while some ARE fanatical to an extent, what about the opposite. Meaning those worrying about every nook and cranny in his songs? It is just as absurd. "Climb in my fur." | |
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But this thread and analysis has next to nothing to do with the songs - it's about the way Warner Brothers have presented them? Always cry 4 love, never cry 4 pain. | |
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uh huh "Climb in my fur." | |
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Prince fans -- both on this crazy site and elsewhere -- have always had a hard time with anyone critiquing the shitty aspects of Princeworld. Any evaluation or analysis is seen as negative. It makes it incredibly difficult to have real critical discussions about his work or, as is the case here, how his work is presented. Also, people are dicks. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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King size "Climb in my fur." | |
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rdhull said:
King size "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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"Climb in my fur." | |
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I understand that they could have done better, but what exactly do you expect people to do because of WB's handling of things? So, we knew about the problems by Wednesday night when it leaked--we don't want to support this shoddy product because we want them to do better (and the estate when they release stuff). And so we don't support it--we all cancel our preorders, we don't go on Friday morning to pick up a copy officially. | |
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You are so funny and so... i don't know. | |
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Fine. By all means, complain--I doubt they care much, but maybe they do. People have refused to buy directly from Prince in the past because they didn't like some aspect of the product other than the music itself (his customer service, his choice of format] while still obtaining the music in some other way, so it's not impossible that when bluegangsta suggested people not support this release that that was what was meant. Or maybe only buy it once, in one format, rather than buying it multiple times, in multiple formats (which many people have also done, at least in part to show support or approval for a release approach). | |
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I just read this interview for the first time, from 2012. The last paragraph seemed interesting to this thread/ maybe not, but God he was funny . And always knew not to take the 'downgrade another' bait= class. Melbourne Prince Interview May 6 Let’s Go Crazy for The Real Royal Tour Nui Te Koha Melbourne Sunday Herald Sun, 6 May, Play Magazine (by email) Interviews with the inimitable star are harder to get than tickets to his concerts, but NUI TE KOHA tracks him down in cyber space. Prince rarely grants an interview, but, suddenly, out of the blue, he was open to a conversation by email. Prince and his band New Power Generation arrive in Australia this week for shows in Melbourne, Sydney and Brisbane. Forty questions covering the Prince gamut, from his sexed-up early work to Purple Rain and his disdain for the internet to the song he wishes he’d written, were proffered. Prince answered 12 – most tour-related. He replied in abbreviated Prince-speak – a form of communication he used before text culture – with authority and, in some cases, a wicked smirk. How do you compose a set list for a show? Good question, the set list selection is initially chosen by the length of time that has passed since we’ve last played a particular market. Then many other factors take hold: the size and average age of an audience; bigger, younger crowds like the party songs played immediately, so we generally comply. Hosting parties offstage in a private setting 4 larger crowds has trained us well in dancefloor management, if u will. How many songs do you have on call (rehearsed and ready if you want to slot them into the show)? Roughly 200-300 songs with variations 4 each of them. 4 example: based upon crowd response any song can b lengthened or shortened with a simple cue: Raspberry Beret's second verse and bridge can b added if the audience sings louder than r lead singer. smile Also depending upon the diversity of the crowd we can quickly seque in 2 Cool, The Time's theme song. An urban audience knows all the words to that song whereas folks from Helsinki... well, u get the picture. How do you view your catalogue of B-sides, which to some fans are as important as your hits? The concerts r tending 2 skew younger these days so once folks know they r on familiar ground, we can play some rarities. U don't put kids in the deep water until u make sure they can swim. How do you approach those classic super-high notes these days? By hitting higher ones. What are the three most important things on your tour rider, and why? Riders r the least important thing on tour. As a band leader, what do you expect from the musicians you work with? 1. Foot washing 2. Locks of hair 3. Per diem. You have said in interviews that you impose a basketball team type discipline on your band. What does that mean? That they play 2 win. Otherwise they'll b back-up dancing 4 Robin Thicke. Live, what does the NPG give to your pre-NPG catalogue, especially the Revolution material? Every band is different. Most Revolution concerts stuck 2 setlists. In contrast, all past and present lineups of the NPG r based upon a collective conscience. In other words, they play like eye would if in their position. Britney Spears has done two world tours lip-syncing her show. Your thoughts? Different strokes 4 different folks. What do you think of 360 deals? They r great... 4 me 2 poop on. :/ What do you think about the album in this iTunes culture (and the ability to buy single songs)? It's cool cuz we usually buy books by the chapter. When we rented Avatar, we watched 5 scenes every weekend til it was finished. How has iTunes ruined or saved music? Personally not a fan of digital music. Happy 2 say we grew up with the record player. Altho this current generation experiences the world differently - neither better nor worse, just different. It's not up 2 the past 2 dictate. That said, the decision 2 turn analog music in2 numerical data was not made by a musician. It was made by a music consumer. We all got dragged unwittingly 2 this well and r now paying the cost. When hipping a young artist 2 Joni Mitchell's canon of work, we don't direct them 2 iTunes. We sit them down and play the music chronologically. Finally, we would like 2 say how excited we all r 2 come back 2 Australia 2 show everybody what they've been missing all this time. Get ready 2 dance! | |
