The "uh huh" is a uh uh. What? | |
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What makes the production on this song better? The wooh is on the one! | |
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Well I too reserved my judgement for this song because I didn't want you to think I'm shallow.
U Know is great and its production fits the other tracks released so far, a good omen given that many Prince albums have tracks that seem to belong on different joints, production wise. This is a subtle soundscape and like Clouds it has many nooks and cranies that fall into place after a couple of listening sessions -- at first they sound a bit disjointed, but with Prince, I've learned that "initally disjointed" means "grower", these songs are yours to discover.
[Edited 9/7/14 5:18am] | |
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Aerogram said: Well I too reserved my judgement for this song because I didn't want you to think I'm shallow.
U Know is great and its production fits the other tracks released so far, a good omen given that many Prince albums have tracks that seem to belong on different joints, production wise.
If you play U Know followed by Breakfast Can Wait (as they appear in the trackist) the transition from one song to the other is perfect (although I'm still hoping we'll get a new version of breakfast...) | |
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^ Good work, tintin. Prince 4Ever. | |
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Prince 4Ever. | |
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Its' empty... now?? Prince 4Ever. | |
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All the various site that posted the track used embeded code players I will take my place, In the great below | |
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thanks Fragile: [Edited 9/7/14 6:07am] Prince 4Ever. | |
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Agreed. That's why I asked Violet why (s)he thought the production on U know was better than on the other tracks. The wooh is on the one! | |
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Prince: "No. I don't sample". | |
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HatrinaHaterwitz said: I've reserved my opinion of the song because I wanted to really give it the chance to "grow on me". I've tried getting through the song 10 times now and the only thing that has grown is my distaste for it.
The obviously inserted over used sound byte of "Unh. Uh huh, uh huh" starts off making me cring.
Then comes this flat out crock of BS: For the record, let me state
Which leads directly into this: For the playa, let me stop and say-a Oh no he didn’t
My very best efforts at trying to give this song the benefit of the doubt were no match to hearing Prince himself say, "Oh no he didn't."
By 49 seconds in, I've just been completely like:
And by the end of it:
****DISCLAIMER*****
This is just my honest expression of what I feel regarding Prince's new song "U Know". My stating this is in no way, meant to disparage what anyone else feels regarding it. So bless you! Do you! Bless me! Leave me be!
| |
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Me too. It doesn't rise to the level of his greatest music, but I think it's slightly less good as Gett Off. That's a HUGE improvement over almost every R&B styled track he's done since Gett Off. It's properly mixed. I'm looking forward to the album. | |
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I'm suprised by the positive reaction from people usually critical of his latets output. What is it about U Know that makes it better than say Breakfast Can Wait? Is it the sample that perhaps support the idea that Prince can't do anything worthwhile without the input from others? Do you think that it sounds less like a Prince track and therfore it must be better? What do think about Cloud? [Edited 9/7/14 10:16am] The wooh is on the one! | |
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The very first post in this whole thread has a link to it which is sitll active. RIP | |
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Did you also hear at the 1:56 mark Prince tells us to AXE somebody else? | |
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Although I quite enjoyed "Breakfast Can Wait", it has more of a retro vibe and sounds like a retread of earlier Prince songs. "U Know" has even sharper modern production: the mix is fat, the beat sounds modern and it has lots of interesting little production things going on like the backwards samples when he sings about "rewind". Although I usually hate autotune I think Prince uses it to great effect in here, and his falsetto parts are killer: it sounds like "oldschool horny Prince" to me and not like "preachy old JW Prince". "U Know" sounds less like a standard Prince tune because he didn't produce it, or at least not all of it. It sound like he opened a window to let in some fresh air. To me this song sounds like how a modern Prince RnB song should sound: fat electronic production with Prince laying down his trademark smooth and sexy vocals. This is what I and some other fans in here have been asking for: work with some outside producer who can "dress up" the basic framework of a Prince song to modern standards. Nothing wrong with that in my opinion, it brings out more interesting sounds after Prince having done his own production for over 35 years. [Edited 9/7/14 12:36pm] RIP Prince: thank U 4 a funky Time... | |
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EroticDreamer said:
Did you also hear at the 1:56 mark Prince tells us to AXE somebody else? I probably missed it while I was cringing at something else. | |
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I haven't listened to Cloud. I have intentionaly avoided most of the previews and leaks just because I've found, no matter who the artist is, I respond better to the music within the context of the album.
Breakfast Can Wait, was really good in places, just overall it was to cutesy for it's own good. I don't hate that one. It's just ok, but I'm still open to that song.
Smoother producion helps more than anything else. The vocals on U Know are particularly better mixed than anything Prince has done in a long while. That's important because Prince's tenor has more of a rock style or James Brown type grit, and he got away from rolling off that top edge of his voice that can kind of grate on the listener. Every instance of it in this song was treated and either buried in the ix or heavily eq'ed. He's using the autotune effect the same way he used delay and stompbox effects during the Purple Rain era, which is pleasing to the ear, once you get past the fact that he's sounding like 'today's music'.
