{"Alright" sample repeats through song}
S.T. is the fifth track on Carmen Electra's only album Carmen Electra. The track is credited as being written by Carmen Electra and Tony M., although it is largely based around music from Skin Tight (originally recorded by the Ohio Players, from their 1974 album Skin Tight), which is also sampled in the track. The track was produced by Prince (although no producer credit was given, other than Paisley Park as executive producer). While specific recording dates are not known, initial tracking took place between Spring 1991 and early 1992 (at one of Record Plant, Hollywood, CA, USA, Sunset Sound, Hollywood, CA, USA or Paisley Park Studios, Chanhassen, MN, USA). It was included as the fifth track on a 15 June 1992 configuration of Carmen Electra's debut album, then titled On Top (with the artist credit "Carmen"). PrinceVault Carmen Electra - vocals Tony M. - co-lead vocals Damon Dickson - vocal introduction Prince - all other instruments, except where noted Ohio Players - sampled instrumental track (from Skin Tight) Michael B. Nelson - trombone Steve Strand - trumpet Dave Jensen - trumpet Kathy J. - baritone saxophone Brian Gallagher - tenor saxophone | |
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"I received a call from Prince saying I think you should be your own artist and not back up anyone else. I'm going to write you a song and if you like it, you can record it," she remembered during an interview on OWN. "The name of the song was 'Carmen on Top.' My name is Tara, so I was confused. I loved the song. I loved it, but he said, 'You're not a Tara. You're not Tara. You're Carmen." As the saying goes, the rest was history. Prince soon became the guiding force behind the emerging star's entire look. "He controlled everything, but I loved that about him," she told E! News. "How I dressed, the music, hairstyles. He was genius at all that." The pair even dated, though the relationship came to an end in the early 1990s. "I told him I wanted to live in LA and he spent as much time here as he did in Minnesota. He wanted me to move back to Minnesota and I said no. I broke it off with him and stayed in LA," she explained. "I gave up everything with him to live here and make my own career. It was a hard time. I ended up calling him and he hired me to dance at his club in LA. I made $90 a week. I wasn't his girlfriend anymore, but I was one of his girls. This was after we split."
However, according to the star, there was a time when Prince had thought about asking her to be his wife. "His brother once told me Prince was looking at rings when I was still in Minnesota and that he was going to propose to me. I was so excited and in love," she revealed. "One day, Prince asked me if I wanted to work or be a housewife. I said I want to work. I was only 19 or 20 and he ended up never asking me to marry him. But, I was with him every day. I needed to leave and be my own person."
While she hasn't spoken to him in years, Electra has a few things she wishes she could go back and share with the legend. "I guess what I always wanted to tell him after we stopped communicating is that I really loved him and I just felt like I needed to be successful on my own." However, despite their differences, she ultimately credits him with transforming her into the star the world knows now. "He made me who I am today. He inspired me. He believed in me. He picked a select few to believe in and taught us everything," she concluded. "I think of Prince every day."
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OldFriends4Sale said:
"I received a call from Prince saying I think you should be your own artist and not back up anyone else. I'm going to write you a song and if you like it, you can record it," she remembered during an interview on OWN. "The name of the song was 'Carmen on Top.' My name is Tara, so I was confused. I loved the song. I loved it, but he said, 'You're not a Tara. You're not Tara. You're Carmen." As the saying goes, the rest was history. Prince soon became the guiding force behind the emerging star's entire look. "He controlled everything, but I loved that about him," she told E! News. "How I dressed, the music, hairstyles. He was genius at all that." The pair even dated, though the relationship came to an end in the early 1990s. "I told him I wanted to live in LA and he spent as much time here as he did in Minnesota. He wanted me to move back to Minnesota and I said no. I broke it off with him and stayed in LA," she explained. "I gave up everything with him to live here and make my own career. It was a hard time. I ended up calling him and he hired me to dance at his club in LA. I made $90 a week. I wasn't his girlfriend anymore, but I was one of his girls. This was after we split."
However, according to the star, there was a time when Prince had thought about asking her to be his wife. "His brother once told me Prince was looking at rings when I was still in Minnesota and that he was going to propose to me. I was so excited and in love," she revealed. "One day, Prince asked me if I wanted to work or be a housewife. I said I want to work. I was only 19 or 20 and he ended up never asking me to marry him. But, I was with him every day. I needed to leave and be my own person."
While she hasn't spoken to him in years, Electra has a few things she wishes she could go back and share with the legend. "I guess what I always wanted to tell him after we stopped communicating is that I really loved him and I just felt like I needed to be successful on my own." However, despite their differences, she ultimately credits him with transforming her into the star the world knows now. "He made me who I am today. He inspired me. He believed in me. He picked a select few to believe in and taught us everything," she concluded. "I think of Prince every day."
