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Reply #60 posted 04/15/16 7:52am

JoeBala

Deadpool 2 confirmed with Ryan Reynolds and original team

The Merc with a Mouth, X-Men, and Wolverine were all teased during Fox’s CinemaCon panel. But where is Gambit?

Hey, remember five years ago, when the X-Men producers imagined a future with a million X-Men movies? What a laugh we all had! Surely no major studio would ever greenlight a hard-R Deadpool movie. Surely Gambit would never be a thing, never.

We were wrong, dead wrong! With Deadpool now the highest-grossing R-rated movie ever, Fox came to CinemaCon with some news about the future of its Marvel franchise. The studio officially announced that Ryan Reynolds would reteam with director Tim Miller and writers Rhett Reese and Paul Wernick for Deadpool 2 – a no-brainer, given the film’s grosses (more than $757 million worldwide).

The studio also showed off a new trailer for next month’s X-Men: Apocalypse. The preview revealed a couple of intriguing key story points. First off – POSSIBLE SPOILER FOR A TRAILER THAT WILL BE RELEASED ONLINE SOON, WHAT WORLD DO WE LIVE IN Apocalypse appears to confirm, once and for all, that Days of Future Past breakout Quicksilver is indeed the son of Michael Fassbender’s Magneto. (“Him and my mom did it,” is how Evan Peters’ Quicksilver explains it in the film.)

Elvis Crespo New Video: Merengue Singer, Grupo Mania Drop 'Escapate' Inspired By 'El Chapo'

Elvis Crespo
Elvis Crespo reunites with Grupo Mania to present their latest single and video "Escapate." Watch it here! YouTube/@ElvisCrespoVEVO

Elvis Crespo reunites with his original crew of Grupo Mania to present his latest single "Escapate." After dropping the raunchy bachata tune "Tatuaje" featuring Bachata Heightz in 2014, and after releasing the urban song "Si Tu Novia No Te Llama" featuring Farruko, Crespo returns to his merengue roots. And what better way to do it than with the group he first gained fame with in the mid-90s?

Their new jam is accompanied by a vibrant music video that launched Thursday via an exclusive on Telemundo's "Al Rojo Vivo." The "Escapate" music clip, produced by Flashmusic and directed by Gus, tells the story of a woman who it locked up, but escapes prison to go clubbing with Elvis and Grupo Mania. According to Billboard, the 44-year-old Puerto Rican merengue singer based the concept of the video on the "infamous drug lord Joaquín Guzmán Loera 'El Chapo' and his clever escape from a maximum-security prison last July."

This is the first time in many years that Crespo and Grupo Mania work together on a song. The popular merengue group formed in the early '90s in Puerto Rico before releasing their debut album in 1993. The band was originally formed by siblings Héctor and Oscar Serrano, along with Edwin Serrano and Alfred Cotto. Elvis Crespo stepped into the picture in 1994 when he replaced Edwin. For about four years, that generation of Grupo Mania released its most successful albums. In 1997, however, Crespo decides to follow a solo career, where he released mega hits such as "Luna Llena," "Suavemente," "Pintame" and "Tu Sonrisa."

On another hand, Grupo Mania made their comeback in 2013 after a four-year hiatus. They released two studio albums since and is a finalist at the 2016 Bill...sic Awards. Both Crespo and the merengue group will embark on the Escápate World Tour this summer, reports Billboard.

Cannes Film Festival 2016 Lineup: 5 Hispanics, Latinos Taking Part In Cinematic Event

Cannes film festival
Cannes film festival general deleguate Thierry Fremaux (R) and President Pierre Lescure (L) pose after a press conference to unveil the list of the 20 movies which will be shown in competition for the Palme d'Or next month, on April 14, 2016 in Paris. PATRICK KOVARIK/AFP/Getty Images

The annual Cannes Film Festival is almost upon us and they just announced every title of their lineup for the 69th edition of the festival. The cinematic event begins on May 11, with Woody Allen’s film “Café Society” opening, and will run through May 22.

While the list of films represents 28 countries, only two Latin American countries are included: Brazil with “Acquarius,” from former critic, now filmmaker Kleber Mendonca Filho, and Argentina with “The Long Night of Francisco Sanctis” by Andrea Testa and Francisco Marquez. Mexico, Venezuela and Colombia’s absence from the festival was strking.

As far as Spanish representation, high-profile director Pedro Almodóvar will be debuting his long-awaited “Julieta,” as well as director Albert Serra, who will be presenting his film “The Death of Louis XIV.”

Competition

"Toni Erdman," directed by Maren Ade

"Julieta," directed by Pedro Almodóvar

"The Handmaiden," directed by Park Chan-Wook

"The Last Face," directed by Sean Penn

"Paterson," directed by Jim Jarmusch

"Personal Shopper," directed by Olivier Assayas

"Aquarius," directed by Kleber Mendonca Filho

"American Honey," directed by Andrea Arnold

"It's Only the End of the World," directed by Xavier Dolan

"Slack Bay," directed by Bruno Dumont

"Rester Vertical," directed by Alain Guiraudie

"Loving," directed by Jeff Nichols

"From the Land of the Moon," directed by Nicole Garcia

"The Unknown Girl," directed by Jean-Pierre Dardenne and Luc Dardenne

"I, Daniel Blake," directed by Ken Loach

"Ma'Rosa," directed by Brillante Mendoza

"Bacalaureat," directed by Cristian Mungiu

"Sieranevada," directed by Cristi Puiu

"Elle," directed by Paul Verhoeven

"The Neon Demon," directed by Nicolas Winding Refn

Un Certain Regard

"Varoonegi," directed by Behnam Behzadi

"Apprentice," directed by Boo Junfeng

"Voir du Pays," directed by Delphine Coulin and Muriel Coulin

"La Danseuse," directed by Stephanie di Giusto

"Clash," directed by Mohamed Diab

"La Tortue Rouge," directed by Michael Dubok de Wit

"Fuchi Bi Tatsu," directed by Fukada Koji

"Omar Shakhsiya," directed by Maha Haj

"Me’Ever Laharim Vehagvaot," directed by Eran Kolirin

"After The Storm," directed by Kore-Eda Hirokazu

"Hymyileva Mies," directed by Juho Kuosmanen

"La Large Noche de Francisco Sanctis," directed by Francisco Marquez and Andrea Testa

"Caini," directed by Bogdan Mirica

"Pericle Il Nero," directed by Stefano Mordini

"Captain Fantastic," directed by Matt Ross

"The Transfiguration," directed by Michael O'Shea

"Uchenik," directed by Kirill Serebrennikov

Out of Competition

"The BFG," directed by Steven Spielberg

"Goksung," directed by Na Hong-Jin

"Money Monster," directed by Jodie Foster

"The Nice Guys," directed by Shane Black

Special Screenings

'L'ultima Spiaggia," directed by Thanos Anastopoulous and Davide del Degan

"A Chad Tragedy," directed by Mahamat-Saleh Haroun

"The Death of Louis XIV," directed by Albert Serra

"Le Cancre," directed by Paul Vecchiali

Midnight Screenings
"Gimme Danger," directed by Jim Jarmusch

"The Train to Busan," directed by Yeon Sang-Ho

Malcolm-Jamal Warner Suits

TVLine Items: Suits Casts Mike's Prison Crew, Expanse Fills Key Role and More

Malcolm-Jamal Warner, a different kind of crime story awaits you at USA Network.

The TV vet, who recently appeared in FX’s The People v. O.J. Simpson and has recurred on Major Crimes, will recur on Suits‘ upcoming sixth season, which finds Mike headed to jail.

Per our sister site Deadline, Warner will show up as Danbury Prison’s counselor, who must help inmates survive their time in prison and guide them toward rehabilitation.

Additionally, Erik Palladino (ER) and Paul Schulze (Nurse Jackie) will also recur on Season 6, respectively playing Kevin Miller and Frank Gallo, two of Mike’s fellow inmates.

Ready for more of today’s newsy nuggets? Well…

Frankie-Adams

* New Zealand’s Frankie Adams (Shortland Street) has joined Season 2 of Syfy’s The Expanse as “Bobbie” Draper, a Gunnery Sergeant in the 2nd Marine Expeditionary Force who in the growing conflict between Earth and Mars is forced to question her nationalist loyalties and make new, surprising alliances.

* The Daily Show With Trevor Noah will film in Cleveland during the Republican National Convention, from Tuesday, July 19, through Friday, July 22. (Get ticket information here.)

* TV One has acquired the exclusive cable rights to Empire, which will debut on the network in May with marathons of Season 2 leading up to the finale. Episodes from Season 1 and Season 2 will begin airing weekly this summer.

* Bravo announced Thursday that it has renewed The Real Housewives of Potomac for Season 2.

* If you’re in the mood for a new Preacher teaser, AMC has released another promo for its upcoming drama series, which debuts Sunday, May 22.
Tales From The Crypt Reboot

Tales From the Crypt Reboot Scores 10-Episode Order at TNT

Look alive, Crypt Keeper! (Well, as alive as you can look, anyway.)

TNT has given an 10-episode order to a new Tales From the Crypt series, based on the original EC Comics, the network announced Thursday. Much like the first Tales series, which ran from 1989 to 1996 on HBO, this updated version will also feature chilling tales told by the aforementioned Crypt Keeper.

Additionally, TNT has ordered a pilot for Time of Death, another anthology series with a truly twisted hook. Paraphrasing wouldn’t do it justice, so here’s the official description:

Time of Death is planned as an anthology of season-long horror tales that unfold in real time – each one taking viewers hour-by-hour through a single ‘long night of hell.’ The first season will follow a murderous psychopath who returns to his Midwestern hometown during the annual county fair to exact revenge on a community he believes destroyed his life.


Lastly, TNT is developing Creatures, a story of “deep friendship and dark obsession.” Again, it’s best just to share the official description with you:

Creatures [is] a sophisticated psychological thriller that tells the disturbing tale of two former best friends who, at 12 years old, tried to cut out their classmate’s heart as a sacrifice to an internet bogeyman they invented called Mr. Gorgi. Fifteen years later, the two young women have been released from a psychiatric institute into their small town in Alaska, but it’s not long before they start to feel the alluring and terrifying presence of Mr. Gorgi once again.


“I’m really thrilled about the way this horror block is coming together with the addition of Time of Death and Creatures,” says horror master M. Night Shyamalan, who is executive-producing both Tales and Time of Death. “That such a beloved property like Tales from the Crypt is launching our evening makes it an even more unique and exciting opportunity. Across the board, the level of talent has been very inspiring.”

This new block of horror shows is expected to launch in 2017.
The Mist TV Series

Stephen King's The Mist Scores 10-Episode Series Order at Spike

Something wicked next year comes… to Spike.

The network on Tuesday gave a 10-episode series order to The Mist, based on the Stephen King novella about a seemingly innocuous fog that seeps into a small town and creates immense havoc.

In February, Spike ordered a pilot, but decided to go straight to series after hearing the pitch and reading the script.

Filming will begin this summer, the network noted, with the goal of a 2017 debut.

The Mist got the big-screen treatment in 2007, with Thomas Jane, Marcia Gay Harden, Andre Braugher and Laurie Holden headlining the ensemble cast.

Exclusive

Jonah Hex Is Gunning for [Spoiler]!

Grizzled gunslinger Jonah Hex knows what time it is, so to speak, in this exclusive sneak peek from tonight’s DC’s Legends of Tomorrow.

In the episode “The Magnificent Eight” (The CW, 8/7c), Johnathon Schaech (Star-Crossed, Quantico) guest-stars as the DC Comics antihero, who can spot a buncha out-of-place, out-of-time out-of-towners when he sees ’em. In the video above, Hex calls out Professor Stein and his posse, asking to speak to one of them in particular.

“Rip has been time-traveling and sorting out the timeline for many years, so he definitely knows who Jonah Hex is,” the captain’s portrayer, Legends of Tomorrow Jonah HexArthur Darvill, told TVLine during a set visit. “He’s even got a ‘Wanted’ poster for Jonah in his study. If you look really closely in the Waverider, you may have seen it.”

Darvill says that revolver-wielding Rip has “that cowboy feel” and thus “feels very much at home in the Old West.” Some Legends castmembers meanwhile felt at home in the old-timey era’s wardrobe. Says Brandon Routh, who plays Ray: “Putting on the Western garb was my most fun costume change that we’ve gotten to do.”

Will gruff Jonah ultimately warm up to the Waverider team’s predicament and help them along in their journey? “We don’t know at first,” says Darvill. “Like a lot of our villains and shady characters, he’s a begrudging companion* to the team in the end — even though he thinks we’re crazy, and rightfully so!”

*Yes, Doctor Who’s former Rory just referred to a “begrudging companion.

What to Watch This Weekend: Season 2 of Unbreakable Kimmy Schmidt, HBO's Confirmation, and the Season Finales of Beowulf, Vinyl, and Girls

By Andy Daglas


What to watch on Friday, April 15...


SEASON 2 PREMIERE, 12:01am Pacific, Netflix
Unbreakable Kimmy Schmidt
Kimmy is back in all her indefatigable spirit and '90s-centric point of reference, this season joined by guest stars including Anna Camp, David Cross, Jeff Goldblum, Amy Sedaris, creator Tina Fey, and many more. All 13 episodes stream today (you can read our review here).


6pm, Cartoon Network
The Powerpuff Girls
“Tiara Trouble” gives Townsville trouble from a tiara, because sometimes titles get right to the point. Specifically, the cursed headgear lays its whammy on the pageant of Beauty, Talent, and All-Around Flair.


8pm, The CW
The Vampire Diaries
Damon and Alaric road-trip it to Memphis in “One Way or Another.” Ostensibly it has something to do with an escaped vampire and getting Stefan back, but I think they just want to indulge in blues, bourbon, BBQ, and bro-time. Elsewhere, Bonnie makes a valuable new friend in the psych ward while Enzo goes on a mission after hearing harsh news from Rayna.


8pm ABC
Last Man Standing
In “The Marriage Doctor,” Kyle gets cold feet about a pre-marriage counseling session with the new minister (Bill Engvall). Mike tries to intervene, but he and Vanessa wind up needing help of their own after a spat.


8:30pm, ABC
Dr. Ken
“Korean Men’s Club” sees Allison encouraging Ken to join a civically oriented community group headed by guest star Randall Park. But is there more to the organization than meets the eye?


9pm, CBS
Hawaii Five-0
“Ka Haunaele (Rampage)” finds the squad probing the pilfering of an indestructible super-suit built for the U.S. military. (Stark Industries has already filed reams of lawsuits.) In other business, Jerry and his sister team up to save a captive elephant, and brothers Michael Bennett of the Seattle Seahawks and Martellus Bennett of the New England Patriots stop by for some reason.


9pm, The CW
The Originals
With N’awlins celebrating Jazz Fest, the Anti-Mikaelson Society organizes to abduct Klaus in “The Devil Comes Here and Sighs.” Elijah and Freya run smack into a potent force in their attempt to get him back, while Hayley and Cami devise a rescue plan of their own and Davina seeks Marcel and Vincent’s help corralling Kol’s erratic behavior.


9pm, NBC
Grimm
Japanese Wesen operating under an ancient tradition of bloody revenge put lives in danger in “Inugami.” In matters not involving decapitation (probably), Adalind encounters Eve when she returns to work at her old law firm.


9pm, Fox
Hell’s Kitchen
The remaining five chefs receive their black jackets, which will help them look cool just in time to prepare lunch for a gaggle of teenagers. The dinner service includes grown-up judges like Randy Couture and Neil Jackson.


10pm, Cinemax
Banshee
“Job” sees Lucas and Carrie seeking Fat Au’s help in their desperate search for the abducted hacker. Hopefully he’ll be more useful than Siri, who kept redirecting them to LinkedIn every time they asked her.


10pm, USA
Motive
Flynn and Vega have a pair of apparently unconnected murders on their hands in “Oblivion.” As if that weren’t keeping him busy enough, Vega must also pass his weapons recertification test.


10pm, Syfy
Wynonna Earp
A Revenant posse on a killing spree may only be the tip of the evil iceberg in “Leavin’ on Your Mind.” As Wynonna deals with that, Waverly digs into Henry’s past.


11pm, Cartoon Network
Childrens Hospital
Glenn and Owen hallucinate and Lola grows paranoid thanks to a gas leak in “The Grid.”


LATE-NITE:
– Robert De Niro, Jesse Tyler Ferguson, and Nick Guerra on The Tonight Show Starring Jimmy Fallon, 11:35pm, NBC

Just Music-No Categories-Enjoy It!
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Reply #61 posted 04/15/16 8:02am

JoeBala

Just Music-No Categories-Enjoy It!
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Reply #62 posted 04/16/16 11:34pm

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Adele Concert Special Rebroadcast Set With 5 More Songs

April 16

Link



NBC will rebroadcast an extended 90-minute version of Adele Live In New York City on Friday, May 6 at 8 PM.

The special, which comes two months ahead of the beginning of the multi-Grammy winner’s North American Tour, is an extended rebroadcast of her original NBC telecast that aired in December, but with five new songs not seen in the original showing.

Adele recorded Live in New York City on November 17, 2015 in front of a packed house at Radio City Music Hall.


In all, 13 songs will be included for the May 6 special, including, for the first time, “Water Under the Bridge,” “One and Only,” “Hometown Glory,” “Chasing Pavements” and “Daydreamer.”

The December 14, 2015 telecast of Adele Live in New York City averaged a 3.7 rating in adults 18-49 and 13.8 million viewers overall in Nielsen Live+7, making it the highest-rated primetime music special on the broadcast networks in 18-49 in 11 years and NBC’s most-watched concert special in 13 years.

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JoeBala

Rolling Stones, Dylan, McCartney, Neil Young in Talks for Mega Concert

Roger Waters and the Who also tabbed for three-day concert in Indio, California this October

By Daniel Kreps April 15, 2016
Coachella; October Show The Rolling Stones, Bob Dylan, Paul McCartney, Neil Young, the Who and Roger Waters are in talks to play at a three-day California concert in October. Getty (6)

Six titans of rock music – the Rolling Stones, Bob Dylan, Paul McCartney, Neil Young, the Who and Roger Waters – are reportedly in the finishing stages of joining together in October for an epic three-day concert in Indio, California. Goldenvoice, the organizers of the Coachella Music Festival, are in talks to bring the six Rock and Roll Hall of Fame inductees to the fest's Empire Polo Field site on October 7th through 9th, the Los Angeles Times reports.

Tentatively, Bob Dylan and the Rolling Stones would open the mega concert on Friday with back-to-back sets; Saturday would see Neil Young and the Promise of the Real performing before McCartney's set later that night, while sets by the Who and Pink Floyd's Roger Waters would close out the mind-blowing consortium on Sunday.

Management for the artists involved confirmed to the Los Angeles Times that plans for the mega show were "nearing completion," with Young's manager Elliot Roberts telling the newspaper, "It's so special in so many ways, because you won't get a chance to see a bill like this, perhaps ever again. It's a show I look forward to more than any show in a long time."

Billboard adds that, like Coachella, a second weekend of the mega concert is also being discussed.

The still-unnamed and unconfirmed mega concert would mark the first time that Dylan and McCartney have appeared on the same bill at a music festival, the Los Angeles Times reports. In July 1985, Dylan, Young, Mick Jagger, Keith Richards and Ronnie Wood all performed at the Philadelphia faction of the Live Aid event, while McCartney and the Who took the Wembley Stadium stage for the London concert.

Ronnie Spector on Keith Richards, David Bowie and Life After Phil

On her new album, 'English Heart,' singer revisits British Sixties pop hits – and looks back at her own past

By Kory Grow April 14, 2016
Ronnie Spector Ronnie Spector discusses her latest album, 'English Heart,' as well as her friendships with David Bowie, Keith Richards, Jimi Hendrix and others. Taylor Hill/Getty

Ronnie Spector is seated in the restaurant of a lavish midtown Manhattan hotel. She's dressed in black, and her long, black hair is bouffant – though a far cry from the beehive she wore when she was making hits with the Ronettes over half a century ago. It's a bright, sunny, late-March day – "It's meant for us," she beams giddily – and even though the woman born Veronica Bennett is now 72, she has the energy of a woman a third of her age. She laughs boisterously, she slaps her hand on the table for emphasis, and she seems to have no reservations about belting out the opening lines to "Be My Baby" at 2 p.m. mere feet away from a fancy hotel lounge.

Four decades ago, she was a prisoner in her own house. Now, years after escaping her marriage to producer Phil Spector – the mastermind behind the "Wall of Sound" and Ronnie's biggest hits who is now serving a prison sentence for murder – she's intent on enjoying her freedom. She's been married to her manager, Jonathan Greenfield, for more than three decades, she lives in Connecticut and she's the mother to two sons.

Ronnie has kept busy with music in recent years, sporadically performing live (her favorite thing to do) and putting out albums. Her latest LP, English Heart, which came out this month, finds her singing songs by the Beatles, Rolling Stones, Yardbirds, Bee Gees and others. Her inspiration for the record, however, is distinctly American. After reading that Bob Dylan had done an album of Frank Sinatra songs, she remembers saying, "If Bob can sing Frank Sinatra, who was known as a great singer, and Dylan's known as not such a great singer, I could make a hell of an album." She laughs. But the more she thought about it, Dylan was singing American songs, so she ought to do something different, and focused her project on Great Britain.

The record, helmed by producer Scott Jacoby (Vampire Weekend, Sia, Coldplay), couldn't sound more different from her ex's dense, claustrophobic signature sound – and that's how she likes it. As she speaks with Rolling Stone about how the LP came together, along with her experiences and friendships with British artists, it's clear she's moved on from her past. And she couldn't be happier.

Why did you want to do an album of cover songs by British artists?
When the Ronettes started out, our first big trip was to the U.K., where we met the Beatles before they even came to the States and the Rolling Stones were our opening act. Everybody was so innocent. Everybody just loved the music and the fun we had backstage; if it was somebody's birthday, we got a cake and soda. We didn't have all the stuff that came later on with rock & roll. We got to know Eric Clapton and the Yardbirds, the Kinks, all these groups. Later, I knew and dated David Bowie a few times.

But when we got to the U.K., we felt like real stars for the first time [laughs]. So I thought of the idea that I was over there in the Ronettes with the British Invasion when it was all happening for us. I was at the peak of my career when I was with the Kinks, the Beatles, and the Rolling Stones, and we were all so happy together. And then all of a sudden, I was taken away from it [because of Phil].

Ronnie Spector "I was at the peak of my career when I was with the Kinks, the Beatles, and the Rolling Stones," Spector (center) recalls. Dezo Hoffmann/REX/Shutterstock

You did your tour with the Stones in January 1964. What was that like?
We were in a car, and they were in a bus following our car. They were a bunch of scraggly looking guys. But I loved them and I especially loved Keith, because I love that rugged look he had. Mick was, like, a pretty boy maybe. Keith used to say, "Oh, we would have great babies because you have that black, thick hair and I have black, thick hair." Now his is not so black. But they were my opening act. I remember Keith and Mick asking me about James Brown and I said, "I don't even know the guy."

Was it easy traveling then?
One time, we had to stop driving because of the fog. So Keith and I got off the bus, looking for a light, for a house. I said, "Keith, you stand at the back of me," because he has always had that rugged look, and I look sort of neat, you know? So I said, "Let me knock. I'm a girl." And I'll never forget, when we found one, this little lady – she was like round and short – she came to the door and I said, "Hi, I'm Ronnie of the Ronettes and our bus is stuck." And Keith would say, "I'm Keith from the Rolling Stones." And she said, "Come on in, guys," and she gave us scones and tea, which we took back to the bus. You couldn't do that today. People don't even open the door today.

Did she know your music?
I don't know [laughs]. I only thought about that years later [laughs]. We never went back to her because we could never could find her. But I remember Keith and I were both laughing, very energetic. He's still like that today. Even though he's older and I'm older, we still have that same attitude.

You recorded with Keith Richards in 2006 on your The Last of the Rock Stars album. You've kept the friendship alive.
Keith Richards was there before I even got there. He's known to be late. I got to the studio, and then Joey Ramone came in. It's kind of dim in the studio and Keith is on one mic and I'm on another. And you can see Joey sitting in the control room, just staring. He looked at Keith; he looked at me. And that was like his dream. To see Ronnie Spector and Keith Richards in one room. He didn't move when we were in the recording studio. He died shortly after that. That was the last time I saw Joey.

