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Reply #60 posted 07/04/11 11:10pm

bboy87

avatar

ViintageJunkiie said:

Came across this list of unreleased music. Some of the years are off a few years bit but some titles I've never seen before

A:
A Baby Smiles (1979) (Michael Jackson)
Al Capone (1985) (Michael Jackson, Rod Temperton)
All My Children (2000) (Michael Jackson, Teddy Riley, R. C. Stites)
Alright Now (1989) (Michael Jackson) +
Angel (1999) (Babyface, Michael Jackson)
Another Day (2000) (Michael Jackson, Lenny Kravitz) +

B:
Beautiful Girl (1998) (Michael Jackson) +
Bless My Soul (1978) (Michael Jackson, The Jacksons)
Buffalo Bill (1984) (Michael Jackson)
Bumper Snippet (1986) (Michael Jackson, Bill Botrell) +
Bottle Of Smoke (1989) (Michael Jackson)
Bubble (1991) (Michael Jackson)
Basszouille (1994) (Michael Jackson, Bruce Swedien)
Be Me 4 A Day (1998) (Michael Jackson)
Belong 2 (1999) (Michael Jackson, Teddy Riley)
Breaking (2004) (Michael Jackson)
Bad Girl (1999) (Michael Jackson) +

C:

Circus Girl / Carousel (1982) (Michael Sembello, D. Freeman) +
Crack Kills (1986) (Michael Jackson)
Chicago 1945 (1985) (Michael Jackson, Steve Pocaro)
Cheater (1987) (Michael Jackson , Greg Phillinganes) +
California Grass (The date is unknown at the moment) (Michael Jackson)
Children's Holiday (1998) (Michael Jackson) +
Can't Stop Me Now (1998) (Michael Jackson)
Can You Feel Me (2000) (Michael Jackson, Teddy Riley, Tyrese)
Creep In' (2000) (Michael Jackson)
Crush (2002) (Michael Jackson, Lenny Kravitz) +

D:
Deep In The Night (1989) (Michael Jackson, Bill Bottrell)
Dreams (1993) (Michael Jackson)
Do You Want Me (2000) (Michael Jackson, Sisqo, Dru Hill)
Do You Love Me (2000) (Babyface, Michael Jackson)
Do You Know Where Your Children Are (1990) (Michael Jackson)
Dead Or Alive (2004) (Michael Jackson)

E:
Elisabeth, I Love You (1996) (Michael Jackson) +
Easy (1999) (Michael Jackson)
Edgar Allan Poe (2000) (Michael Jackson, Walter Afanasieff)
Escape (2001) (Michael Jackson, Rodney Jerkins, La Shawn Daniels, Fred Jerkins III, Harvey Jay Mason) +
Ekam Satyam - The One Truth (2001) (Michael Jackson, A.R. Rahman)

F:
Far Far Away (1983) (Michael Jackson, Carole Bayer-Sager, David Foster)
Fly Away (1987) (Michael Jackson) +
Fever (1989) (Michael Jackson)
Faces/Pretty Faces (1974) (1987) (Stevie Wonder)
Fear (1994) (Michael Jackson)
Fall Again (1999) (Walter Afanasieff, Robin Thicke) Face (1999) (Michael Jackson) +
Free (2000) (Carole Bayer-Sager, Michael Jackson)
Fantasy (2000) (Michael Jackson)
Force (2003) (Michael Jackson, Irv Gotti, Ashanti, Ja Rule)

G:
Goin' To Rio (1978) (Michael Jackson, Carole Bayer-Sager)
Girls Of Another Love (1989) (Michael Jackson)
Groove Of Midnight (1987) (Michael Jackson)
Get Your Weight Off Me (2001) (Michael Jackson) +
Get Around (2001) (Michael Jackson, Rodney Jerkins, Fred Jerkins, La Shawn Daniels)

H:
Holiday Inn (1978) (Michael Jackson)
Hotstreet (1982) (Rod Temperton)

Got The Hots (1982) (Michael Jackson) +
Heaven Is Here (1991) (Michael Jackson)
House Of Style (2001) (Michael Jackson, Teddy Riley, Tyrese, Andre Harris)
Healing My Feelings (2004) (Michael Jackson)

I:
Iowa (1978) (Michael Jackson)
If You Don't Love Me (1989) (Michael Jackson) +
In The Back (1994) (Michael Jackson) +
I Forgive You (2000) (Michael Jackson)
I Have This Love Of Me (2000) (Michael Jackson)
I Don't Live Anymore (2001) (Michael Jackson)
In The Valley (2001) (Michael Jackson, Tyrese)
I Have This Dream (2002) (Michael Jackson, Carole Bayer-Sager, David Foster, Ric Kipp) +

J:

K:
Kentucky (1979) (Michael Jackson)
Kick It (2000) (Michael Jackson, Rodney Jerkins, Fred Jerkins, La Shawn Daniels, Norman Gregg)

L:
Learned My Lesson (1981) (Michael Jackson)
Lonely Man (The date is unknown at the moment) (Michael Jackson)
Little Girls (The date is unknown at the moment) (Michael Jackson)
Llama Lola (The date is unknown at the moment) (Michael Jackson)
Lonely Bird (The date is unknown at the moment) (Michael Jackson)
Lucy Is In Love With Linus (The date is unknown at the moment) (Michael Jackson)

M:
Monkey Business (1989) (Michael Jackson, Bill Bottrell) +
Mind Is The Magic (1989) (Michael Jackson) +
Men In Black (1990) (Michael Jackson, Teddy Riley)
Make A Wish (1987) (Michael Jackson)
Michael Mckeller (1985-6) (Michael Jackson)
Much Too Soon (1981-94) (Michael Jackson)
Maybe We Can Do It (2001) (Michael Jackson, P.Diddy, Rodney Jerkins)
Make Or Break (1985) (Michael Jackson, John Barnes)

N:
Nite Line (1982) (Glen Ballard) +
New Attitudes (2001) (Michael Jackson)

O:
Ode To Sorrow (1977) (Michael Jackson)
On The Line (1996) (Michael Jackson, Babyface) +
On My Anger (2000) (Michael Jackson, Teddy Riley, Blackstreet)

P:
Planet Earth (1991) (Michael Jackson) +
People Of The World (1999) (Michael Jackson)
People Have To Make Some Kind Of Joke (The date is unknown at the moment) (Michael Jackson)
Pressure (2003) (Michael Jackson, Rodney Jerkins, La Shawn Daniels, Fred Jerkins III, Harvey Jay Mason)

Prayer For Peace (2002) (Michael Jackson, Barry Gibb)

R:
Red Eye (2000) (Michael Jackson)

Remember This Night (1982) (Michael Jackson)
Revolution (2001) (Michael Jackson)

S:

