with Lisa vocals, this version is just a gem. an existential question : the backing vocals sounds to me like Lisa and Wendy, but could some "low vocals" backing vocals being recorded by one of the Bangles singers (don't remember which one of the Bangles did song the backing vocals on Bangles's "Manic Monday") but these low-vocals backing vocals harmonies are almost a duplicate of the Bangles' singles; that's why I'm really curious to read more info about this...
"Noon Rendez Vous" wow. just wow. the heartbeat, the classical piano. the almost a cappela arrangement. When I thought that the live version of Noon Rendez Vous for Prince's birthday show was one of the best ever, this one is such a discovery after Prince's own version of "Nothing Compares 2 U". This sounds even more like a fragile ballad and obviously a declaration of love to "that little girl over there"...
well, this is one of the best official release so far IMHO | |
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2 things... Prince's take on "Make Up" is a gender-bending New Wave wet dream! Would have rivaled any hit by Missing Persons or Berlin back in the day. And the previously circulating "Glamorous Life" demo was WAY more raw/funky than the one here -- have the two different demos been discussed? What gives? | |
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This! Everyday. | |
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though I enjoy all these gems (this is IMHO the best post-hum-pas-glob official release so far) I would be curious to learn what are the exact recording date and if and how these tracks are free of overdubs. For instance was "Sex Shooter" cut to be shorter like that by Prince himself. We all know that a lot of post-overdubs were often done by Prince, and some overdubs could be contemporary from the original track, some could be recorded later... just curious...
whatever, this is such a beautiful and eclectic collection of pure gems... | |
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SquirrelMeat said: I’m really enjoying it. For me, the positives far outweigh the negatives. As for the ‘Frankenstein’ version argument, it’s too early to tell if this is even an issue. This issue would go away if estate simply provided technical information, plus, untouched versions may come at a later date, in more hardcore comprehensive sets. If you look at various mainstream archive releases, it’s not uncommon for parts from various takes or mix downs to be combined; The most obvious being the Beatles anthology. They made a better version using individual unreleased takes and mixes and combining them. But they were clear in the notes what they had done. If you know the original take/demo versions (For example, ‘You’ve got to hide your love away’ or ‘Strawberry Fields’), then you know the result on Anthology is superior, but it’s not an archival record of ‘as it was recorded’. Interestingly, it was the band members that were happy to sign off these alternatives. Who’s to say Prince wouldn’t have been the same? Equally, I didn’t have a problem with the MJ’s Xscape approach, because they made the originals available. Both these approaches are fine, if they are up front about it. I find it amusing when ‘elite’ traders get annoyed with peers who ‘sell’ tracks to bootleggers; as if they have broken a code. Prince is dead, and he ain’t coming after the ex-employees and traders that share the rare stuff. The stance is hypocritical. The people who supplied and handle the elite material are breaking the very code Prince expected people to uphold. But when the table is turned, and the exclusivity of their stash is threatened, they get defensive. If the ‘legacy’ is being eroded, the elite traders are as much to blame as the estate, as they are criticising from the shadows, rather than blowing the issue out in the open. If an elite trader tells me a track has been altered but won’t share it; verses a bootlegger, and now, the estate who will provide me with ‘a’ version, I’m going to side with the bootlegger and estate every time. One side is giving me a rant, the other is giving me Prince music. I’ll side with the music.
Exactly!! Amen,brother. | |
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SquirrelMeat said: I’m really enjoying it. For me, the positives far outweigh the negatives. As for the ‘Frankenstein’ version argument, it’s too early to tell if this is even an issue. This issue would go away if estate simply provided technical information, plus, untouched versions may come at a later date, in more hardcore comprehensive sets. If you look at various mainstream archive releases, it’s not uncommon for parts from various takes or mix downs to be combined; The most obvious being the Beatles anthology. They made a better version using individual unreleased takes and mixes and combining them. But they were clear in the notes what they had done. If you know the original take/demo versions (For example, ‘You’ve got to hide your love away’ or ‘Strawberry Fields’), then you know the result on Anthology is superior, but it’s not an archival record of ‘as it was recorded’. Interestingly, it was the band members that were happy to sign off these alternatives. Who’s to say Prince wouldn’t have been the same? Equally, I didn’t have a problem with the MJ’s Xscape approach, because they made the originals available. Both these approaches are fine, if they are up front about it. I find it amusing when ‘elite’ traders get annoyed with peers who ‘sell’ tracks to bootleggers; as if they have broken a code. Prince is dead, and he ain’t coming after the ex-employees and traders that share the rare stuff. The stance is hypocritical. The people who supplied and handle the elite material are breaking the very code Prince expected people to uphold. But when the table is turned, and the exclusivity of their stash is threatened, they get defensive. If the ‘legacy’ is being eroded, the elite traders are as much to blame as the estate, as they are criticising from the shadows, rather than blowing the issue out in the open. If an elite trader tells me a track has been altered but won’t share it; verses a bootlegger, and now, the estate who will provide me with ‘a’ version, I’m going to side with the bootlegger and estate every time. One side is giving me a rant, the other is giving me Prince music. I’ll side with the music.