Spector; Richards "I loved them and I especially loved Keith, because I love that rugged look he had," Spector says of touring with the Stones in 1964. Kevin Mazur/Getty

On English Heart, you cover the Stones' "I'd Much Rather Be With the Boys" as "I'd Much Rather Be With the Girls." Why did you flip it?
When Keith wrote that, it was when all the girl groups were in, so they were saying, "I'd much rather be with the boys." So I just waited 50 years. Yeah, I'd much rather be with the girls.

There's a spoken-word part of the song where you and your girlfriends have a party. What is partying for Ronnie Spector like in 2016?
Well, my parties, to be honest with you, are all onstage. I wait for the stage. I live a very bland life in Connecticut. I have two boys. I go shopping at ShopRite once a week, like any other mother. So I save it up for when I get onstage. It's, like, I have no kids. I'm not even married. I'm married to the audience.

Were you ever a big partier?
No. Even in the Sixties, we didn't party. I remember going to these clubs, and people would be slobbering all over me because of alcohol. It would make me sick. Everybody tells me I look so great for my age, and that's because I didn't do drugs. I drank beer and smoked cigarettes. But I looked after my voice. My voice makes me money. But even if that wasn't the case, I still wouldn't have gone to clubs. It was boring to me.

Why did you pick "I'll Follow the Sun" as your Beatles cover?
I had to do a Beatles song, having known them my whole life. But I didn't want to pick a song that everybody had already covered. I don't think anybody covered "I'll Follow the Sun," and I made sure [laughs].

What are your fondest memories of knowing the Beatles?
John Lennon and all the guys took us to Carnaby Street [in London] to show us where to get. It was innocent. It was pure. It was rock & roll. John and Paul would be writing on napkins anywhere we'd go; they were just, like, crazy about the music.

I remember them coming to New York the first time, and John Lennon called me saying, "Ronnie, we don't know what to do. We're prisoners here." They were in either the Warwick or the Plaza Hotel. "You gotta come up and get us out of here." They didn't know anybody in America. So me, Estelle and Nedra – the three Ronettes – would go up there. He said, "Please bring the 45 records." So we'd sit there on the floor and listen to records. We had the best time. I remember he got upset because the Supremes came in, because people came in just to take pictures with them. But they were our buddies; we were having fun. I remember George going, "Oh, no. We've got to take a picture." So they'd get up, leave us and come right back and sit down on the floor and continue our conversation about rock & roll.

The production on English Heart is a departure from Phil Spector's Wall of Sound. Did you intend that as a statement?
I didn't think like that. It was just something I wanted to do.

Ronnie Spector; Phil "I was in lawsuits over royalties with my ex for 20 years," Spector says. "It took away a lot of the things I really wanted to do." Ray Avery/Getty

The record features the Bee Gees' "How Can You Mend a Broken Heart." Your version has really sparse production, especially compared to your Sixties hits.
I wanted it to be like that so people could hear my voice, my feelings. I mean, "How Can You Mend a Broken Heart"? I had to tell Scott, the producer, "Give me a minute." I went in the ladies' room and cried my eyes out. Because that song is about my life, you know? My heart's been broken so many times. I mean, I was in lawsuits over royalties with my ex for 20 years. It took away a lot of the things I really wanted to do.

How does it feel for that to be over?
Oh, it's the best feeling. And the fact that we won? It was like the sun came out. I felt free for the first time.

The last Ronettes record came out 50 years ago. What do those songs meant to you now?
I love 'em. I've never not sung "Be My Baby," or "Walking in the Rain," or "Baby, I Love You." I would never disappoint my audience like that.

What do you remember about the "Be My Baby" session?
I don't think anybody wanted me to know how good I was, other than Jack Nitzsche.

Maybe they were jealous?
These were men!

They still could have been jealous of your voice. How did Jack help shape "Be My Baby"?
It took him all night to arrange "Be My Baby," so when I got into the studio in Los Angeles the next day, the guys were all quiet and I went into the vocal booth. I'll never forget how it happened. [Ronnie pounds her hand on the table to the opening beat.] And I went, [singing loudly] "The night we met … " All the musicians dropped whatever they were holding, their horns and guitars, and they were looking at this new girl in town. All the musicians were yelling, "Oh, my God. Her voice!" And I'm saying, "Me? A little girl from Spanish Harlem?" So from then on, it was so great to be in the business and to have a hit record.

You'd been practicing the song in New York with only with a piano. How did it feel to hear Hal Blaine play that famous bass-drum beat?
It was like I'd gone to heaven. It all fit. It all was like a puzzle and once my voice was put on, the puzzle was complete. That's when I knew this record just might be a hit.

You mentioned David Bowie earlier. How did you meet him?
I met him through May Pang, who was with John Lennon when he and Yoko broke up. She called me [one day in the mid-Seventies] and said, "David is having a concert and he wants you to come." And I was like, "David who?" [Laughs] So I went and when he was done, I was asked to go to his dressing room. He couldn't get enough of me [laughs]. We went out to dinner a few times; he came over to my apartment a few times. He was so nice.

I remember one time at the Plaza, he'd brought me to a party but then disappeared. There were all these people with big diamonds on, and they were standing around this glass coffee table doing cocaine. They were looking at me like, "Who's this piece of shit David brought?" So I walked away and tried to find him. I was so scared. So his friends brought me to a room, and there was David, and we kissed for a little while and then I took him to my house because he didn't like those rich snobs either. It was amazing how they're in his room yet he didn't like them.

That must have been sometime after your divorce from Phil in 1974. It must have felt good to be liberated.
Yes. My ex took singing away from me and it was devastating because I had no idea that I would never record. I had no idea I would never perform again, which was my life. I was in shock with that because here's a person who wrote your records and produced them. … And then, you're never gonna sing again.

Well, things have changed.
I never knew "What goes around, comes around," until he went to prison. Then I knew what it meant. Because I was in prison in the mansion and I couldn't even get out. For seven years, I didn't go anywhere. I never saw a movie. I never did anything in California because everything was brought to me.

Ronnie Spector Ronnie Spector circa 1977. "It bothers me that a lot of the rock & roll people that I loved, that I hung out with, are gone," says Spector. Tom Sheehan/Getty

Some people are good people. It's, like, David Bowie was such a good guy, why did he have to go? And why is my ex still alive? [Laughs] The good people die … like Jimi Hendrix, I knew him really well then all of a sudden he's gone. Gone. It bothers me that a lot of the rock & roll people that I loved, that I hung out with, are gone.

What was Jimi Hendrix like?
He used to play in a small place downtown in the house band. I'd get up and sing – anything he would do on his guitar, I would repeat with my voice. He would say, "Boy, your voice sounds like a guitar." I didn't know my voice was supposedly that great because people didn't tell you back then how great you were. Then it was, "Go to the ladies' room. Re-do your eye makeup, or something."

It sounds like Jimi was different. Did you remain friends?
One time, my sister called me up when I'd come back to New York, visiting my parents. She said, "Jimi is dying to see you again." So I went over to Jimi's house at Electric Lady, and he has a mattress on the floor, and about four girls hanging around the bed. My sister was sitting in a chair, and he was like, "Ronnie, you've got to go on my record. Even if you just say 'ooh' or 'ahh,' you know, your little 'oh-ohs.'" So I did that. They had shipped my Camaro to New York, so Jimi and all of us, the girls, got in after recording and we were all crowded in there, and I dropped Jimi off and said, "OK, good night!"

The next morning, somebody's ringin' my bell. I look through the peephole and I say, "Oh, it's Jimi!" [Laughs] I open the door and he had one hand on his hip and said, "Hi Ronnie. I left my tapes in your car." He left that tape on purpose. I thought it was the sweetest thing. Because he wanted to see me alone. Yet I was married at the time, so … I couldn't see him too much [laughs].

It's hard losing friends.
Yes. For Joey Ramone to die and all my rock & roll friends. … Even when John [Lennon] died and George [Harrison], I was devastated. You would think one of the Rolling Stones would be dead, with how everyone would talk about how skinny they are [laughs]. But I'll tell you, nobody has Keith Richards' heart. He has the biggest, greatest heart.

Another British singer who has died that you had a connection to was Amy Winehouse. You were performing her "Back to Black" before her death.
Amy Winehouse was so great for me, because she made me feel like what I did mattered. The hair, the eye makeup. I recorded "Back to Black" three years before she died. I used to sort of make fun of her saying, "She has a beehive, but it's sort of tilted like the Eiffel Tower," but I don't say that anymore since she passed because her and I became very close – even if it was through magazines. I'd read where she'd say, "I loved all-girl groups but my specialty was the Ronettes and Ronnie Spector with the way she wore her hair." I got messages through her interviews. And now her mother comes to every show I do in the U.K. She wrote a book about Amy and gave me a copy. She wrote an inscription that was so sweet and personal about how I was her daughter's inspiration. It just made me feel so great. And it makes me continue to want to sing, 'cause what I did back then mattered: the hair, the makeup.

You didn't think you mattered?
I didn't realize it until people started telling me, "You're amazing." Singing was something I loved and something that was taken from me. And after that, I want to do it so much more.

How Esperanza Spalding Came to Love to Her Curls: "When My Hair Is Wild, It’s Doing Its Best Thing"

April 14, 2016 9:05 am

Esperanza Spalding is our current music icon and hair crush. We’ve watched this classically trained jazz singer and bassist rocking those curls everywhere from the Grammy Awards to the White House—and her embrace of her hair’s natural texture is the ultimate beauty inspiration. “I let my curls do their thing—when my hair is wild, that’s when it’s doing its best thing,” says Spalding, 31. She especially likes it big and brushed out: “I feel I can pick up more inspiration—you know, like my antennas are up.” With her fifth album, Emily’s D+Evolution, out this spring, the Portland, Oregon, native put down her bass to talk beauty and self-esteem.

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Spalding, who loves wearing her hair in a fluffy Afro, jumped in and brushed out her own air-dried curls (gently, working from tips to roots). Hairstylist Ben Skervin then created a simple side part, which lent a graphic element to the soft texture. A spritz of gloss spray (try Moroccanoil Glimmer Shine, $28, moroccanoil.com) adds a healthy shine.

Dusan Reljin; Fashion Editor: Jessica Sailer Van Lith

Your brushed-out Afro is your signature, but it wasn’t always. How did you style your hair when you were young?

“My hair, growing up, was no fun at all. My mom never let me press it or put relaxer in it; she wanted me to embrace what my hair did naturally. I was allowed to brush it and let it dry, and then I had to get out of the house. When I was around 12, my hair was really, really thick and super curly—just dense and impossible. I went through a very embarrassing couple of years there. I just wanted to get my hair out of my life, out of the way, out of people’s sight, just away from everything because it was so crazy.”

So when did you start to love your curls?

“At 15 I just decided to bleach it, relax it, color it—I did everything. At 17, when I left home [for Berklee College of Music in Boston], I shaved my hair to a quarter inch of my head. As it grew into an Afro, I liked that look. And it’s pretty much been growing out like that ever since. I like to let it be completely wild; it forces me to face people not knowing how I’m being seen. I don’t know what it’s doing and I just have to be cool with that—especially if I’m around somebody new. I’m like, All right, let’s go. This is it, unfiltered.”

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Starting with brushed-out curls, Skervin twisted everything up into a very high half pony, letting the ends peek out to create a pom-pom-like effect. He teased out the shape even more with his fingers, while preserving the undone texture. “You can play around with it, bringing it more forward, more to the center, more to one side,” he says. “It’s simple but has quite a dramatic effect.”

Dusan Reljin; Fashion Editor: Jessica Sailer Van Lith

Walk us through your styling routine.

“Once I’ve washed it, I work in the conditioner. I like a sulfate-free one from Alaffia. I get it super goopy in the shower—think jellyfish consistency—and I detangle my hair with my fingers. I don’t wash out the conditioner; I just let it air-dry. When I want it in Afro mode, I brush everything out with a paddle brush. Brushing is my one commitment when it comes to my hair; it can take an hour, but that’s when I watch the news or call my mom. Brushing it when it’s dry seems to help it do what I like, which is this wild, frazzled thing—kind of messed up.”

esperanza-spalding-curly-hair-2.png

“It’s a bit romantic; there’s a softness around the face,” Skervin says of this pulled-back style. First, add a tiny drop of oil (try Garnier Fructis Marvelous Oil Frizz Defy, $6, walmart.com) to subtly define air-dried strands. Next, pull hair back into a low-slung half pony. “Don’t pull the ends all the way through—let the back hang down,” he says.

Dusan Reljin; Fashion Editor: Jessica Sailer Van Lith

For your new album and tour, you wear your hair in braids. Why the departure from your signature curls?

“Emily—which is my middle name, and what I was called growing up—is my onstage alter ego and the inspiration for this album. Her look reflects who she is and what she’s about, and draws from my childhood. Her hair is different from how I usually wear it: It’s twisted down in braids, soaking up the energy of her world.”

By Andy Daglas


What to watch on Sunday, April 17...


8pm, CBS
Madam Secretary
In her first address to the U.N. General Assembly, Elizabeth formally condemns the terrorist group Hizb-al Shahid. (She also tries out her best booming “CAN. YOU. DIG IT?!,” but apparently nobody else at the U.N. has seen The Warriors.) Later in “Ghost Detainee,” the secretary seeks an anti-terror coalition with her Russian opposite number, but the talks stir a conflict of interest with Henry as he tries to save Dmitri’s ill sister from the Kremlin.


8pm, Starz
The Girlfriend Experience
Christine confronts Jacqueline about the extent of her control in "Retention," while David enlists Erin's help keeping a key client content.


8pm, ABC
Once Upon a Time
Ruby’s search for Dorothy in “Ruby Slippers” takes her to the Underworld, because the show paid for this set and they’re gonna put it to use, darn it. Emma, Regina, and Snow lend a hand, even as David and Snow plan a way for one of them to rejoin Neal in the Overworld. Flashbacks recall Ruby and Mulan’s meeting with Dorothy in Oz.


8pm, PBS
Call the Midwife
Summer finds Nonnatus House in the throes of a typhoid outbreak, and finds Sister Winifred dealing with an unwed teacher who’s carrying a married man’s baby.


8:30pm, Fox
Bob’s Burgers
“The Hormone-iums” gives Tina her big shot at solo performing glory, but could stardom come with a social cost? At the restaurant, Linda cooks up a potentially lucrative business plan.


SEASON 1 FINALE, 9pm, HBO
Vinyl
With the label launch approaching in “Alibi,” a scorned Zak schemes to destroy Richie. In other unhealthy relationships, Kip’s jealousy of Alex could undercut the Nasty Bits’ big break, while Richie is (believe it or not) present at the creation of a legendary music venue.


SEASON 2 PREMIERE, 9pm, Hallmark
Good Witch
In “Second Time Around,” Cassie and Sam decide to give romance a whirl… at least until his ex-wife nixes that plan. Elsewhere, Grace studies for her driver’s exam, an old friend of Cassie’s comes calling, and a betrothed couple arrives at the Grey House.


9pm, TV Land
TV Land Icon Awards
George Lopez hosts the 12th annual installment of an awards show that I guarantee you did not know has existed for 12 damn years, unless you happen to work for TV Land. Maybe not even then.


9pm, CBS
The Good Wife
“Landing” sends Alicia and Lucca to Toronto to represent NSA Agent Jeff Delinger (you might remember him as the one played by Zach Woods) after he’s detained by customs. On the other side of the 49th Parallel, Diane grows worried when Kurt decides to retire and sell his business to a rival (Megan Hilty), while the source of Peter’s worries involves iron bars and an orange jumpsuit.


9pm, Fox
Family Guy
Peter’s old flame Gretchen (Kathryn Hahn) stirs up trouble in the Griffin homestead in “Take a Letter,” prompted by Lois’s new job in the postal service and her discovery of an old letter that Peter failed to send to Gretchen back in the day.


9pm AMC
Fear the Walking Dead
The gang takes up with a survivalist family in “We All Fall Down,” but Madison is suspicious of the family’s true motives. Also less than trusting is Salazar, who seeks to learn Strand’s designs.


9pm, Showtime
House of Lies
Jeannie’s boyfriend deals a devastating blow in “Game Theory,” while Marty spies a business development opportunity in Doug’s Dungeons & Dragons game. Why of course he has experience representing Gelatinous Cubes! Oodles of experience!


9pm & 9:30pm, NBC
Crowded
A patient of Martina’s moves in with the family in “The Fixer,” and quickly proves Ben Franklin’s adage about houseguests and fish. (Guest stars Betty White and Jane Leeves are also on hand to prove the Founding Father’s lesser known prediction of a Hot in Cleveland mini-reunion on network TV in 2016. Prescient dude, he.) Then in “Given to Fly,” Bob and Mike make a splash as traffic reporters in Mike’s helicopter, while at ground level Martina, Stella, and Shea search for Mike’s mother.


9pm, PBS
Grantchester
Sidney performs an exorcism after an apparent suicide, and even the most malevolent spirit would probably compelled by the power of sexy vicar. In less otherworldly affairs, Leonard makes a risky bet, Margaret makes a play, Amanda faces her lost love, and Gary faces his trial.


9pm, ABC
The Family
Willa’s scheming takes its toll on Claire in “Sweet Jane,” while Clements’ investigation takes a closer look at Jane’s ties to Doug. (Sidebar: Why do ABC’s loglines keep referring to Doug as “the pock-marked man” when the dude has a name? Quit pock-mark-shaming, ABC.) Elsewhere, Hank learns something new about Adam’s kidnapping, Nina tracks Adam’s nocturnal excursions, and Willa takes matters into her own hands after the governor’s wife threatens to reveal Claire’s drinking.


9:30pm, Fox
The Last Man on Earth
A bored Tandy sets off a prank war in “Fourth Finger.” Todd, on the other hand, has grander ambitions.


9:30pm, Showtime
Dice
In “Ego,” Dice is out to prove his bedroom bona fides after a sex quiz suggests that he and Carmen aren’t quite clicking coitally. Guest star Adrien Brody certainly picked a… let’s say propitious week to shadow the Dice-Man as research for a role.


SEASON 5 FINALE, 10pm & 10:30pm, HBO
Girls
“Love Stories” finds Hanna dropping a bombshell on Principal Toby, then bumping into old frenemy Tally. Elsewhere, Shoshanna helps Ray boost business, Elijah presses Dill to be exclusive, and a dream inspires Marnie to reconcile with Desi. Then “I Love You Baby” caps the season with Elijah and Loreen helping Hannah prepare for a story slam, while Marnie and Desi prepare to hit the open road, Jessa and Adam butt heads in a big way, and Ray implements Shosh’s new business plan.


10pm, ABC
Quantico
Alex, Shelby, and Iris learn some surprising details about Drew, Will, and Caleb while investigating them for security clearances at Quantico. (Playing “Never Have I Ever” with straight tequila is a kind of investigating, right?) In the future, “Soon” sees Alex reaching out to Claire Haas in hopes of finding her missing friends—and learning another surprise about Caleb.


10pm, CBS
Elementary
In “Ain’t Nothing Like the Real Thing,” Holmes and Watson investigate the real murder of people who were staging a fake murder. Meanwhile, Watson’s espionage could be exposed when her inside man at Morland’s office hits a hurdle.


11:30pm, Cartoon Network
Robot Chicken
Skits in “Yogurt in a Bag” include Liam Neeson finding his theater seat has been taken, a veterinarian explaining the reproductive science behind the 101 Dalmatians, and the Cryptkeeper dealing with a plagiarist.


SEASON 2 PREMIERE, 12am, Cartoon Network
Mr. Pickles
Mr. Pickles is determined to bust Grandpa out of his sanitarium sanctuary in “Mental Asylum.”

Just Music-No Categories-Enjoy It!
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Reply #64 posted 04/18/16 11:07am

JoeBala

What to Watch Tonight: The Season Finales of Supergirl, Crazy Ex-Girlfriend, and Better Call Saul, and the Season 2 Premiere of 12 Monkeys

By Andy Daglas


What to watch on Monday, April 18...


SEASON 1 FINALE, 8pm, CBS
Supergirl
What’s this? That Kryptonian crook Non and blue-hued brainiac Indigo—about to conquer the Earth? Manipulating minds with Myriad—including Alex’s? Can the Woman of Steel surmount this sinister sisterly surprise and subdue the slavers? Tune in to “Better Angels” and find out—same Super-time, same Super-channel!


SEASON 1 FINALE, 8pm, The CW
Crazy Ex-Girlfriend
“Paula Needs to Get Over Josh!” caps the freshman-year follies with Rebecca’s closest relationships under strain. It all comes to a head at the wedding of Josh’s sister Jayma, because if you’re gonna tease a wedding throughout the back half of your season it had darn well better be the climax.


8pm, Fox
Gotham
Fresh out of Arkham, Barbara hopes to mend fences with Gordon in “Pinewood.” Incidentally, this is the first time in the history of Gotham City that “get out of Arkham Asylum” is followed by anything other than “go on thematically appropriate crime spree.” Elsewhere, Hugo Strange foils Bruce and Alfred’s efforts to find one of Thomas Wayne’s old Project Chimera comrades.


8:30pm, TBS
American Dad!
“The Dentist’s Wife” finds Roger smitten with the title character, while Klaus throws a party after exercise renders Stan and the kids immobile.


SEASON 2 PREMIERE, 9pm, Syfy
12 Monkeys
Cole and Ramse patch things up in “Year of the Monkey,” because fleeing the Army of the 12 Monkeys has a way of restoring friendships. In 2043, Deacon and the Twelve control the Temporal Facility, which leaves Railly and Jones in something of a grey area.


9pm, Fox
Lucifer
A corpse mangled into a pentagram shape is found on the Walk of Fame in “#TeamLucifer.” You can understand why Lucifer and the team might suspect a cult of Satanists had something to do with it, but let’s not jump to conclusions. Maybe the victim was trying out a new kind of Evil Yoga and it went horribly wrong?


9pm, The CW
Jane the Virgin
The bachelorette party and its aftermath weigh on Jane and Xo in “Chapter Forty.” With the rift between mother and daughter, it’s on Michael to babysit Mateo—though Rafael’s upset when he gets to witness one of the baby’s firsts. Elsewhere, Rogelio’s use of the crew for personal projects draws heat from network execs, and Petra reels from the disruptive return of someone from her past.


9pm, A&E
Bates Motel
Norman unearths some harsh truths from his past in “The Vault,” while Norma strives to keep a present unpleasantness buried. Meanwhile, Romero puts his career on the line to come to a friend’s aid.


9pm, CBS
Scorpion
“Chernobyl Intentions” sends the team to repair the decaying nuclear reactor before history catastrophically repeats itself. Gosh, this would be a really lousy time for Sylvester and Paige to get trapped insi… yup, yup, they got trapped inside.


9pm, TBS
The Detour
In “The Tank,” Nate gets pulled over for driving under the influence despite being totally sober. But his clean blood-alcohol level isn’t enough to save him from a stint behind bars.


SEASON 2 FINALE, 10pm, AMC
Better Call Saul
Jimmy faces a hard decision, Mike gets proactive, Hamlin delivers stunning news, and Chuck’s condition continues to evolve as “Klick” closes the sophomore season.


10pm, PBS
Independent Lens
Democrats, filmed over the span of three years, spotlights the efforts to draft Zimbabwe’s first democratic constitution. Also included: Soft Vengeance, centering on activist Albie Sachs and his fight for social justice in South Africa, narrated by Alfre Woodard


10pm, NBC
Blindspot
The hunt for a notorious international criminal forces Jane and Weller to work with—altogether, now—an Unlikely Ally. Specifically, their former quarry Rich DotCom. Meanwhile in “One Begets Technique,” Jane questions a suspect order from Oscar that could harm Weller.


10pm, CBS
NCIS: Los Angeles
Granger must escort Jennifer Kim back to L.A. in “Granger, O.,” giving father and long-lost daughter plenty of time for a heart-to-heart about North Korean espionage and secret parentage.


10pm, ABC
Castle
A favor for an old friend lands Hayley in hot water when she’s tied to a murder and a cyber attack in “Backstabber.” The lesson, as always: Never help anyone. Well, unless you're Castle and Beckett and you have to help Hayley clear her name. But other than that: Never help anyone.


10pm, Syfy
Hunters
When Hunters bomb random targets and, as you might expect, kill a bunch of civilians in the process, Flynn and the ETU discover that human collaborators are involved in “Messages.”


10:30pm, TBS
Full Frontal With Samantha Bee
Samantha converses with Bernie Sanders supporters to understand their views.


11pm, Syfy
Bitten
Elena rallies the Pack and tries to lift Sasha’s spirits in “Shock the System,” but her morale-boosting efforts hit a bit of a snag when the Albino takes captives. While Clay, Nick, and Alexei mount a rescue mission, Jeremy deploys mind games against his abductor.