Slipped Away (1980) (Michael Jackson, Randy Jackson)
Susie (1979) (Michael Jackson)
Sunset Driver (1979-82) (Michael Jackson) +
Somewhere In Time (1980) (Michael Jackson)
Space Dance (1982) (Michael Jackson) +
Someone In The Dark (1982) (Michael Jackson, Rod Temperton, Alan Bergman, Marilyn Bergman) +
Scared Of The Moon (1984) (Michael Jackson, Buz Kohan) +
Saturday (1986) (Michael Jackson) I've never heard about this one....
Streetwalker (1986) (Michael Jackson, Bill Botrell) +
Stand Tall (1982) (Michael Jackson)
Seven Digits (1989) (Michael Jackson)
Splash, We Can Get Wet Babe (Date is unknown at this time) (Michael Jackson, D. Brack, L. Jackson)
Stay (1989) (Michael Jackson, Bryan Loren)
She Got It (1990) (Michael Jackson, Bill Botrell, Bryan Loren) +
Serious Effect (1990) (Michael Jackson, Bryan Loren, LL Cool J) +
Seven Bright New Stars (1991) (Michael Jackson, Lionel Richie, D. Brack)
Someone Put Your Hand Out (1991) (Michael Jackson, Teddy Riley) +
Secret Passage (1996) (Michael Jackson)
Stop The War (1999) (Michael Jackson, Carole Bayer-Sager)
Saved By The Bell (Date is unknown at the moment) (Michael Jackson, Jermaine Jackson)
Sheґs Not A Girl (1982) (Michael Jackson)
Shy Shy (Date is unknown at the moment) (Michael Jackson)
Sister Sue (Date is unknown at the moment) (Michael Jackson)
Song with Jae-R, Omer Bhatti (2004) (Michael Jackson, Jae-R, Omer Bhatti)
Soldier's Entrance (2001) (Michael Jackson)
Seduction (2003) (Michael Jackson, Shelby Lee Myrick II)
She Was Lovin' Me (2001) (Michael Jackson, Teddy Riley, Mark C. Rooney)
Seeing Voices (2001) (Sidney Fine, Michael Jackson, Ray Charles Choir) +
Shout (2001) (Michael Jackson, Teddy Riley)+
Still Got It (2003) (Michael Jackson) +

T:
This Is It (1980) (Michael Jackson) +
There Must Be More To Life Than This (1983) (Michael Jackson, Freddie Mercury) +
The Toy (1980) (Michael Jackson)
Trouble (1985) (Michael Jackson) +
The Prince Of Fame (1986) (Michael Jackson)
Throwin' Your Life Away (1987) (Michael Jackson)
Tomboy (1985) (Michael Jackson, Quincy Jones)
Trust About Youth (1991) (Michael Jackson)
The Sky Is The Limit (1998) (Michael Jackson)
Thank Heaven (1998) (Michael Jackson)
Tubeway (1999) (Michael Jackson)
Triple Threat Cable (1999) (Michael Jackson)
The Childrenґs Hour (1999) (Michael Jackson)
To The World (2000) (Michael Jackson, Carole Bayer-Sager)
The Gloved One (2000) (Michael Jackson, Sisqo)
This Is Our Time (2000) (Michael Jackson, David Foster, Lauryn Hill)
Turning Me Off (Date is unknown at the moment) (Michael Jackson)
Tragedy Of A Cheerleader (Date is unknown at the moment (Michael Jackson)
That Kind Of Lover (2001) (A1, Ray Ruffin, Michael Jackson)
The Way You Love Me (2004) (Michael Jackson) +
The Pain (2003) (Michael Jackson, Rodney Jerkins, Harvey Jay Mason, Shawn Stockman)
Trash (2003) (Michael Jackson, Irv Gotti)
Trust In My Heart (2003) (Michael Jackson)
This'll Make You Cry (2003) (Michael Jackson)

U:
Under Your Skin (1979) (Michael Jackson)

V:
Victory (1983) (Michael Jackson) +
Vibrationist (1998) (Michael Jackson, Teddy Riley)
Visions (2003) (Michael Jackson)

W:
We've Had Enough (2004) (Michael Jackson, Rodney Jerkins, Fred Jerkins, L. Daniels, Carole Bayer Sager) +
We Are The Ones (1978) (Michael Jackson)
We Are Here To Change The World (1985) (Michael Jackson, John Barnes)+
We Are The World (solo version) (1985) (Michael Jackson, Lionel Richie)+

We Be Ballin' (2003) (Michael Jackson, Shaquille O'Neal, Raz-B, Ice Cube)
What`s Your Life (Date is unknown at the moment) (Michael Jackson, Jermaine Jackson)
What About Me (2004) (Michael Jackson)
What More Can I Give / Todo Para Ti (2002) (Michael Jackson, Marc Schaffel, Allstars) +
Why Can't It Be (1984) (Michael Jackson)
Who Do You Know (1981) (Michael Jackson)
Who Is The Girl With The Hair Down (Date is unknown at the moment) (Michael Jackson)
Work That Body (1989) (Michael Jackson, Bryan Loren) +

Y:
You're A Liar, Brother (Date is Unknown at the moment) (Michael Jackson)
You Are So Beautiful (2005) (Michael Jackson)
You Ainґt Gonna Change Nothing (1975) (Michael Jackson)
You Cry (1994) (Michael Jackson)
You Told Me Your Lovin' (1979) (Michael Jackson)
You Were There (1989) (Michael Jackson, Buz Kohan)

I just corrected the ones I knew off the top of my head. Some of these aren't even Michael, some of them are songs that sample Michael lol

Somebody needs a copy of "For The Record" ASAP lol

"We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world."
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Reply #61 posted 07/04/11 11:43pm

ViintageJunkii
e

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bboy87 said:

ViintageJunkiie said:

Came across this list of unreleased music. Some of the years are off a few years bit but some titles I've never seen before

I just corrected the ones I knew off the top of my head. Some of these aren't even Michael, some of them are songs that sample Michael lol

Somebody needs a copy of "For The Record" ASAP lol

Hell, i need a copy of that book my damn self!

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Reply #62 posted 07/05/11 12:35am

bboy87

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ViintageJunkiie said:

bboy87 said:

I just corrected the ones I knew off the top of my head. Some of these aren't even Michael, some of them are songs that sample Michael lol

Somebody needs a copy of "For The Record" ASAP lol

Hell, i need a copy of that book my damn self!

My copy is in storage right now and my bookshelf looks funny without it lol

"We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world."
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Reply #63 posted 07/05/11 1:16am

Swa

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ViintageJunkiie said:

Came across this list of unreleased music. Some of the years are off a few years bit but some titles I've never seen before

A:
A Baby Smiles (1999) (Michael Jackson)
Al Capone (1982) (Michael Jackson, Rod Temperton)
All My Children (2000) (Michael Jackson, Teddy Riley, R. C. Stites)
Alright Now (1990) (Michael Jackson) +
Angel (1999) (Babyface, Michael Jackson)
Another Day (2002) (Michael Jackson, Lenny Kravitz) +

B:
Beautiful Girl (2004) (Michael Jackson) +
Bless My Soul (1980) (Michael Jackson, Quincy Jones)
Buffalo Bill (1985) (Michael Jackson)
Bumper Snippet (1986) (Michael Jackson, Bill Botrell) +
Bottle Of Smoke (1989) (Michael Jackson)
Bubble (1991) (Michael Jackson)
Basszouille (1994) (Michael Jackson, Bruce Swedien)
Be Me 4 A Day (1998) (Michael Jackson)
Belong 2 (1999) (Michael Jackson, Teddy Riley)
Breaking (2004) (Michael Jackson)
Bad Girl (1999) (Michael Jackson) +

C:

Circus Girl / Carousel (1982) (Michael Sembello, D. Freeman) +
Crack Kills (1986) (Michael Jackson)
Chicago 1945 (1987) (Michael Jackson, Steve Pocaro)
Cheater (1987) (Michael Jackson , Greg Phillinganes) +
California Grass (1993) (Michael Jackson)
Children's Holiday (1998) (Michael Jackson) +
Can't Stop Me Now (1998) (Michael Jackson)
Can You Feel Me (2000) (Michael Jackson, Teddy Riley, Tyrese)
Creep In' (2000) (Michael Jackson)
Crush (2002) (Michael Jackson, Lenny Kravitz) +