Exactly!! Amen,brother. | |
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If not this, what? 1999 deluxe? Purple Rain deluxe pt. II and III? The very very best-of? I actually feel like this has the most appeal out of their 2-3 viable "big seller" options. The hardcore fans are the only ones who pay for multi-CD "deluxe" sets of music they've already owned for 25 years. This manages to offer major hits that casual, hardcore and non fans don't already have in a succint easily-digestible single-disc package. [Edited 6/7/19 23:27pm] | |
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SquirrelMeat said: I’m really enjoying it. For me, the positives far outweigh the negatives. As for the ‘Frankenstein’ version argument, it’s too early to tell if this is even an issue. This issue would go away if estate simply provided technical information, plus, untouched versions may come at a later date, in more hardcore comprehensive sets. If you look at various mainstream archive releases, it’s not uncommon for parts from various takes or mix downs to be combined; The most obvious being the Beatles anthology. They made a better version using individual unreleased takes and mixes and combining them. But they were clear in the notes what they had done. If you know the original take/demo versions (For example, ‘You’ve got to hide your love away’ or ‘Strawberry Fields’), then you know the result on Anthology is superior, but it’s not an archival record of ‘as it was recorded’. Interestingly, it was the band members that were happy to sign off these alternatives. Who’s to say Prince wouldn’t have been the same? Equally, I didn’t have a problem with the MJ’s Xscape approach, because they made the originals available. Both these approaches are fine, if they are up front about it. I find it amusing when ‘elite’ traders get annoyed with peers who ‘sell’ tracks to bootleggers; as if they have broken a code. Prince is dead, and he ain’t coming after the ex-employees and traders that share the rare stuff. The stance is hypocritical. The people who supplied and handle the elite material are breaking the very code Prince expected people to uphold. But when the table is turned, and the exclusivity of their stash is threatened, they get defensive. If the ‘legacy’ is being eroded, the elite traders are as much to blame as the estate, as they are criticising from the shadows, rather than blowing the issue out in the open. If an elite trader tells me a track has been altered but won’t share it; verses a bootlegger, and now, the estate who will provide me with ‘a’ version, I’m going to side with the bootlegger and estate every time. One side is giving me a rant, the other is giving me Prince music. I’ll side with the music.
Stand up and take a bow. | |
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O(+>NIИ<+)O
“Is man merely a mistake of God's? Or God merely a mistake of man's?” - Friedrich Wilhelm Nietzsche | |
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has Wally Safford released something free or 4 money??? >> not the 1st version of WALLY anyway ? [Edited 6/8/19 2:12am] | |
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Neversin, can you tell us which versions on Originals you believe are legitimate versions? Feel free to join in the Prince Album Poll 2018! Let'a celebrate his legacy by counting down the most beloved Prince albums, as decided by you! | |
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Can't say I'm overly impressed or given the WOW factor by this release. Probably due to being spoiled with good bootlegs over the years. Doubt it'll be on repeat, much like the piano/mic cd. | |
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RIP | |
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. Totally agree about Sex Shooter - A great way to open the album. . I really like Holly Rock as well | |
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TheEnglishGent said:
Agreed. I think yours is the most logical explanation. If there is a Prince version with appropriate backing vocals, then let one of these 'elite' collectors share it with us in full (it is only one track) and rest their case. Otherwise, I'm going to continue enjoying what I consider to be a very solid release. | |
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So mant replies since I last came yesterday and many things I'd like to reply to but too little time today. Thanks to everyone who provided insights and debated in a civil manner. Originals is now "out there" on the internet and I gave it my first listen. Of course it was an interesting listening experience but for now I'll just stick to a few general comments. . 1/ The Frankenstein situation: I will do my best to investigate, check available info about recording logs and ask a few people I know, and also read the Jill/Susannah interview above in details. I will try to come-up with a detailed report of everything I've found about each track. However Neversin already revealed enough and despite some people's defiance, I will say this: there are some people here who, though being only human and (like myself, of course) not free from making a mistake every once in a while, have provided usueful information to the community without failing year after year. I share with those people a taste for accurate and objective information and research, and I trust their judgement, not blindly, not foolishly, but because so far and as far as I know, they have never been caught making up shit or talking nonsense. Neversin is one of those people, I appreciate his insights and I trust his judgement. I will, nevertheless, try to cross sources and informations to try and come-up with the most accurate results, and explain my reasoning when I do so, as I have with NC2U, so everyone can judge for themselves. Please people before asking again "how can you possibly know...", go back and read the detailed explaination I already posted twice in this thread, and see for yourself. . 2/ The choice of songs/versions. Tinkering aside, I'm down with that, I want everything so in the end whether they release a version or another, as long as it's genuine, I'm happy. I would have done things differently: I would have tried to release the last known Prince version/mix/edit of the track before it was overdubbed by the vocal artist or sent to an artist outside the camp. But that's OK, I'm always happy to have anything. The sequencing certainly doesn't sound anything like a "real" Prince album but if you accept it's just a compilation and not intended as an album, it's OK too, you can always make your own playlist of posthumous songs. I think I'll still prefer the final released versions, in many case I find those "works in progress" versions less dynamic than what Prince finally put out and I think his choices were wise when he finished the tracks, but it's always great to have earlier cuts. . 