LATE-NITE:
– Ellie Kemper on The Daily Show with Trevor Noah, 11pm, Comedy Central
– Terry Crews on The Nightly Show With Larry Wilmore, 11:30pm, Comedy Central
– Hillary Clinton, Jesse Tyler Ferguson, Katharine McPhee, Sturgill Simpson, and Wayne Shorter on Late Show with Stephen Colbert, 11:35pm, CBS
– Emily Blunt, Jerry Bruckheimer, and Shinedown on Jimmy Kimmel Live, 11:35pm, ABC
– Emilia Clarke, Abbi Jacobson & Ilana Glazer, and Rachel Feinstein on The Late Late Show with James Corden, 12:37am, CBS

Just Music-No Categories-Enjoy It!
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Reply #65 posted 04/18/16 5:00pm

JoeBala

New Upcoming Releases

http://rnbmain.thisisrnb.netdna-cdn.com/wp-content/uploads/2016/03/Musiq-Life-On-Earth.jpeg


Artist: Musiq Soulchild

Album: Life On Earth

Released: 2016

Style: R&B

https://eurydicehowell.files.wordpress.com/2015/06/radius.jpg


Artist: Allen Stone

Album: Radius

Released: 2016

Style: Pop

http://leakedit.net/wp-content/uploads/2016/04/Paul-Young-Good-Thing-2016.jpg

Artist: Paul Young

Album: Good Thing

Released: 2016

Style: Pop

http://thirdmanstore.com/media/catalog/product/cache/1/image/9df78eab33525d08d6e5fb8d27136e95/j/w/jw_550.jpg


Artist: Jack White and The Bricks

Album: Live At The Gold Dollar

Released: 2016

Style: Garage Rock


http://assets.blabbermouth.net.s3.amazonaws.com/media/litafordtimecapsulecd.jpg


Artist: Lita Ford

Album: Time Capsule

Released: 2016

Style: Hard Rock


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Artist: Santana

Album: Santana IV

Released: 2016

Style: Rock


Tracklist:
01 – Yambu
02 – Shake It
03 – Anywhere You Want To Go
04 – Fillmore East
05 – Love Makes The World Go Round (feat. Ronald Isley)
06 – Freedom In Your Mind (feat. Ronald Isley)
07 – Choo Choo
08 – All Aboard
09 – Suenos
10 – Caminando
11 – Blues Magic
12 – Echizo
13 – Leave Me Alone
14 – You And I
15 – Come As You Are
16 – Forgiveness

Just Music-No Categories-Enjoy It!
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Reply #66 posted 04/18/16 6:50pm

Identity




Brandy is back. After live-debuting her new single “Beggin & Pleadin” on BET’s “Black Girls Rock!” stage, the R&B songstress delivers the music video.

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Reply #67 posted 04/19/16 9:12am

JoeBala

Emmy award-winning actress Doris Roberts who played meddling but adorable mom on Everybody Loves Raymond dies age 90

  • Roberts won fans starring as Raymond's smothering mother in 1996-2005
  • The actress won 5 Emmys during 64-year stage and screen acting career
  • St Louis-born Roberts is survived by one son and three grandchildren
  • She died in her sleep of natural causes aged 90 in Los Angeles on Sunday

Emmy winning actress Doris Roberts has passed away at the age of 90.

Roberts, who played the cantankerous mother in Everybody Loves Raymond, died in her sleep of natural causes at home in Los Angeles on Sunday.


During her 64-year career, she swept up five Emmys - four for Raymond, one for the TV hit St Elsewhere in 1982.

She is survived by her son Michael Cannata Jr and three grandchildren.

Ray Romano, who played Raymond in the nine-season sitcom, led tributes to his former co-star on Monday, gushing about her admirable spirit and energy.

Scroll down for video

Emmy winning actress Doris Roberts has passed away at the age of 90 (pictured in October)

Emmy winning actress Doris Roberts has passed away at the age of 90 (pictured in October)

Roberts won five Emmys during her celebrated career; Four of the television honours were for perhaps her most iconic role as the mother of the eponymous character in Everybody Loves Raymond

Roberts won five Emmys during her celebrated career; Four of the television honours were for perhaps her most iconic role as the mother of the eponymous character in Everybody Loves Raymond

Roberts received her star on the Hollywood Walk Of Fame in February 2003

Roberts received her star on the Hollywood Walk Of Fame in February 2003

In Desperate Housewives as one of Gaby's wealthy personal shopping clients

In Desperate Housewives as one of Gaby's wealthy personal shopping clients

'Doris Roberts had an energy and a spirit that amazed me,' Romano said in a statement.

'She never stopped. Whether working professionally or with her many charities, or just nurturing and mentoring a young, green comic trying to make it as an actor, she did it all with such a grand love for life and people and I will miss her dearly.'

Roberts had recently completed four projects - one TV movie, two movies, and a short film - which will be released posthumously.

The actress was born in St Louis on November 4, 1925, in St Louis, Missouri. She moved to New York shortly after, where she grew up.

She carved out a career later in life as a bawdy matriarch in such films as Grandma's Boy (2006).


It all began in 1952 when she was cast in the television series Studio One.

She went on to star in various popular TV shows before making her big screen debut in 1961's Something Wild.


Among her many on-screen and on-stage roles, Roberts was known for her performance in the detective series Remington Steele.

Her first Emmy was for her one-episode role as a patient in St Elsewhere in the 1980s, winning the gong for Outstanding Supporting Actress.

The show starred Denzel Washington.

In 1996, she took up the role of the mother in Everybody Loves Raymond on CBS. The show ran until 2005.

Roberts once said she based her vivacious character on the real-life mothers of the show's star Ray Romano and the show's creator Phil Rosenthal.

Four of the television honours were for perhaps her most iconic role as the mother of the eponymous character in Everybody Loves Raymond. She is seen above in a scene

Four of the television honours were for perhaps her most iconic role as the mother of the eponymous character in Everybody Loves Raymond. She is seen above in a scene

Peter Boyle, Doris Roberts, Ray Romano and Patricia Heaton in one of the first episodes of the show in 1996

Peter Boyle, Doris Roberts, Ray Romano and Patricia Heaton in one of the first episodes of the show in 1996

Romano embraces Roberts on stage in 2010. He has paid tribute to her energy and spirit

Romano embraces Roberts on stage in 2010. He has paid tribute to her energy and spirit

The Raymond cast celebrate an Emmy success in 2005, when the show ended

The Raymond cast celebrate an Emmy success in 2005, when the show ended

First Emmy
In Remington Steele with Pierce Brosnan

Roberts won her first Emmy (left) for St Elsewhere. She also starred in Remington Steele (right) with Pierce Brosnan

The late Doris Roberts on the red carpet through the years

She told Variety: 'They are different rhythms, different personas. I meld them together. This woman could be a harridan. She really is more than meddlesome.'

On Monday, Rosenthal wrote on Twitter: 'We loved our mom, the great #DorisRoberts. A wonderful, funny, indelible actress and friend.'

Patricia Heaton, who played Raymond's wife in the show, posted a picture of her and Roberts on Twitter with a tribute.

It read: 'Truly the end of an era. My wonder TV mother-in-law and ELR nemesis Doris Roberts was a consummate professional from whom I learned so much.


'She was funny and tough and loved life, living it to the fullest. Nothing gave her greater joy than her three wonderful grandchildren, of whom she was so proud.

'It truly was a privilege Doris. I love you and miss you.'

Roberts was married twice. Her first marriage was in 1956 to Michael Cannata, with whom she had a son, Michael Cannata Jr.

Roberts' son acted as his mother's manager in her later career, and gave the actress three grandchildren.

Roberts got married again in 1963. Her second husband, William Goyen, passed away in 1983. She never remarried.

Roberts smiles and waves on set of the film 'Rabbit Test' in 1978
At CBS Studios in New York City in 2005

Pictured left, Roberts smiles and waves on set of the film 'Rabbit Test' in 1978. She is seen right, on May 16, 2005 at CBS Studios in New York City

As a patient in St Elsewhere, for which she won her first Emmy in 1983

As a patient in St Elsewhere, for which she won her first Emmy in 1983

Roberts (left) and Carroll Baker in Something Wild (1961)

Roberts (left) and Carroll Baker in Something Wild (1961)

Roberts and granddaughter Kelsey arriving at the Keeping Up With The Steins Premiere in 2006

Roberts and granddaughter Kelsey arriving at the Keeping Up With The Steins Premiere in 2006

New scientific study confirms the obvious: Freddie Mercury had an unparalleled singing voice

ON APRIL 18, 2016, 10:40PM

Regardless of what they might think personally about Queen, most rock critics and music fans alike recognize the immense vocal talent that was the great Freddie Mercury. Still, in case there was ever any doubt, new analysis of both Mercury’s singing and speaking voices has shed fresh light on just how special his pipes really were.

A group of Austrian, Czech, and Swedish researchers conducted the research, the results of which were published on Friday in Logopedics Phoniatrics Vocology (via AlphaGalileo). While they couldn’t confirm the long-held belief that Mercury’s range spanned four full octaves, they did discover some interesting tidbits about the expanse of his voice. For one, despite being known largely as a tenor, he was more likely a baritone. They based this assumption off six interviews they analyzed to find a median speaking fundamental frequency of 117.3 Hz. That, coupled with anecdotal evidence that Mercury once turned down an opera duet because he was afraid fans wouldn’t recognize his baritone voice, led the conclusion that the singer was talented enough to jump out of his base range.

It’s true that without a living test subject, the researchers’ conclusions are largely unconformable. To get closer to the truth, however, the team brought in professional rock singer Daniel Zangger-Borch to imitate Mercury’s voice. They filmed his larynx at 4,000 frames per second in order to look at how exactly the Queen frontman created those iconic rough growls and jaw-dropping vibratos. What they discovered was that he likely employed subharmonics, a singing style where the ventricular folds vibrate along with the vocal folds. Most humans never speak or sing with their ventricular folds unless they’re Tuvan throat singers, so the fact that this popular rock vocalist was probably dealing with subharmonics is pretty incredible.

What’s more, Mercury’s vocal chords just moved faster than other people’s. While a typical vibrato will fluctuate between 5.4 Hz and 6.9 Hz, Mercury’s was 7.04 Hz. To look at that in a more scientific way, a perfect sine wave for vibrato assumes the value of 1, which is pretty close to where famous opera singer Luciano Pavarotti sat. Mercury, on the other hand, averaged a value of 0.57, meaning he was vibrating something in his throat even Pavarotti couldn’t move.

There’s a lot of scientific and analytical music terminology in the full study (which can be read here), but the conclusion was clear from the beginning: Freddie Mercury had a voice unlike anyone else in rock ‘n’ roll, and that led to one of the most unique singers and stage performers of all time.

Zoë Kravitz steps out in perilously plunging black gown as she reveals half-shaved head at the star-studded Tribeca premiere of Vincent N Roxxy

Days after attending Coachella, Zoë Kravitz revealed her half-shaved head at the Tribeca Film Festival premiere of Vincent N Roxxy on Monday, as well as plenty of skin in a revealing dress.

Stylist Andrew Mukamal dressed the tattooed 27-year-old in a plunging, spaghetti-strap black gown featuring a sheer overlay.

It was a surprisingly understated look for the Allegiant actress, who accessorised with chain-link earrings, black stilettos, and a bucket bag.

Scroll down for video

Brooklyn bohemian beauty: Zoe Kravitz wowed in a plunging, spaghetti-strap black gown featuring a sheer overlay at the Tribeca Film Festival premiere of Vincent N Roxxy on Monday
Brooklyn bohemian beauty: Zoe Kravitz wowed in a plunging, spaghetti-strap black gown featuring a sheer overlay at the Tribeca Film Festival premiere of Vincent N Roxxy on Monday
Brooklyn bohemian beauty: Zoe Kravitz wowed in a plunging, spaghetti-strap black gown featuring a sheer overlay at the Tribeca Film Festival premiere of Vincent N Roxxy on Monday

Brooklyn bohemian beauty: Zoe Kravitz wowed in a plunging, spaghetti-strap black gown featuring a sheer overlay at the Tribeca Film Festival premiere of Vincent N Roxxy on Monday

Causing a buzz! Days after attending Coachella, Zoë revealed her half-shaved head at the event

Causing a buzz! Days after attending Coachella, Zoë revealed her half-shaved head at the event

5ft1in Zoë sported minimal make-up aside from liquid liner, and she rocked her signature septum ring on the red carpet.

In the revenge action thriller, Kravitz plays the rebellious punk rocker Roxxy, who has a tumultuous relationship with small-town loner Vincent (Emile Hirsch).

At Chelsea Bow Tie Cinemas, the 31-year-old SAG Award nominee suited up alongside their corset-clad co-star Zoey Deutch (who plays Kate).

Not seen was the Mad Max: Fury Road stunner's boyfriend of nine months Twin Shadow - born George Lewis Jr. - with whom she attended the Indio desert music festival.

What a gown: Stylist Andrew Mukamal dressed the tattooed 27-year-old in the stunning dress

What a gown: Stylist Andrew Mukamal dressed the tattooed 27-year-old in the stunning dress

Hipster: 5ft1in Zoë sported minimal make-up aside from liquid liner, and she rocked her signature septum ring on the red carpet

Hipster: 5ft1in Zoë sported minimal make-up aside from liquid liner, and she rocked her signature septum ring on the red carpet

He comes to her rescue: In the revenge action thriller, Kravitz plays the rebellious punk rocker Roxxy, who has a tumultuous relationship with small-town loner Vincent (Emile Hirsch)

He comes to her rescue: In the revenge action thriller, Kravitz plays the rebellious punk rocker Roxxy, who has a tumultuous relationship with small-town loner Vincent (Emile Hirsch)

Just Music-No Categories-Enjoy It!
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JoeBala

Castmates: At Chelsea Bow Tie Cinemas, the 31-year-old SAG Award nominee suited up alongside their corset-clad co-star Zoey Deutch (who plays Kate)
Castmates: At Chelsea Bow Tie Cinemas, the 31-year-old SAG Award nominee suited up alongside their corset-clad co-star Zoey Deutch (who plays Kate)

Castmates: At Chelsea Bow Tie Cinemas, the 31-year-old SAG Award nominee suited up alongside their corset-clad co-star Zoey Deutch (who plays Kate)

Speaking of festivals, the Every F***in Day singer will perform at Bonnaroo in Tennessee on June 9 alongside her band, LolaWolf.

'I'm so excited. I've actually never been to that festival ever before, so first-timer,' Kravitz said on the March 16 episode of The Tonight Show Starring Jimmy Fallon.

The nepotistically-privileged millennial grew up listening to a variety of music, thanks to her parents Lenny Kravitz and Lisa Bonet.

Jimmy Fallon plays inflatable flip cup with Zoe Kravitz

'Go - chella': Not seen was the Mad Max: Fury Road stunner's boyfriend of nine months Twin Shadow - born George Lewis Jr. - with whom she attended the Indio desert festival

'Go - chella': Not seen was the Mad Max: Fury Road stunner's boyfriend of nine months Twin Shadow - born George Lewis Jr. - with whom she attended the Indio desert festival

'I'm so excited. I've actually never been to that festival ever before': Speaking of festivals, the Every F***in Day singer will perform at Bonnaroo in Tennessee on June 9 alongside her band, LolaWolf

'I'm so excited. I've actually never been to that festival ever before': Speaking of festivals, the Every F***in Day singer will perform at Bonnaroo in Tennessee on June 9 alongside her band, LolaWolf

'I mean, of course lots of rock, Bob Marley, Marvin Gaye, but then also I was obsessed with musicals,' Zoë admitted.

'My father loved musicals. I would listen to the Grease soundtrack all the time. And my dad, one of his favourite movies is A Star is Born, so we listened to a lot of [Barbra] Streisand. Seriously, who doesn't love Streisand?'

But first, the Bernie Sanders supporter will perform with her R&B/electropop trio at The Roots Picnic happening June 4 at Philadelphia's Festival Pier.

'I was obsessed with musicals': The nepotistically-privileged millennial grew up listening to a variety of music, thanks to her parents Lenny Kravitz and Lisa Bonet (pictured 1989)

'I was obsessed with musicals': The nepotistically-privileged millennial grew up listening to a variety of music, thanks to her parents Lenny Kravitz and Lisa Bonet (pictured 1989)

Zoë revealed on the March 16 episode of The Tonight Show: 'My father loved musicals. I would listen to the Grease soundtrack all the time. And my dad, one of his favourite movies is A Star is Born, so we listened to a lot of [Barbra] Streisand'

Zoë revealed on the March 16 episode of The Tonight Show: 'My father loved musicals. I would listen to the Grease soundtrack all the time. And my dad, one of his favourite movies is A Star is Born, so we listened to a lot of [Barbra] Streisand'

Questlove scored Vincent N Roxxy! But first, the Bernie Sanders supporter will perform with her R&B/electropop trio at The Roots Picnic happening June 4 at Philadelphia's Festival Pier

Questlove scored Vincent N Roxxy! But first, the Bernie Sanders supporter will perform with her R&B/electropop trio at The Roots Picnic happening June 4 at Philadelphia's Festival Pier

Elsewhere at Tribeca Monday was Stark Trek's Zachary Quinto sporting a fresh bandage due to an unfortunate accident involving a Pellegrino bottle in London.

But the 38-year-old Emmy nominee didn't let his hand injury keep him from greeting fans at the premiere of the Leonard Nimoy documentary For the Love of Spock.

Avengers director Joss Whedon reunited with his Hulk, aka three-time Oscar nominee Mark Ruffalo, at the Director's Series panel.

Live Cargo's Dree Hemingway donned a baggy black top and frilly white maxi-skirt at the Chanel/Tribeca Artists Dinner at Big Apple brasserie, Balthazar.

Ouch! Elsewhere at Tribeca Monday was Stark Trek's Zachary Quinto sporting a fresh bandage due to an unfortunate accident involving a Pellegrino bottle in London

Ouch! Elsewhere at Tribeca Monday was Stark Trek's Zachary Quinto sporting a fresh bandage due to an unfortunate accident involving a Pellegrino bottle in London

On the mend: But the 38-year-old Emmy nominee didn't let his hand injury keep him from greeting fans at the premiere of the Leonard Nimoy documentary For the Love of Spock

On the mend: But the 38-year-old Emmy nominee didn't let his hand injury keep him from greeting fans at the premiere of the Leonard Nimoy documentary For the Love of Spock

You wouldn't like them angry: Avengers director Joss Whedon reunited with his Hulk, aka three-time Oscar nominee Mark Ruffalo, at the Director's Series panel

You wouldn't like them angry: Avengers director Joss Whedon reunited with his Hulk, aka three-time Oscar nominee Mark Ruffalo, at the Director's Series panel

Nepotistically-privileged: Live Cargo's Dree Hemingway donned a baggy black top and frilly white maxi-skirt at the Chanel/Tribeca Artists Dinner at Big Apple brasserie, Balthazar

Nepotistically-privileged: Live Cargo's Dree Hemingway donned a baggy black top and frilly white maxi-skirt at the Chanel/Tribeca Artists Dinner at Big Apple brasserie, Balthazar

Frozen belter Idina Menzel struck a pose in a vibrant blue floral top, black trousers, and peep-toe platforms.

The Tony winner - who turns 45 next month - spoke with producer Marc Platt during the Storytellers panel at the fest's SVA Theatre 1.

Meanwhile at the BMCC John Zuccotti Theater, Elvis & Nixon stars Kevin Spacey and Michael Shannon dappered up for the Tribeca premiere.

Broadway beauty: Frozen belter Idina Menzel struck a pose in a vibrant blue floral top, black trousers, and peep-toe platforms

Broadway beauty: Frozen belter Idina Menzel struck a pose in a vibrant blue floral top, black trousers, and peep-toe platforms

Let it go! The Tony winner - who turns 45 next month - spoke with producer Marc Platt during the Storytellers panel at the fest's SVA Theatre 1

Let it go! The Tony winner - who turns 45 next month - spoke with producer Marc Platt during the Storytellers panel at the fest's SVA Theatre 1

The president and the king: Meanwhile at the BMCC John Zuccotti Theater, Elvis & Nixon stars Kevin Spacey and Michael Shannon dappered up for the Tribeca premiere

The president and the king: Meanwhile at the BMCC John Zuccotti Theater, Elvis & Nixon stars Kevin Spacey and Michael Shannon dappered up for the Tribeca premiere

Group shot: The 56-year-old Oscar winner and the 41-year-old Oscar nominee were joined by their castmates Johnny Knoxville, Alex Pettyfer, Colin Hanks, and director Liza Johnson

Group shot: The 56-year-old Oscar winner and the 41-year-old Oscar nominee were joined by their castmates Johnny Knoxville, Alex Pettyfer, Colin Hanks, and director Liza Johnson

Leggy ladies: Sky Ferreira opted for a pink velvet mini-dress and sky-high heels, while Ahna O'Reilly donned an olive halter, peplum playsuit
Leggy ladies: Sky Ferreira opted for a pink velvet mini-dress and sky-high heels, while Ahna O'Reilly donned an olive halter, peplum playsuit

Leggy ladies: Sky Ferreira opted for a pink velvet mini-dress and sky-high heels, while Ahna O'Reilly donned an olive halter, peplum playsuit

Attendees: Three ladies in not-so-basic black included Judy Greer, Rachael Leigh Cook, and Atlanta de Cadenet Taylor
Attendees: Three ladies in not-so-basic black included Judy Greer, Rachael Leigh Cook, and Atlanta de Cadenet Taylor
Attendees: Three ladies in not-so-basic black included Judy Greer, Rachael Leigh Cook, and Atlanta de Cadenet Taylor

Attendees: Three ladies in not-so-basic black included Judy Greer, Rachael Leigh Cook, and Atlanta de Cadenet Taylor

The 56-year-old Oscar winner and the 41-year-old Oscar nominee were joined by their castmates Johnny Knoxville, Alex Pettyfer, Colin Hanks, and director Liza Johnson.

Sky Ferreira opted for a pink velvet mini-dress and sky-high heels, while Ahna O'Reilly donned an olive halter, peplum playsuit.

Three ladies in not-so-basic black included Judy Greer, Rachael Leigh Cook, and Atlanta de Cadenet Taylor.

marvels-iron-fist-jessica-stroup-tom-pelphrey

Marvel's Iron Fist: Jessica Stroup,Banshee Alum Join Netflix Series

Marvel’s Iron Fist has added two more TV vets to the call sheet.

Jessica Stroup (90210, The Following) and Tom Pelphrey (Banshee) have joined Netflix’s latest Marvel series as Joy and Ward Meachum, one-time childhood acquaintances of Danny Rand (played by Game of Thrones‘ Finn Jones) whose roles at Rand Enterprises get called into question once Danny claims the company as his birthright.

TVLine’s sister site Variety first broke the news.

Iron Fist follows Danny’s return to New York City after a prolonged absence where he’ll fight crime using his kung-fu mastery and ability to summon the awesome power of the titular fist. Per comic-book lore, Joy and Ward’s father Harold (Top of the Lake‘s David Wenham) played a significant role in the death of Danny’s father.

Stroup and Pelphrey round out an ensemble that also includes Jessica Henwick as Colleen Wing.

Kevin Bacon Amazon

Kevin Bacon to Star in TransparentCreator's Amazon Pilot I Love Dick

Kevin Bacon has found his next TV role, and Ryan Hardy it is not.

The Following vet will fill the title role in I Love Dick, Amazon’s comedy pilot fromTransparent creator Jill Soloway , Deadline reports.

Based on Chris Kraus’ 1997 novel of the same name, the potential series follows a struggling married couple in Texas and their mutual obsession with an off-putting but charismatic professor (played by Bacon).

Through that fixation, failing wife and independent filmmaker Chris (Transparent‘s Kathryn Hahn) goes on a journey of self-discovery and eventually transformative power. The role of Sylvere, Chris’ husband, has yet to be cast.

In addition to his three seasons on Fox’s now-defunct The Following, Bacon is in talks to reprise his role as Valentine McKee in a potential TV-series adaptation of the 1990 cult film Tremors.

Naomi Watts in Gypsy

Naomi Watts to Headline Netflix's 10-Episode Psychological Thriller Gypsy

Netflix has lured another A-list movie star to the small screen.

Naomi Watts has signed on to headline Gypsy, a 10-episode psychological thriller that, save for the title, shares absolutely nothing in common with the iconic musical. The two-time Oscar-nominated actress will play Jean Holloway, a therapist who begins to develop dangerous and intimate relationships with the people in her patients’ lives.