D:
Deep In The Night (1992) (Michael Jackson, Bill Bottrell)
Dreams (1993) (Michael Jackson)
Do You Want Me (2000) (Michael Jackson, Sisqo, Dru Hill)
Do You Love Me (2000) (Babyface, Michael Jackson)
Do You Know Where Your Children Are (2001) (Michael Jackson)
Dead Or Alive (2004) (Michael Jackson)

E:
Elisabeth, I Love You (1996) (Michael Jackson) +
Easy (1999) (Michael Jackson)
Edgar Allan Poe (2000) (Michael Jackson, Walter Afanasieff)
Entertainment Tonight (2000) (Michael Jackson)
Escape (2001) (Michael Jackson, Rodney Jerkins, La Shawn Daniels, Fred Jerkins III, Harvey Jay Mason) +
Ekam Satyam - The One Truth (2001) (Michael Jackson, A.R. Rahman)

F:
Far Far Away (1983) (Michael Jackson, Carole Bayer-Sager, David Foster)
Fly Away (1987) (Michael Jackson) +
Fever/ Hot Fever (1989) (Michael Jackson)
Faces/Pretty Faces (1991) (Michael Jackson, Stevie Wonder)
Fear (1993) (Michael Jackson)
Fall Again (1999) (Walter Afanasieff, Robin Thicke) Face (1999) (Michael Jackson) +
Free (2000) (Carole Bayer-Sager, Michael Jackson)
Fantasy (2000) (Michael Jackson)
Force (2003) (Michael Jackson, Irv Gotti, Ashanti, Ja Rule)

G:
Goin' To Rio (1978) (Michael Jackson, Carole Bayer-Sager)
Girls Of Another Love (1987) (Michael Jackson)
Groove Of Midnight (1987) (Michael Jackson)
Get Your Weight Off Me (2001) (Michael Jackson) +
Get Around (2001) (Michael Jackson, Rodney Jerkins, Fred Jerkins, La Shawn Daniels)

H:
Holiday Inn (1979) (Michael Jackson)
Hotstreet / Got The Hots (1982) (Michael Jackson) +
Heaven Is Here (1991) (Michael Jackson)
House Of Style (2001) (Michael Jackson, Teddy Riley, Tyrese, Andre Harris)
Healing My Feelings (2004) (Michael Jackson)

I:
Iowa (1978) (Michael Jackson)
If You Don't Love Me (1989) (Michael Jackson) +
In The Back (1999) (Michael Jackson) +
I Forgive You (2000) (Michael Jackson)
I Have This Love Of Me (2000) (Michael Jackson)
I Don't Live Anymore (2001) (Michael Jackson)
In The Valley (2001) (Michael Jackson, Tyrese)
I Have This Dream (2002) (Michael Jackson, Carole Bayer-Sager, David Foster, Ric Kipp) +

J:

K:
Kentucky (1979) (Michael Jackson)
Kick It (2000) (Michael Jackson, Rodney Jerkins, Fred Jerkins, La Shawn Daniels, Norman Gregg)

L:
Learned My Lesson (1987) (Michael Jackson)
Lonely Man (1999) (Michael Jackson)
Little Girls (2000) (Michael Jackson)
Llama Lola (2000) (Michael Jackson)
Lonely Bird (2000) (Michael Jackson)
Lucy Is In Love With Linus (2001) (Michael Jackson)

M:
Monkey Business (1989) (Michael Jackson, Bill Bottrell) +
Mind Is The Magic (1990) (Michael Jackson) +
Men In Black (1990) (Michael Jackson, Teddy Riley)
Make A Wish (1999) (Michael Jackson)
Michael Mckeller (2000) (Michael Jackson)
Much Too Soon (2000) (Michael Jackson)
Maybe We Can Do It (2001) (Michael Jackson, P.Diddy, Rodney Jerkins)
Make Or Break (2001) (Michael Jackson, Teddy Riley)
Maybe Tomorrow (2003) (Michael Jackson)

N:
Nite Line (1985) (Michael Jackson) +
New Attitudes (2001) (Michael Jackson)

O:
Ode To Sorrow (1977) (Michael Jackson)
On The Line (1996) (Michael Jackson, Babyface) +
On My Anger (2000) (Michael Jackson, Teddy Riley, Blackstreet)

P:
Planet Earth (1991) (Michael Jackson) +
Peaceful Journey (1993) (Michael Jackson)
People Of The World (1999) (Michael Jackson)
People Have To Make Some Kind Of Joke (2000) (Michael Jackson)
Pressure (2003) (Michael Jackson, Rodney Jerkins, La Shawn Daniels, Fred Jerkins III, Harvey Jay Mason)

Prayer For Peace (2003) (Michael Jackson, Barry Gibb)

R:
Red Eye (2000) (Michael Jackson)
Revolution (2001) (Michael Jackson)
Resurrection (2003) (Michael Jackson)

S:
Susie (1979) (Michael Jackson)
Sunset Driver (1982) (Michael Jackson) +
Somewhere In Time (1982) (Michael Jackson)
Space Dance (1982) (Michael Jackson) +
Someone In The Dark (1982) (Michael Jackson, Rod Temperton, Alan Bergman, Marilyn Bergman) +
Scared Of The Moon (1984) (Michael Jackson, Buz Kohan) +
Saturday (1986) (Michael Jackson)
Streetwalker (1986) (Michael Jackson, Bill Botrell) +
Stand Tall (1987) (Michael Jackson)
Seven Digits (1989) (Michael Jackson)
Splash, We Can Get Wet Babe (1989) (Michael Jackson, D. Brack, L. Jackson)
Stay (1989) (Michael Jackson)
She Got It (1990) (Michael Jackson, Bill Botrell, Teddy Riley) +
Serious Effect (1990) (Michael Jackson, Teddy Riley, LL Cool J) +
Seven Bright New Stars (1991) (Michael Jackson, Lionel Richie, D. Brack)
Someone Put Your Hand Out (1992) (Michael Jackson, Teddy Riley) +
Secret Passage (1996) (Michael Jackson)
Stop The War (1999) (Michael Jackson, Carole Bayer-Sager)
Saved By The Bell (2000) (Michael Jackson)
Sheґs Not A Girl (2000) (Michael Jackson)
Shy Shy (2000) (Michael Jackson)
Sister Sue (2000) (Michael Jackson)
Song with Jae-R, Omer Bhatti (2004) (Michael Jackson, Jae-R, Omer Bhatti)
Soldier's Entrance (2001) (Michael Jackson)
Seduction (2003) (Michael Jackson, Shelby Lee Myrick II)
She Was Lovin' Me (2001) (Michael Jackson, Teddy Riley, Mark C. Rooney)
Seeing Voices (2001) (Sidney Fine, Michael Jackson, Ray Charles Choir) +
Shout (2001) (Michael Jackson, Teddy Riley)+
Still Got It (2003) (Michael Jackson) +

