SoulAlive said: kitbradley said:
Yes, I 100% agree. New Jack Swing was definately a huge turning point in R&B. We had veteran R&B acts going new jack swing trying to keep up with the trends, often times, sounding ridiculous! There were still some very good traditional sounding R&B throughout most of the 90s but New Jack Swing and the infusion of hip-hop definately altered the genre in a huge way. I agree,it was the late-80s New Jack Swing sound that ruined “real” R&B.Also,adding hip-hop elements and guest rappers to R&B songs became an annoying trend.I remember James Ingram had an embarrassing New Jack Swing song during this period (“It’s Real”).Even he hated it,but said it’s what the record company wanted. Yes. I remember that James Ingram song. It was awful! I also remember cringing when I heard Gladys Knight's solo debut on MCA, I believe 1990. I understand labels wanted to keep up with trends but it didnt make any sense, to me, to put established artists like Gladys Knight, James Ingram or Vesta Williams in that kind of setting. I dont know if it won them any new fans. "It's not nice to fuck with K.B.! All you haters will see!" - Kitbradley
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The late 1980s and early 1990s is when I was buying a lot of remix maxi singles and some remix albums too. In the early 1990s I was more into dance rap like C+C Music Factory, Snap!, Gerardo, Kid n Play, Betty Boo, Salt-N-Pepa, Technotronic, & 2 Unlimited than gangsta. I did like some Geto Boys songs and 100 Miles & Runnin by NWA. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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MickyDolenz said:
The late 1980s and early 1990s is when I was buying a lot of remix maxi singles and some remix albums too. In the early 1990s I was more into dance rap like C+C Music Factory, Snap!, Gerardo, Kid n Play, Betty Boo, Salt-N-Pepa, Technotronic, & 2 Unlimited than gangsta. I did like some Geto Boys songs and 100 Miles & Runnin by NWA. Dance music was awesome in the 90s for sure | |
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In addition to the comments about rap, soudscan, and NJS, another movement that was promising but ultimately undermined R&B was the neo-sould movement in the late 80s and 90s. This type of singing was decidely more focused on artistry rather than singing in a traditional way. Included in this were D'Angelo, Badu, Jill Scott, and Lauryn Hill among others. I actually liked most of these artists, but their artistic visions tended to veer away from traditional R &B music andsinging. They shared with some of the other trends listed here a movement away for traditional song structure and melody. None of these artists would ever be accused of trying to have a pop hit like the Mowtown era artists often were. The problem is that most of their careers fizzled out fairly quickly and those that followed them were not nearly as artistic yet maintained the emphasis of non-melodic music. I really miss good old fashion melody in modern music, especially in R & B. It is a shame that the genre that traditional drew some of the best voices in music now can't use those voices to make beautiful melodies. Well, every rant has to end at some pont...... | |
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Whatever that guy above me said, I agree wholeheartedly (sorry, a dupe). [Edited 1/3/21 6:28am] | |
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My favorite was Cathy Dennis. I never thought I would hear Tammy Wynette on a dance track and singing about "mu mu land". You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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[Snip - luv4u] | |
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MickyDolenz said:
My favorite was Cathy Dennis. I never thought I would hear Tammy Wynette on a dance track and singing about "mu mu land". Cathy was awesome, she even co wrote Janet’s island life and Britney’s toxic | |
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My favorite band,Earth Wind and Fire,did an album like that too : Heritage,released in 1990.There were some new jack swing sounds on the album,plus two songs with MC Hammer.Needless to say,many longtime EW&F fans don't like this album very much. | |
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I remember that with EWF...I think R&B started to get too slick and watered by the mid to late 80's...A lot of the big r&b/funk bands from the 70's started to either strip down their sound, remove members down to three or four people or the lead singer would split and try to find life on the "pop tart charts"....The "neo-soul" (I hate that term) sound was cool because it reminded me of the r&b musicmanship and style of the late 70's/early 80's (Marvin/Stevie/Sly/Prince/Chaka). | |
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yeah,I agree.Also,many of these bands stopped using horns in favor of synths.Some of them had major success with thse changes (Cameo and Bar-Kays come to mind) but I felt like it was the end of an era. | |
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Good point about the horns, Beyoncé tried to go back to that sound on her 4 album | |
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Agree with everything you said.Things were getting ridiculous in the 90s with all those boy bands.Most of them had the same type of image/sound and they were singing cookie cutter songs I liked Tony Toni Tone....they were an actual band and they were one of the bright spots of 90s R&B.Their 1996 album House Of Music is absolutely superb. | |
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SoulAlive said:
Agree with everything you said.Things were getting ridiculous in the 90s with all those boy bands.Most of them had the same type of image/sound and they were singing cookie cutter songs I liked Tony Toni Tone....they were an actual band and they were one of the bright spots of 90s R&B.Their 1996 album House Of Music is absolutely superb. Let's not forget most of them couldn't sing. They all sounded like as if they were moaning throughout their songs too! | |
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I think the 90s had a lot of good vocalists, but that started going downhill in the late 90s/early 00s. I couldn’t stand Britney Spears voice and other artists that sounded average | |