Fifty Shades of Grey helmer Sam Taylor-Johnson is directing the first two episodes. Liza Chasin, Lisa Rubin, Tim Bevan and Eric Fellner are among the project’s executive producers, with newcomer Rubin also penning the script.

This marks Watts’ first major TV gig in the States since her starring role in NBC’s short-lived, late-90s sci-fi drama Sleepwalkers. She recently booked a mystery role in Showtime’s forthcoming Twin Peaks revival.

Gypsy is slated to premiere in 2017.


Still Star-Crossed: ABC Pilot Casts Danish Actress as Juliet

Spoiler alert: Juliet dies at the end of Romeo & Juliet.

Now that we’ve cleared that up , let’s say a (brief) hello to Danish actress Clara Rugaard, who will portray one of Shakespeare’s most famous lovers in the pilot of ABC’s Romeo & Juliet sequel Still Star-Crossed, our sister site Deadline reports.

Based on 2013 novel by Melinda Taub, Shondaland’s Still Star-Crossed documents the rocky relationship between the Capulet and Montague families in the wake of Romeo and Juliet’s deaths; Rugaard, along with a yet-to-be-cast Romeo, will appear as a guest star in the pilot.

Rugaard joins previously announced cast members Lashana Lynch as Rosaline, Wade Briggs (Home and Away) as Benvolio, Zuleikha Robinson (The Following) as Lady Capulet, Anthony Head (Buffy the Vampire Slayer) as Lord Capulet, Grant Bowler (Defiance) as Lord Montague, Torrance Coombs (Reign) as Paris and Ebonée Noel (Eye Candy) as Livia.

What to Watch Tonight: The Series Premieres ofThe Night Manager and Containment, and the Finales of Brooklyn Nine-Nine and Outsiders

By Andy Daglas


What to watch on Tuesday, April 19...


12:01am, Hulu
The Mindy Project
“2 Fast 2 Serious” finds Mindy re-entering the dating world, where she soon meets a promising potential beau (Ross Marquand). But when tries to ramp up the relationship too rapidly, Tamra suspects something may be amiss.


8pm, The CW
The Flash
Thanks to his shiny new tachyon device, Barry is sure he can climb ev'ry mountain, ford ev'ry stream, and beat the speedy stuffing out of Zoom. And conveniently enough, Cisco has a way to reopen the breach. Elsewhere in “Versus Zoom,” the grim backstory of Jay Garrick’s Earth-1 counterpart, Hunter Zolomon, is unfurled.


8pm, CBS
NCIS
The team joins forces with the FBI and Homeland Security to track two British prisoners, one of them an ex-spy, who have escaped and crossed the pond in “Return to Sender.” Meanwhile, McGee is conducting more personal searches: for an apartment, and for the secret to how DiNozzo acquired his own swanky digs.


8pm, Fox
New Girl
Jess creates a male alter ego to put one over on a sexist car salesman in “Jeff Day,” the first half of tonight’s one-hour installment; wackiness, as students of the sitcom genre might expect, ensues. Meanwhile, Schmidt and Cece fear what mischief Winston’s prank-happy girlfriend might get up to at their wedding. Then in “Helmet,” Jess has a nocturnal vision of Nick while Schmidt helps Winston and his cat hit the big time after learning that Aly’s new beau (Kal Penn) is a talent agent for pets.


8pm, PBS
10 Towns That Changed America
A look at 10 communities created by citizens, architects, urban planners, and corporate interests, including Levittown, NY; Philadelphia; St. Augustine, FL; Portland’s Pearl District; and Chicago’s Pullman neighborhood.


8:30pm, ABC
The Real O’Neals
Expecting to be persona non grata at her book club, Eileen instead finds that her family’s recent developments have inspired the rest of the ladies to share their own troubles… and share, and share, and share. Elsewhere in “The Real Book Club,” Kenny is taken with a gay-friendly coffee shop, but less pleased with Pat’s accompanying him to a gay dodgeball game.


SERIES PREMIERE, 9pm, The CW
Containment
Atlanta is placed under quarantine as a lethal virus sweeps through the city in the latest sexy-people-doing-bloody-things thriller from Julie Plec, adapted from the Belgian series Cordon. The pilot finds social order quickly breaking down in the wake of the pesky pestilence.


SEASON 3 FINALE, 9pm, Fox
Brooklyn Nine-Nine
The plan to nab Pimento’s hitman goes awry in “Greg and Larry,” leaving Holt in a precarious position. With his life on the line, rescue is up to the Nine-Nine. (I didn’t mean that to rhyme. Nor did I that time. It just happened to align. The fault is not mine!)


SEASON 1 FINALE, 9pm, WGN America
Outsiders
The battle between town and mountain comes to a head in “Love Live the Bren’in.”


9pm, NBC
Chicago Med
In “Hearts,” an imbalanced patient arrives claiming to be suffering from the positively Poe-vian condition of his heart pounding inside his head. While Dr. Choi and Dr. Charles sort through that, Dr. Manning tends to a young boy whose broken wrist may be the least of his problems, Dr. Rhodes makes a good impression on Dr. Downey in the OR, and Sarah puts her anxiety under the microscope.


9pm, PBS
Shakespeare’s Tomb
A Cambridge historian and a team of archeologists investigate the Bard’s final resting place, tracing rumors that some have tampered with his remains despite his gravestone quite clearly cursing any who do so.


9pm, ABC
Marvel’s Agents of S.H.I.E.L.D.
Daisy assembles the Secret Warriors for their first mission in “The Team.” (Obviously I can’t tell you what that mission is. Did you not get the “Secret” part? It’s the first word in their name!) As for the rest of the S.H.I.E.L.D. squad, their suspicions are magnified after learning the extent of Hive’s powers.


9:30pm, Fox
The Grinder
An unexpected visit from Dean and Stewart’s mom (Anne Archer) has Dean on edge, and has Dean Sr. thinking about jumping back into the dating pool with the help of his grandkids. Meanwhile, Stewart scrambles to reserve a table at Boise’s hottest restaurant for his and Deb’s anniversary.


U.S. SERIES PREMIERE, 10pm, AMC
The Night Manager
Tom Hiddleston, Hugh Laurie, Olivia Colman, and David Harewood lead the cast of this six-part BBC adaptation of John le Carré’s novel. In the opener, a dashing guest draws a hotel’s night manager into a web of espionage, intrigue, and danger.


10pm, NBC
Chicago Fire
Casey tries to resolve a gang incident that caught an innocent high schooler in the crossfire, while Severide watches Det. Holloway’s young son as she tackles a dangerous undercover assignment. Elsewhere in “I Will Be Walking,” Brett and Jimmy come to the aid of a woman who becomes smitten with the latter, Otis makes a troubling discovery, and Stella challenges Hermann’s bar-management bona fides.


10pm, CBS
Limitless
“Finale: Part One!” kicks off the two-part season finale with NYC awash in NZT. As the FBI races to nip the flood in the bud before it becomes a national epidemic, Brian grows frustrated in his own mission to locate Piper.


10pm, Freeform
Stitchers
In “Midnight Stitcher,” a young woman is found dead with a note attached to her body, which leads Kirsten to believe her father is involved. (Possibly because the note reads “Hi K. - I killed this girl. Could you pick up milk? We’re all out. - Dad”) Meanwhile, Camille’s defense training reunites her with Liam.


10pm, MTV
Awkward.
Operation: Restore Friendship proceeds apace for Jenna and Matty as they team up to throw Jake a party in “Digging Deep.” But Jenna could torpedo that progress with her latest Idea Bin post, because Jenna.


10:30pm, MTV
Faking It
It’s Halloween in April in “Spooking It,” and... crap, does this mean I have to do one of my dumb spooky Halloween puns? All right, fine. The Hester Halloween party gives Amy and Karma the chance to BOOve on with their lives, while Shane grows suspicious of Liam.


LATE-NITE:
– Ben Carson on The Daily Show with Trevor Noah, 11pm, Comedy Central
– Tony Hale on The Nightly Show With Larry Wilmore, 11:30pm, Comedy Central
– Kevin Spacey, Thomas Middleditch, the Flaming Lips, and Arturo Sandoval on Late Show with Stephen Colbert, 11:35pm, CBS
– Geena Davis; Alfie Allen, Iwan Rheon & Michael McElhatton; and Shawn Hookon Jimmy Kimmel Live, 11:35pm, ABC
– Gwyneth Paltrow, Andrew Rannells, and the Last Shadow Puppets on The Late Late Show with James Corden, 12:37am, CBS


Just Music-No Categories-Enjoy It!
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Reply #69 posted 04/19/16 9:49am

JoeBala

Maxwell Says He Will Release His New AlbumblackSUMMERS'nightThis Summer

Seven years after the first part, BLACKsummers'night

Photo via Maxwell's Twitter

Maxwell last released BLACKsummers'night in summer 2009. It was promised as the first part in a trilogy of albums, but he's yet to release its follow-up. Now, in an interview with Essence, he has said that the second part, blackSUMMERS'night, will come out this summer. Arriving seven years after the first part, the new album will also mark the 20-year anniversary of his debut album, Maxwell's Urban Hang Suite. Read the full interview here and check out some excerpts below.

When asked, "So, blackSUMMMER'snight is coming?!" he said:

I'm so hyped about the new album coming out, which is so exciting for me, because it's fresh and it's different, but it is what I do. It doesn't make you feel like, oh, yeah, that's going to come out in 1996. You're not going to feel that. At least I hope you don't. (Laughs.)

When asked about how long he's worked on the album for, he said:

I'm at the point with the album where it's just like ... With the passing of my cousin, and my grandmother passing away ... Me turning 40, and being 42 now, and having a whole sort of new milestone in my life, where a lot of my mind is grown up, and I'm thinking in terms of the next 10 years, and what I'm going to try to do for the next 10 years, which is something I never really ... I mean, I did it, but I'm not doing it as much as I do now. I'm just hyped. We have two and a half years of just consistent, around the world, going everywhere, traveling, doing shows…It's funny, because I remember reading Marvin Gaye's biography when I was, like, 17 years old, Divided Soul. He always said something that really stuck with me. He said, "You can rush to fail, or you can take your time to succeed." I'm happy that I haven't exhausted people's visions to the point where they'll never want to listen to me.

Maxwell has also said the first single from the album will be a song called "Lake by the Ocean." Other track titles include, "Hostage," "Orphan," "Three," "Lost," and "Listen Here."

5-10-15-20: Maxwell

The r&b vet on Marvin Gaye, Radiohead, and Amy Winehouse.

Photo by Eric Johnson

Welcome to 5-10-15-20, where we talk to artists about the music they loved at five-year interval points in their lives. Maybe we'll get a detailed roadmap of how their tastes and passions helped make them who they are. Maybe we'll just learn that they really liked hearing the "Mary Tyler Moore Show" theme song over and over when they were kids. Either way, it'll be fun.

For this edition, we spoke with endlessly smooth r&b star Maxwell, 36.




Maxwell's Grandmother: "Morning Song"

My grandmother used to sing me this song to get me in the morning-- it's not published and there's no way you can find it. She just made it up, like, "Get up, get up, it's time to go to school." Getting up was easier back then, when I had less things that kept me up in the night. It was the first song I loved as a kid.




Marvin Gaye: "Sexual Healing"

I remember people being really crazy about that song, about him. I didn't really know the history but I knew he was very important. At ten, I didn't understand what it was about, but the beat felt good. It came on, grown-ups danced to it, and I was like, "This is cool," which meant something because kids aren't naturally prone to liking the same things as grown-ups.



Biz Markie: "Make the Music with Your Mouth, Biz"

At that point, it was all about hip-hop for me: Run DMC, LL Cool J, KRS-One. DJ Red Alert had this show on 98.7 Kiss FM in New York called the Master Mix and I was hell bent on taping it Friday and Saturday nights. I couldn't go out, so that was pretty much what made things exciting for me, apart from girls. I tried to learn the raps before everybody else so I could go to school and show off.

Biz Markie's "Make the Music with Your Mouth, Biz" was a big deal for us kids because it sounded like the way we talked. I was really shy as a kid but I would rap along to that song with friends. I definitely tried to be an MC once, but it didn't really work out. I rapped about sneakers, girls, how I was the biggest and the baddest, but it wasn't part of my personality to be so, "me, me, me."



Sly and the Family Stone: "Stand!"

That's when I got into my whole soul phase: Marvin, Prince, Smokey Robinson, Sly Stone. I caught Sly at a greatest hits level and "Stand!" is one of my favorites. I particularly like how it veers off into a completely new groove at the end-- how, all of a sudden, it's just the funkiest thing you've ever heard for like 30 seconds, then fades out into nothing. I loved that adventurousness. I was born in '73 and I think it was my generation's time to take what they heard as kids and make it their own.





Radiohead: "High and Dry"



That's when I got into my alternative thing. People like Jeff Buckley, Radiohead. That's when I started to enjoy things other than soul-- not to say Jeff Buckley isn't very soulful in his own right. I love all of Radiohead's albums to death, especially the newest one, In Rainbows. But, at the time, I was into "High and Dry".

Pitchfork: I remember reading that Radiohead have sort of disowned that song.

I feel bad about that, but I completely understand. There are things that I've done that I'm just like, "Wow, that was cute, but I was young then."



OutKast: Speakerboxxx/The Love Below



That whole record was really forward-- I don't think anyone's put out a record like that. Both halves got equal love from me. "The Way You Move" was a great hit with this Marvin influence. And Dre's album just took you by surprise, everything about it.





Amy Winehouse: "Back to Black"



I really went to town with the Amy Winehouse record. I played it all the time because it was refreshing to hear something that could encapsulate something so old but feel so fresh. "Back to Black" was one of my favorite songs from that album because of the tone and sound. You just felt the truth about her voice and her ability-- her non-manufactured-ness.

New revival of Traveling Wilburys includes streaming, CD reissues

April 18, 201610:05 PM MST
"The True History of the Traveling Wilburys" trailer.
"The True History of the Traveling Wilburys" trailer.

Q&A: Sara Hartman delivers soulful EP

April 19, 20168:37 AM MST

Just Music-No Categories-Enjoy It!
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JoeBala

First Look: Elizabeth Banks Morphs into MightyPower Rangers Villain Rita Repulsa for Big-Screen Reboot

Elizabeth Banks as Power Ranger's Rita Repulsa: First Look
Elizabeth Banks in Power Rangers
TIM PALEN

04/19/2016 AT 10:00 AM EDT

Elizabeth Banks is getting a taste of the dark side.

The actress, 42, has signed on to play the iconic villainous Rita Repulsa in the upcoming Power Rangers film reboot – and PEOPLE has the first look.

"I've never played a villain before," Banks tells PEOPLE in this week's issue, adding that she's looking forward to "world domination – and being unpredictable as a character."

And quite the menacing character, no less: As Rita Repulsa, Banks is decked out in reptilian-like green getup and hair, with menacing gold talons to match.



The film, based on the classic '90s television show, features five super teens better known as the Blue, Yellow, Black, Pink and Red Rangers, fighting to take down Repulsa, the evil humanoid alien witch trying to conquer earth.

Banks said it was her little brother who first introduced her to the world of thePower Rangers.

"It might be his favorite show of all time," she jokes.

As for her character's new look: "It's definitely a modern and edgy re-imagining of the original Rita Repulsa," says Banks.

"We wanted to give her a backstory that connects her to the new Rangers," she says.

Also starring Dacre Montgomery as the Red Ranger, RJ Cyler as the Blue Ranger, Naomi Scott as the Pink Ranger, Becky G as the Yellow Ranger and Ludi Lin as the Black Ranger, Power Rangers is set to hit theaters in March 2017.
Natalie Wood with her daughter Natasha Gregson Wagner in the 1970s. “I have spent a lot of time trying to figure out how I am different from her and how I am similar,” Ms. Gregson Wagner said.CreditRon Galella/WireImage

LOS ANGELES — The home that Natasha Gregson Wagner shares with her husband, his sons and their daughter in Venice, a seaside neighborhood here, smells clean in a non-antiseptic way and, on a recent visit, faintly of the lilacs that rested in a vase on the kitchen countertop.

Scent matters to Ms. Gregson Wagner, 45. It’s an emotional trigger and conjurer of memory. In every home that she has lived in as an adult, she says she has planted a gardenia bush, because the smell of gardenias reminds her of her mother. “The smell is what I remember, the comfort of the smell,” she said as she sat on a banquette in her kitchen, wearing jeans and a flowered, billowy blouse. “I knew when she was home because I would smell her perfume. She would waft through the house.”

Her mother was Natalie Wood, who appeared in “Miracle on 34th Street” as a little girl, “Rebel Without a Cause” as a teenager and “Splendor in the Grass” and “West Side Story” as a young woman. Beginning at the age of 4, and over the next four decades, Ms. Wood starred or appeared in more than five dozen films and television shows and was an emblem of Hollywood glamour and beauty, wholesome but sensual — a good girl growing up in front of American moviegoers during the squeaky-clean 1950s and the sexual revolution and era of women’s liberation that followed.

She died in 1981, when she was 43, having drowned Thanksgiving weekend somewhere off the coast of Catalina Island, Calif., where she had been staying on a boat with her husband, Robert J. Wagner, and a friend, the actor Christopher Walken.

At the time, Ms. Gregson Wagner was 11 and her sister Courtney Wagner was 7. Ms. Gregson Wagner was on a sleepover at the Hollywood Hills home of her best friend, who had a new clock radio. The girls went to sleep with the radio on. The news was broadcast as they slept. “I woke up and I was like: ‘Is this real? Is this really what’s happening?’” Ms. Gregson Wagner recalled. “They said, ‘Natalie Wood drowned off the coast of Catalina.’”

Photo
Natasha Gregson Wagner at her home in Los Angeles.Credit Elizabeth Weinberg for The New York Times

Then she got home. “It was all real,” she said. “I remember all these adults, my dad was just in bed, he was in bed not able to function at all. Daddy Gregson was there the next day and my stepmom, Julia. My mom’s three best friends: Mart Crowley, who is a playwright; and Howard Jeffrey, who passed away and was assistant choreographer on ‘West Side Story’; and then Delphine Mann, who is still alive. They were really taking care of us, and of course our nanny. It was kind of like a Fellini movie with people coming in and out. It was very extreme. Very bizarre.”

As any daughter would be, she was devastated and scared. “Her bed and her sheets smelled like her,” said Ms. Gregson Wagner, who is petite at 5-foot-2 and with almond-shaped brown eyes, bears more than a passing resemblance to her mother. “I slept there for a lot of nights. Especially with one of her pillows, it just smelled like her in the days after.”

More than 30 years later, the memory of that death — and the decades-long controversy that surrounded it — remains a powerful one for Ms. Gregson Wagner, one that she has rarely spoken about publicly. An actress who has appeared in films such as “High Fidelity” and “Two Girls and a Guy,” Ms. Gregson Wagner has chosen, over the years, to reserve most of her remembrances and reflections about her mother’s life and death for conversations with close friends and loved ones.

But there are reasons that she recently chose to invite a reporter into her home, which is decorated minimally with nods to her family history: a needlepoint pillow bearing her mother and stepfather’s initials here, a photo of her mother holding her as a days-old baby in the front seat of a Mercedes there.

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Natalie Wood, left, and Lana Wood.CreditMondadori Portfolio/Getty Images

Working with her mother’s estate, she has decided to embark on a commercial project. She has created (and is planning a major rollout for) a perfume to honor her mother, called Natalie. It is a gardenia-based fragrance in a square glass bottle adorned by Ms. Wood’s signature. Next fall, there will be a coffee-table book she is contributing to, to be published by Turner Classic Movies and Running Press, with essays as well as vintage film studio and family photographs.

The occasion has led Ms. Gregson Wagner to speak about her mother’s death — and, of greater importance to her daughter — her life.

She has spent years talking to therapists while trying to extricate the mother who died from the celebrity whose legend lived on. The process, at times, was confusing and isolating, she said, and left her feeling insecure: the overshadowed daughter of a movie star who died young, rather than Natasha, daughter of Natalie.

But raising her daughter, Clover, 3, with her husband,Barry Watson, has shifted her perceptions. “When you grow up with a mom who is so enigmatic and gorgeous and full of charisma and power,” she began, “well, because I was 11 when she died, I have spent a lot of time trying to figure out how I am different from her and how I am similar, to help me have my own individuality.”

Photo
A bottle of the perfume Ms. Gregson Wagner has created to honor her mother, along with jewelry that belonged to her, including a Van Cleef & Arpels butterfly.CreditElizabeth Weinberg for The New York Times

Ms. Gregson Wagner’s very name suggests the complications of a Hollywood childhood. At the time of her death, Ms. Wood had been married for nearly a decade to Mr. Wagner, whom she first married in 1957, then divorced in 1962 before marrying him again in 1972. It was between Ms. Wood’s marriages to Mr. Wagner that Ms. Gregson Wagner was born, in 1970, a product of a brief marriage to the English agent and producer Richard Gregson.

Ms. Wood remarried Mr. Wagner (whom Ms. Wood called R J) when Natasha was 2, and then appended her new husband’s name to her daughter’s. “She added his name without talking about it to my real dad, which she shouldn’t have done; but that was my mom’s style,” Ms. Gregson Wagner said. “She didn’t think she needed to ask permission to do anything.”

After her mother’s death, Ms. Gregson Wagner was raised by her stepfather (“Daddy Wagner”) in the Pacific Palisades, spending summers with her real father (“Daddy Gregson”) in Wales. (Courtney, Natasha’s younger sister, is the child of Ms. Wood and Mr. Wagner. Katie, Natasha’s older sister, is the daughter of Mr. Wagner and Marion Donen, whom he wed between his two marriages to Ms. Wood; Katie lived with her father and sisters.)

“There were no lawyers,” she said. “My dads just sat down and my Daddy Gregson said, ‘I feel like Natasha should come live with me because she’s my daughter,’ and my Daddy Wagner said, ‘I know, that would make sense, but she’s grown up with me,’ and then they said, ‘What’s the best thing for Natasha?’” She added: “And they were right. The best thing for me was to live with my stepdad and see my Daddy Gregson over the summer.”

Photo
A charm necklace that belonged to Ms. Gregson Wagner’s mother.CreditElizabeth Weinberg for The New York Times

Ms. Wood’s death was declared a drowning, but some of the details around it remain unknown. The tragedy has long been a favorite focus of conspiracy theorists, and caused something of a family rift. Recently, Lana Wood, Natalie’s younger sister and Natasha’s aunt, approached Mr. Wagner in a hotel lobby in view of a videographer, asking him to answer questions about the night Natalie died. The video ended up on RadarOnline.com and kicked up a little dust on the web.

This irritates Ms. Gregson Wagner, who is very close to and fiercely protective of Mr. Wagner. The unanswered questions, she said, have “been the easiest for me. I know that she drowned and I know it was an accident. The details of did she hit her head and fall into the water or did she fall into the water and then hit her head, those little things don’t concern me. The result is the same. She died. And she left when I was 11 and my sister was 7, and we needed her.

“And even when I hear that stuff that my aunt creates and people call me and say, ‘Oh my God, I am so sorry,’ I say, ‘Don’t be sorry for me.’ It’s literally like saying my dad has two heads or three heads. It’s so preposterous that I can’t even relate to it. It doesn’t even touch me.”

In his 2008 memoir, “Pieces of My Heart: A Life,” Mr. Wagner wrote: “If I had been there, I could have done something. But I wasn’t there. I didn’t see her. The door was closed; I thought she was belowdecks. I didn’t hear anything. But ultimately, a man is responsible for his loved one, and she was my loved one.”

Photo
Robert Wagner and Natalie Wood at the Academy Awards in 1957.CreditEarl Leaf/Michael Ochs Archives, via Getty Images

Ms. Gregson Wagner has been working on processing this all for 35 years. “I was in therapy from, like, the minute she died until I was 30, practically,” she said. In the past, it has affected her relationships with men. (In 2003, she married D. V. DeVincentis, the screenwriter of “High Fidelity,” who is a writer for the FX series “The People v. O.J. Simpso...rime Story.” They divorced in 2008.)

She and Mr. Watson, married a year and a half but together for nearly six, have an easy way about them. As she talked about her mother’s life and death, he would check in on her, give her a kiss, say, “I love you, babe,” before ducking out of the room to go watch the University of Michigan basketball team play on television or heading out to pick up their daughter from preschool.