3/ The sound. Again, putting aside the tinkering and with M. Howe acknowledging, at least, that they had to remix the multitracks based on the cassette mixdowns, I have a few things in mind that bother me a little but there I'd really like to hear what Kares and other people with engineering experience have to say. I think maybe this is more a matter of mastering than mixing, but I find many tracks to sound different from the released versions. I find the overall sound to have more bass and depth, in lack of better words, than the old Prince releases. Those sounded a little flatter and more high pitched, which IMHO made the songs sound more dynamic and agressive (Sex Shooter would be a perfect example: the Originals version sounds much less agressive to me despite being the same). It's particularly obvious to me with Baby, You're A Trip, and even more when it comes to the drums: compare it to the JJ version and it sounds totally different. But it could also be the fact that I have all those songs from the CDs, which are said too have been poorly transfered and sound bad by comparison to the original LP's. So I wouldn't go as far as to say this is all wrong, + I don't have the best stereo, and I'm no audiophile, so feel free to dismiss this whole paragraph, but my impression is that those new mixes/masters do not attempt much to respect Prince's original, sometimes a bit lo-fi, vision. This is not so much a surprise considering how the vocals and strings are mixed differently on NC2U by comparison to the original, unreleased Family version. . 4/ Regarding Wally Safford, for those who don't know and IIRC, he's currently accused by the Estate of being behind the tracks that ended-up on the latest Eye Records, and he's facing heavy legal action. Not cool at all and shows that no, it's not yet entirely safe to 'leak' stuff. . OK, gotta go now. I'll be back later A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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O(+>NIИ<+)O
“Is man merely a mistake of God's? Or God merely a mistake of man's?” - Friedrich Wilhelm Nietzsche | |
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O(+>NIИ<+)O
“Is man merely a mistake of God's? Or God merely a mistake of man's?” - Friedrich Wilhelm Nietzsche | |
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I have a question 4 MR Neversin who have provided usueful information to the Fanbase with passion & reason after all these past years .....MR M.HOWE has discovered in the Vault (cf Peggy MC Creary last interview) ===> the Initial more complex & produced version of WDCry......did u hear this version...and if u did ... can u share more info about it ?
thanx ....what will be or not ur reply
[Edited 6/8/19 5:30am] [Edited 6/8/19 5:31am] | |
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Neversin said:
Are there any songs on Originals that you believe are not tampered with. Feel free to join in the Prince Album Poll 2018! Let'a celebrate his legacy by counting down the most beloved Prince albums, as decided by you! | |
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“Is man merely a mistake of God's? Or God merely a mistake of man's?” - Friedrich Wilhelm Nietzsche | |
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I really do hope we get some detailed information in the liner notes (but I won't hold my breath).
As I said before I am enjoying "Originals" and it's a step in the right direction. It's great to hear Prince's vocals on these tracks.
I am a little concerned to hear about the issues with certain tracks though. It seems to be that the consensus is heading towards the Estate having remixed many tracks on this release and made some "creative" choices.
The reason given in interviews seems to be around trying to recreate the sound of the mixdown cassettes (which apparently sounded poor or perhaps were damaged) from the multi-tracks. Obvisously there would be an amount of guesswork involved here unless details notes were left on how the tracks were mixed, which is doubtful.
If indeed it is true that new mixdowns have been made from the multi-tracks I can't understand why they would choose to omit Prince's original backing vocals and substitute them with Jill, Brenda or whoever else did them for later mixes. The only reason to do so would be if the originals were lost or in very poor condition. I hope it hasn't been done because somebody thought "this will sound better".
I guess we're looking for some transparency from the Estate.
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Thanx 4 ur replies !
PS>I beg ur pardon but from my part ....in my name (don't know the others ??) ....during all these past years .....i never ever insult u or disrespected u......anyway thanx 1 more !
PS> Help to the old Prince.org members.....if u can find these satanics details about WDC shared by Neversin 15 years ago or so !!
HUGE Thanx u !
[Edited 6/8/19 6:12am] | |
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Upon listening to this or any things we are going to get like this in the future the important thing to set aside is the FACT that regardless of it, it isn’t new Prince albums, they may be things not released but dismiss the fact of him being behind these things, someone is doing that, someone is sequencing and mixing and doing the artwork so dismiss those things or else you will be always underwhelmed. That aside it’s nice to get new things regardless, and also remember these are his guide vocals in many cases to songs he may have been thinking of giving away, if he planned on putting them on his own album he would have had final demo versions, remember again he is in early stages of doing these things. So I won’t get into likes and dislikes because it’s not fair to even rate these against final versions or other artists final complete mastered productions. "We went where our music was appreciated, and that was everywhere but the USA, we knew we had fans, but there is only so much of the world you can play at once" Magne F | |
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. There's this thread from 2002: https://prince.org/msg/7/18448 [Edited 6/8/19 6:27am] | |
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