This ticket limit thang has me anxious. Did anybody else spot this? taken from the see tickets site.

Maximum 2 per person over both shows (not 2 per person per show)

So that means if a person wanted to go to both shows at the venue, they would have to go alone?

ThePartyman said:

This ticket limit thang has me anxious. Did anybody else spot this? taken from the see tickets site.

Maximum 2 per person over both shows (not 2 per person per show)

So that means if a person wanted to go to both shows at the venue, they would have to go alone?

So if I got 2 to the first show, and my friend got 2 to the second show, we're ok?

TheEnglishGent said:

fnksoul said:

Gigs and Tours website, its owned by SJM which is the UK promoter.

So, the previous link then

Also from that link :

Maximum 2 per person over both shows (not 2 per person per show)

*edit* got distracted with work and see someone else posted first. Nothing to see here, move along

[Edited 11/12/15 6:42am]

jaawwnn said:

ThePartyman said:

This ticket limit thang has me anxious. Did anybody else spot this? taken from the see tickets site.

So that means if a person wanted to go to both shows at the venue, they would have to go alone?

So if I got 2 to the first show, and my friend got 2 to the second show, we're ok?

A cunning plan.

See appear to only have that condition for the Drury Lane shows. I guess that's gonna be the *biggest* one in terms of attracting touts and the like.

jaawwnn said:

ThePartyman said:

This ticket limit thang has me anxious. Did anybody else spot this? taken from the see tickets site.

So that means if a person wanted to go to both shows at the venue, they would have to go alone?

So if I got 2 to the first show, and my friend got 2 to the second show, we're ok?

Wel, yeah.

stpaisios said:

ThePartyman said:

jaawwnn said:

So if I got 2 to the first show, and my friend got 2 to the second show, we're ok?

A cunning plan.

See appear to only have that condition for the Drury Lane shows. I guess that's gonna be the *biggest* one in terms of attracting touts and the like.

Apparenlty that one will be Filmed for commercial release, so maybe could be because the two shows will be the same?

fnksoul said:

ThePartyman said:

A cunning plan.

See appear to only have that condition for the Drury Lane shows. I guess that's gonna be the *biggest* one in terms of attracting touts and the like.

Apparenlty that one will be Filmed for commercial release, so maybe could be because the two shows will be the same?

Don't we hear this story on every tour? I really hope it's true but will absolutely not be holding my breath. I'm sure they'll be filmed but won't ever see the light of day.

TheEnglishGent said:

fnksoul said:

Apparenlty that one will be Filmed for commercial release, so maybe could be because the two shows will be the same?

Don't we hear this story on every tour? I really hope it's true but will absolutely not be holding my breath. I'm sure they'll be filmed but won't ever see the light of day.

Something is telling me he's been paid a nice chunk of money upfront for it.

KingSausage said:

stpaisios said:

Hoping someone will kindly answer before tomorrow....

I have two realistic choices for the shows, Vienna or Milan. Milan being very much preferred. However, the fact that its not confirmed is making me wonder if I should just try for Vienna even though a LOT harder to get to.

Does ANYONE havve more info on Milan????

Thanks

R88 said:

Stranger said:

NEW VIDEO / PRINCE: Piano...Rehearsal!

pasquerto said:

How will you be trying to buy tickets? Through Ticketmaster of Gigs and Tours?

Has anyone been to Drury Lane before?

I'm interested to know if it is good viewing everywhere. £133 is just in my price range but not if I'm sat behind a pillar . Thanks

Crump said:

Has anyone been to Drury Lane before?

I'm interested to know if it is good viewing everywhere. £133 is just in my price range but not if I'm sat behind a pillar . Thanks

The Theatre Royal Drury Lane is one of London's most spectacular theatre spaces and one that has been home to a whole host of prolific productions. Originally opening in 1663, the venue is one of London's oldest theatres and has been rebuilt and redesigned numerous times. The auditorium is large, and can hold over 2,000 people divided across four levels, including boxes. The stage is exceptionally large, meaning that views from all levels are good and, whilst it is possible to feel far away, in many cases a sense of perspective makes for an excellent performance experience. The current production of Charlie and the Chocolate Factory is a large, visual musical with a lot to see. There are a number of special effects that can be enjoyed at all levels of the theatre.