T:
This Is It (1979) (Michael Jackson) +
There Must Be More To Life Than This (1983) (Michael Jackson, Freddie Mercury) +
The Toy (1984) (Michael Jackson)
Trouble (1985) (Michael Jackson) +
The Prince Of Fame (1986) (Michael Jackson)
Throwin' Your Life Away (1987) (Michael Jackson)
Tomboy (1987) (Michael Jackson, Quincy Jones)
Trust About Youth (1991) (Michael Jackson)
The Sky Is The Limit (1998) (Michael Jackson)
Thank Heaven (1998) (Michael Jackson)
Tubeway (1999) (Michael Jackson)
Triple Threat Cable (1999) (Michael Jackson)
The Childrenґs Hour (1999) (Michael Jackson)
To The World (2000) (Michael Jackson, Carole Bayer-Sager)
The Gloved One (2000) (Michael Jackson, Sisqo)
This Is Our Time (2000) (Michael Jackson, David Foster, Lauryn Hill)
Turning Me Off (2000) (Michael Jackson)
Tragedy Of A Cheerleader (2001) (Michael Jackson)
That Kind Of Lover (2001) (A1, Ray Ruffin, Michael Jackson)
The Way You Love Me (2004) (Michael Jackson) +
The Pain (2003) (Michael Jackson, Rodney Jerkins, Harvey Jay Mason, Shawn Stockman)
Trash (2003) (Michael Jackson, Irv Gotti)
Trust In My Heart (2003) (Michael Jackson)
This'll Make You Cry (2003) (Michael Jackson)

U:
Under Your Skin (1979) (Michael Jackson)

V:
Victory (1984) (Michael Jackson) +
Vibrationist (1998) (Michael Jackson, Teddy Riley)
Visions (2003) (Michael Jackson)

W:
We've Had Enough (2004) (Michael Jackson, Rodney Jerkins, Fred Jerkins, L. Daniels, Carole Bayer Sager) +
We Are The Ones (2000) (Michael Jackson)
We Are Here To Change The World (1986) (Michael Jackson, John Barnes)+
We Are The World (solo version) (1985) (Michael Jackson, Lionel Richie)+
We Be Ballin' (2003) (Michael Jackson, Shaquille O'Neal, Raz-B, Ice Cube)

What's A Guy Gotta Do (2000) (Michael Jackson, Pharell Williams)
What`s Your Life (2000) (Michael Jackson)
What About Me (2004) (Michael Jackson)
What More Can I Give / Todo Para Ti (2002) (Michael Jackson, Marc Schaffel, Allstars) +
Why Can't It Be (1984) (Michael Jackson)
Who Do You Know (2000) (Michael Jackson)
Who Is The Girl With The Hair Down (2000) (Michael Jackson)
Work That Body (1989) (Michael Jackson, Bill Botrell) +

Y:
You're A Liar, Brother (2001) (Michael Jackson)
You Are So Beautiful (2005) (Michael Jackson)
You Ainґt Gonna Change Nothing (2001) (Michael Jackson)
You Cry (1992) (Michael Jackson)
You Told Me Your Lovin' (1979) (Michael Jackson)
You Were There (1985) (Michael Jackson)

Interesting that there is nothing post 2005.

"I'm not human I'm a dove, I'm ur conscience. I am love"
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Reply #64 posted 07/05/11 1:24am

bboy87

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Swa said:

ViintageJunkiie said:

Came across this list of unreleased music. Some of the years are off a few years bit but some titles I've never seen before

A:
A Baby Smiles (1999) (Michael Jackson)
Al Capone (1982) (Michael Jackson, Rod Temperton)
All My Children (2000) (Michael Jackson, Teddy Riley, R. C. Stites)
Alright Now (1990) (Michael Jackson) +
Angel (1999) (Babyface, Michael Jackson)
Another Day (2002) (Michael Jackson, Lenny Kravitz) +

B:
Beautiful Girl (2004) (Michael Jackson) +
Bless My Soul (1980) (Michael Jackson, Quincy Jones)
Buffalo Bill (1985) (Michael Jackson)
Bumper Snippet (1986) (Michael Jackson, Bill Botrell) +
Bottle Of Smoke (1989) (Michael Jackson)
Bubble (1991) (Michael Jackson)
Basszouille (1994) (Michael Jackson, Bruce Swedien)
Be Me 4 A Day (1998) (Michael Jackson)
Belong 2 (1999) (Michael Jackson, Teddy Riley)
Breaking (2004) (Michael Jackson)
Bad Girl (1999) (Michael Jackson) +

C:

Circus Girl / Carousel (1982) (Michael Sembello, D. Freeman) +
Crack Kills (1986) (Michael Jackson)
Chicago 1945 (1987) (Michael Jackson, Steve Pocaro)
Cheater (1987) (Michael Jackson , Greg Phillinganes) +
California Grass (1993) (Michael Jackson)
Children's Holiday (1998) (Michael Jackson) +
Can't Stop Me Now (1998) (Michael Jackson)
Can You Feel Me (2000) (Michael Jackson, Teddy Riley, Tyrese)
Creep In' (2000) (Michael Jackson)
Crush (2002) (Michael Jackson, Lenny Kravitz) +

D:
Deep In The Night (1992) (Michael Jackson, Bill Bottrell)
Dreams (1993) (Michael Jackson)
Do You Want Me (2000) (Michael Jackson, Sisqo, Dru Hill)
Do You Love Me (2000) (Babyface, Michael Jackson)
Do You Know Where Your Children Are (2001) (Michael Jackson)
Dead Or Alive (2004) (Michael Jackson)

E:
Elisabeth, I Love You (1996) (Michael Jackson) +
Easy (1999) (Michael Jackson)
Edgar Allan Poe (2000) (Michael Jackson, Walter Afanasieff)
Entertainment Tonight (2000) (Michael Jackson)
Escape (2001) (Michael Jackson, Rodney Jerkins, La Shawn Daniels, Fred Jerkins III, Harvey Jay Mason) +
Ekam Satyam - The One Truth (2001) (Michael Jackson, A.R. Rahman)

F:
Far Far Away (1983) (Michael Jackson, Carole Bayer-Sager, David Foster)
Fly Away (1987) (Michael Jackson) +
Fever/ Hot Fever (1989) (Michael Jackson)
Faces/Pretty Faces (1991) (Michael Jackson, Stevie Wonder)
Fear (1993) (Michael Jackson)
Fall Again (1999) (Walter Afanasieff, Robin Thicke) Face (1999) (Michael Jackson) +
Free (2000) (Carole Bayer-Sager, Michael Jackson)
Fantasy (2000) (Michael Jackson)
Force (2003) (Michael Jackson, Irv Gotti, Ashanti, Ja Rule)

G:
Goin' To Rio (1978) (Michael Jackson, Carole Bayer-Sager)
Girls Of Another Love (1987) (Michael Jackson)
Groove Of Midnight (1987) (Michael Jackson)
Get Your Weight Off Me (2001) (Michael Jackson) +
Get Around (2001) (Michael Jackson, Rodney Jerkins, Fred Jerkins, La Shawn Daniels)

H:
Holiday Inn (1979) (Michael Jackson)
Hotstreet / Got The Hots (1982) (Michael Jackson) +
Heaven Is Here (1991) (Michael Jackson)
House Of Style (2001) (Michael Jackson, Teddy Riley, Tyrese, Andre Harris)
Healing My Feelings (2004) (Michael Jackson)

I:
Iowa (1978) (Michael Jackson)
If You Don't Love Me (1989) (Michael Jackson) +
In The Back (1999) (Michael Jackson) +
I Forgive You (2000) (Michael Jackson)
I Have This Love Of Me (2000) (Michael Jackson)
I Don't Live Anymore (2001) (Michael Jackson)
In The Valley (2001) (Michael Jackson, Tyrese)
I Have This Dream (2002) (Michael Jackson, Carole Bayer-Sager, David Foster, Ric Kipp) +

J:

K:
Kentucky (1979) (Michael Jackson)
Kick It (2000) (Michael Jackson, Rodney Jerkins, Fred Jerkins, La Shawn Daniels, Norman Gregg)

