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I have pinpointed what I miss in Prince's present day music. Experimentation. Back in the day he would shake weird or mind-bogling stuff out of his sleeve record after record. That in combination with that amazing voice, his music hooked me time after time.
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Hmm... I follow you Ham [su], but I find that at least 3121 have what you're looking for: New and fresh sound, experimental and sexy... But it is getting longer in between those findings, yes She gave her angels... | |
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I with you...
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geo4you said: Hmm... I follow you Ham [su], but I find that at least 3121 have what you're looking for: New and fresh sound, experimental and sexy... But it is getting longer in between those findings, yes
To be honest, there's nothing much on that album that really attract me, experimentation-wise. I still think he tried to mould that album in a sort of Purple Rain; mixing rock with funk. In that respect his last three outing all have that same thing going for them; mixing the rock and R&B forms, but mostly using old fashioned ways to do so. Black Sweat was as much a reworking of the Hot Thing/Housequake kinda song that it sounded tired the second time I played it. He succeeed somewhat better with the free-style of the 3121 title song, using Erotic City influences, but buffing it up with the NPG trio's heavy thump. But the thing is that he used a lot of old fashioned styles to make these albums stick together, but he succeeds best if he goes really timeless, like on Somewhere here On Earth or tries something he does not use often, like the contemporary beat of Love, which makes it an immediate stand out cuz it different than anything else on the album. Then, at least, his compositons work. But there isn't anything like mind-bogling on there; there is no guitar like on East, no sketching like on One Nite Alone (the song). And yet, none of these albums are boring, cuz how could a Prince album be boring with that voice? | |
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I agree. 3121 is vastly over-rated. I haven't been mad on his last three records, although I think PE had some strong cuts.
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Have to mainly agree. | |
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So what you're saying is that recently he has just shown good workmanship demonstrating his musical skills but not necessarily making music in the sense of creating as an artist?
She gave her angels... | |
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geo4you said: So what you're saying is that recently he has just shown good workmanship demonstrating his musical skills but not necessarily making music in the sense of creating as an artist?
Maybe he needs inspiration in his life? And not all this strange relationship going on with fans, media, etc... He is too much of an accomplised artist to make bad-sounding albums, even though Mattyjam is right when doubting the sound of The Human Body (no, that certainly is NOT techno, at least it ain't GOOD techno). I say that ever since he got an own studio, his album production often sounds too slick and slightly over-tinkered with. The projects that speak to me are his angry projects, like The Gold Experience, when he was on a roll and his sound was spot on, mostly. All the versions of Days Of Wild I saw him perform were different. I am not surprised to find out that the tunes I love so much have been recorded away from Paisley Park, like Solo. It makes me suspect that recording non-stop at Paisley Park makes the sound he creates fold in on itself. Then again, I might be mistaken; back in the day even tight sounding albums like Parade had a surplus of outtakes that found their way to the adoring fans. Maybe he just feeds us his 'safe' material and he is just vaulting his more experimental work. I think that Prince's music is a reflection of his life and sure, his life is about performing alot lately, with all his touring and about bible study, which offers us crazy music, but ,to most people, unpenetratable lyrics. I could do without the jam-like songs like Get On The Boat, but rather have an album that mixes catchy pop-songs and more exciting songs to fill the cracks. And no, The 1 I Wanna C is not catchy, it just tries to be. And Planet Earth is not epic, it is 3 Chains Of Gold, just somewhat more interesting. Again, I mean One Nite Alone-epic and Raspberry Beret-catchy. And again, I am not saying he needs to re-visit those sounds, I would just like to hear him try again to get underneath the skin of his audience, while still have that FU-attitude he used to have. | |
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The 1 U Wanna C is catchy as hell to me... If he'd recorded this back in the days of Diamonds & Pearls (when he was still relevant enough to pack a punch on commercial radio) he would've had a huge hit with it.
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geo4you said: So what you're saying is that recently he has just shown good workmanship demonstrating his musical skills but not necessarily making music in the sense of creating as an artist?