Thanks for the interview...a proposal... | |
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Cool, old promo picture. She looks great there. She was always very beautiful! | |
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I know what U mean lol When did you become a "Prince" fan?
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(Let's dance some more) Today
Fantasia Erotica is the sixth track on Carmen Electra's only album Carmen Electra, and, six months after the album's release Fantasia Erotica was released as the album's third single, containing several remixes of the track. Although official writing credit is split between Prince (music) and Carmen Electra (lyrics), the track was originally recorded by Prince in 1989, before he began working with Electra.
Initial tracking took place in late 1988 or eary 1989 at Paisley Park Studios, and the song was initially intended for Anna Fantastic. In 2014, Anna Fantastic posted a video on her Facebook page of a rehearsal for a performance video of the song, dated 14 February 1989, suggesting it may have been intended as a single. When work on Carmen Electra's album began, this track was pulled from the vault as the starting point for the album. Further work was done on the track in March 1991, at Larrabee Sound Studios, West Hollywood, CA, USA when Carmen Electra's vocals were added
It was included as the eighth track on a 15 June 1992 configuration of the album, then titled On Top (with the artist credit "Carmen"). A "Dance Remix" of the track was also planned for inclusion as the third and final track on a planned single of Fun, in 1991 (also with the artist credit "Carmen"). Carmen Electra - vocals Prince - all instruments, except where noted Joey Moskowitz - additional keyboards (on Double Deep House Mix, Dub Erotica and Fantasia Dub) -PrinceVault
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OldFriends4Sale said:
I know what U mean lol When did you become a "Prince" fan?
2000 This is my normal life. These marital standards cannot be recreated with money. | |
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I think she should be included
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Maybe, if they run out of people.
The woman can neither sing, rap nor play an instrument. People want to remember "Prince the genius", not "that time Prince let his lust completely override his common sense in an A/R project" | |
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OldFriends4Sale said:
This is her opening on the Diamonds & Pearls tour
Not her best shot This is my normal life. These marital standards cannot be recreated with money. | |
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FragileUndertow said: I like "Get on up" "Fun" The radio segue wasn't Don't Worry Be Happy by jazz vocalist Bobby McFarren? Yes, it just similar to lyrics in the Public Enemy's track Fight the Power. Probably just a coincidence What coincidence? PE was taking a stand against those lyrics. And prince was quoting PE. It's all deliberate. | |
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Please everyone, go take an erotic-dance-break that is your devotion to God.
Ugh, holy crap.
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Credits
Tracklist Hide Credits
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9th February 1993. Carmen Electra's debut album is finally relased on Paisley Park Records. The album was for all purposes written and recorded by Prince. Carmen is credited as lyricist to all tracks except Step To The Mic. Levi Seacer Jr. was involved in the writing of three tracks. Tony Mosley also took on the role of lyricist, contributing to four of the songs. The album did not list all musicians involved in the recording, but most of the recording was a solo effort by Prince. Levi Seacer did major work on two of the tracks, while three of the tracks were live NPG band recordings. WB initially treated Carmen Electra as an important album. It was estimated that WB spent almost $2million on the promotion of the album. However, the album got off to a false start when Rolling Stone carried an ad for the album without mentioning Carmen's name, this caused confusion as no one knew who Carmen Electra was. But the albums delay in being released and Carmen's poor performance on the Diamonds & Pearls tour dampened the albums release. By the time of release, WB had reduced it's promotional effort to a bare minimum. The album failed to enter the Billboard chart.
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(Yeah)
(Move)
Everybody Get On Up is the seventh track on Carmen Electra's only album Carmen Electra, and, three weeks prior to the album's release, Everybody Get On Up was released as the album's second single, containing several remixes of the track. A month earlier, however, the song was performed on The Ryde Dyvine TV special of Prince and related artists performing at Paisley Park Studios, Chanhassen, MN, USA. The track is credited as written by Prince, Carmen Electra and Monie Love, although the track includes large (re-recorded) portions of Get On Up, a 1967 track by The Esquires (written by Gilbert Moorer, Bill Sheppard, Johnny Taylor, from the 1967 album Get On Up And Get Away, and previously recorded by Prince and the Revolution - see Get On Up for details). The song was produced by Prince (although no producer credit was given, other than Paisley Park as executive producer).
