Meet Debra Martin Chase, shot caller extraordinaire. Easily one of the most powerful and influential women in Hollywood, Chase has produced some of the most lucrative film franchises such as Sisterhood of The Traveling Pants, The Princess Diariesand The Cheetah Girls. She’s also dominated the small screen as well, with Disney Channel’s musical Lemonade Mouth being the most watched cable movie of 2011 (the soundtrack was the #4 album in the U.S.). Formerly a high pedigreed attorney (graduating Phi Beta Kappa from Mount Holyoke College, J.D. at Harvard Law School), Chase decided chase her dream of entering of the movie biz, and soon found herself running production companies for Whitney Houston and Denzel Washington. Eventually Chase would land her own producing deal with The Walt Disney Company, making her the first African-American woman to do so with a major studio.
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Chase also has an uncanny eye for talent, responsible for launching the careers of A-listers like Anne Hathaway, Blake Lively and Chris Pine. In her gutsiest move yet, this savvy mover and shaker is at the helm of two iconic remakes: the 1976 classic Sparkle and the steamy 1986 coming of age dramaDirty Dancing.
The Urban Daily caught up with Chase to find out which R&B chanteuse was originally up for the role of Sparkle, the controversial casting of Whitney Houston, and why America seems to be so obsessed with musicals.
TUD: Can you tell us how you came to be involved in the Sparkle remake?
DMC: Whitney and I used to be producing partners and one of our favorite movies was Sparkle. Warner Bros. owned it, so we approached them and we went into development, with Aaliyah as the lead. My good friend, the late E. Lynn Harris wrote the screenplay and we were going to shoot it either right before or after Matrix 2 when Aaliyah died tragically. It was sitting on the shelf for years and I would go back to Warner Bros every year, but they weren’t interested. One night I was having dinner with the head of Sony Pictures, Michael Lynton, and Sparkle came up. He said, “I’d make that movie.” So now here we are, two years later, in production.
Jordin Sparks has been cast as Sparkle. What qualities did Jordin possess that made her right for the role?
She’s perfect. Obviously she has an amazing voice and she has just the right quality about her. She’s young and still has that innocence about her, but sophistication as well. People will be thrilled to see that she’s a wonderful actress. She has great raw talent and instincts—she’s going to knock this out of the park.
Whitney Houston is also on board, in the role of the girls’ mother. It’s been a while since Whitney has been on the big screen. What do you say to those who feel she might not be up to the task?
She’s Whitney Houston, come on! She’s gone from The Bodyguard to Waiting To Exhale. She loves this movie and we’ve been working on this project for over 11 years, and it’s very dear to her heart. Ironically when we first started she had aged out of the Sister’s role and she was too young to play the mother. We are staying very true to the spirit of the original movie, but we’ve made some updates that will make it more interesting. Whitney is very excited, and she’s going to be fabulous.
What elements of the original Sparkle will remain the same in this remake? What elements will be different?
The movie will be set in Detroit, 1968. It’s the same plot for the most part, but we’ve sort of made it our own. It will have the same emotional impact and we’re keeping the most iconic of the songs, and adding some new original songs. We approached this with the idea of thrilling the fans of the original movie but also having something fresh for people coming to Sparkle for the first time.