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No Candy 4 Me | |
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No Candy 4 Me | |
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Glitches aside, (yeah, they suck) and regardless of the hot mastering of PR, I'm loving this re-release. | |
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I don't see what's wrong in Blugangsta complaining about a product that's being sold by a company. I'm always very careful before criticizing an artist's work or even the way they "package" it, because I'm myself an artist and I know how complex and touchy those matters are. . But here we're talking about the faults of a product made by a company, without the deceased artist's having had a say in said product, and no one has ever talked about criticizing the music on it. . My point is that while I can take shit from an artist every once in a while and yet support their creative process, while I could admitedly accept a small label that's struggling to survive in order to support artists making mistakes, I do not see why I should condone the third biggest records label in the world being lazy or careless with the sound quality, tracks selection and liner notes of a posthumous product by an important artist. . The music's been recorded already, and the original album was compiled (and even remastered) already. All they had to do was curating. If the curating sucks and they wanna sell it to me for 40 bucks, I believe it's OK to say no. If the liner notes are mistaken about recording dates informations that any dummy could have found on Princevault, I say there's a problem, or if Princevault is wrong then they should address it in the liner notes. I say there shouldn't be glitches or drop outs in the sound because, had Prince been alive, this would have never happened (or he would have snapped at the record company!). . Now the average consumer will probably never notice either the glitches, liner notes errors or other issues, and maybe WB aren't paying attention to what people on fanboards and boards such as Hoffman's. But maybe they are. I can't hurt saying out loud that the job was poorly done. . The worst part is that those people who attacked Blugangster on social networks were probably those same ones who used to bitch day-in day-out about Crystal Ball being shipped late, NPGMC files quality, DRM's on late NPGMC files, lifelong NPGMC membership, Prince abandoning Lotusflow3r.com one minute after we'd all paid, the mixing of his albums and so on... A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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^very well said Bitch this ain't the movies | |
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YES to everything databank said. All this moaning about people criticizing the remaster set is ridiculous. Especially when it's accompanied by pleas to "just enjoy the art and creativity" or whatever. Yeah, the world has been enjoying and discussing the art and creativity since 1984. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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That would mean changing the mix, which is not what mastering is about. | |
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We have no one to blame but Prince and Joshua for that. Warners did not mix multi-tracks according to the linear notes. Josh and Prince did that on their own in his studio. In my opinion, the errors are minor in comparison to 90% of the rest. I know what you mean though having heard the Srgt. Pepper remix, which is in my opinion outstanding in how they buffed up the background vocals and gave up to date stereo mixing compared to the past 'stereo' mix. Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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Right, there are editing errors in several of his songs:
Purple Rain (hi hat pan shift error close to the end) Ballad Of Dorothy Parker (known for the muddy mix but kept that way)
but hey we move on. Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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Oh, would you look at that, yet another person who hasn't comprehended the fucking thread. Always cry 4 love, never cry 4 pain. | |
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I understand now about THIS thread subject matter. "Climb in my fur." | |
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Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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Its good to voice the errors, but going out of your way with several Org posts and facbook posts about small errors and say we wont support it is reaching. Its like..YAAA WE KNOW, that's very nice and thank you, jeez. Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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Yep, you can't even address your inane reply to the thread. You're a great asset to this forum. Always cry 4 love, never cry 4 pain. | |
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I've read most of the reviews about this set -- good, bad and indifferent. | |
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I am I been on here for 15 years and 4 months. I get that hearing Prince music in any capacity is great (Hello?! Bootleg collector here?!), but fuck - why support stuff like this when you'll continue to get products that aren't what they could be? Why give a dog a treat for rolling over, when all they've done is sit there and lick their balls? S'Excuse me? Pointing out errors is one thing but your reaching telling fans what they should do with their money, baby bye with that. Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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