“In the past, other boyfriends or husbands have been sort of exhausted by it or annoyed by it or thought it was a pall cast over the relationship,” she said. “But maybe because I’m in a healthier place with it, Barry seems really excited to hear the stories about my mom, and I hear him say to Clover, ‘Oh yeah, there is a picture of Grandma Natalie!’”

What Ms. Gregson Wagner wants is to tell people more about her mother — a woman they may have shed tears over, a woman they didn’t even know.

“She was hilarious,” Ms. Gregson Wagner said. “She was always so funny. She would walk into our house and everything would be better. If she walked into a room and it was sepia, it suddenly became bright colors. My mom and my dad were always laughing at each other’s jokes. Her laugh was this deep ‘HAHAHA!’ She would always say to my dad: ‘Oh R J, just stop it! I can’t! Just stop it!’”

Ms. Wood wore nightgowns by Porthault, favored the chopped salad at La Scala in Beverly Hills, was overprotective and fearful of her children being kidnapped, wrote love letters in loopy script to her daughters that quoted from “The Little Prince,” knew how to burn the end of a wine-bottle cork to create makeshift eye shadow, sometimes yelled, was always bossy, never cooked (or at least not well), begrudgingly took her daughters to see the film “The Blue Lagoon,” called home every day while traveling (even from the Soviet Union), worked hard, forbade her children from trying to capitalize on their parents’ fame and loved animals.

At the family home on North Canon Drive in Beverly Hills, there were cats, dogs, chickens and ducks. “One of the ducks got loose,” Ms. Gregson Wagner said, “and was flying around and I remember my mom was like: ‘R J! One of the neighbors called and the duck is in their pool four houses down!’”

She loved gardenias, with which Mr. Wagner would fill the house to celebrate his wife’s July birthday. There is even a gardenia etched on Ms. Wood’s gravestone, her daughter said.

This is why Ms. Gregson Wagner has decided to create a fragrance in her mother’s name. “Natalie” is being sold online and there will be a big retail push over Mother’s Day and then Christmas. It is Ms. Gregson Wagner’s more modern take on her mother’s favorite perfume, Jungle Gardenia, which was very popular, said to have been worn not just by Ms. Wood but also by Elizabeth Taylor and others as well.

Ms. Wood began to wear the scent after she worked on the 1946 film “The Bride Wore Boots,” starringBarbara Stanwyck and Robert Cummings. Ms. Wood, then a young girl of about 8, said her daughter, complimented Ms. Stanwyck on her perfume and so Ms. Stanwyck gave her a bottle.

“After that, whenever anyone complimented my mom on it, she would gift it to them. My mom wore it all her life and I remember her putting it on in her bathroom,” she said. “I’d sit there and watch her put her makeup on and then she’d go into her bathroom where all of her Jungle Gardenias were and she’d dab it.”

Her creating the perfume has already resulted in certain serendipity, she said. When Clover’s babysitter told Ms. Gregson Wagner that the grandparents of another child she was babysitting for lived in the house in Beverly Hills that Natasha had grown up in with Mr. Wagner and Ms. Wood, Ms. Gregson Wagner sent the grandmother a bottle of the Natalie perfume with a note that read, as she remembers it, “It seems so appropriate that this fragrance would sit in your bathroom, whether you wear it or not.”

The woman replied by sending Ms. Gregson Wagner three pairs of high-heeled shoes that belonged to her mother that she had happened upon in the house. Among them are a pair of cream peep-toe heels with a big pink flower affixed to them. “They fit!” Ms. Gregson Wagner said.

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JoeBala

SOPHOMORE SOLO SET DUE FROM JENNIFER NETTLES

APRIL 14, 2016
in Category: NEWS
Sophomore Solo Set Due From Jennifer Nettles

Playing With Fire, the second solo album by country star Jennifer Nettles, will be released by Big Machine on 13 May. Nettles has sold some 22 million records worldwide, via her solo work and a series of smash hit singles and albums since 2004 in the duo Sugarland, with Kristian Bush.

Here's the video for the first single from the album, 'Unlove You,' which already has more than 525,000 views on Vevo:

Nettles has had a busy lead-in to the release of the album, which follows her country chart-topping set of early 2014, That Girl. Her Playing With Fire tour, with guests Brandy Clark and Ryan Kinder, played in more than 20 cities, and Nettles made her acting debut on NBC's acclaimed and highly popular Coat Of Many Colours.

Jennifer Nettles

She also resumed her hosting role on ABC's CMA Country Christmas special and was part of Macy's Thanksgiving Parade. More recently, Nettles starred in the CMT 2016 Next Women Of Country tour of North America with Clark, Lindsay Ell and Big Machine labelmate Tara Thompson. Last month, she took part in the Life & Songs Of Kris Kristofferson tribute show and joined another Big Machine act, Cheap Trick, on an edition of CMT Crossroads.

THREE STEPS TO HEAVEN

APRIL 17, 2016
in Category: uBYTES
Three Steps to Heaven

“Take five”, said, producer, Snuff Garrett at Goldstar Studios in Hollywood as Eddie Cochran, backed by the Crickets, guitarist, Sonny Curtis, Guybo Smith on bass and Jerry Allison, launched into ‘Three Steps to Heaven’, It was the first of three songs Cochran cut that day, ironically it was to be his last studio session as a little over three months later Eddie Cochran was killed in a car crash in England, at Chippenham in Wiltshire.

It was soon after this session that Eddie flew to Britain accompanied by his girlfriend, songwriter Sharon Sheeley, where they joined up with Gene Vincent who had come to Britain to appear on Jack Good’s TV show, Boy Meets Girl. Cochran and Vincent were to star in a typical package tour that also featured Billy Fury, Joe Brown, Georgie Fame and Tony Sheridan, as well as the wonderfully named Vince Eager and Lance Fortune, who like Fury, Fame and Brown were all part of promoter Mr Larry Parnes’s stable of artistes – Parnes was none too affectionately known as Mr Parnes, Shillings and Pence. It was to be Cochran’s first UK tour and it was eagerly anticipated.

CochranVincent copyEddie and Gene’s tour was temporarily interrupted because Cochran was to return to Los Angeles to record, but before he flew home they played Bristol on the Saturday of Easter weekend. Sharon Sheeley, Eddie and Gene were booked to fly home on a BOAC flight on Easter Sunday. Eddie wanted to leave as soon as possible after the second show so he booked a private hire car to drive them to London Airport. Originally Ray McVay, one of the musician’s on the tour, was to have been in the front of the car, but Eddie wanted to take his amp back to America for some repairs. Eddie, Sharon and Gene were in the back of the car.

Meanwhile a young Police cadet by the name of David Harman was on duty in Chippenham when he got a call that there had been an accident nearby.
“We drove to Rowden Hill on the A4 where we found a Ford Consul had hit a lamppost. There was a girl, the driver and two guys; one of the two guys who had been sitting in the back seat had gone over the back and hit his head on the front windscreen. As we arrived the men were loading a stretcher into their ambulance, it looked very serious, there was a lot of blood.

Standing there was the other man who I immediately recognised as Gene Vincent; with him was the injured man’s girlfriend, Sharon Sheeley and on the stretcher who was none other than Eddie Cochran. Eddie Cochran died shortly after 4 a.m. at St Martin’s Hospital in Bath

We had to take all the passenger’s belongings back to the station, including Eddie’s Gretsch guitar. It was there for about three weeks and I must admit I played it a bit; at least I did until they came to collect it.”

Shortly afterwards Harman left the police to became a fulltime musician, fronting a band called Dave Dee and the Bostons. After playing at Hamburg’s Star Club, like many other British beat bands, they became Dave Dee, Dozy, Beaky, Mick and Tich.

In the months following Eddie’s tragic death Liberty released ‘Three Steps To Heaven’ which went to the top of the charts, knocking the Everly Brothers’ ‘Cathy’s Clown’ from the No.1 spot.

Hard drinking and a severe ulcer led to Vincent's death in Newhall, California on 12 October 1971. A few years later John Lennon honored his memory recording 'Be Bop A Lula'; it was the song he played the only time his mother Julia saw him perform, and also the first time he met Paul McCartney.

ALL HER OWN WORK: THE ACOUSTIC SANDY DENNY

APRIL 19, 2016
in Category: uBYTES

All Her Own Work: The Acoustic Sandy Denny

Hailed as one of the finest singer-songwriters of her generation, in a few short years Sandy Denny helped shape the direction of British folk-rock legends Fairport Convention, and also embarked on a solo career that saw her write some of her most affecting and timeless material.

Due for release on Friday 22 April, I’ve Always Kept A Unic...andy Denny is as 2CD collection of demos, acoustic recordings and live performances that reveal her music at its most unadorned and personal. As noted by Sandy biographer Mick Houghton, whose superlative study of Sandy’s life and work lends the collection its title, “In the last few years, people have been appreciating Sandy more for her songwriting… If anything, this collection makes it easier to hear the songs themselves because they’re more naked than before.”

With his unique insight into Sandy Denny’s music, Houghton tells uDiscover why I’ve Always Kept A Unicorn is an essential addition to Denny’s body of work…

Sandy started out playing around London’s folk clubs in the mid-60s. How much do these demos tap into those roots?
To some extent, in her early days she wasn’t really a songwriter – not a prolific one. She did write the most famous song she’s known for, ‘Who Knows Where The Time Goes?’, when she was 18 or 19, in 1965, which is remarkable in itself. But at that time the folk and pop worlds were so distant from each other. Anyone outside of the folk scene wouldn’t have known who she was.

What’s important about the folk world was that it had the first generation of singer-songwriters, who were all men – Bert Jansch, Jackson C Frank, who was her boyfriend for a while; Sandy met Paul Simon, Roy Harper – and I think that probably gave her the confidence to write songs. The unique thing is that she was the only female songwriter at that point. I don’t think she saw herself as a “female songwriter” – all her role models were men, and I don’t think she made a distinction.

Sandy Denny 1966 - 530

So the folk scene gave her the impetus to start writing her own songs?
That’s right. But also I think the folk idiom was very much the idiom that singer-songwriters came out of, both in the UK and in America, so it gave her a language to relate to. But the other thing to bear in mind is that, at the point when she joined Fairport Convention, they didn’t know who she was, even though she was quite well known on the folk scene… Fairport opened an entirely new world for her, but I think the shock – and one of the reasons she left them when she did – was that after making three albums with them in the space of 18 months, Leige & Lief was a collection of traditional folk songs with no outlet for her own songwriting, and at that point she felt that’s what she’d left behind.

Interestingly, after she left Fairport, and after the first Fotheringay album, she only actually recorded one more folk song, ‘Blackwaterside’, on her first solo album. But, at the same time, she never left folk music behind. I think it was still really important to her. She took the language, she took the imagery, but she sort of abandoned folk music stylistically – through the musicians she chose to work with, rather than through anything she was particularly trying to do.

Sandy Denny I've Always Kept A Unicorn Album Cover - 300I think her music is quite radical, actually. It’s too easy to say, “Oh, she was a folk singer.” She was a singer-songwriter. She was influenced by country-rock – The Band, The Flying Burrito Brothers and groups like that. She also had a really strong sense of melody and was grounded in classical music. And I think that comes out in her songs. The big shift when you get to the 70s is: prior to Fotheringay she wrote everything on the guitar – so again that takes you back to folk music. But from 1971 onwards, she wrote everything at the piano, which freed her up a lot more and brought all these other influences into play.

When you listen to this collection, do you hear songs that could have remained in this unadorned state, as opposed to the versions that were later released?
Even though all her fans and fellow musicians would say they wished she’d made an acoustic solo album, if you think about it, it wasn’t particularly the norm at the time. And this is the other thing: there weren’t that many other female singer-songwriters around in the UK. The ones that were weren’t that successful – they’d have one hit and that was it. I guess the most successful female singer-songwriter, unless you count Linsey De Paul, who wrote pop hits, was Joan Armatrading. But the difference between Sandy and Joan is that Joan doesn’t have that folk background. I think her songs have that emotional, simple, almost Van Morrison-like aspect to them. Sandy’s songs didn’t have that. They were far more complex.

Do you think Sandy would ever have come round to making an acoustic record?
I think so. The reason this collection works is that she tended to record her music and vocals first, and everything else was added afterwards. Plus a lot of the versions on this collection are demos, which are just Sandy at the piano or on the guitar. That’s the way she recorded. Even if she went back and redid the vocals, this very unadorned version of just about every song she ever did always existed.

One of the great things about this collection is that it’s effectively – you can’t say it’s her “greatest hits” because she didn’t have any hits – but it’s effectively her best-known songs, and most of her best songs, in terms of ‘Who Knows Where The Time Goes?’, ‘Solo’, a lot of material from the Sandy album.

She did have this predilection for over-producing herself, and actually encouraging the people she worked with to lay on the strings on with a trowel, or to embellish too much. A lot of the blame for that gets attached to either Trevor Lucas, who produced a lot of the albums, or John Wood, who engineered them. She says about her first solo album that the reason it sounded like it did was because John Wood was a “string freak”. That’s a defence mechanism, because she wanted those songs on there.

Sandy Denny 1972 (Charles Vlissingen)The likes of producer Joe Boyd really wanted Sandy to go truly solo, but whenever she went on tour she would surround herself with a band. So asides from the defence aspect, is there an element of Sandy simply wanting to have fun with other musicians?
Oh yes, though after the Sandy album [in 1972] she actually spent most of the year performing solo. She did a whole American tour: a month of dates, just her at the piano. And I think that was a pretty awful experience for her, because she was playing stadiums with people like Loggins And Messina or the Steve Miller Band. I think she toured with Randy Newman, which she enjoyed.

What is interesting is that she did do this famous – to people who were there and knew her – show at a club called The Howff, in London’s Primrose Hill, at the time that Like An Old Fashioned Waltz was due to come out [1974]. That album is drenched in strings, but she did this show where she previewed all the songs solo and it easily got the best reviews she ever had. People who were there said it was astonishing. Once she’d gotten over her nerves, which would take a couple of songs, she was absolutely captivating. That show was actually taped. John Wood recorded it on Ronnie Lane’s mobile, but the tapes have gone missing.

Any chance of them ever turning up?
It seems unlikely, but you never know. If it’s something that’s completely mis-filed and under a completely different name, who knows? What’s interesting is that Andrew Batt, who compiled I’ve Always Kept A Unicorn, did find three unreleased demos from The Bunch’s album. The Bunch was post-Fotheringay: Trevor produced and it used all the Fotheringay musicians and the Fairport musicians. Essentially it was folk-rock musicians making a rock’n’roll album. Andrew found these three demos, which are absolutely fantastic. Sandy was a big Buddy Holly fan – had been since she was a kid – and she does two Buddy Holly songs and a version of The Everly Brothers’ ‘When Will I Be Loved’, which she sings with Linda Thompson, one of her best friends. And they’re absolutely wonderful. The duet with Linda is one of those things you’d say was worth the price of admission alone. It was probably just done in one take, Richard playing guitar, and Linda and Sandy singing.

Everyone thinks of Sandy as a folk musician, but findings like this shine a light on her wider influences…
I don’t think people should be surprised that she liked rock’n’roll or The Beatles. She was a teenage girl in the early 60s when this whole revolution in music was happening. In a way, you can almost argue that it’s more surprising that she ended up singing folk music… Maybe that separates her from a lot of the other folk singers on the circuit, because I think they were more pure. They liked pure folk music, or they liked blues.

Trevor made this comment that even when she was playing folk clubs she was neither fish nor fowl. She could stand up and sing a traditional song – and she was a brilliant singer and people would be absolutely captivated by it – but then she’d play the guitar and sing a Bob Dylan song, and they’d say, “Why are you doing this?”

Sandy Denny 1971 - 300How does the collection trace her development as a songwriter?
I think it does it really well: across two discs you get a really good selection of some of her best songs. One of the things that really stands out are the songs from Rendezvous, which was her last album, and the one a lot of people dislike. It is a bit of a mess, but you could argue that it features her best collection of songs, in terms of their structure and some of the things she’s trying out. There are songs on there that are much more soulful than anything she’s done before, and much simpler. It came out in ’77, but didn’t even get released in America, and Sandy died within a year, so people say her career was on the way down. But if you hear those songs in the context of this collection, unadorned, it completely reverses the notion that, creatively, she was in a downward spiral. Anything but. On their own, with just her piano and guitar, all those songs work really well. ‘One Way Donkey Ride’ and ‘I’m A Dreamer’ are fantastic.

So I’ve Always Kept A Unicorn shines a light very specifically on her songs and songwriting…
It does, but I think the process was already underway. The other thing you have to remember is that, during her lifetime, people saw Sandy as a singer first and a songwriter second – and, to some extent, people always remember her more as a singer with Fairport Convention. Being a member of Fairport Convention is a really hard thing to shake off; it casts a really long shadow. She never got away from it, and Richard Thompson’s still under it after about 40 albums in almost as many years.

In the last few years, people have been appreciating Sandy more for her songwriting. There was a tour a few years ago of people singing her songs; one of the highlights for me was that PP Arnold sang a couple – she just belted them out. You could hear some of those songs and think Aretha Franklin could have recorded them. Sandy was moving in that direction. And, if anything, this collection makes it easier to hear the songs themselves because they’re more naked than before.

THE BEATLES’ GOLDEN ‘TICKET’

APRIL 15, 2016
in Category: uBYTES
The Beatles’ Golden ‘Ticket’

“Cheeky” and “radical” were two of the words used by Paul McCartney to describe The Beatles' approach to a song that became their latest UK singles chart entry exactly 51 years ago. It was 'Ticket To Ride,' which jumped onto the bestsellers for the week of 15 April, 1965 at No. 11 and took precisely a week to become their seventh British No. 1 in two years.

Beatles TTR UKThe Lennon-McCartney song was recorded at Abbey Road's Studio Two on 15 February, with George Martin producing and Norman Smith engineering. On the day that ‘Eight Days A Week’ was released in the US, the group worked on 'Ticket To Ride' as one of three songs on that afternoon session schedule, all of which would be included in their second feature film, directed by Richard Lester.

When ‘Ticket To Ride’ came out on Capitol in the US, the accompanying press release declared that the song was "from the United Artists release Eight Arms To Hold You." For a long time, this was the working title for the picture that came to be known and loved as Help!, which was released in late July, just ahead of the group's new album of the same name.

In the film, ‘Ticket To Ride’ is the soundtrack to shots of The Beatles on the ski slopes at Obertauern in Austria. The scenes were filmed just a month after they recorded the song, in a verité style that clearly inspired the music videos that became so prevalent in the 1980s, following the rise of MTV.

Beatles TTR sheet musicThe song marks a sea-change in The Beatles’ singles: it was their first to run for over three minutes, as well as being more complex both musically and in its lyrical inspiration than its predecessors. Ringo’s drum patterns, in particular, are very different to those heard on a regular pop single.

Unlike many of their previous recordings, where multiple takes were individually numbered, ‘Ticket To Ride’ and some other songs from this period were created from a basic rhythm track and then subjected to numerous overdubs until everyone was satisfied with the result. The fact that only two takes are listed does not accurately represent the time spent on perfecting the finished master.

The promo film for ‘Ticket To Ride,' shot along with four others at Twickenham Film Studios in November 1965, was a long day’s work for everyone involved. Filming began in the afternoon, and besides director Joe McGrath, who would later direct 1969's The Magic Christian, starring Peter Sellers and Ringo Starr, there were four cameramen, a sound recordist and a lighting man. They worked straight through into the early hours of Wednesday 24 November, by which time there were ten clips of five different songs that could be used in markets around the world.

McCartney, remembering the Abbey Road sessions for 'Ticket To Ride' and the way the song's ending was devised, said: “Instead of ending like the previous verse, we changed the tempo. We picked up one of the lines, 'My baby don't care,' but completely altered the melody.

“It was something specially written for the fade-out, which was very effective but it was quite cheeky and we did a fast ending. It was quite radical at the time.”

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cool cool cool

First Look: Denzel Washington, Chris Pratt, Ethan Hawke And More In 'The Magnificent Seven' Remake

By Kevin Jagernauth | The PlaylistApril 19, 2016 at 12:10PM

The Magnificent Seven

John Sturges' "The Magnificent Seven" is a classic of the western genre, but it likely wouldn't exist if it weren't for Akira Kurosawa's "Seven Samurai." So perhaps it's not worth getting too steamed that Antoine Fuqua ("Training Day," "Southpaw") is giving Sturges' flick a new coat of paint with his star-studded remake.

Denzel Washington, Chris Pratt, Vincent D’Onofrio, Ethan Hawke, Byung-hun Lee, Manuel Garcia-Rulfo and Martin Sensmeier are the diverse gang hopping into the saddle for this redo, which promises some high-gloss grit. Fuqua will surely bring his own brand of energetic action to the proceedings.

"The Magnificent Seven" opens on September 23rd. [USA Today]

The Magnificent Seven
The Magnificent Seven
The Magnificent Seven

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JoeBala

Britain mourns the death of another beloved star: Tributes pour in to comedian Victoria Wood after she dies aged 62 at her London home surrounded by family following short battle with cancer

  • Much-loved British comedian and writer died at her north London home after short but brave battle with cancer
  • Her heartbroken family said the actress died 'peacefully' surrounded by her loved ones
  • Tributes have been paid to her from around the country, with fellow stars calling her a 'humble genius'
  • Wood's brother said her death 'has robbed us of one of the brightest talents of our generation'

Victoria Wood, the much-loved British comedian, singer and actress, has died at her north London home after a short battle with cancer.

Wood, an award-winning sketch writer, had written and starred in dozens of plays, films and sitcoms and was particularly famed for her TV sketch shows.

Her family posted on her Twitter account: 'Thank you for your love and support at this very hard time. We leave you with these words from Victoria. X'

The post was followed by the quote: 'Life's not fair is it? Some of us drink champagne in the fast lane, and some of us eat our sandwiches by the loose chippings on the A597.'

Victoria Wood (pictured left on Dinnerladies) has died at the age of 62
Wood (pictured in 2015) fought a short battle with cancer, her publicist  said

Victoria Wood (pictured left on Dinnerladies and right in 2015) has died at the age of 62 after a short battle with cancer, her publicist said

In one of her best-loved roles, she worked with Julie Walters and Celia Imrie in Acorn Antiques in her show Victoria Wood As Seen On TV

In one of her best-loved roles, she worked with Julie Walters and Celia Imrie in Acorn Antiques in her show Victoria Wood As Seen On TV

Her family posted this poignant message on her Twitter feed, followed by one their favourites of her many funny quotes

Her family posted this poignant message on her Twitter feed, followed by one their favourites of her many funny quotes

Wood's brother Chris Foote Wood, 75, said: 'It wasn't just that Victoria was hugely talented in so many different fields, she was also outstanding in her tremendous, single-minded drive and determination to pursue her chosen career.

'Success did not come easily to Victoria, and it was only after years of struggle that she achieved her well-deserved national acclaim. I am hugely proud of what my sister has done so successfully in different fields of entertainment.

'It has been a privilege to have her as a sister, and particularly to have been able to observe at first hand how she developed her career from the earliest beginnings.

'Victoria's two children, my niece Grace and nephew Henry will be absolutely devastated to lose their mother at such a relatively young age.'

He also praised his sister's determination to give her two children as 'normal an upbringing as possible' despite her fame. His tribute came after a statement from her publicist Neil Reading, which stated: 'Victoria Wood has sadly passed away, after a short but brave battle with cancer.

'The multi BAFTA award-winning writer, director, actor and comedian died peacefully at her North London home with family this morning. She was 62. The family ask for privacy at this very sad time.'

Wood started her career in 1974 by winning the talent show New Faces aged 20, before going on to become one of Britain's most popular stand-up comics.

She made a name for herself through the award-winning television series Victoria Wood As Seen On TV, as well as her TV special Victoria Wood With All The Trimmings.

In 2006, she won two Bafta awards for acting and writing for her drama Housewife, 49, an adaptation of the diaries of Nella Last.

Victoria Wood obituary: Comedian has died aged 62 from cancer
The writer and comic is pictured left at the Baftas in 2007
She recently took part inThe Great Comic Relief Bake Off last year

The writer and comic is pictured left at the Baftas in 2007. She recently took part inThe Great Comic Relief Bake Off last year

Wood, pictured  with her famous partner Julie Walters  one of her long-term collaborators and close friends
Some of her best-loved work was performed alongside long-time friend Julie Walters

Wood, pictured with her famous partner Julie Walters one of her long-term collaborators and close friends

Tributes have poured in from the showbusiness and comedy world. Tony Hall, Director-General of the BBC,said: 'Victoria Wood was a woman with a stunning array of talents - a comedian, singer, songwriter, actress and director.