Lyricaly, U Know is still a fairly cornball hot mess, but honestly Prince's lyrics were always a hot mess of random sometimes shocking or rude imagery. You'd hae to do some work to know what Prince is saying on this song which is robably a good thing. I'm into the groove of the song and the overall feel of it. I know it's not P's greatest work, but it's good enough that I don't want to skip over it. Would classic Purple Rain era styled music be better? Oh yeah, but since Prince can't seem to pull that off, then this is at least an improvement over what he was doing. | |
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U Know has some great elements, like the melody of the chorus (and also the harmonies in the first chorus). Stuff like the delay effect at around 1:10, which is modified a bit to be a bit off key, sounds creatively inspired. That's the kind of stuff that I consider to be Top Form Prince.
The song has a LOT of elements that don't do anything for me, either positive or negative. Like the autotune, the rapping, the lyrics...
There are also a few elements that sound like someone very self consciously trying to inject "cool" into the mix, like the 'unh, uh uh' sample and the overuse of the "record slow-down" effect. There needs to be some more restraint when it comes to this stuff. | |
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If you were under the impression that this was a (totally) Prince produced track, would you think differently of it? Would it change your perception? Do feel inclined to like the song because bringing in an outside producer is what you have been asking for, and you (like all of us) like to be proven right? I'm not trying to be rude. I'm just curious. I think it is interesting that people who are very critical of Prince single out a non Prince produced track for praise. The wooh is on the one! | |
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I think I agree with this. His vocals have tended to sound a little flat on records. No reverb is my main complaint. The wooh is on the one! | |
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funkaholic1972 said:
Although I quite enjoyed "Breakfast Can Wait", it has more of a retro vibe and sounds like a retread of earlier Prince songs. "U Know" has even sharper modern production: the mix is fat, the beat sounds modern and it has lots of interesting little production things going on like the backwards samples when he sings about "rewind". Although I usually hate autotune I think Prince uses it to great effect in here, and his falsetto parts are killer: it sounds like "oldschool horny Prince" to me and not like "preachy old JW Prince". "U Know" sounds less like a standard Prince tune because he didn't produce it, or at least not all of it. It sound like he opened a window to let in some fresh air. To me this song sounds like how a modern Prince RnB song should sound: fat electronic production with Prince laying down his trademark smooth and sexy vocals. This is what I and some other fans in here have been asking for: work with some outside producer who can "dress up" the basic framework of a Prince song to modern standards. Nothing wrong with that in my opinion, it brings out more interesting sounds after Prince having done his own production for over 35 years. [Edited 9/7/14 12:36pm] Totally agree, I am loving this and P new music, at last something that sounds current and fresh, been a P fan for 29 years and I m feeling it. I don't get all the negative opinions, what do some fans want do they just want what he did in the 80 s all over again or do what he is doing now which appears to be opening his mind to new younger inspirations from the female artists he has been working with over the past 2 years. Keep it coming I say, can't wait for 29th Sept. | |
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NO not at all, I would be very proud of him for stretching out and produce a track like "U Know". I am not a hater, I am a huge fan and admirer of Prince. I just feel he has been stuck in a rut for a long long time now, most likely by the lack of input from others/peers. RIP Prince: thank U 4 a funky Time... | |
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And another thing, what is up with Prince and autotune?
For someone that loves to talk about "real music by real musicians", shouldn't real singers that can really sing, SING? He is still a real singer, isn't he? I knew from the start that I loved you with all my heart. | |
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HatrinaHaterwitz said:
And another thing, what is up with Prince and autotune?
For someone that loves to talk about "real music by real musicians", shouldn't real singers that can really sing, SING? He is still a real singer, isn't he? Come on, it's not like he uses it in every song... | |
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I just assume all new Prince music is being produced by Josh. And I'm no Josh fan at all. I was probably the first to call BS on him, and accuse Prince of passing off Josh's input on his records as something Prince himself was responsible for. If Josh produced this then it's the first example I can point to of Josh and Prince getting more things right in a song than they got wrong. The more I think about it there is no way that they engineered this. Still it's a record with serious lyric issues and if Prince wasn't Mr Purple Rain, there is nothing in this song that would merit a release, imo. But hey I like it more than I dislike it. | |
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I don't think I said he does but come on, he CAN sing. So I don't think he needs to use it at all but he has been using it to some degree for a while now, since LotusFlow3r. I'm just wondering why because to me, it doesn't enhance his vocals, it takes away from them. I knew from the start that I loved you with all my heart. | |
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Maybe the fact that he does say these things, can definitely sing, etc. should alert you that he's doing it for a reason? He's the composer -- he can play drums but he uses drum machines too -- OMG? Does not compute? | |
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HatrinaHaterwitz said:
I don't think I said he does but come on, he CAN sing. So I don't think he needs to use it at all but he has been using it to some degree for a while now, since LotusFlow3r. I'm just wondering why because to me, it doesn't enhance his vocals, it takes away from them. He uses it as an effect, not to correct pitch. It's like adding reverb. | |
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