L:
Learned My Lesson (1987) (Michael Jackson)
Lonely Man (1999) (Michael Jackson)
Little Girls (2000) (Michael Jackson)
Llama Lola (2000) (Michael Jackson)
Lonely Bird (2000) (Michael Jackson)
Lucy Is In Love With Linus (2001) (Michael Jackson)

M:
Monkey Business (1989) (Michael Jackson, Bill Bottrell) +
Mind Is The Magic (1990) (Michael Jackson) +
Men In Black (1990) (Michael Jackson, Teddy Riley)
Make A Wish (1999) (Michael Jackson)
Michael Mckeller (2000) (Michael Jackson)
Much Too Soon (2000) (Michael Jackson)
Maybe We Can Do It (2001) (Michael Jackson, P.Diddy, Rodney Jerkins)
Make Or Break (2001) (Michael Jackson, Teddy Riley)
Maybe Tomorrow (2003) (Michael Jackson)

N:
Nite Line (1985) (Michael Jackson) +
New Attitudes (2001) (Michael Jackson)

O:
Ode To Sorrow (1977) (Michael Jackson)
On The Line (1996) (Michael Jackson, Babyface) +
On My Anger (2000) (Michael Jackson, Teddy Riley, Blackstreet)

P:
Planet Earth (1991) (Michael Jackson) +
Peaceful Journey (1993) (Michael Jackson)
People Of The World (1999) (Michael Jackson)
People Have To Make Some Kind Of Joke (2000) (Michael Jackson)
Pressure (2003) (Michael Jackson, Rodney Jerkins, La Shawn Daniels, Fred Jerkins III, Harvey Jay Mason)

Prayer For Peace (2003) (Michael Jackson, Barry Gibb)

R:
Red Eye (2000) (Michael Jackson)
Revolution (2001) (Michael Jackson)
Resurrection (2003) (Michael Jackson)

S:
Susie (1979) (Michael Jackson)
Sunset Driver (1982) (Michael Jackson) +
Somewhere In Time (1982) (Michael Jackson)
Space Dance (1982) (Michael Jackson) +
Someone In The Dark (1982) (Michael Jackson, Rod Temperton, Alan Bergman, Marilyn Bergman) +
Scared Of The Moon (1984) (Michael Jackson, Buz Kohan) +
Saturday (1986) (Michael Jackson)
Streetwalker (1986) (Michael Jackson, Bill Botrell) +
Stand Tall (1987) (Michael Jackson)
Seven Digits (1989) (Michael Jackson)
Splash, We Can Get Wet Babe (1989) (Michael Jackson, D. Brack, L. Jackson)
Stay (1989) (Michael Jackson)
She Got It (1990) (Michael Jackson, Bill Botrell, Teddy Riley) +
Serious Effect (1990) (Michael Jackson, Teddy Riley, LL Cool J) +
Seven Bright New Stars (1991) (Michael Jackson, Lionel Richie, D. Brack)
Someone Put Your Hand Out (1992) (Michael Jackson, Teddy Riley) +
Secret Passage (1996) (Michael Jackson)
Stop The War (1999) (Michael Jackson, Carole Bayer-Sager)
Saved By The Bell (2000) (Michael Jackson)
Sheґs Not A Girl (2000) (Michael Jackson)
Shy Shy (2000) (Michael Jackson)
Sister Sue (2000) (Michael Jackson)
Song with Jae-R, Omer Bhatti (2004) (Michael Jackson, Jae-R, Omer Bhatti)
Soldier's Entrance (2001) (Michael Jackson)
Seduction (2003) (Michael Jackson, Shelby Lee Myrick II)
She Was Lovin' Me (2001) (Michael Jackson, Teddy Riley, Mark C. Rooney)
Seeing Voices (2001) (Sidney Fine, Michael Jackson, Ray Charles Choir) +
Shout (2001) (Michael Jackson, Teddy Riley)+
Still Got It (2003) (Michael Jackson) +

T:
This Is It (1979) (Michael Jackson) +
There Must Be More To Life Than This (1983) (Michael Jackson, Freddie Mercury) +
The Toy (1984) (Michael Jackson)
Trouble (1985) (Michael Jackson) +
The Prince Of Fame (1986) (Michael Jackson)
Throwin' Your Life Away (1987) (Michael Jackson)
Tomboy (1987) (Michael Jackson, Quincy Jones)
Trust About Youth (1991) (Michael Jackson)
The Sky Is The Limit (1998) (Michael Jackson)
Thank Heaven (1998) (Michael Jackson)
Tubeway (1999) (Michael Jackson)
Triple Threat Cable (1999) (Michael Jackson)
The Childrenґs Hour (1999) (Michael Jackson)
To The World (2000) (Michael Jackson, Carole Bayer-Sager)
The Gloved One (2000) (Michael Jackson, Sisqo)
This Is Our Time (2000) (Michael Jackson, David Foster, Lauryn Hill)
Turning Me Off (2000) (Michael Jackson)
Tragedy Of A Cheerleader (2001) (Michael Jackson)
That Kind Of Lover (2001) (A1, Ray Ruffin, Michael Jackson)
The Way You Love Me (2004) (Michael Jackson) +
The Pain (2003) (Michael Jackson, Rodney Jerkins, Harvey Jay Mason, Shawn Stockman)
Trash (2003) (Michael Jackson, Irv Gotti)
Trust In My Heart (2003) (Michael Jackson)
This'll Make You Cry (2003) (Michael Jackson)

U:
Under Your Skin (1979) (Michael Jackson)

V:
Victory (1984) (Michael Jackson) +
Vibrationist (1998) (Michael Jackson, Teddy Riley)
Visions (2003) (Michael Jackson)

W:
We've Had Enough (2004) (Michael Jackson, Rodney Jerkins, Fred Jerkins, L. Daniels, Carole Bayer Sager) +
We Are The Ones (2000) (Michael Jackson)
We Are Here To Change The World (1986) (Michael Jackson, John Barnes)+
We Are The World (solo version) (1985) (Michael Jackson, Lionel Richie)+
We Be Ballin' (2003) (Michael Jackson, Shaquille O'Neal, Raz-B, Ice Cube)

What's A Guy Gotta Do (2000) (Michael Jackson, Pharell Williams)
What`s Your Life (2000) (Michael Jackson)
What About Me (2004) (Michael Jackson)
What More Can I Give / Todo Para Ti (2002) (Michael Jackson, Marc Schaffel, Allstars) +
Why Can't It Be (1984) (Michael Jackson)
Who Do You Know (2000) (Michael Jackson)
Who Is The Girl With The Hair Down (2000) (Michael Jackson)
Work That Body (1989) (Michael Jackson, Bill Botrell) +

Y:
You're A Liar, Brother (2001) (Michael Jackson)
You Are So Beautiful (2005) (Michael Jackson)
You Ainґt Gonna Change Nothing (2001) (Michael Jackson)
You Cry (1992) (Michael Jackson)
You Told Me Your Lovin' (1979) (Michael Jackson)
You Were There (1985) (Michael Jackson)

Interesting that there is nothing post 2005.