'People identified with her warmth and great charm. She brought people from all walks of life together and made them laugh and cry. She will be greatly missed and our thoughts are with her friends and family.'

Life's not fair is it? Some of us drink champagne in the fast lane, and some of us eat our sandwiches by the loose chippings on the A597
Victoria Wood, quoted by her family today

Prime Minister David Cameron tweeted: 'Victoria Wood was a national treasure loved by millions. My thoughts are with her family.'

Rory Bremner wrote: 'No. NO. This is too much. Now lovely, warm, funny, brilliantly talented Victoria Wood has gone. Words, songs, plays, she wrote the lot. So sad.'

Jack Dee tweeted: 'I feel privileged to have known and worked with the great Victoria Wood. Unique and truly brilliant.'

Novelist JK Rowling posted a video of Wood performing Reincarnation Song, writing: 'Watch and weep. 62 is far too young. RIP Victoria Wood.'

Ricky Gervais wrote: 'RIP the brilliant Victoria Wood. So innovative, funny and down to earth. This has not been a good year.'

Fawlty Towers actor John Cleese said he was shocked by the news, tweeting: 'I worked with her last year and was reminded of just what a superlative performer she was. Only 62!'

Journalist Caitlin Moran described the early influence Wood had on her, saying: 'Seeing Victoria Wood on TV - working class, bookish, silly, clever, doing stand-up, singing, acting - made me think 'Girls can do this'.'

In 1997, she was appointed OBE in the Queen's Birthday Honours List, and picked up the accolade at Buckingham Palace with her then husband Geoffrey Durham and her two children
Her brother Chris Foote Wood today praised the way she brought up her children

In 1997, she was appointed OBE and picked up the accolade at Buckingham Palace with her then husband Geoffrey Durham and her two children (left). Her brother Chris Foote Wood (right) today praised the way she brought up her children

Wood grew up in a remote bungalow in the Rossendale Valley, Lancashire, where she was one of four children.

She said her mother, Nellie, was quite withdrawn and had an eating problem but insists she didn't have a miserable childhood despite feeling 'neglected'.

She started playing the piano at the age of seven and studied drama at the University of Birmingham after appearing in plays in Rochdale as a teenager.

Wood met her husband Geoffrey Durham in 1976 shortly after she won New Faces, when they were both appearing at the Phoenix Theatre, Leicester.

She later said of him: 'It was just one of those things when you click. He was encouraging because comedy's a very lonely thing to do without someone in your corner. I don't think it would have worked as well with him. We just did everything together.'

Durham quit acting and became a magician called the Great Soprendo while Wood starting writing. The couple had two children, Grace and Henry, but separated after 22 years in 2002.

She suffered from depression after the break-up, saying in an interview: 'I take a lot of responsibility. I bear the consequences. I don't feel hard done by. I've felt very guilty about my part in it. I felt a failure, completely. That's quite hard to live with.'

She wrote the Acorn Antiques musical, first performed the Theatre Royal, Haymarket in 2005, to help her get over the pain after her divorce.

Scores of stars and celebrities have gone on Twitter to pay tribute to the actress and comedy who was loved up and down the country

In 2004, she took aim at the dieting industry with a documentary called Victoria Wood's Big Fat Documentary. She later said: 'I'm very anti the dieting industry because they exploit people's insecurities and they don't deliver what they promise.'

She said of herself: 'I was on diet pills when I was 12 or 13 then I used to by those terrible things which looked like custard creams which you were supposed to have for your lunch.'

She underwent therapy in her forties and discovered her reasons for overeating. She said in 2004: 'I ate to blot out the moment. When you're eating, you're tranquilised. You're in a little bubble of chewing.'

Wood was a frequent collaborator with fellow actress Julie Walters and the pair formed one of the country's most celebrated double acts.

The pair first appeared on stage together in 1978 in a London production of In At The Death and their celebrated comedy Wood And Walters followed in 1981.

They most recently appeared together in December 2009 in Victoria Wood's Mid Life Christmas, which featured sketches including Mid Life Olympics 2009 and period drama spoof Lark Pies to Cranchesterford.

Wood started her career in 1974 by winning the talent show New Faces (pictured), before going on to become one of Britain's most popular stand-up comics

Wood started her career in 1974 by winning the talent show New Faces (pictured), before going on to become one of Britain's most popular stand-up comics

Wood was best known for the double acts with Julie Walters, who she first met at Manchester University

Wood was best known for the double acts with Julie Walters, who she first met at Manchester University

Wood received many awards in her long career. She won two other Baftas earlier in her career, both for best light entertainment performance. The first was for Victoria Wood: As Seen On TV in 1986 and An Audience With Victoria Wood in 1989.

Victoria Wood As Seen On TV also won the Bafta for best entertainment programme in 1986, 1987 and 1988, while An Audience With Victoria Wood won the same award in 1989. She received a special Bafta tribute award in 2005.

Wood's live comedy was often interspersed with her own compositions and she frequently played the piano. She also composed and performed the theme music for Dinnerladies.

In 1997, she was appointed OBE in the Queen's Birthday Honours List, before being appointed CBE in the 2008 Birthday Honours.

TV presenter Esther Rantzen said today that she admired her at the start of her career and has done ever since.

'She once said about me 'I don't know why they go on about her teeth - have you seen her dresses?', which I thought was quite fair,' Rantzen said.

Wood receiving her CBE at Buckingham Palace in 2008. Tributes to her have been led by the Prime Minister

Wood receiving her CBE at Buckingham Palace in 2008. Tributes to her have been led by the Prime Minister

Wood died at her home in North London with her ex-husband and family. Her brother said her two children are 'devastated'

Wood died at her home in North London with her ex-husband and family. Her brother said her two children are 'devastated'

Wood appeared on BBC One's That's Life! in 1976, which was her big break.

'She did a one-woman show for Childline where I felt hugely privileged to interview her and she told the story of her life with such wit. She just held us all enchanted for a whole evening,' Rantzen recalled.

'I think she is one of our greatest comic writers and performers, but she could also deal with serious issue as well, and she's a huge loss.'

Wood's long-term manager and friend, Phil McIntyre, said: 'Victoria has been a part of our lives as a friend, devoted mother and national treasure for 30 years.

'She was always modest, generous and undemanding. A super person and a super and unique talent. There will be an unfillable void left on all levels and we will miss her deeply.'

'THIS HAS NOT BEEN A GOOD YEAR': RICKY GERVAIS MOURNS CHERISHED CULTURAL ICONS AS 'BRILLIANT' VICTORIA WOOD BECOMES LATEST CELEBRITY TO DIE IN 2016

The death of comedian Victoria Wood comes after the passing of some of Britain's best-loved celebrities in a year which music and TV fans have branded 'the worst year ever'.

David Bowie, Ronnie Corbett, Terry Wogan and Alan Rickman are among the cherished cultural icons and entertainers who have died this year. When Victoria Wood's name was added to that list today, comedian Ricky Gervais said: 'This has not been a good year.'

Earlier this week, it emerged that more celebrities are dying than ever, with the BBC broadcasting double the number of obituaries that it had done by this time last year.

The BBC says it broadcast 24 obituaries in the first three months of 2106
The BBC says it broadcast 24 obituaries in the first three months of 2106

Terry Wogan and Alan Rickman have also passed away. The BBC says it broadcast 24 obituaries in the first three months of 2106

Radio Four's More or Less programme found that 24 obituaries had been aired in the first three months of 2016, compared to five in 2012. The figure is also more than the number broadcast in 2014 and 2015 combined, the programme revealed.

Obituaries editor Nick Serpell said the figures are due to a boom in the number of people who became famous in the late 1950s and 1960s.

Among the famous faces who have died this year is David Bowie, who died in Manhattan on January 10 after a battle with cancer. Actor Alan Rickman died in London less than a week later, while broadcaster Terry Wogan passed away at his home in Taplow, Buckinghamshire later that month after a secret battle with the disease.

Ronnie Corbett, whose funeral was held yesterday, died on March 31, while magician Paul Daniels died from a brain tumour at his home on March 17.

Beatles producer George Martin, Howard 'Mr Nice' Marks, architect Zaha Hadid, author Harper Lee, politician Cecil Parkinson, footballer Johan Cruyff, Sherlock actor Douglas Wilmer, Thunderbirds co-creator Sylvia Anderson and TV personality David Gest have also died.

TV magician Paul Daniels is among the much-loved figures no longer with us
Beatles producer George Martin is among the much-loved figures no longer with us

TV magician Paul Daniels and Beatles producer George Martin are among the much-loved figures no longer with us

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Reply #74 posted 04/20/16 10:56am

JoeBala

Idris Elba

Idris Elba to Headline 6-Episode Showtime Drama Series Guerrilla, FromAmerican Crime EP John Ridley

Ladies and gents, I believe we have a frontrunner for the 2017 limited-series Emmy.

Showtime on Wednesday announced that it has given a green light to Guerrilla, a six-episode drama written and directed by American Crime auteur John Ridley and starring Luther‘s Idris Elba.

Guerrilla is being billed as “a love story set against the backdrop of one of the most politically explosive times in U.K. history. It tells the story of a politically active couple whose relationship and values are tested when they liberate a political prisoner and form a radical underground cell in 1970s London. Their ultimate target becomes the Black Power Desk, a true-life, secretive counter-intelligence unit within Special Branch dedicated to crushing all forms of black activism.”

Per the cabler, Ridley will write the majority of the episodes and direct the first two.

“It’s been a long time desire of mine to collaborate with Mr. Ridley and his work here is nothing short of a masterclass in character building and story-telling,” said Elba in a statement. “TV is in for a treat.”

Added Ridley: “I am both humbled by and impressed with Idris’ passion toward bringing this story to life. I share his commitment for populating the culture with driven and complicated people of color.”

In 'Elvis & Nixon,' Michael Shannon channels the King's sensitivity

Elysa Gardner, @elysagardner, USA TODAY3:30 p.m. EDT April 19, 2016
Michael Shannon: I was terrified to play Elvis

Actor Michael Shannon talks about tackling the role of Elvis in the film 'Elvis & Nixon.'

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NEW YORK — Michael Shannon has earned praise playing film characters who unsettle us, from an emotionally challenged man in Revolutionary Road to a contract killer in The Iceman. In Elvis & Nixon (in theaters Friday), Shannon is cast as a master of provocation of a very different sort: Elvis Presley.

Preparing for the movie, which retraces Presley's 1970 meeting with President Nixon (played by Kevin Spacey), Shannon knew exactly what he didn't want to do: An Elvis impersonation. Presley's old colleague and confidante Jerry Schilling, who served as executive producer (and is represented as a character), warned the actor against such an approach.

"Jerry said, 'People don't know my friend as well as they think they do,' " says Shannon, 41, chatting the morning after his first preview performance in the Broadway revival of Long Day's Journey Into Night.

Michael Shannon (right) and Kevin Spacey play Elvis

Michael Shannon (right) and Kevin Spacey play Elvis Presley and Richard Nixon in the new film 'Elvis & Nixon.' (Photo: Steve Dietl, Amazon Studios & Bleecker Street)

Though he's tall and striking, with prominent blue eyes, Shannon's strong features hardly recall Presley's prettiness. But the actor's nuanced performance suggests the softer feelings and self-consciousness underlying the rock icon's blazing charisma. "The shake, rattle and roll — that all came out of being nervous," Shannon notes. "Early on, (Presley) would be jittery before going onstage, scared out of his mind. Then he realized people responded to that."

In one scene, Presley, en route to Washington to request a personal audience with Nixon, prepares a note. "He really wrote that letter on the plane, and it's not the handwriting of a suave, debonair person," Shannon says. "There was something childlike about him, as I think there is about most great artists. They retain that sensitivity."

Michael Shannon, right, appears with John Gallagher

Michael Shannon, right, appears with John Gallagher Jr. in the Broadway revival of "Long Day's Journey Into Night." (Photo: Joan Marcus)

Shannon is "sensitive myself, and I need to apply that to whatever I'm doing." Though based in Brooklyn, he and his partner, actress Kate Arrington, still commute regularly with their two young daughters to Chicago, where Shannon got his start as a stage actor. Despite his hectic filming schedule — recent credits includeJeff Nichols' acclaimed Midnight Special andWolves (the latter just premiered at Tribeca Film Festival), with Nocturnal Animals among upcoming projects — "I can't go too long without doing theater," he says.

In Long Day's Journey, which opens April 27, Shannon plays the troubled Jamie Tyrone, previously portrayed by two actors he has worked with closely: Spacey and the late Philip Seymour Hoffman, who directed Shannon in an off-Broadway production eight years ago.

"It's intimidating to think that the last person who played (Jamie) on Broadway was Phil," Shannon says. "He was a giant of the profession."

'Elvis & Nixon' unpacks the humorous story behind the real-life meeting of Elvis Presley and President Richard Nixon. VPC

Shannon notes that his dad, who died several years ago, used to talk about seeingJason Robards in the original 1956 Broadway production of the Eugene O'Neill play. "He was an accountant, so that was his way of identifying with me being an actor," he says. "It would blow his mind to know I'm doing this right now."

Shannon adds, "It would have been interesting to see Elvis in an O'Neill play. Jerry said that he loved acting, and wanted to pursue it in a more earnest fashion. ... Jerry had wanted, for so long, to see something more sophisticated about his friend, and that was definitely an inspiration."

Threes Company Movie

Three's Company Movie (!) in the Works

We’ve been waiting for this news.

The 1977 sitcom Three’s Company is in talks to be revived… as a feature film , according to The Hollywood Reporter.

New Line Cinema is currently in negotiations to acquire the rights to the classic TV series, which starred John Ritter, Joyce DeWitt and Suzanne Somers as Santa Monica roommates Jack, Janet and Chrissy. Jack, famously, pretended to be gay in order to have the living arrangement pass muster with the landlord.

Abby Kohn and Marc Silverstein (He’s Just Not That Into You) will pen the script, which will reportedly stay set in the 1970s, with Robert Cort (Jumanji, Runaway Bride) attached to produce.

During its eight-season run on ABC, Three’s Company won an Emmy (for Ritter’s work as Jack Tripper) and two Golden Globes (for Ritter and supporting actor Norman Fell, who played Landlord No. 1, Stanley Roper).

Tyrant Season 3 Premiere Date

Tyrant and Sex&Drugs&Rock&Roll Get Summer Premiere Dates at FX

Season 3 of Tyrant will premiere on Wednesday, July 6 at 10/9c, FX has announced.

The political/family drama left off Season 2 with Jamal’s fate unclear after an attempted assassination, once again leaving the future of Abuddin in his brother Barry’s hands. Adam Rayner, Jennifer Finnigan, Moran Atias, Ashraf Barhom, Noah Silver, Alexander Karim, Cameron Gharaee and Melia Kreiling are set to return, while Chris Noth (The Good Wife) has joined the cast as a U.S. general.

FX also set a Thursday, June 30 return date for Sex&Drugs&Rock&Roll, which was created by and stars Denis Leary.

'Elvis & Nixon' review: Michael Shannon and Kevin Spacey offer a particular set of charms

'Elvis & Nixon'

Knowing in advance that the new film "Elvis & Nixon" is only yea-big, and that it's not intended to carry the usual biopic baggage, its particular charms are disarming nonetheless.

Mainly it's fun. It's fun to watch Michael Shannon (Elvis) and Kevin Spacey (Nixon) do their thing without settling for impressions or impersonations. In the grand tradition of first-rate actors, actually acting, Shannon and Spacey evoke and explore, rather than replicate. In a wryly comic but unshticky vein, they imagine for us what the two most disparate Americans in American history were like behind closed doors, and why they may have found some common ground, if only fleetingly, as increasingly isolated titans in their respective realms of performance.

The photo and the meeting inspiring director Liza Johnson's pocket-sized film have become the stuff of unlikely historical legend. On Dec. 21, 1970, Elvis Presley, the king of more than mere jumpsuits, was granted a sit-down with President Richard M. Nixon in the Oval Office. Presley's semi-legible letters to the president, hand-delivered to the White House security guards, stated his reasons for the meeting: to offer his services to his country as an undercover federal agent "at large," perhaps to intercept drug deals, or bust up a Black Panthers meeting, or whatever needed doing.

Nixon didn't leap at the chance. But key aides were tickled by the idea, because — who knows? — it might help him with "the youth vote." So they met. Presley brought a gift: an antique Colt .45 pistol, handsomely mounted in a display case. They spoke of anti-American sentiments afoot in their nation, and family matters, and at one point Nixon asked for an autograph for "my Julie," his daughter. The White House photographer captured the famous handshake. And then it was over.

"Elvis & Nixon," its screenplay written by Joey Sagal, Hanala Sagal and Cary Elwes, treats the encounter neither dead-seriously nor as an 87-minute punchline. Alex Pettyfer and Johnny Knoxville play Presley's confidants Jerry Schilling (who wrote the book "Me and a Guy Named Elvis" and so-called Memphis Mafia crony Sonny West, who accompanied the singer to the White House. Colin Hanks skitters around the edges of the meeting as Nixon aide Egil "Bud" Krogh, who wrote his own account of the handshake, "The Day Elvis Met Nixon."

The script devotes much, but not all, of the movie to the meeting itself. This is where you really see what these actors can do. It's a play, essentially: a two-character, one-act play, partly based on the historical record but largely invented, and that's fine with me. Shannon's Presley gets just enough of the swagger and strut and soft-spoken quality down pat to let you forget the ways he doesn't resemble Elvis. His stealthy, gently dominating approach allows you to concentrate on what he's up to here: creating a sweetly delusional megastar's desire to play cops and robbers.

Shannon shares a fine, funny scene with his longtime Chicago cohort Tracy Letts as the real-life Justice Department narcotics administrator John Finlator. Prior to his Nixon encounter, Presley wanted that Drug Enforcement Administration badge to add to his collection, Priscilla Presley wrote in her memoir, so he could "legally enter any country both wearing guns and carrying any drugs he wished." The movie downplays that motivation in favor of other, more ambiguous things.

Spacey is a canny impressionist and he's usually asked to toss off a few bits of celebrity mimicry every time he's on "Tonight Show With Jimmy Fallon." He's coming at this assignment from his own direction, meeting Shannon, who's coming from the other direction, in the middle. It works; Spacey's Nixon voice is exact but lightly worn, which allows us to absorb how much of the classically uncomfortable Nixon body language the actor nails.

It's a small film, perhaps less ambitious or probing (even in a comic vein) than it might've been. But it's a good one, and the actors go to town without turning "Elvis & Nixon" into a chance meeting between an Elvis impersonator and Rich Little.

Michael Phillips is a Tribune Newspapers critic.

mjphillips@tribpub.com

Twitter @phillipstribune

"Elvis & Nixon" - 3 stars

MPAA rating: R (for some language)

Running time: 1:27

Opens: Friday

ABC Summer Schedule 2016

ABC's Summer Schedule: Mistresses,Uncle Buck and 10 Other Premieres;Secrets and Lies Season 2 MIA

ABC is ramping up for a busy summer, full of Mistresses, Bachelor rejects and homemade robots looking for the fight of their lives. (To be fair, some of those categories might overlap.)

In addition to its returning series, ABC is also launching several new shows this summer, including Uncle Buck, a sitcom based on the 1989 movie; Mike Epps fills John Candy’s shoes as the unlikely guardian of several pint-sized troublemakers.

Noticeably absent from this schedule is Secrets and Lies, which will follow Juliette Lewis’ Detective Andrea Cornell as she gets to the bottom of a new mystery.

Scroll down to see ABC’s full summer schedule, then drop a comment with the shows most likely to pop up on your DVR.

THURSDAY, MAY 26
8 pm 500 Questions

MONDAY, MAY 30
10 pm Mistresses

SATURDAY, JUNE 11
9 pm O.J.: Made In America – Part 1

TUESDAY, JUNE 14
8 pm To Tell the Truth (Sneak Peek)
9 pm Uncle Buck
9:30 pm Uncle Buck
10 pm To Tell the Truth

THURSDAY, JUNE 23
8 pm BattleBots

SUNDAY, JUNE 26
8 pm Celebrity Family Feud
9 pm The $100,000 Pyramid

WEDNESDAY, JULY 13
8 pm The 2016 ESPYS

TUESDAY, AUGUST 2
8 pm Bachelor in Paradise

WEDNESDAY, AUGUST 3
8 pm CMA Music Festival

MONDAY, AUGUST 8
8 pm Bachelor in Paradise (Time Slot Premiere)

TUESDAY, AUGUST 9
8 pm Bachelor in Paradise
9 pm Bachelor in Paradise: After Paradise

What to Watch Tonight: The Season Finale of Broad City, the Season Premiere of Deadbeat, and the Debut of Time Traveling Bong


What to watch on Wednesday, April 20...


SEASON 3 PREMIERE, 12:01am Pacific, Hulu
Deadbeat
The third season finds stoner/medium Pac at his nadir, having lost his ghost girlfriend and his best bud (not to mention his best bud’s best bud; I doubt it's a coincidence that this show is returning on 4/20). So he moves in with another Brooklyn slacker (Kal Penn) who cooks up a scheme to monetize Pac’s ghost-assisting abilities. The full season is available today.


12:01am Pacific, Hulu
The Path
Eddie and Sarah clash after learning about Hawk’s relationship with Ashley. Meanwhile in “The Hole,” Abe comes to suspect the Movement is on the wrong side of the law, and Cal returns to the Ridge estate to vocally support Sarah.


8pm, Fox
Rosewood
While investigating the murder of a telenovela star in “Silkworms y Silencio,” Rosewood and Villa put their own drama-fraught relationship under the microscope. Elsewhere, Erica’s influence on Rosewood rubs Donna the wrong way, Villa gets in touch with her mother, and bandits abscond with Rosewood’s prized Pontiac.


9pm, Fox
Empire
In “Time Shall Unfold,” Lucious pulls no punches in his quest to climb back to the top of Empire. Manipulation? Check. Sabotage? Check. Giant death ray powered by the tears of orphans? The logline doesn’t specifically say so, but it seems a fair assumption. In less diabolical dealings, Anika shares a secret with the family, Hakeem steers a shareholders meeting, and Andre digs into his grandmother’s medical history to better understand his own bipolar condition.


9pm, PBS
NOVA
“Wild Ways” examines the strategy of “connectivity conservation,” which seeks to nurture troubled ecosystems back to better health by linking wildlife refuges with animal-only roadways, tunnels, and overpasses. By expanding the habitable range for these populations, including some of the world’s most endangered species, scientists and officials hope to create more sustainable conditions that transcend the harm of human-made obstacles.


SEASON 3 FINALE, 10pm, Comedy Central
Broad City
The ladies’ Birthright voyage hits another unexpected hurdle in “Jews on a Plane,” when the ill-timed onset of Abbi’s period has them scrambling to find a tampon.


10pm, ABC
Nashville
Rayna and Deacon are in a tizzy after Maddie runs away from home in “Didn’t Expect it to Go Down This Way." Also vanishing without a trace is Riff, which leaves Luke in the lurch, while Juliette bristles at Avery and Layla’s bond, and Autumn creates a rift between Scarlett and Gunner. But Thomas Rhett is on hand, so maybe he can help with some of these problems?


10pm, WGN America
Underground
Children lose their innocence when they’re exposed to the world’s brutality in “Cradle.”


10pm, FX
The Americans
In “The Rat,” the latest break in William’s work forces Elizabeth and Philip to reckon with the possibilities of a biological war. In retrospect, this was a really crappy time for Elizabeth to make Stephen King’s The Stand her bedtime reading.


10pm, Sundance
The Last Panthers
Tom is determined to recover the missing jewels, even as Naomi pursues a possible lead with a prisoner in Belgium. Elsewhere in “White Knight,” Milan sets his sights on his share of the profits, and Khalil puts pressure on a home invasion victim.


MINISERIES PREMIERE, 10:30pm, Comedy Central
Time Traveling Bong
Ilana Glazer and Paul W. Downs star as cousins who toke their way through the timeline after discovering the aforementioned time-traveling bong. (Again, note today’s date.) “Chapter 1: The Beginning” kicks off their stoned sojourn, with the second and third parts airing tomorrow and Friday, respectively.


LATE-NITE:
– Sturgill Simpson on The Daily Show with Trevor Noah, 11pm, Comedy Central
– Susan Sarandon on The Nightly Show With Larry Wilmore, 11:30pm, Comedy Central
– Dennis Quaid, Matt Walsh, Charles Bradley, and Tootie & Jimmy Heath on Late Show with Stephen Colbert, 11:35pm, CBS
– Jessica Chastain, Kumail Nanjiani, and Of Monsters and Men on Jimmy Kimmel Live, 11:35pm, ABC
– Lena Headey and Jon Favreau on The Late Late Show with James Corden, 12:37am, CBS

Just Music-No Categories-Enjoy It!
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Identity






Rihanna is a blunt-smoking assassin in her new “Needed Me” video.