While specific recording dates are not known, initial tracking took place in late April - early May 1992, at Studios 301, Sydney, Australia, while in Sydney on the Diamonds And Pearls Tour (during the same set of sessions as Goldnigga, Deuce & A Quarter, Goldie's Parade, A 1,000 Hugs And Kisses and Baby Doll). It is likely (though uncertain) that Monie Love's vocals were recorded on 18 June 1992, at Olympic Studios, London, England during a day off on the Diamonds And Pearls Tour (along with her vocals on Step To The Mic). The released version contains a sample of the track Singers by Eddie Murphy (from his 1983 album Eddie Murphy: Comedian
-PrinceVault
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12"(US: 0-40693, 9 40693-0) CD(US: 940693-2)
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She's a much better "sexy" dancer than the twinz or MG. If we are going to be subjected to stripper dancing, Carmen is the best choice. Also, she seems like a nice person who cared about him despite him having played her at such a young age. | |
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She SHOULD come to the Tribute. She SHOULD stand up on stage and look good. That is what her role was in his life. And she excelled at it. | |
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Really agree with your last sentence. In addition to being stunningly beautiful, Carmen has a great sense of humor and seems like a decent person who doesn't take herself too seriously. She eventually did very well for herself after moving on from her start with Prince. She also seems to have a firm grip on reality regarding her relationship with Prince. She never tried to make it appear she was "the" love of his life ect. (as we have seen from some of his other exes). She knew what went down and does not put on any pretenses. See retains gratitude and respect for Prince's efforts to build her music career, acknowledges that she loved him, but also is able to see the entire situation with Prince and all of his women for what is was. And like you said, she was played by Prince (as many others were) at such a very young age. Yet she came out ahead. I like her. | |
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Agree that she should be included in the Tribute concert. It would be great to see as many of his protegee's as possible participate in some way or another to honor Prince. | |
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Well said! Althou I have issues with the whole sex kitten image/playboy objectification-I like her to. I find it so tacky of Mayte to have removed her from the memorial in Los Angeles & really indicative of the type of person she is to be behaving that way towards Carmen 20 years later. If they are including ANY dancers on any programs she should be included. If it is just voice/instrument then no, but, then almost all "muses/protog." should also be cut based on talent. | |
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Krystalkisses said:
Cool, old promo picture. She looks great there. She was always very beautiful! Yes, I always thought Carmen Electra was very pretty. I remember an interview she did in the 90's where Prince made an appearance to introduce her to the world. He was gushing on about her, lol. I still remember thinking how beautiful she was. I can't remember form what show though. Does anyone else remember this? | |
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Carmen Electra album segues are three segues included on Carmen Electra's first and only studio album Carmen Electra. The segues are thought to be written and produced by Prince. Recording of the segues took place in the second half of 1992, most likely at Paisley Park Studios, Chanhassen, MN, USA (no segues were included on the 15 June, 1992 configuration of the album, then titled On Top, with the artist credit "Carmen").
Prince – all instruments, except where noted Eric Leeds – saxophone on Segue # 2 Unidentified male - news reporter on Segue # 3
Segue [# 1] is the eighth track on Carmen Electra's first and only studio album Carmen Electra. It is a skit in which a man (possibly played by Prince) is scanning a radio dial to find music he likes. Brief clips are heard of Hit U In The Socket (by Rosie Gaines), In A Word Or 2 (by Monie Love), The Voice (by Mavis Staples), Sexy M.F. (by Prince and the New Power Generation), With This Tear (by Celine Dion) and Goldnigga (by the New Power Generation), all of which contain writing or musical input by Prince. The segue ends with the person hearing the opening of Fun, the album's next track.
Segue [# 2] is the eleventh track on Carmen Electra's first and only studio album Carmen Electra. It is a musical introduction to the album's next track, All That, containing a saxophone solo by Eric Leeds and some synth tones.
Segue [# 3] is the 13th track on Carmen Electra's first and only studio album Carmen Electra. It is a brief staged news report commenting on the Valdez, AK, oil spill, and the resulting efforts by environmentalists to slow down plans for oil drilling in the area. The news report acts as an introduction to the environmentally-themed final song of the album, This Is My House. -PrinceVault | |
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Fun
Carmen Electra - lead vocals, background vocals Prince - all instruments, except where noted Eric Leeds - saxophone Fred Steele - background vocals J.D. Steele - background vocals Jearlyn Steele - background vocals Jevetta Steele - background vocals
Fun was originally planned as the first single from Carmen Electra's first album, then titled On Top (with the artist credit "Carmen") in 1991, and promotional copies were pressed (with the artist credit "Carmen"), but the single was left unreleased when the album was postponed; the pressed promotional copies of the single were released through the 1-800 New Funk phone service in 1998, however, on both 12" vinyl and on cassette. Although the single was on the label Paisley Park Records, that record label had closed over four years earlier. The single contains an extended version of the track Fun, as well as Mo' Fun, which is essentially the extended portion only. Fun featured Prince as a co-writer, producer and performer. Receiving only a limited release, the single was not eligible for the charts. Interestingly, the single's artwork contains only the word "Shhh!", meant to elicit intrigue, since the single was intended as a promo single for DJs (similar artwork was used on a promo single of the album's eventual first single Go Go Dancer). The track Shhh, recorded in June 1992, is unrelated to its use here. -PrinceVault
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