They haven't updated it.There's a couple of songs that should be added, especially the ones on Michael

The estate's STILL registering songs with BMI and the US Library Of Congress

"We may deify or demonize them but not ignore them. And we call them genius, because they are the people who change the world."
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Reply #65 posted 07/05/11 10:22am

HAPPYPERSON

here are the first 2 reviews of the Man In The Music Book By Joe Vogel coming in November

First review of Man in the Music is in:

“The many fans of the King of Pop are going to love this book. Huffington Post writer Vogel began it in 2005, long before Michael Jackson’s untimely death, and he wisely focuses on the music and groundbreaking recordings of Jackson’s solo career. Scandals and eccentricities are relegated to the background in this critical musical analysis, which will delight even the most knowledgeable Jackson fan. Each track on each record, from 1979’s Off the Wall through 2001’s Invincible, including posthumously released recordings, gets a thorough analysis, with listings of the involved writers, producers, and musicians. There is plenty of contextual biographical detail, and Vogel describes the cultural and political backdrop that makes Jackson’s achievements all the more remarkable. VERDICT A thoroughly enjoyable analysis of the music and life of the most popular musician of an era.” —Library Journal

July 2011, said:

Second review of Man in the Music is in:

“Vogel, a Huffington Post writer, immerses readers in a chronological exploration of Michael Jackson’s remarkable solo career. Chapter by chapter and literally song by song, he discusses Jackson’s albums, videos, dances, cinematic influences, musical heroes, idiosyncrasies, and artistic transformations from the inception of Off the Wall, Jackson’s 1979 solo debut, through 2001′s Invincible, his last studio album. In a final chapter set after Jackson’s notorious child abuse trial, Vogel reconstructs the performer’s plans for a series of comeback concerts and the worldwide shock following news of his death. Vogel has produced a smart–if at times academic–study of Jackson’s creativity and musical legacy. Based on interviews (none with Jackson himself), articles, and reviews, he achieves moments of intimacy and insight: a glimpse of Jackson, an ambitious perfectionist, in the studio relaxing his vocal cords with a hot drink poured over cough drops. By astutely contextualizing Jackson’s cultural impact and relevance, Vogel bolsters his premise that media sensationalism continues to denigrate Jackson’s artistic integrity without sounding vindictive. Strangely, Vogel occasionally undermines his hard work by giving Jackson a makeover as a romantic hero rather than a unique, complex multimedia celebrity. Jackson may have agreed; readers will enjoy.” —Publishers Weekly

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Reply #66 posted 07/05/11 10:25am

NaughtyKitty

avatar

Andrew Lloyd Webber: Michael Jackson wanted to play Phantom

CNN -- Andrew Lloyd Webber told CNN's Piers Morgan that Michael Jackson wanted to play the title role in the film version of "The Phantom of the Opera." According to Webber, the King of Pop came to see the Broadway show multiple times -- years before the film came out -- and he and Jackson had spoken about a potential "Phantom" movie role.

However, Webber said, "People in those days were very worried that a film, if it was made, would destroy the Broadway or the West End show, and everybody would just go and see the movie. In fact, it's been proven to be completely the other way around. If you make a movie, it's just a great help for the theater. But goodness knows what it would've been like."

Read full article: http://edition.cnn.com/20...ainment%29

Image

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Reply #67 posted 07/05/11 10:39am

Imaginative

Came across this. Of course, we all know that Jackson calculatedly coined the term, "King of Pop," personally. It definitely had some irony by the time he died, when he really hadn't been musically relevant for at least 15 years.

http://blogs.telegraph.co...or-of-pop/

If Michael Jackson was the King, Prince is the Emperor of Pop

Prince’s appearance at Hop Farm festival was predictably greeted as a triumph. “’There is no greater performer alive today,’ enthused singer Beverly Knight. I think she might be right. Indeed, he may be the most extravagantly multi-talented performer in the history of pop.

Despite not having had a hit single since The Most Beautiful Girl In The World in 1994, Prince consistently remains one of the most popular live attractions on the big gig circuit, as his 21 night residency at the 20,000 seater O2 Arena in London in 2008 demonstrated.

There was a time in the Eighties when Prince was held up as a rival for Michael Jackson’s pop crown, but even then real music fans knew there was no comparison. If Jackson could call himself the King, Prince was an Emperor. In a business that emphasises the front man, Prince had the talents to fulfil every single performing role. He sings like a soul dream, dances like a gymnast, plays every instrument in the recording studio including phenomenal rock and funk guitar, florid and fanciful keyboards and snappy, groovy drumming, writes and produces startling pop music blending rock and dance forms, and marshals all of those skills live by drilling bands of virtuoso musicians into tightly rehearsed ensembles that cross the visceral appeal of heavy rock with the nimble versatility of jazz and the showily dramatic routines of classic soul. Imagine Elvis Presley crossed with James Brown crossed with Jimi Hendrix crossed with Stevie Wonder … with a bit of Lennon & McCartney on top. When the wider world got its first proper glimpse of all of that in Purple Rain in 1984, the effect was electrifying. By bringing together the best of everything pop music could conjure up in one package, Prince really raised the bar for pop stardom. I can’t think of any individual artist who has been able to reach the same heights.

Somehow, he never maintained that purple pop patch, but its hard to explain why, except that he is perhaps too weird, and operates too much on his own terms, and maybe Prince just has too much music in him to be digested by ordinary mortals. Frankly, none but the most dedicated Prince fan could hope to keep up with a creative output that has reached somewhere in the region of 35 original studio albums (many doubles and triples). But live, dipping into his back catalogue and bending it all out of shape with the imagination, exuberance and masterful technique of a great showman who really comes to into his own on stage, audiences know they are in for a treat, even if you never know quite what you are going to hear.

My favourite Prince song: When Doves Cry

Little Red Corvette in 1983 was the first Prince song to catch my attention but When Doves Cry blew my mind a year later. It’s such a weird and original track, sparse and propulsive, with heavy drums and an odd, poetic lyric, the monotone melody building into an emotionally explosive screaming guitar and vocal pay off, followed for no discernible reason by a florid quasi-classical keyboard. I love everything on the Purple Rain album, it set a new benchmark for pop music.

"There is two kinds of music, the good, and the bad. I play the good kind."
Louis Armstrong
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Reply #68 posted 07/05/11 10:54am

smoothcriminal
12

Imaginative said:

Came across this. Of course, we all know that Jackson calculatedly coined the term, "King of Pop," personally. It definitely had some irony by the time he died, when he really hadn't been musically relevant for at least 15 years.

http://blogs.telegraph.co...or-of-pop/

If Michael Jackson was the King, Prince is the Emperor of Pop

Prince’s appearance at Hop Farm festival was predictably greeted as a triumph. “’There is no greater performer alive today,’ enthused singer Beverly Knight. I think she might be right. Indeed, he may be the most extravagantly multi-talented performer in the history of pop.

Despite not having had a hit single since The Most Beautiful Girl In The World in 1994, Prince consistently remains one of the most popular live attractions on the big gig circuit, as his 21 night residency at the 20,000 seater O2 Arena in London in 2008 demonstrated.

There was a time in the Eighties when Prince was held up as a rival for Michael Jackson’s pop crown, but even then real music fans knew there was no comparison. If Jackson could call himself the King, Prince was an Emperor. In a business that emphasises the front man, Prince had the talents to fulfil every single performing role. He sings like a soul dream, dances like a gymnast, plays every instrument in the recording studio including phenomenal rock and funk guitar, florid and fanciful keyboards and snappy, groovy drumming, writes and produces startling pop music blending rock and dance forms, and marshals all of those skills live by drilling bands of virtuoso musicians into tightly rehearsed ensembles that cross the visceral appeal of heavy rock with the nimble versatility of jazz and the showily dramatic routines of classic soul. Imagine Elvis Presley crossed with James Brown crossed with Jimi Hendrix crossed with Stevie Wonder … with a bit of Lennon & McCartney on top. When the wider world got its first proper glimpse of all of that in Purple Rain in 1984, the effect was electrifying. By bringing together the best of everything pop music could conjure up in one package, Prince really raised the bar for pop stardom. I can’t think of any individual artist who has been able to reach the same heights.