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JoeBala

WWE legend Chyna is found dead from a 'possible overdose' at home aged 45 after a career as the most dominant female wrestler ever

  • Joan Marie Laurer stormed onto WWE wrestling scene as Chyna in 1997
  • 45-year-old was found dead at her Redondo Beach home on Wednesday
  • Successful career saw her beat some of the top male and female fighters
  • Police 'probe drug overdose', reports suggest as officers rule out foul play

WWE wrestling legend Chyna has died aged 45 due to a 'possible overdose', it has been claimed.

Chyna - real name Joan Marie Laurer - is believed to have been found in her bedroom at her home in Redondo Beach, California on Wednesday.

Police are investigating suspicions the champion fighter died of a drug overdose, TMZ claimed.

The 'true icon's' death was announced in a statement, which was posted on her official Twitter account and signed by 'Felix'.

It said: 'It is with deep sadness to inform you today that we lost a true icon, a real life superhero... the 9th wonder of the world has passed away. She will live forever in the memories of her millions of fans and all of us that loved her.'

Scroll down for video

WWE wrestling legend Chyna has died at the age of 45 after a possible overdose, reports claim

WWE wrestling legend Chyna has died at the age of 45 after a possible overdose, reports claim

Chyna, whose real name was Joan Laurer, is pictured here with Jay Leno in October 2000

Chyna, whose real name was Joan Laurer, is pictured here with Jay Leno in October 2000

Redondo Beach Police Officers said they attended the house after receiving a 911 call from a friend.

They said: 'The Redondo Beach police received a 911 call from a friend of the apartment unit resident that the female inside was not breathing.

'The friend told [police] that the female had not answered her phone in a few days, and went to the location to check on her welfare.

'Officers arrived on scene and discovered a deceased female inside the location. From the preliminary investigation, it appears that the deceased passed away prior to being discovered by the friend.'

There are no indications or signs that the death was a result of foul play, officers added.

Hundreds of people in the industry last night paid tribute to the star, who they described as a 'pioneer'.

Stephanie McMahon, who plays a lead role in the organisation, wrote on Twitter: 'I just heard the tragic news that @ChynaJoanLaurer has passed.

'She was truly a pioneer in our industry and she will be missed.'

Hundreds of people in the industry last night paid tribute to the star, who they described as a 'pioneer'

Hundreds of people in the industry last night paid tribute to the star, who they described as a 'pioneer'

Legendary wrestler Kevin Nash, who performed under the ring name Diesel, said: 'May the peace you were seeking put you at rest my friend. So sorry for not seeing the pain... We've shared so much.'

And Ken Shamrock, a MMA fighter turned professional wrestler, added: 'RIP Chyna great memories good times you will always be a great part of my life during a great time of my life you will be missed' (sic).

Storming onto the wrestling scene in 1997, Laurer quickly earned the nickname 'Ninth Wonder Of The World'.

Her profile on WWE brands her 'the most dominant female competitor of all time'.

She was the first woman to win the WWE Intercontinental championship, and was the first woman to compete in the organization's Royal Rumble contest.

'Ninth Wonder Of The World': Chyna's profile on WWE brands her 'the most dominant female competitor of all time'. She also dabbled in acting, wrote an autobiography, and graced the pages of Playboy
'Ninth Wonder Of The World': Chyna's profile on WWE brands her 'the most dominant female competitor of all time'. She also dabbled in acting, wrote an autobiography, and graced the pages of Playboy

'Ninth Wonder Of The World': Chyna's profile on WWE brands her 'the most dominant female competitor of all time'. She also dabbled in acting, wrote an autobiography, and graced the pages of Playboy

Former wrestler Chyna posts final video days before death

Among her many accolades, she boasted victories over leading male wrestlers such as Chris Jericho and Eddie Guerrero.

And she was one of the founding figures in D-Generation X.

Beyond wrestling, which she quit in 2001, Laurer was a vegan and an animal lover.

She also dabbled in acting, and performed in six porn movies between 2004 and 2013.

In 2005 she appeared in the reality show The Surreal Life.

And she wrote an autobiography If They Only Knew, which made it onto the New York Times bestseller list.

In 2010, she was hospitalized after overdosing on sleeping pills.

Champion: Laurer pictured lifting Eddie Guerrero, one of the top male wrestlers who she famously dominated

Champion: Laurer pictured lifting Eddie Guerrero, one of the top male wrestlers who she famously dominated

Among her many accolades, she boasted victories over leading male wrestlers such as Chris Jericho and Eddie Guerrero. Chyna, real name Joan Laurer, is pictured here with Michael 'Crash' Lockwood in 2000

Among her many accolades, she boasted victories over leading male wrestlers such as Chris Jericho and Eddie Guerrero. Chyna, real name Joan Laurer, is pictured here with Michael 'Crash' Lockwood in 2000

The New York-born wrestler was the first woman to win the WWE Championship, and was the first woman to compete in the organization's Royal Rumble contest
The New York-born wrestler was the first woman to win the WWE Championship, and was the first woman to compete in the organization's Royal Rumble contest

The New York-born wrestler was the first woman to win the WWE intercontinental championship, and was the first woman to compete in the organization's Royal Rumble contest

Chyna talks about medical problems a month before her death

It came two years after she appeared on Celebrity Rehab With Dr Drew in 2008 to discuss her battle with drugs and her fractured relationship with her mother.

After her 2010 overdose, Laurer moved to Japan to teach English. It is not clear when she returned to the United States.

According to her website, a documentary was made, or being made, about the woman behind the headlines.

Earlier this week, Laurer posted a 13-minute video ...uTube page that showed her speaking with a croaked voice, breathing heavily and slurring her words as she made herself a smoothie.

INTERVIEW: Amber Stevens on how her ethnicity has affected her career

Amber Stevens opens up about The Carmichael Show's diversity and her career

Amber Stevens stars in NBC's new series, The Carmichael Show, and she's very proud of the message it represents.

"It's a show about a conversation. It's a family having conversations," Stevens said about the show that focuses on a family full of very opinionated people, some of whom aren't afraid to voice their viewpoints no matter who they upset.

Stevens said sometimes the show borders the line between appropriate and inappropriate, to hilarious results. "You get some people who say things you're not really supposed to say out loud, but they say it," she said, adding that the series takes an attitude of "anything goes."

The series might look familiar to anyone who was around long enough to have seen another opinionated family on TV. "This show is very much like a throwback to the sitcoms of the '70s, very much like All in the Family," Stevens revealed.

Though it's a comedy, the actress said that the series will touch on heavier subjects. Currently working on an episode titled "Protest," Stevens revealed that it will ring true for many people. "It's all about Black Lives Matter," she said, adding that the episode will revolve around a black youth being shot by a police officer and the protest that results in the family's hometown.

If the message sounds current, that's on purpose. "We're shooting these episodes so close to their air date so we can be as current as we possibly can," Stevens shared.

Delivering a strong message is something that the actress is proud to be a part of, as her own career has been affected by her background. When she first began acting, Stevens did so mostly for fun and didn't realize what it meant to be offered the kinds of roles she was being offered.

"Yes, most of the roles were supporting roles because of my ethnicity, but I didn't care," she shared. "But over time I learned that I could do this and maybe do this as a career."

But even when she was offered her first series, ABC Family's hit series Greek, it was still in a supporting, friend role. Not that Stevens isn't happy where her career ended up; in fact, she's appreciative of where those roles have led her. "I'm grateful I had those opportunities and they were stepping stones to get to people who look like me to become leads of projects.

"I'm grateful that I have a chance right now to be on this show," she said, adding that with all its messages and the diversity of the cast, the show is still just about a family that anyone can relate to, no matter their ethnic background. "To be honest, our show is a black family, but it's kind of a colorless family."

Another aspect of the show that Stevens appreciates is getting to work with an actress like Loretta Devine. "It's really fun to see her work on set and I'm definitely taking notes from her," Stevens said, likening her costar to someone else very special in her life.

"I tell her this everyday: She and my mom are like the same person. They're sisters that have never met, they are so alike. I feel the same way about her that I feel about my own mom. I love her so much and her energy is contagious and her sense of humor is infectious."

Speaking of mothers, Stevens' character, Maxine, feels the pressure from her mom to get married and have children. But that's one message that Stevens isn't necessarily ready to shout to the world and, in fact, is quite happy to see has changed over the years.

"We don't just have to do what nature says, so why not go out there and live your dreams and not have children?" Stevens said. "Or wait until you're ready. You don't have to do it when you're young; you don't have to marry the first person you meet. Go out there and date and find someone you really, really love and respect and want to have a family with," she added.


"My character even says: I don't think that's the sole purpose of a woman's life is to get married and have children," Stevens said, revealing she feels the exact same way herself.

Be sure to check out The Carmichael Show on NBC.

What to Watch Tonight: The Season Premiere ofInside Amy Schumer, the Mid-Season Finale ofVikings, and a Marvel-Themed Lip Sync Battle

What to watch on Thursday, April 21...


DOCUMENTARY PREMIERE, 7pm, Ovation
Vivaldi: Mystery of the Four Seasons
A chronicle of Antonio Vivaldi’s Four Seasons explores why the beloved Baroque-era concerti faded from the cultural conscience for more than two centuries after the composer’s death. Rick Wakeman, keyboardist for prog-rock band YES, visits Vivaldi’s native Venice to learn more.


6pm, Cartoon Network
The Powerpuff Girls
The Professor’s potion to make the girls older works a little too well in “The Wrinklegruff Gals.” That’s followed by Buttercup and Bubbles (but not Blossom) leveling up in “Power-up Puffs.”


8pm, CBS
The Big Bang Theory
Leonard and Sheldon’s latest spat sucks in the the whole gang on different sides in “The Viewing Party Combustion.” And here I thought our nation had seen the last of the Tastes Great-Less Filling Wars.


8pm, ABC
Grey’s Anatomy
In “Trigger Happy,” the docs scramble to save the life of a young boy who was accidentally shot. On the personal front, Callie takes it upon herself to make a key decision about Sophia’s future, much to Arizona’s consternation.


8pm, The CW
DC’s Legends of Tomorrow
When a time assassin (just go with it) targets the heroes’ younger, non-powers-and-gizmos-having selves in “Last Refuge,” it’s up to Sara, Snart, Rory, Prof. Stein, and Jax to kidnap those selves in self-self-defense.


8pm, Fox
Bones
The leader of a, ahem, ”men’s rights” group is killed in “The Murder of the Meninst,” and the team is legally required to solve that, I guess. During one interrogation, Brennan uncharacteristically blows her top with another of the group’s braintrust. Elsewhere, Hodgins’ bad attitude wears on Angela and the staff, while Booth frets that Brennan is jinxing the Flyers’ chances on the ice.


DOCUMENTARY PREMIERE, 8:30pm, Showtime
Sweet Micky for President
Michel “Sweet Micky” Martelly, one of Haiti’s best-loved pop stars, mounts an unlikely bid for the nation’s presidency in the wake of the 2010 earthquake. Aided by countryman Pras Michel of The Fugees, the idealistic musician hopes to repair a system paralyzed by corruption and civil discord.


8:30pm, CBS
The Odd Couple
Oscar begins dating the young nanny employed by his neighbor Charlotte (Teri Hatcher) in “From Here to Maturity.” Elsewhere, Emily insists that she get to choose an activity for her and Felix, for once.


9pm, ABC
Scandal
After learning the awful truth about Jake and Rowan’s latest sinister scheme, Olivia must take painful measures to halt it in its tracks. Flashbacks in “Til Death Do Us Part” shed more light on Jake’s history within B6-13 (though, hey, those aren’t all dark and evil—there’s also the time he won the apple-bobbing contest at the company Halloween party).


9pm, NBC
The Blacklist
In “Cape May,” Red encounters a mysterious woman who’s fleeing unknown assailants. Since he’s got nothing else going on this week, he figures he’ll help her fight back.


9pm, The CW
The 100
“Demons” finds Jaha returning to Polis, probably while blasting “The Boys Are Back in Town” from a sweet boombox. Elsewhere, Murphy has a surprising encounter while Octavia turns up a clue.


9pm, CBS
Mom
Christy has a hard time channeling her compassionate side when Jodi’s boyfriend comes to an A.A. meeting in “Beast Mode and Old People Kissing.” Meanwhile, Bonnie’s frequent meeting attendance has new beau Adam feeling left out.


9:30pm, CBS
2 Broke Girls
In “And the Attack of the Killer Apartment,” Randy asks to spend the night at Max’s place in order to better understand her world. On the professional front, Caroline sets about obtaining a liquor license for the ladies’ dessert bar.


SEASON 4 PREMIERE, 10pm, Comedy Central
Inside Amy Schumer
Amy auditions for Lin-Manuel Miranda, and that should go about as well as Samuel Seabury arguing the colonies shouldn’t rise up, amirite?! (Hashtag “Hamiljoke.”) Other sketches in “The World’s Most Interesting Woman in the World” see Amy eschewing sex and losing an eye.


MID-SEASON FINALE, 10pm, History
Vikings
Pitched battle between the Vikings and the French is but the undercard to the brotherly brawl of Ragnar vs. Rollo in “The Last Ship.”


10pm, FX
Archer
“Motherless Child” finds Archer helping a stranger track down his birth mom. If there’s anyone who understands a) helping those in need, and b) warm mother-child relationships, it’s Sterling Malory Archer.


10pm, BBC America
Orphan Black
In “Transgressive Border Crossing,” Sarah is back home seeking an elusive new ally, the next piece of Neolution’s diabolical puzzle, and probably a soft pretzel at some point because seeking stuff is hungry work.


10pm, Spike
Lip Sync Battle
Longtime Dubsmash duelists Clark Gregg and Hayley Atwell bring their fake-singing rivalry to the next level.


10pm, ABC
The Catch
Alice and Rose learn that a longtime client is being blackmailed in “The Larágan Gambit,” even as Alice shares with Rose her suspicions about Dao. Elsewhere, feeling the heat from their benefactor, Margot and Ben must undertake a jewelry heist to square their debt.


10pm, CBS
Rush Hour
A pair of apparently unconnected people are killed in similar bomb attacks within a 24-hour span in “LA Real Estate Boom.” Can Carter and Lee uncover their common denominator (other than, y’know, the being-blown-up thing) before the murderer claims another victim?


10pm, NBC
Game of Silence
Gil visits an old Quitman guard and takes matters into his own hands in “Hurricane Gil.” That spurs Jackson to question whether he can be relied on in the revenge plan.


10:30pm, Comedy Central
Time Traveling Bong
Among their adventures in “Chapter 2: The Middle,” Jeff and Sharee help some slaves escape, then kidnap a young Michael Jackson.


11pm, History
Join or Die with Craig Ferguson
Adam Goldberg, comedian Noel Wells, and Ty Pennington consider history’s greatest man-made structure. But how can one possibly narrow down the contenders in a category that may include Michelangelo’s David, the Taj Mahal, and that giant donut in L.A.?


LATE-NITE:
– Howard Dean on The Daily Show with Trevor Noah, 11pm, Comedy Central
– Russell Simmons on The Nightly Show With Larry Wilmore, 11:30pm, Comedy Central
– Tom Hanks, Leslie Odom, Jr., the Strumbellas, and Roy Haynes on Late Show with Stephen Colbert, 11:35pm, CBS
– Jordan Peele & Keegan-Michael Key, Glen Powell, and M83 on Jimmy Kimmel Live, 11:35pm, ABC
– Charlize Theron, Chris Hemsworth, Emily Blunt, and Jessica Chastain on The Late Late Show with James Corden, 12:37am, CBS

Just Music-No Categories-Enjoy It!
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JoeBala

ID Ri lol lol eek

Kenny Rogers Reveals Farewell Tour Dates: The Ram Report

Music icon will circle the globe one final time on 'The Gambler's Last Deal'

BY ROLLING STONE April 18, 2016

"The Gambler's Last Deal" is the fitting title of Kenny Rogers' farewell tour, kicking off May 13 and running well into 2017. The country music icon is parking his tour bus for good after a more than five-decade career for the history books.

Kenny Rogers

Rogers has released a long list of cities and dates (below) for the first leg of the trek, with many more to come. Among the stops are New Orleans, Bakersfield, Atlanta, London and Dublin. Linda Davis is along for the ride on all dates, with Charlie Worsham also appearing on select European dates.

"I'm excited about making one more sweep around the world," says Rogers. "This final tour is going to be a celebration of all of my music, and I know each night will be truly special."

Rogers insists his retirement has more to do with family than age. When announcing his farewell travels last year, he expressed the need to spend more time with his wife and kids. Still, he is not hanging up all of his many career hats. The Gambler is currently designing a "Kenny's World" hotel, and has at least two more books of photography in the works.

"One will be called American Beauty, and it's all waterfalls and beautiful canyon shots," Rogers told Rolling Stone Country last year. "And the other will be places I've been and things I've seen, and it'll be pictures from China, Africa, Europe, Switzerland — over the Alps in a helicopter.

The Gambler’s Last Deal Tour Dates

May 13 - Mahnomen, MN @ Shooting Star Casino
May 14 - Red Wing, MN @ Treasure Island Resort & Casino
May 15 - Clear Lake, IA @ Surf Ballroom
May 21 - Rochester, NY @Kodak Center for Performing Arts
May 22 - Montclair, NJ @ Wellmont Theater
May 26 - Portland, ME @ Maine State Pier
May 27 - Watertown, NY @ Watertown Fairgrounds Arena
May 28 - Salamanca, NY @ Seneca Allegany Resort & Casino
June 4 - Crockett, TX @ Crockett Civic Center - SOLD OUT
June 17 - Vienna, VA @ The Filene Center at Wolf Trap
June 19 - Atlanta, GA @ Chastain Park Amphitheater
June 22 - Del Mar, CA @ San Diego County Fair
June 24 - Lincoln, CA @ Thunder Valley Casino Resort
June 25 - Laughlin, NV @ The E Center - Edgewater Casino Resort
June 26 - Phoenix, AZ @ Comerica Theatre
June 28 - Santa Rosa, CA @ Luther Burbank Center for the Arts
June 29 - Saratoga, CA @ The Mountain Winery
June 30 - Thousand Oaks, CA @ Thousand Oaks Civic Arts Plaza
July 1 - Bakersfield, CA @ Bright House Networks Amphitheatre
July 2 - Indio, CA @ Fantasy Springs Resort Hotel & Casino
July 9 - Grand Ronde, OR @ Spirit Mountain Casino
July 14 - Tulsa, OK @ Hard Rock Hotel & Casino Tulsa
July 15 - Enid, OK @ Enid Event Center
July 16 - Stockdale, TX @ Kosciusko Hall
July 22 - Anderson, IN @ Hoosier Park Racing & Casino
July 23 - Kettering, OH @ Fraze Pavilion
July 24 - Highland Park, IL @ Ravinia Festival
July 31 - Columbus, OH @ Ohio State Fair
August 6 - Singapore, Singapore @ Star Theatre
August 9 - Bangkok, Thailand @ Royal Paragon Hall
August 11 - Manila, Philippines @ Araneta Coliseum
September 4 - Nichols, NY @ Tioga Downs
September 16 - Morristown, NJ @ Mayo Performing Arts Center
October 6 - North Little Rock, AR @ Verizon Arena
October 7 - Memphis, TN @ Orpheum Theatre
October 8 - New Orleans, LA @ Saenger Theatre
October 31 - Glasgow, Scotland @ The SSE Hydro
November 3 - Amsterdam Zuid, The Netherlands @ Heineken Music Hall
November 7 - Dublin, Ireland @ 3Arena
November 8 - Belfast, UK @ SSE Arena
November 10 - London, UK @ Palladium
November 12 - London, UK @ Eventim Apollo

Series Mania: Amy Seimetz on Co-Directing Starz’s ‘The Girlfriend Experience’ with Lodge Kerrigan

COURTESY OF AMY SEIMETZ
APRIL 20, 2016 | 11:46PM PT

Seimetz: ‘It was an experiment in a lot of different ways…’

PARIS — Until recently, Amy Seimetz was one of the indie world’s best-kept secrets, an actor, writer and director who is rarely recognized even by fans of her eclectic screen appearances, which include the 2010 survival horror “A Horrible Way To Die” and a key role in Shane Carruth’s 2013 trippy cult Sundance hit “Upstream Color.” Significantly, Seimetz was unable to attend the Paris premiere of her first major U.S. TV series “The Girlfriend Experience” as she is currently in Sydney, shooting a role in Ridley Scott’s highly-anticipated “Prometheus” sequel “Alien: Covenant.”

Seimetz also has a supporting role on the show, which is currently airing on U.S. television and stars Riley Keough as a law student intern who leads a double life as a high-end escort. But the Steven Soderbergh-produced series, a spin-off from his 2009 film of the same name, is primarily a showcase for Seimetz’s directing talents, as evidenced by her acclaimed 2012 feature “Sun Don’t Shine,” about a couple on a mysterious road trip. As she explains here, it was this film that inspired Soderbergh to pair her up with indie movie luminary Lodge Kerrigan for Starz’s 13-part series.

Variety: How did you get involved with “The Girlfriend Experience”?

Steven Soderbergh had met Shane Carruth, then he saw his film “Upstream Color.” Shane suggested he also watch my film, “Sun Don’t Shine,” and he did – that night. Within a week, he’d asked Shane for my number, then he called me and asked if I wanted to participate in creating the show with Lodge Kerrigan, whom I’d only recently met. I was acting in [AMC series] “The Killing,” and Lodge had directed a few episodes. Which was a complete coincidence. I’d never directed television before, and I told him that, just so he knew. As a precursor, before I jumped on. And he said, “Well, you’ve got to start somewhere.”

So you didn’t know either Soderbergh or Kerrigan? Seimetz: Aside from knowing their work, no. It was an experiment in a lot of different ways – pairing two filmmakers who are independently minded and saying to them: “Make this show together.”

How did you feel about that?

Seimetz: As an actress I really enjoy the collaborative entire of filmmaking, but as a writer-director that was always my world to control. So it was a learning curve. I’ve never wanted to be part of a writers’ room, just because, for me personally, I think that when you’re writing something you have to fall in love with whatever you’re writing in order to get something on the page. That whole process, individually, is just so hard. And part of the individuality of filmmaking comes from those moments that people will tell you are either wrong, or too weird, or seem off, or seem like tangents – that’s what makes for an individualized vision, in a way. Luckily, Lodge and agreed on that, and Steven encouraged it, so we wrote the series together. Which was not just a process of mining the material but also a matter of getting to know each other, how we direct and what we think is interesting. All scripts are essentially blueprints, so when we were directing we both allowed each other to have our own creative freedom in each episode we directed. So when Lodge was directing, I didn’t go on set and say: “It has to be the way we discussed!” – and he did the same for me. We found a way to be individual, within this construct.

How important was Soderbergh’s original film?

Semetz: I’d seen the movie and I watched it again, but he basically said, “Here, take the title, run with it and do what you want.” It was more that he wanted it to be in the spirit of that movie, because the original was made with a very small crew. It was a very nimble production, so they could jump around. It was all location-based and very naturalistic. I guess the spirit of it was very independent, in a production sense. A lot of TV productions are very bloated, in terms of what they think they need to make a show, but Steven really wanted us to keep things nimble and cost-efficient. You get a lot of freedom with that – with a smaller crew you can move faster and get into certain locations that are smaller and much more realistic. And in addition to that, we also didn’t use any lights. Certain things we had to light, but not much, and that was part of it too – having a small camera package. Steven basically wanted Lodge and me to do what we already know how to do, which is treat it like an independent film.

How much research did you do?

Seimetz: We definitely met with a lot of ‘providers,’ or talked with a lot of women who would call themselves ‘GFE’ – The Girlfriend Experience. It’s a service, essentially. It’s kind of like a menu item. It doesn’t mean that women are ‘only’ GFE, but they can provide it if you want that. We just wanted to hear their stories and understand why they do it. There’s a mystery to women that do this. Societally, we either condemn them or are fascinated by them. And what we found is that, like any profession, each woman was completely different, to feed the various needs and wants of the men that hire them. It was more to get us grounded in that world. We didn’t want to base it on one specific woman, we wanted to create a character that embodies a world.

What was the writing process like?