Maybe he needs inspiration in his life? And not all this strange relationship going on with fans, media, etc... With you geo | |
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The majority of everything since 1990 sounds over-baked; over-contrived; over-produced; over-done.
You can call me Wex. | |
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WX147 said: I wish he'd make an album on a 4-track portastudio, using a C90 cassette tape. Just him, a synth, a bass, a guitar and a drum machine.
That kinda sounds hot, right there. | |
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No matter what Prince does at this point a portion of the fan base will be dispointed. Either he doesn't sound enough like old-prince on one hand or he is rehashing old Prince on the other.
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tricky99 said: none of us can agree on anything concerning Prince's output.
Is why I put the word 'I' in my thread title twice, just to also pinpoint this is a very personal view. If you disagree that's okay. I just wanted to share why I feel detached form most of Prince's recent output, also including examples of his recent output that I did like, to level it out somewhat and not come across as a total spoiled 80's fan that is on an egocentric trip. Prince's career is so diverse it cannot help but attract some and alienate others. Like Prince cannot help but do the things he does, I cannot help but being attracted to some work and being repelled by others, it is just the way of things. I just had that fam-thing going on for a very short period of my life, so I never was a fan that doted on everything Prince did. But, like most of you hot-heads must realise is that certain parts Prince's musical career make you return there. This will certainly be different for the different agegroups in his fanbase; in their 40's, 30's and 20's, even some teens; it all depend to what music you were exposed first and how. I am 37, 1999 being the first song on Dutch radio much, but I became BIG fan with When Doves Cry and the following album, so going through my teens with his 80's output as the soundtrack to stuff like my first crush, my first kiss, my first bf; it is only natural that his 80;s material holds a special sway over me. Even though ever since Batman I never liked an album by Prince back to front anymore, as I did with his albums spanning 1982/1988, I was a very attentive fan, always a collector, mainly because of the awesome live performances, the related artists, the non-album material and of course the outtakes; you can never become a completist, as there is always something new. I mean, you can count on it that just when I am ready to throw in the towel, someone, somewhere comes up with a clear quality version of The Ball or Anna Waiting. Once you've been infected with the collecting bug, you never totally recover. | |
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HamsterHuey said: Experimentation. Back in the day he would shake weird or mind-bogling stuff out of his sleeve record after record. That in combination with that amazing voice, his music hooked me time after time.
Even when his entire records stopped being overall amazing, there's always be a few songs on it to drwa me back in and stay at least interested. Mediocre albums like Batman had Batdance and The Future, Lovesymbol had Sexy MF etc. To me, the last really challenging record he has made was N.E.W.S., which sported songs that took me places. The last mind-bogling song to me was the title track of One Nite Alone. I am not saying Prince makes bad records, that is his genius. The albums that do not appeal to me seem to draw in new fans in by the masses. I am aware that, like friends, you cannot take an artists entire ouvre with you into your future. And even though I can hear his latest efforts aren't bad, they just do not tickle my sexy bone, like new records by Grace Jones and the likes of Valgeir Sigurdson and Ellen Allien do. I am also not saying that I want Prince to go back to, let's say 1983, music-wise. But a man can wish, can't he? Cuz then I wish Prince would just make 8 song long records again and really create them, give them substance, an edge that seems to be missing with him trying to be a mix between James Brown (MACEO!) and Duke Ellington (HORNS!). If I say I want freaky Prince back, I do not mean the Sexy MF-Prince, but the one that swept me off my feet every time, by incorporating something new into his music, or twisting something old his way so it sounded fresh and sexy. I understand what ur saying and certain ppl are gonna have their favorite albums and not so great albums but remember prince is far from the end of his career and i know he has more great albums that will cater to alot of people still in him | |
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Erika2k8 said: remember prince is far from the end of his career and i know he has more great albums that will cater to alot of people still in him
True! I ain't saying I gave up on him. Just saying I am pining for something. | |
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http://www.myspace.com/butterscotchpimp
ONE OF THE MOST HATED MEN ON THE ORG! | |
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Besides the obvious fact that we all have different preferences when it comes to Prince and his music (or any music, for that matter), I kind of understand what HamsterHuey is talking about.