STALLS

The stalls are the largest seating section in the auditorium and are divided into six blocks of seating, with a front and rear section. The central sections give the best overall views of the stage, and are unobstructed until row L, where the overhang of the level above becomes visible. Seats towards the end of each row look across the stage rather than directly at it, meaning some pieces of the stage can be restricted. The rear stalls can feel quite far back from the action, with the top of the stage cut off which does mean certain parts of the show can be missed.

ROYAL CIRCLE

The Royal Circle provides excellent views of the stage, and feels at a level with most of the action. The section is well raked, meaning views over the heads of the audience in front are not obstructed. The section is free from safety rails, and even seats on the end of each row have a clear view of the stage. The overhang of the Upper Circle restricts the top of the stage for those on the back rows, but not as significantly as in the Stalls. The section is divided into three equal blocks of seats, giving excellent accessibility and opportunities for extra legroom. Seats are on the whole very comfortable and have good legroom.

UPPER CIRCLE

The Upper Circle feels much higher than the other levels and looks down onto the stage at quite a steep angle. The section is quite wide, meaning that some seats towards the ends of the rows can be restricted view. The overhang of the level above begins to come into sight from row E, and the safety rail at the bottom of each aisle can restrict the view of those sitting towards the centre aisles. The section does feel quite far away from the stage, but does provide panoramic views of the vast stage.

BALCONY

The Balcony section is the highest level of the auditorium and does feel far back from the stage. Because of the height, it may be unsuitable for those who have an issue with heights or have mobility problems. The section is divided into three blocks of seats, of which the central section has the most unobstructed views. The section is very well raked, giving good views over the heads of the audience in front. Safety bars towards the ends of each row do obstruct the view, although these seats are sold as having a viewing restriction.

Frequently Asked Questions

Where are the best seats for children at the Cambridge Theatre?

The best seats for children at the Theatre Royal Drury Lane are in the centre of the Stalls section or the Royal Circle. The Upper Circle and Balcony sections are very far away from the stage, so some children will not be able to see all of the action. Some children may prefer to sit close to the stage, but older children may enjoy taking in all of the action from the slightly higher Royal Circle. Booster cushions are available for smaller children, and are available by asking an usher inside the venue. Rows A and B of the Balcony are not recommended for children, due to the safety barrier in front.

Where are the Restricted View seats?

There are restricted view seats at all levels of the auditorium. These should be clearly marked on your ticket as restricted, and some level of discount applied. Stalls: The first and final two seats in each row A-J are marked as having a 'side view'. Seats in rows X-ZZ are marked as having the Circle overhang obscuring the view. Royal Circle:Seats in all boxes are marked as having a 'side view'. Upper Circle: Seats towards the central aisles are marked as slightly restricted due to a handrail or pillar being in view. Seats 1-5 and 44-48 have a limited view and you must lean forward to see. Balcony: Rows A and B are sold as restricted as they have the handrail in view, and you must lean forward to see. These seats are not recommended for children.

What if I am hard of sight or hearing?

The theatre is fitted with an infra-red system, with headsets available in the main foyer. An induction loop is available at the Box Office. Seats within the Upper Circle and Balcony have small binoculars available to rent in front of each seat, which should be replaced after use.

How many steps are there in the theatre?

There are 6 steps up to the main foyer and Box Office from street level. The Stalls are accessed by 20 steps down, with a further 17 up, but handrails are available on both sides. There are a further 39 steps up to the Royal Circle, with one handrail, and 61 steps to the Upper Circle. The Balcony can be accessed by a separate entrance, and has 90 steps up to it. For patrons who require step-free access, there is level access to the theatre from the signposted Russell Street door, which has its own doorbell.

Where are the toilets located?

Male and female toilets are located on each level of the auditorium. An adapted toilet is located by the step-free Russell Street entrance to the left of the Stalls.

Where are the bars located?

There is a bar and coffee bar available on the Stalls level and a Grand Saloon bar on the Royal Circle level. The Upper Circle is serviced by one bar, with a further two on the Balcony level. All drinks can be brought to disabled customers in the auditorium. Please note the Stalls bar is 17 steps down from the Stalls section.

Are there wheelchair facilities in the theatre?

