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Diana Ross Presents The Jackson 5 (1969) For the next few weeks, I'm gonna spotlight a different album by The Jackson 5/Jacksons and I want no bashing or negativity. I wanna focus on the music, not the controversy. Everyday, I'll post a new album. Now, the first album I'm gonna shine the light on is...................
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Great debut album. The strong cuts are the single and B Side Nobody Can You Remember My Cheir Amour and Stand. The album featured 10 covers including a cover of themselves in You've Changed. PRINCE: Always and Forever
MICHAEL JACKSON: Always and Forever ----- Live Your Life How U Wanna Live It | |
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Motown albums of the time generally had a lot of remakes, sometimes of their own in house material. The Supremes had an entire album of mostly Beatle songs. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Which album is it, Micky? | |
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They also had a Sam Cooke album. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Outtakes from the sessions include:
Oh, I’ve Been Bless’d
Reach Out actually appears on pressings of some of the early jackets in place of 'Born To Love You'. But not the track PRINCE: Always and Forever
MICHAEL JACKSON: Always and Forever ----- Live Your Life How U Wanna Live It | |
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Thanks! I find the whole cover exchange between Motown and British Invasion bands fascinating. Smokey and The Miracles covered "Yesterday" and "Hey Jude" and The Beatles covered Smokey too, then The Kinks covered "Dancing In The Street", the Stones several from The Temptations and The Miracles. The Supremes covered "Yesterday" too in other album... That's fascinating, it's the open dialogue between the two best pop movements of the 60s! Maybe we should make a thread about it! [Edited 3/11/14 0:34am] | |
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The Stand! cover doesn't get enough love, that tune is downright funky! I remember where I was when I bought this album and that cut came on, I thought I would start dancing around the mall when that instrumental in the bridge started | |
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Good luck! You have to discuss quickly, before some fool comes in again, thinks that a Jackson 5 thread should be discussed in a Michael Jackson thread and locks the damn thing up, successfully killing another great discussion. | |
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I wanted to comment on the fast version from Goin Back to Indiana as well, thanks for mentioning! I think that's where I'd first heard it in fact, on Legend Continues when I first got the vhs. I wonder if vainandy likes it fast or slow :p | |
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I think some of singles were released in mono, but I'm not sure why. Stereo had pretty much taken over by then. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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I love the breakdown at 1:05! >
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CynicKill said: I love the breakdown at 1:05! >
Wrong album. PRINCE: Always and Forever
MICHAEL JACKSON: Always and Forever ----- Live Your Life How U Wanna Live It | |
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The "Diana Ross Special" must've confused me.
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Yes. Me too. I was a bit disappointed when I finally heard the studio version. | |
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Some of the invasion acts were also into blues performers. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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My favorite track from this album is "Nobody." Why that wasn't a single I have no idea! | |
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You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Yeah, it's downright funky! | |
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Just listened to live Stand to compare, still like the album version better. It sounds more like Sly & The Family Stone's sound...all the Jacksons paid homage to them so well, Janet's And On and On is another example | |
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That's true. I would say that, in the beginning of their careers, most of them —if not all— were into blues, to a bigger or lesser extent. As the decade went by, they distanced themselves from black sounds, but up until, let's say, 1965-66, they were highly influenced by blues music. | |
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B.B. King was mentioned in The Beatles' Dig It
You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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