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I make a living in the arts, and after doing it for so long, yes i have grown, but i notice i keep using the same "tricks" unconsciously, maybe lazy on my part, and i see my "look" ( I don’t want a "look")
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Prince formerly known as the artist She gave her angels... | |
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geo4you said: Prince formerly known as the artist
[gasp] | |
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MattyJam said: I agree. 3121 is vastly over-rated. I haven't been mad on his last three records, although I think PE had some strong cuts.
Even when his experiments were a bit dodgy (did he really pull off techno with The Human Body?), it was cool to see him trying to expand his horizons. He seems very complacent on recent recordings. His music is much more formulaic... I wish he'd discover a whole new genre and try to encorporate it into his sound. When was the last time you heard a Prince record and thought to yourself "I didn't see that coming!"? [Edited 8/17/08 2:51am] Rainbow Children anyone? | |
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even tho we've exhausted this discussion so many times b4, i agree with the idea that he doesnt experiment as much anymore.
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wow.. sad thoughts to think that his access to music is limited... you could be right.. poor guy
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HamsterHuey said: Experimentation. Back in the day he would shake weird or mind-bogling stuff out of his sleeve record after record. That in combination with that amazing voice, his music hooked me time after time.
Even when his entire records stopped being overall amazing, there's always be a few songs on it to drwa me back in and stay at least interested. Mediocre albums like Batman had Batdance and The Future, Lovesymbol had Sexy MF etc. To me, the last really challenging record he has made was N.E.W.S., which sported songs that took me places. The last mind-bogling song to me was the title track of One Nite Alone. I am not saying Prince makes bad records, that is his genius. The albums that do not appeal to me seem to draw in new fans in by the masses. I am aware that, like friends, you cannot take an artists entire ouvre with you into your future. And even though I can hear his latest efforts aren't bad, they just do not tickle my sexy bone, like new records by Grace Jones and the likes of Valgeir Sigurdson and Ellen Allien do. I am also not saying that I want Prince to go back to, let's say 1983, music-wise. But a man can wish, can't he? Cuz then I wish Prince would just make 8 song long records again and really create them, give them substance, an edge that seems to be missing with him trying to be a mix between James Brown (MACEO!) and Duke Ellington (HORNS!). If I say I want freaky Prince back, I do not mean the Sexy MF-Prince, but the one that swept me off my feet every time, by incorporating something new into his music, or twisting something old his way so it sounded fresh and sexy. You and the rest of us. He's 50 though - ain't gonna happen. | |
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what i miss are:
Snare drum pound on the 2 & 4 | |
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I respect the points made on this thread. Hell, I would love to hear more experimentation on Prince's CD's too but I have to wonder, what more experimenting can he do today? What was so great about him in the 80's what that he created a brand new style that when duplicated by others, it never sounds as good as when it was done by the creator, in this case Prince. I just don't know if there is any new sounds for the man to create, and I don't think that's a bad thing. For all we know, something new may come out of Prince in future CD's but in the meantime, I'm enjoying Prince where he is today. Prince.org is a cemetery where folks mourn Prince instead of celebrate him and his music. Last time I checked, Prince isn't dead yet.
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there is now and always will be hundreds of ways to experiment and create new sounds, or new combinations of sounds
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robinesque said: there is now and always will be hundreds of ways to experiment and create new sounds, or new combinations of sounds (IMO)
Prince has tried alot, but still just the tip of the iceberg (IMO) I would have thought that a true artist (and lets assume this would include prince), would be able to help but explore and experiment. To me it seems a major component of why someone would make music in the first place.... if you're not going through a journey of discovery yourself.. why bother? (ok.. I know why you'd bother, but it just doesn't seem like it would be as much fun) | |
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I'm enjoying Prince where he is today too; but what a I miss in him is his happiness the those years ago Forever in my life...
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