There are four spaces for wheelchair users in the Stalls section: L1, L35, K1 and K35. Companions are also able to sit in the same row. Transfer seating is also available, with space to store wheelchairs and scooters in the Stalls store room. Access dogs are allowed inside the auditorium, and staff can dog-sit for up to four dogs per performance. Row K and C1, C29, D1 and D33 have the most legroom in the Stalls for transfer seating.

Thanks for the info Purple Thunder

Also

"Both shows will be filmed for commercial release."

http://www.gigsandtours.com/event/prince/theatre-royal-drury-lane/926921

fnksoul said:

ThePartyman said:

A cunning plan.

See appear to only have that condition for the Drury Lane shows. I guess that's gonna be the *biggest* one in terms of attracting touts and the like.

Apparenlty that one will be Filmed for commercial release, so maybe could be because the two shows will be the same?

As its the only venue officially stating that it will be filmed for commercial release, and that they are trying to limit tickets to one of the two timeslots, I think its fair to say they are a least planning it to be a duplicate performance for production purposes.

Whether it ever sees the light of day is a different matter.

Malloy said:

Why are the London shows 3pm and 7pm? I've got big hopes for an aftershow.

Thats the standard show times for the west end on a Sunday. I guess he is going with the Theatre standard rather than muck around with short timescale curfew extensions.

SquirrelMeat said:

Whether it ever sees the light of day is a different matter.

Bonus DVD with the Purple Rain remaster?

purplethunder3121 said:

Crump said:

Has anyone been to Drury Lane before?

I'm interested to know if it is good viewing everywhere. £133 is just in my price range but not if I'm sat behind a pillar . Thanks

THEATRE ROYAL DRURY LANE SEAT CHART AND GUIDE

The Theatre Royal Drury Lane is one of London's most spectacular theatre spaces and one that has been home to a whole host of prolific productions. Originally opening in 1663, the venue is one of London's oldest theatres and has been rebuilt and redesigned numerous times. The auditorium is large, and can hold over 2,000 people divided across four levels, including boxes. The stage is exceptionally large, meaning that views from all levels are good and, whilst it is possible to feel far away, in many cases a sense of perspective makes for an excellent performance experience. The current production of Charlie and the Chocolate Factory is a large, visual musical with a lot to see. There are a number of special effects that can be enjoyed at all levels of the theatre.

STALLS

The stalls are the largest seating section in the auditorium and are divided into six blocks of seating, with a front and rear section. The central sections give the best overall views of the stage, and are unobstructed until row L, where the overhang of the level above becomes visible. Seats towards the end of each row look across the stage rather than directly at it, meaning some pieces of the stage can be restricted. The rear stalls can feel quite far back from the action, with the top of the stage cut off which does mean certain parts of the show can be missed.

ROYAL CIRCLE

The Royal Circle provides excellent views of the stage, and feels at a level with most of the action. The section is well raked, meaning views over the heads of the audience in front are not obstructed. The section is free from safety rails, and even seats on the end of each row have a clear view of the stage. The overhang of the Upper Circle restricts the top of the stage for those on the back rows, but not as significantly as in the Stalls. The section is divided into three equal blocks of seats, giving excellent accessibility and opportunities for extra legroom. Seats are on the whole very comfortable and have good legroom.

UPPER CIRCLE

The Upper Circle feels much higher than the other levels and looks down onto the stage at quite a steep angle. The section is quite wide, meaning that some seats towards the ends of the rows can be restricted view. The overhang of the level above begins to come into sight from row E, and the safety rail at the bottom of each aisle can restrict the view of those sitting towards the centre aisles. The section does feel quite far away from the stage, but does provide panoramic views of the vast stage.

BALCONY

The Balcony section is the highest level of the auditorium and does feel far back from the stage. Because of the height, it may be unsuitable for those who have an issue with heights or have mobility problems. The section is divided into three blocks of seats, of which the central section has the most unobstructed views. The section is very well raked, giving good views over the heads of the audience in front. Safety bars towards the ends of each row do obstruct the view, although these seats are sold as having a viewing restriction.

Frequently Asked Questions

Where are the best seats for children at the Cambridge Theatre?