Somehow, he never maintained that purple pop patch, but its hard to explain why, except that he is perhaps too weird, and operates too much on his own terms, and maybe Prince just has too much music in him to be digested by ordinary mortals. Frankly, none but the most dedicated Prince fan could hope to keep up with a creative output that has reached somewhere in the region of 35 original studio albums (many doubles and triples). But live, dipping into his back catalogue and bending it all out of shape with the imagination, exuberance and masterful technique of a great showman who really comes to into his own on stage, audiences know they are in for a treat, even if you never know quite what you are going to hear.

My favourite Prince song: When Doves Cry

Little Red Corvette in 1983 was the first Prince song to catch my attention but When Doves Cry blew my mind a year later. It’s such a weird and original track, sparse and propulsive, with heavy drums and an odd, poetic lyric, the monotone melody building into an emotionally explosive screaming guitar and vocal pay off, followed for no discernible reason by a florid quasi-classical keyboard. I love everything on the Purple Rain album, it set a new benchmark for pop music.

I'm not sure what you're trying to imply, but, in the pop category, Michael could own Prince any day. It's just the truth.

And Liz Taylor came up with King Of Pop, by the way.

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Reply #69 posted 07/05/11 11:27am

Imaginative

smoothcriminal12 said:

I'm not sure what you're trying to imply, but, in the pop category, Michael could own Prince any day. It's just the truth.

And Liz Taylor came up with King Of Pop, by the way.

lol You Jackos sure have a way with the Truth.

Liz Taylor introduced Jackson at the Heritage Awards by saying, "...and in my estimation, the true king of pop, rock and soul..." Liz Taylor was his friend, so I'm not sure what relevance her "estimation" has anything to do with reality. Even if you do give her opinion about music creedance (why would you?), it's a bit of a stretch to take this quote out of context to say she coined the term. Although, I'm not sure who she was thinking, it's also evident by her choice of words, that in her mind at least, there already was a "king of pop" in public opinion. Otherwise, why would she choose to add the word, "true?"

It's Jackson and his manager who stripped it down and then came out and let the press know that Jackson was indeed the self-proclaimed "King of Pop."

At the end of the day, what difference is it really if Jackson came up with it himself, or his best friend gave him the name, before he decided to alert the press? It's actually a meaningless term, but if you're going to call someone the King of Pop Music, it should probably the first pop star in the history of recorded music, Louis Armstrong.




[Edited 7/5/11 11:40am]

"There is two kinds of music, the good, and the bad. I play the good kind."
Louis Armstrong
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Reply #70 posted 07/05/11 11:44am

Unholyalliance

Imaginative said:

Came across this. Of course, we all know that Jackson calculatedly coined the term, "King of Pop," personally. It definitely had some irony by the time he died, when he really hadn't been musically relevant for at least 15 years.

[img:$uid]http://i.imgur.com/WEJHS.jpg[/img:$uid]

Funny, considering who that article is about.

[Edited 7/5/11 11:45am]

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Reply #71 posted 07/05/11 11:51am

alphastreet

Yes yes, Imaginative like you...

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Reply #72 posted 07/05/11 12:05pm

smoothcriminal
12

Imaginative said:

smoothcriminal12 said:

I'm not sure what you're trying to imply, but, in the pop category, Michael could own Prince any day. It's just the truth.

And Liz Taylor came up with King Of Pop, by the way.

lol You Jackos sure have a way with the Truth.

Liz Taylor introduced Jackson at the Heritage Awards by saying, "...and in my estimation, the true king of pop, rock and soul..." Liz Taylor was his friend, so I'm not sure what relevance her "estimation" has anything to do with reality. Even if you do give her opinion about music creedance (why would you?), it's a bit of a stretch to take this quote out of context to say she coined the term. Although, I'm not sure who she was thinking, it's also evident by her choice of words, that in her mind at least, there already was a "king of pop" in public opinion. Otherwise, why would she choose to add the word, "true?"

It's Jackson and his manager who stripped it down and then came out and let the press know that Jackson was indeed the self-proclaimed "King of Pop."

At the end of the day, what difference is it really if Jackson came up with it himself, or his best friend gave him the name, before he decided to alert the press? It's actually a meaningless term, but if you're going to call someone the King of Pop Music, it should probably the first pop star in the history of recorded music, Louis Armstrong.




[Edited 7/5/11 11:40am]

Um, my name is not Jacko. I have a name, use it please, thanks.

And, in the end, Michael is still the King Of Pop music.

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Reply #73 posted 07/05/11 12:08pm

Unholyalliance

Besides the fact that it's sad, and very telling, that almost no article praising Prince can totally be complete without trying to belittle MJ in some fashion (which rarely happens when it's an article about MJ) thiswas posted in the comments section. I thought it to be one of the better comments:

Wow. This is a lot of commentary on what is really just one man's opinion. Here's a lot more.

If McCormick thinks Prince is the greatest thing since sliced bread, who cares? Will it alter an individual's listening choices? Unlikely.

As a musicologist, specifically employed to decide where possible lines of duplication lie between interested parties in PRS plagiarism disputes -- I am paid to dissect music within an inch of its life. As such, my experience may be of some use to those commenting here.

Prince, from his early Paisley days to now, is undoubtedly a unique musician and tremendous artist. His more or less consistent use of complex counterpoint, lyrical audacity, funk, jazz, pop, rock fused instrumentation, not to mention commitment to show-stopping performances -- is all the more astounding because he has never let any of the above get in the way of writing truly memorable, classic songs.

Michael Jackson, primarily used his voice as instrument. And of course, voice is the first instrument. There are few other bel canto, four octave singers who can command as much textural beauty or draw from as much depth and emotion as he did. It should also be noted that when he wanted to be, MJ was quite the rocker. Throw Jackson's incredible, iconic signature dance into that mix -- and one begins to understand why Jackson is often called the greatest entertainer of all time. Ultimately though, his astonishing canon will continue to speak to peoples all over the world, simply because his understanding of the song as conversation and communion was so instinctual.

While I take Neil's valid point that the title of his piece was out of his hands, I don't think its unfair to say it's also the mealy mouthed content that many posting here find so objectionable.

I doubt Prince would thank anyone for the comparison and obviously we can't ask Jackson. These two artists may well have reached their respective zeniths in the early 90s, but both of them have done enough and contributed enough to be afforded equal respect and critical appreciation.

In the final analysis, what has ever been served by denigration?

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Reply #74 posted 07/05/11 12:20pm

whatsgoingon

avatar

Unholyalliance said:

Besides the fact that it's sad, and very telling, that almost no article praising Prince can totally be complete without trying to belittle MJ in some fashion (which rarely happens when it's an article about MJ) thiswas posted in the comments section. I thought it to be one of the better comments:

Wow. This is a lot of commentary on what is really just one man's opinion. Here's a lot more.

If McCormick thinks Prince is the greatest thing since sliced bread, who cares? Will it alter an individual's listening choices? Unlikely.

As a musicologist, specifically employed to decide where possible lines of duplication lie between interested parties in PRS plagiarism disputes -- I am paid to dissect music within an inch of its life. As such, my experience may be of some use to those commenting here.

Prince, from his early Paisley days to now, is undoubtedly a unique musician and tremendous artist. His more or less consistent use of complex counterpoint, lyrical audacity, funk, jazz, pop, rock fused instrumentation, not to mention commitment to show-stopping performances -- is all the more astounding because he has never let any of the above get in the way of writing truly memorable, classic songs.