Seimetz: All writing is essentially making you sit your ass down – the bottom line is: It’s work. Sometimes you can sit down and write in a flurry, but most of the time it’s just making sure you sit down and dedicate yourself to writing words and thinking about the topic. But Lodge and I outlined the whole thing, beat by beat. We knew exactly what was going to happen over the entire season, and then we got into it and broke down what was going to happen in each episode. So we knew everything. We didn’t write individual scripts until we knew what the whole story arc was going to be.

Are you at all similar in your writing methods?

Seimetz: It was interesting, because I’m a huge re-writer. Otherwise, if I intimidated myself into trying to make everything perfect when I first write it down, I would go insane. So I’ll write, like, seven pages – and maybe two will be good. I just edit, edit, edit. Whereas Lodge is the other way – it has to be perfect. So there was a really interesting dynamic there – two different writing styles. I would go away and write some pages on my own, and Lodge would write some pages on his own, then we’d get together and talk about what we liked about each other’s pages, then we’d take passes at each other’s pages. That way, I wasn’t forcing him to write the way I write – and vice versa.

How did you decide who would direct which episodes?

Seimetz: We laid down some rules early on, so that the directors would alternate and break up the rhythm. We did it knowing that if someone were to direct six in a row they would have so much control over setting the tone, and it would lock the other filmmaker into following that tone – it wouldn’t give them enough freedom. We tried to balance out before we even knew who was going to do what, so both of us had a say in the way that the show evolved, aesthetically. And then we flipped a coin to see who got what!

So it was random decision?

Amy Seimetz: Filmmaking in general is a process of eliminating things that get in your own way, and I feel like that was the first step. We said, “OK, we both know what our favorite episodes are, and unfortunately we’re never going to be able to decide between us because we both know there are certain episodes with stronger writing.” So it was just fair to do it that way. We approached every situation like that. It was a way to solve arguments – because there are lots of them! Not because it’s anyone’s fault, we’re just very opinionated in our own ways, and very persuasive in our own ways, we knew that we had to come up with a system to solve matters in a diplomatic, fair way. Otherwise we wouldn’t have had a show.

The show comprises 13 half-hour episodes – that’s nearly seven hours of material. We were you ever daunted?

Seimetz: What was amazing was, no one was telling me to direct it like television – I was just doing whatever I wanted. There was no point when anyone stepped in and said, “You can’t do it that way.” It still seems very surreal that it even occurred, let alone that I’m done with it. And then on top of that, to be so removed from it as it’s being released is a very surreal experience, having worked so hard on it and been so intimate with it. So now it feels really dreamlike and I’m wondering if it actually happened. But I guess I fell in love with the format. Because each episode can be its own thing. It can be its own world, but it’s all feeding into this bigger narrative. That I found really fun and fascinating. You can’t really get away with that in independent film, because you have to stick to this hour and a half format, whereas in TV you have so much space to explore all these different tangents in somebody’s life. I fell in love with that format, in a craft sense.

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Vérité, a Pop Star in the Making, Is Just Biding Her Time

Vérité, a Pop Star in the Making, Is Just Biding Her Time  -

The 26-year old singer Kelsey Byrne is patiently waiting to explode. But for now, she is an exotic oddity—a true indie artist.

In the summer of 2014, “Strange Enough,” a brittle gem of a break-up song, suddenly shot to number one on Hype Machine. The mysterious singer behind it, Kelsey Byrne, who goes by the name of Vérité, was declared Twitter’s viral artist of the week, and, like Lorde before her, seemed to appear on the Internet a fully formed pop star. Sensing that all she needed to take off were the resources, record executives swooped in. “I was all set to sign,” Byrne, now 26, recalled recently. “Then the deal fell through—and that was the best thing that ever happened.”

Vérité, a Pop Star in the Making, Is Just Biding Her Time  -

We were sitting in a generically Scandinavian cafe in downtown Manhattan. Byrne, who is petite and reserved, was in all black, with huge headphones that swallowed her neck like an infant’s pool float. Her head bobbed very slightly to the song playing overhead, “The Hills,” by The Weeknd, who, before his coronation as this generation’s Michael Jackson—before Bella Hadid—was also an unknown online sensation with no record deal.

“I’m not opposed to signing,” Byrne went on. “Major labels definitely have a purpose. But I really wanted to develop this project and have proof of concept and a very loyal fan base before bringing it into a very large mechanism that could potentially f—k it up.”

For an artist with mainstream appeal like Byrne’s—her catchy, synth-driven, artfully written pop songs could, with a label’s influence behind them, kill on the radio—to patiently develop unmolested by outside influences makes Vérité a rarity in an industry that prefers to shove indie discoveries into a studio with proven hitmakers like Max Martin or Dr. Luke. It’s not hard, in other words, to imagine a world where Vérité becomes Ellie Goulding.

Instead, over the past two years Byrne has acting as the head of the Vérité brand. “I love spreadsheets,” she said. “I do all the finances. I pay the publicists. I have to compartmentalize the creative and the business, so there are sacrifices. But ultimately I get to be the CEO of my own business.”

That business, by the way, is not funded by her parents, who are otherwise very supportive. “I started Vérité on savings from three years working at Applebee’s in Times Square,” Byrne, who is from upstate New York, told me. I must’ve looked deeply saddened by this information, because she laughed and added, “I was a ridiculously good waitress. I was making more money than my brother, who worked at a start-up.”

Although she has released a series of highly catchy songs—her third EP, Living, is out May 6 to coincide with her North American tour—Byrne is waiting to put out a full-length debut album. For that, she needs the push from a major label. “I always write with the intention of making an album, but if I put out the full length now, it’s not going to have the same impact,” she admitted. In the meantime, if things get really bad, there’s always Applebee’s.

“It’s only been a year since I left,” Byrne joked. She paused, and added with typical awareness of her own narrative: “The Applebee’s thing is just kitschy enough. But the hustle was real.”

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TV News Roundup: History’s ‘Alone’ Renewed, FX Sets Premiere Dates for ‘Sex&Drugs’ and ‘Tyrant’

COURTESY OF FX
APRIL 20, 2016 | 04:37PM PT

History’s survival series “Alone” has been renewed for a third season, which will be filmed in South America. Also, FX announced summer premiere dates for “Sex&Drugs&Rock&Roll” and “Tyrant.”

RENEWAL:

Ahead of the April 21 premiere of season 2, History has renewed “Alone” for a third season.

The reality series follows 10 contestants who are placed in the wilderness alone. Equipped only with a limited supply of gear, their survival expertise and a camera to document their journey, each contestant fights to outlast the others in the hopes of winning a $500,000 cash prize. Season 3 will be filmed in Patagonia, South America.

PREMIERE DATES:

FX is filling out its summer schedule, handing out timeslots for returning series “Sex&Drugs&Rock&Roll” and “Tyrant.”

“Sex&Drugs,” the comedy series starring Denis Leary as the lead singer of a legendary early 90s New York band, will return to Thursday nights when it kicks off its second season on June 30. “Tyrant,” the drama executive produced by Howard Gordon, debuts its third season on Wednesday, July 6, after airing on Tuesday nights during its first two seasons. Both shows will air at 10 p.m.

Last year, “Tyrant” averaged a solid 2.47 million viewers, including 1.05 million adults 18-49, in Nielsen’s “live plus-7” estimates. The more modestly rated “Sex&Drugs&Rock&Roll” averaged 1.14 million viewers, including 614,000 in the demo.

TALENT SEARCH:

The Miss Universe Organization announced the launch of #FindingMiss52, a nationwide search for a 52nd contestant to compete in the Miss Universe pageant.

The organization is asking interested applicants to post three photos on Instagram and Twitter using the hashtag #FindingMiss52 with a caption that explains why they’re deserving of the 52nd and final spot in the competition. After analyzing each submission, a judging panel will select 10 finalists. From there, fans will be able to vote for their favorite possible contestant on Twitter.

The Miss Universe pageant airs June 5 on Fox.

GREENLIGHTS:

Televisa has ordered 10 scripts of Scott Shepherd‘s sci-fi triller “The Seventh Day,” which is based on the writer-producer’s post-apocalyptic novel of the same name. This marks the Mexican media giant’s second high-volume episode greenlight of an English-language series. Shepherd and Cindy McCreery, his writing and producing partner, will pen the scripts and serve as showrunners on the series.

“The story is centered around a new world with a line drawn firmly in the sand between good and evil, in which the characters are given a second chance to choose which side to throw down on by making emotional, grounded and relatable decisions,” said Shepherd of the plot.

Nina Dobrev Joins Ellen Page in ‘Flatliners’ Remake

JOHN SALANGSANG/VARIETY/REX/SHUTTERSTOCK
APRIL 20, 2016 | 02:25PM PT

“The Vampire Diaries” alum Nina Dobrev is in talks to join Ellen Page in Sony’s “Flatliners” remake, sources confirmed to Variety.

Diego Luna is also on board to star in the film from “The Girl With the Dragon Tattoo” helmer Niels Arden Oplev

Ben Ripley wrote the screenplay and Laurence Mark will produce with Michael Douglas. Production is expected to start in early July.

The original 1990 thriller followed a group of medical students who experimented with “near death” experiences that involved past tragedies until the dark consequences began to jeopardize their lives.

Luna will most likely portray one of the medical students, according to sources. Sony declined to comment.

Dobrev was last seen in “Final Girls” as well as the Fox comedy “Let’s Be Cops.”

She is currently in production on Paramount’s “xXx: The Return of Xander Cage,” opposite Vin Diesel. Dobrev recently wrapped the indie comedy “Crash Pad,” with Domhnall Gleeson. She is also in “Arrivals” opposite Maisie Williams and Asa Butterfield.

Dobrev is repped by CAA, Lighthouse Management and Media, and lawyers Hanson, Jacobson, Teller. The news was first reported by Deadline Hollywood.

BET Orders John Singleton’s ‘Rebel,’ Dramedy ‘Benched,’ Music Drama ‘Tales’ in Scripted Push

John Singleton Anika Noni Rose Laurence
REX SHUTTERSTOCK
APRIL 20, 2016 | 12:00PM PT

BET Networks is loading up its 2016-17 slate with series and telepics that reflect an earthy view of African-American life, including a detective drama from John Singleton, a soap set in the world of Historically Black Colleges and Universities and a dramedy revolving around a criminal courts judge.

BET is stepping up its production of original scripted series for its mothership BET channel at a time when competition for its target audience has become fierce. “Rebel” revolves around a female police officer in Oakland, Calif., who becomes a private investigator after her brother is killed by police. “Benched,” created by Scott Brown, is a dramedy about a young judge who struggles to give up his bachelor lifestyle as he confronts the “underbelly” of the criminal justice system on a daily basis.

” ‘Benched’ and ‘Rebel’ will allow us to address issues that are very relevant and germane to our audience,” said Stephen Hill, BET Networks president of programming. “When we pick our shows we look at how we can best tell the stories of our audience. It’s important that the issue that are in our world are on our screen as well.”

being mary jane gabrielle union

‘Being Mary Jane’ Ren...n 4 at BET

Another priority for BET is a music-driven anthology series dubbed “Tales” that will offer hourlong narrative renditions of iconic hip-hop songs in a three-act structure as envisioned by various filmmakers. The project is shepherded by producer Irv Gotti Lorenzo and will air as a partnership with the music streaming service Tidal, which will offer episodes available for streaming via its apps. In some cases, Tidal will carry racier versions of the episodes, Hill said.

Among the songs planned for the “Tales” treatment is N.W.A’s “F— tha Police.” The plan is to work with the original artists and songwriters on the narrative adaptations. “Tales” is envisioned as airing several times a year as event programming.

Anika Noni Rose and Ruben Santiago-Hudson are set to lead the ensemble cast of “The Yard.” Rose plays the newly elected president of a fictional HBCU who encounters all manner of problems as she tries to wrangle an unruly freshman class. The collegiate setting will allow the show to reflect contemporary social issues and cultural trends,” Hill said. “HBCU’s are the cauldrons in which our culture is shaped,” he said. Felicia Henderson and Charles Holland created the series from a concept by Rob Hardy.

“Comedy Getdown” is a semi-scriptedhalf-hour series set behind the scenes of standup comedy tour led by George Lopez, DL Hughley, Cedric the Entertainer, Eddie Griffin and Charlie Murphy. Free 90 Media’s Tom Brunelle and Brad Wollack are exec producing with Michael Rotenberg, Greg Walter, Kimberly Carver and Eric C. Rhone.

Other high-profile bets for BET in the coming season are its New Edition biopic film — “It’s one of the biggest productions we’ve ever done,” Hill said — and the Nelson Mandela biopic “Madiba” toplined by Laurence Fishburne. “New Edition: The Movie” is filming now in Los Angeles for an early 2017 debut with two sets of actors playing the R&B group’s members at various stages. The cast includes “Empire’s” Bryshere Gray, Elijah Kelley, Luke James, Keith Powers, Algee Smith and Woody McClain.

“Competition makes you step up your game,” Hill said. “I’m proud of our slate. We are partnering with stars in front of and behind the camera.”

Series Mania: Netflix’s Gerard Depardieu-Starrer ‘Marseille’ Plays to Upbeat Paris Reception

COURTESY OF NETFLIX
APRIL 20, 2016 | 01:13PM PT

Filmic, large-scaled, Europe’s first true-blue Netflix original series presented at Series Mania

PARIS – Seen in an extended multi-scene promo, Netflix’s Gerard Depardieu-starrer “Marseille’ wowed an industry audience Wednesday at Series Mania, making good on its promise as one of the highlights of the high-profile Paris TV Fest.

That is no footnote for Netflix. Presented in Paris by Netflix’s Joris Evers, Netflix communications head, Europe, and French-film director Florent Emilio-Siri (“My Way”), “Marseille” director-showrunner in his first TV gig, when it bows worldwide May 5 “Marseille” will be not just France’s but Europe’s first Netflix original series to be made available to subscribers (Norway’s “Lilyhammer” and Denmark’s “Rita” were co-productions; ITV’s “Marcella” and Channel 4’s “Kiss Me First” early global acquisitions).

The Paris “Marseille” sneak peek comes one day after Netflix chairman-CEO Reed Hastings focused at Netflix’s April 19 first-quarter earnings on international original productions, developed locally, distributed globally, as “a powerful formulation that will help us grow for many years ahead.”

If launching in 130 countries this year won’t make second-quarter 2016 sub growth any bigger than 2Q 2015, as Netflix anticipated yesterday, that’s in large part because, though Netflix has ordered 12 original series in Europe and Latin America alone, local productions oversees have still to hit online screens in numbers. “Marseille” is a precursor, and an early acid test of Neflix’s major growth strategy –global expansion via local production – for years to come.

Released April 1, a trailer has already set “Marseille’s” scene. In it, a rasping-voiced fortysomething Lucas Barres (Benoit Magimel), heir-apparent to hulking Marseilles mayor Robert Taro (Depardieu), thanks Taro for “taking him under his wing.” Now,” he adds, “it is time to leave the nest.” As Town Hall elections loom, he declares open war. And it seems Barres will stop at nothing to win election. There’s a scene of his shaking a mobster’s hand, another of woman – Taro’s wife? – strapped to an ambulance stretcher.

Wednesday night’s promo helped fill out the picture, playing to an increasingly captive audience.

The extended trailer showed Taro’s attempt to have a casino built in Marseille, and his relationship with his daughter, a young and ambitious investigative journalist whose muckraking leads to compromising discoveries.

Produced by Pascal Breton’s Federation Entertainment, with Dan Franck, a co-scribe on Olivier Assayas’ “Carlos,” as writer and creative producer, per the promo, “Marseille” will also deal, the promo suggested, with the mayor’s close relationship with his wife.

Per Evers, “the goal for ‘Marseilles’ is to be loved inside of France, and also find a great audience outside of France.” The themes in “Marseille,” including the relationships between different generations and its power struggle are universal themes which will appeal to worldwide audiences, he added.

At Wednesday’s Series Mania presentation, producer Breton cited the international appeal of locally-grounded crime series such as “Gomorrah” and “Narcos,” which are partly or entirely shot in foreign languages.

That international audience outside a foreign local production’s country of origin is key to Netflix’s international production business model, and growth potential worldwide.

Per Evers, “one of the key benefits of Netflix being involved with a program in its production is that we can make it bigger, often bigger than the local broadcaster could make it because it’s made for a bigger audience.”

“So when you look at the quality of the production, the quality of the storyline, the quality in the cast, all those things are worked at a larger scale than when you see a title being developed for a smaller market.”

Siri, who directed “Marseilles’” first four episodes insisted time and again on how he approached “Marseilles” as if it were a theatrical movie.

“My goal was to do a political thriller and also a character-driven drama that transcends politics. And also to bring cinema to television,” Siri said.

He went on: “I’m a fan of films from the 60’s and 70’s that placed a large emphasis on character development and not only two or three characters as it’s often the case in movies today. What I loved with Marseille is that I got toward on so many characters and develop compelling narrative arcs for each of them,” said Siri.

Siri added he tapped the eight-time Academy Award nominated composer Alexandre Desplat to compose the score and also worked with local rap artists from Marseille.

“Original programming is key to differentiate Netflix from other channels and to program on a global basis so that, regardless where you are, you can watch it on Netflix,” Evers told Variety.

“In Europe, there are French, German, British, Spanish, Italian originals. We have a multiplicity of U.K. initiatives. You should expect that to continue growing throughout the world.”

But just how well can “Marseille” work?

“Gerard Depardieu is the biggest star in France and one of the biggest stars in the world,” said Ted Sarandos, Netflix chief content officer, at the earnings interview.

He added that there are are 2 million people in the U.S. alone who watch French-language TV regularly.

Netflix has struck an ingenious deal with TF1, France’s biggest broadcast network, fir the first two episodes to be broadcast on April 12 free-to-air. Viewers will then have to sign up to Netflix to binge the rest. It will hope that May will see two big film events in France: the Cannes Festival and “Marseille,” that, as a joint Netflix/TF1 press release, will bring “France’s greatest film stars” to French viewers. France will certainly not have seen many series on the scale of “Marseille.”

'The Infiltrator' Trailer: Thrilling First Look At Film Starring John Leguizamo, Benjamin Bratt

The Infiltrator
"The infiltrator" is the true story of the informants in 1980s Florida who helped bring down Pablo Escobar's empire. Courtesy Photo

The highly anticipated film “The Infiltrator” starring Bryan Cranston, Diane Kruger, John Leguizamo, Benjamin Bratt, Yul Vazquez, Joseph Gilgun, Olympia Dukakis and Amy Ryanfrom Broad Green Pictures, is set to hit theatres on July 15.

Based on a true story of the informants in 1980s Florida who helped bring down Pablo Escobar's empire, Federal agent Robert “Bob” Mazur (Cranston) goes deep undercover to infiltrate Escobar’s drug trafficking scene plaguing the nation in 1986 by posing as slick, money-laundering businessmanBob Musella. Teamed with impulsive and streetwise fellow agent Emir Abreu (Leguizamo) and rookie agent posing as his fiancé Kathy Ertz (Kruger), Mazur befriends Escobar’s top lieutenant Roberto Alcaino (Bratt).

Navigating a vicious criminal network in which the slightest slip-up could cost him his life, Mazur risks it all building a case that leads to indictments of 85 drug lords and the corrupt bankers who cleaned their dirty money, along with the collapse of the Bank of Credit and Commerce International, one of the largest money-laundering banks in the world.

Leguziamo spoke to Variety Latino and said he “really liked the story.” He also explained how he got prepared for the role: “I spoke to Emir and met with him a couple of times, and to Robert Mazur; they told me how everything had gone down. I also read the book [‘The Infiltrator: My Secret Life Inside the Dirty Banks Behind Pablo Escobar’s Medellín Cartel’]. And we had Mazur on set as a consultant in case we made any mistakes, which was great,” he said. “I heard Emir has already seen the film and felt very grateful of the work I put in to represent him justly.”

Written by Ellen Brown Furman, the movie is directed by Brad Furman who also produced along with Don Sikorski, Paul Brennan and Miriam Segal.


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Reply #79 posted 04/21/16 9:11am

JoeBala

Amber Rubarth

NEW RECORD! Wildflowers in the Graveyard

Join in the making of my new album and be part of the process as we record to tape in Nashville! Art & videos galore!

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Sample Artist Tracks

Album

It’s been a journey getting here, and I couldn’t be more thrilled to share these new songs with you. My new album is called “Wildflowers in the Graveyard.” It’s a collection of songs I’ve written around the theme of renewal. Started a little over a year ago when I was living up in the woods in New York and ran by an old cemetery, where wildflowers were climbing wildly as they do over the gravestones. I was at a point in my life when things felt a little like they were falling apart, and was inspired by the nature of things living, dying, and blossoming again.

I love art, and am creating some very special, handmade items for this album. I only have two hands so they are limited.

Thank you so much for your support and I can’t wait to share in this process with you. I’m so fortunate to be recording in Nashville with Matt Andrews (Gillian Welch, Dave Rawlings, Dawes), we’re putting everything straight to 2" tape and it is sounding glorious.

Love to you all. Thank you.
x
Amber

http://www.pledgemusic.co...dium=email

Nikka Costa & Strings

I’m switching gears and recording a new album with STRINGS! Pre-order now for access to exclusive items and content.

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Album

Hey guys!

Its been a HOT minute since Ive made a new album and Ive joined with Pledge to get the best direct access to my fans so I can get started! Here’s what’s happening…I’m switching gears a bit for a new album and am really excited to be recording with a rhythm section and a string quartet! I have some songs I’ve always wanted to record with this line up and make into a very special album featuring this music I love. Obviously I grew up surrounded by orchestras and its music that is super close to my heart. Ill be recording some standards, some unexpected covers & recording some of my own NEW MATERIAL written especially for this project! I’m so excited!

By pre-ordering the record, not only will you get a download of the new album (once it’s finished) but you’ll also have access to exclusive signed items, experiences and behind-the-scenes content. You’ll be able to watch us as we create in and out of the studio!

I can’t wait to share this experience with you! It has lived for a long time in my heart as Ive always wanted to sing with strings and I know its going to be an awesome experience for me and for you too!

- Nikka

http://www.pledgemusic.co...dium=email

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Reply #80 posted 04/21/16 6:06pm

JoeBala

https://s-media-cache-ak0.pinimg.com/736x/2a/14/a3/2a14a3a9372421172b74829d95a8d862.jpg

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Prince Recovering, Released From Illinois Hospital

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http://stupiddope.com/wp-content/uploads/2013/03/02-prince1.jpg

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https://cbsminnesota.files.wordpress.com/2016/04/10-prince-on-piano.jpg?w=808

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http://media.npr.org/assets/img/2014/07/17/prince-essence_custom-761014a56f1b1819ec6d48b626e550157bda22ae-s900-c85.jpg

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Reply #81 posted 04/21/16 6:10pm

JoeBala

Thread started 04/21/16 6:06pm

JoeBala¤

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https://s-media-cache-ak0.pinimg.com/736x/2a/14/a3/2a14a3a9372421172b74829d95a8d862.jpg

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https://s-media-cache-ak0.pinimg.com/736x/a2/72/a4/a272a49f5d2f7834fcaaf6ce6884fa38.jpg

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Prince Recovering, Released From Illinois Hospital

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http://stupiddope.com/wp-content/uploads/2013/03/02-prince1.jpg

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https://cbsminnesota.files.wordpress.com/2016/04/10-prince-on-piano.jpg?w=808

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http://media.npr.org/assets/img/2014/07/17/prince-essence_custom-761014a56f1b1819ec6d48b626e550157bda22ae-s900-c85.jpg

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Reply #82 posted 04/21/16 6:55pm

JoeBala

Nightline(ABC)12:30AM NYT is doing a full hour on Prince tonight. Check your local listings.

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Reply #83 posted 04/22/16 7:17am

JoeBala

‘20/20’ special report on death of Prince

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Reply #84 posted 04/22/16 2:54pm

JoeBala

Dateline NBC and 20/20 will have full hour Prince tributes at the same time tonight. 10PM Check your local times.

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Reply #85 posted 04/23/16 4:23am

Identity

Thanks, Joe.

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Reply #86 posted 04/23/16 6:53am

JoeBala

Identity said:

Thanks, Joe.

Welcome and thank you too. This loss has me in a daze. I remember my JHS/HS days when were digging P, Culture Club, TTD, Cindy Lauper, Springfield, Billy Idol, etc. We would discuss these artist so much. What great memories. Sigh.

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Reply #87 posted 04/23/16 7:44am

JoeBala

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Reply #88 posted 04/23/16 9:27am

JoeBala

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Reply #89 posted 04/23/16 9:43am

JoeBala

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