The best seats for children at the Theatre Royal Drury Lane are in the centre of the Stalls section or the Royal Circle. The Upper Circle and Balcony sections are very far away from the stage, so some children will not be able to see all of the action. Some children may prefer to sit close to the stage, but older children may enjoy taking in all of the action from the slightly higher Royal Circle. Booster cushions are available for smaller children, and are available by asking an usher inside the venue. Rows A and B of the Balcony are not recommended for children, due to the safety barrier in front.

Where are the Restricted View seats?

There are restricted view seats at all levels of the auditorium. These should be clearly marked on your ticket as restricted, and some level of discount applied. Stalls: The first and final two seats in each row A-J are marked as having a 'side view'. Seats in rows X-ZZ are marked as having the Circle overhang obscuring the view. Royal Circle:Seats in all boxes are marked as having a 'side view'. Upper Circle: Seats towards the central aisles are marked as slightly restricted due to a handrail or pillar being in view. Seats 1-5 and 44-48 have a limited view and you must lean forward to see. Balcony: Rows A and B are sold as restricted as they have the handrail in view, and you must lean forward to see. These seats are not recommended for children.

What if I am hard of sight or hearing?

The theatre is fitted with an infra-red system, with headsets available in the main foyer. An induction loop is available at the Box Office. Seats within the Upper Circle and Balcony have small binoculars available to rent in front of each seat, which should be replaced after use.

How many steps are there in the theatre?

There are 6 steps up to the main foyer and Box Office from street level. The Stalls are accessed by 20 steps down, with a further 17 up, but handrails are available on both sides. There are a further 39 steps up to the Royal Circle, with one handrail, and 61 steps to the Upper Circle. The Balcony can be accessed by a separate entrance, and has 90 steps up to it. For patrons who require step-free access, there is level access to the theatre from the signposted Russell Street door, which has its own doorbell.

Where are the toilets located?

Male and female toilets are located on each level of the auditorium. An adapted toilet is located by the step-free Russell Street entrance to the left of the Stalls.

Where are the bars located?

There is a bar and coffee bar available on the Stalls level and a Grand Saloon bar on the Royal Circle level. The Upper Circle is serviced by one bar, with a further two on the Balcony level. All drinks can be brought to disabled customers in the auditorium. Please note the Stalls bar is 17 steps down from the Stalls section.

Are there wheelchair facilities in the theatre?

There are four spaces for wheelchair users in the Stalls section: L1, L35, K1 and K35. Companions are also able to sit in the same row. Transfer seating is also available, with space to store wheelchairs and scooters in the Stalls store room. Access dogs are allowed inside the auditorium, and staff can dog-sit for up to four dogs per performance. Row K and C1, C29, D1 and D33 have the most legroom in the Stalls for transfer seating.

damn....hope i wont regret not going to london....this plan brings back memories from the apollo gigs in 2002

Sly said:

How will you be trying to buy tickets? Through Ticketmaster of Gigs and Tours?

Yes, my question too. GigsandTours looks like they are set up for the tickets where ticketmaster doesn't but would rather buy through the latter.

Anyone got any advice/knowledge on how they will be offered?

Thanks!!

R88 said:

Anyone in the nottingham , lincoln area getting the tickets for brimingham shows , if any car sharing going , i will pay all the Petrol money...... just think i would ask if can get tickets that is smile emoticon
thank u ...

I would be going from Newark by train for the London afternoon show if I can get a ticket.

When I heard about these solo shows I got excited. This could be something really special, but then I realized we're talking about Prince. He'll do some half assed covers, a few medleys of his own songs and way too many fucking ballads in falsetto. I wonder how much time and effort he put into this project. My main concern is that he came up with this shit 2 weeks ago and thinks he can sit down at his piano and just make shit up as he goes along.

Daleboy90 said:

Sly said:

How will you be trying to buy tickets? Through Ticketmaster of Gigs and Tours?

Yes, my question too. GigsandTours looks like they are set up for the tickets where ticketmaster doesn't but would rather buy through the latter.

Anyone got any advice/knowledge on how they will be offered?

Thanks!!

Hard call. Ticketmasteer have the more robust site/servers, thats for sure. I think its 50/50.

My bigger concern is that they will have different volumes of allocated seats to sell. Who has the most is unknown.