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By the time the late 80's came around I was already pivoting to hip-hop and away from R&B. Oversimplifying things, by the time New Jack hit the scene, I considered it a pale imitation of "true" hip-hop, so I chose what I considered to be the "real thing." It stayed that way through most of the next 2 decades, because by the late 90's/early 00's, outside of neo-soul, I was revisiting a lot of the soul/R&B music of the 70's and building a jazz collection. Good night, sweet Prince | 7 June 1958 - 21 April 2016
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Oh yes. I forgot about that one by EW&F. It was hideous! So much that I could not get rid of it at a used record store. No one wanted it. I finally ended up just tossing it in the garbage can. "It's not nice to fuck with K.B.! All you haters will see!" - Kitbradley
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Maybe you should listen to gospel since it has always been more about big voices than secular music. Many of the earlier R&B/soul singers came from a church choir or gospel music background. Some even had preacher fathers (Sam Cooke, Aretha Franklin, Charlie Wilson, Marvin Gaye). That is less so with later R&B singers. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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MickyDolenz said:
Maybe you should listen to gospel since it has always been more about big voices than secular music. Many of the earlier R&B/soul singers came from a church choir or gospel music background. Some even had preacher fathers (Sam Cooke, Aretha Franklin, Charlie Wilson, Marvin Gaye). That is less so with later R&B singers. I tend to enjoy songs with gospel elements, so maybe will check it out at some point | |
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Faith Evans sounds similar to Karen from the Clark Sisters. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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MickyDolenz said:
Maybe you should listen to gospel since it has always been more about big voices than secular music. Many of the earlier R&B/soul singers came from a church choir or gospel music background. Some even had preacher fathers (Sam Cooke, Aretha Franklin, Charlie Wilson, Marvin Gaye). That is less so with later R&B singers. Contemporary black gospel is not about big voices at all. Unfortunately, today's gospel music has sufferred the same fate as R&B, chasing the latest trends. You will be hard pressed to find anyone in the current gospel industry singing with the same kind of gusto I grew up listening to in the 70s and 80s. I mean, they were chasing trends back then too but big voices were still up front and center where today they are considered old fashioned. Even going to church services (pre-Covid) to listen to the choir, most of the time, the singing was very much toned down compared to the choirs when I was a kid. [Edited 1/4/21 16:40pm] "It's not nice to fuck with K.B.! All you haters will see!" - Kitbradley
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It’s almost like a certain style of singing of r&b doesn’t seem to be in style anymore | |
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You can say that about any mainstream popular music. It's not like you hear someone on today's Top 40 that sings in a crooner style like Johnny Mathis or Perry Como or The Ink Spots. There's no doo wop either. Even the current popular hip hop has little in common with the Sugarhill Gang or Whodini. Some people call in "mumble rap". 1970s & 1980s R&B sounds nothing like R&B from the 1940s & 1950s. That's really when it was "rhythm & blues". The "blues" part left when soul music became popular in the 1960s. Soul had more string arrangements and it was somewhat watered down from the original R&B. The 1960s is when it began to get more crossover rather than mostly being in juke joints and the chitlin' circuit. The stuff on Checker Records during the 1960s was closer to the older style than Motown or even Stax. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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MickyDolenz said:
You can say that about any mainstream popular music. It's not like you hear someone on today's Top 40 that sings in a crooner style like Johnny Mathis or Perry Como or The Ink Spots. There's no doo wop either. Even the current popular hip hop has little in common with the Sugarhill Gang or Whodini. Some people call in "mumble rap". 1970s & 1980s R&B sounds nothing like R&B from the 1940s & 1950s. That's really when it was "rhythm & blues". The "blues" part left when soul music became popular in the 1960s. Soul had more string arrangements and it was somewhat watered down from the original R&B. The 1960s is when it began to get more crossover rather than mostly being in juke joints and the chitlin' circuit. The stuff on Checker Records during the 1960s was closer to the older style than Motown or even Stax. Yeah I was referring to mainstream, it’s like auto tune is the thing and just simple singing | |
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Man 90s music was the death of most genre's. RIP to music 1950s-1980s. The golden ages | |
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JayCrawford said: Man 90s music was the death of most genre's. RIP to music 1950s-1980s. The golden ages I thought the 90s was diverse and that’s what’s missing now | |
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alphastreet said: JayCrawford said: Man 90s music was the death of most genre's. RIP to music 1950s-1980s. The golden ages I thought the 90s was diverse and that’s what’s missing now Quality over diversity. Every genre were at its golden ages, country 50s-60s, soul 60s - early 80s (1980-1984), golden ages of rock 60s-80s, the golden ages of reggae late 60s - 70s, golden ages of funk late 60s - 70s, golden age of pop 60s-80s. The talent then throughout the 50s-80s were ridiculous. The 90s and even the 00s didn't have a stand out golden age or talent that are just as impactful as the previous generations. Most genre's were pretty much on a decline and haven't recovered since. | |
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I was into most of them also. I was also into Musto and Bones, The Adventures of Stevie V, 2 Live Crew, 95 South, 69 Boyz, Dis N Dat, Mario, Sir Mix-A-Lot, Mr. Lee, Gino Latino, Cartouche, etc. As for Geto Boys and NWA though, that's the kind of shit that I hated. Andy is a four letter word. | |
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They called me up in Tennnnnerrrrsseeee and said Tammy, stand by the jam. Yes, I've got that one in my collection too. . . . [Edited 1/5/21 8:06am] Andy is a four letter word. | |
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