Michael Jackson, primarily used his voice as instrument. And of course, voice is the first instrument. There are few other bel canto, four octave singers who can command as much textural beauty or draw from as much depth and emotion as he did. It should also be noted that when he wanted to be, MJ was quite the rocker. Throw Jackson's incredible, iconic signature dance into that mix -- and one begins to understand why Jackson is often called the greatest entertainer of all time. Ultimately though, his astonishing canon will continue to speak to peoples all over the world, simply because his understanding of the song as conversation and communion was so instinctual.

While I take Neil's valid point that the title of his piece was out of his hands, I don't think its unfair to say it's also the mealy mouthed content that many posting here find so objectionable.

I doubt Prince would thank anyone for the comparison and obviously we can't ask Jackson. These two artists may well have reached their respective zeniths in the early 90s, but both of them have done enough and contributed enough to be afforded equal respect and critical appreciation.

In the final analysis, what has ever been served by denigration?

What is so ironic, is that when Prince first came out back in the late 70s with "I wannabe Your Lover" DJs thought it was the Jacksons!!

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Reply #75 posted 07/05/11 12:24pm

alphastreet

I LOVE I Wanna Be Your Lover, it does sound Jackson-esque a little, though also like the sound that would become Prince's signature sound and ahead of it's time.

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Reply #76 posted 07/05/11 12:33pm

Imaginative

smoothcriminal12 said:

Imaginative said:

lol You Jackos sure have a way with the Truth.

Liz Taylor introduced Jackson at the Heritage Awards by saying, "...and in my estimation, the true king of pop, rock and soul..." Liz Taylor was his friend, so I'm not sure what relevance her "estimation" has anything to do with reality. Even if you do give her opinion about music creedance (why would you?), it's a bit of a stretch to take this quote out of context to say she coined the term. Although, I'm not sure who she was thinking, it's also evident by her choice of words, that in her mind at least, there already was a "king of pop" in public opinion. Otherwise, why would she choose to add the word, "true?"

It's Jackson and his manager who stripped it down and then came out and let the press know that Jackson was indeed the self-proclaimed "King of Pop."

At the end of the day, what difference is it really if Jackson came up with it himself, or his best friend gave him the name, before he decided to alert the press? It's actually a meaningless term, but if you're going to call someone the King of Pop Music, it should probably the first pop star in the history of recorded music, Louis Armstrong.




[Edited 7/5/11 11:40am]

Um, my name is not Jacko. I have a name, use it please, thanks.

And, in the end, Michael is still the King Of Pop music.

"Jackos" was plural and not meant to be a proper noun. Not sure how I would even know your name. :confused:

Being that, as I said, "King of Pop" is a completely meaningless term and was self-annointed, I have no problem letting you keep the meaningless title, if you feel it validates you.

When it comes to substantiated facts, however... they speak for themselves. (Which is why Jackson needed to come up with a catchy title for himself.) It's interesting to note when looking at The Beatles numbers, that they had only seven years or so (or the amount of time between Off the Wall and Bad) to chart these huge numbers, where all of the solo artists had a lifetime to even come close.

Most Billboard top 40 hits

  • Elvis Presley (104)
  • Elton John (56)
  • The Beatles (51)
  • Madonna (48)
  • Stevie Wonder (45)

Most Billboard top 10 singles

  • Madonna (37)
  • Elvis Presley (36)
  • The Beatles (29)
  • Michael Jackson (28)
  • Elton John (27)
  • Janet Jackson (27)
  • Mariah Carey (27)
  • Stevie Wonder (27)

NOTE: If Top 10 sides are considered—that is, singles whose A-sides and B-sides both charted as separate Top 10 entries—then Elvis Presley would have the most, with 38 Top 10 songs. The Beatles' total would increase from 29 to 34, and Janet Jackson would have 29. The totals for Madonna, Michael Jackson and Stevie Wonder would remain as is.

Most number-one hits

  • The Beatles (20)
  • Mariah Carey (18)
  • Elvis Presley (17) (Pre-Hot 100 charts and Hot 100)
  • Michael Jackson (13)
  • Madonna (12)
  • The Supremes (12)
  • Whitney Houston (11)
  • Janet Jackson (10)
  • Rihanna (10)
  • Stevie Wonder (10)

NOTE:

  • Though not qualifying for the above list, Paul McCartney has had nine #1 singles since leaving the Beatles: three duets (with Michael Jackson, Stevie Wonder, and his wife Linda), and six while leading the group Wings, for a total of 35 Number One hits!

Most cumulative weeks at Billboard number one

79 – Elvis Presley – (Pre Hot 100)
79 – Mariah Carey
59 – The Beatles
50 – Boyz II Men
47 – Usher
37 – Michael Jackson
36 – Beyoncé
34 – Elton John
34 – Rihanna
33 – Janet Jackson
32 – Madonna


[Edited 7/5/11 12:35pm]

"There is two kinds of music, the good, and the bad. I play the good kind."
Louis Armstrong
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Reply #77 posted 07/05/11 12:37pm

smoothcriminal
12

Imaginative said:

smoothcriminal12 said:

Um, my name is not Jacko. I have a name, use it please, thanks.

And, in the end, Michael is still the King Of Pop music.

Jackos was plural and not meant to be a proper noun. Not sure how I would even know your name. :confused:

Er...username? You could have addressed me as smooth . And yes, I knew that you were referring to the fanbase as Jackos and not me as an individual.

Being that, as I said, "King of Pop" is a completely meaningless term and was self-annointed, I have no problem letting you keep meaningless title, if you feel it validates you.

When it comes to substantiated facts, however... they speak for themselves. (Which is why Jackson needed to come up with a catchy title for himself.) It's interesting to note when looking at The Beatles numbers, that they had only seven years or so (or the amount of time between Off the Wall and Bad) to chart these huge numbers, where all of the solo artists had a lifetime to even come close.

Most Billboard top 40 hits

  • Elvis Presley (104)
  • Elton John (56)
  • The Beatles (51)
  • Madonna (48)
  • Stevie Wonder (45)

Most Billboard top 10 singles

  • Madonna (37)
  • Elvis Presley (36)
  • The Beatles (29)
  • Michael Jackson (28)
  • Elton John (27)
  • Janet Jackson (27)
  • Mariah Carey (27)
  • Stevie Wonder (27)

NOTE: If Top 10 sides are considered—that is, singles whose A-sides and B-sides both charted as separate Top 10 entries—then Elvis Presley would have the most, with 38 Top 10 songs. The Beatles' total would increase from 29 to 34, and Janet Jackson would have 29. The totals for Madonna, Michael Jackson and Stevie Wonder would remain as is.

Most number-one hits

  • The Beatles (20)
  • Mariah Carey (18)
  • Elvis Presley (17) (Pre-Hot 100 charts and Hot 100)
  • Michael Jackson (13)
  • Madonna (12)
  • The Supremes (12)
  • Whitney Houston (11)
  • Janet Jackson (10)
  • Rihanna (10)
  • Stevie Wonder (10)

NOTE:

  • Though not qualifying for the above list, Paul McCartney has had nine #1 singles since leaving the Beatles: three duets (with Michael Jackson, Stevie Wonder, and his wife Linda), and six while leading the group Wings, for a total of 35 Number One hits!

Most cumulative weeks at Billboard number one

79 – Elvis Presley – (Pre Hot 100)
79 – Mariah Carey
59 – The Beatles
50 – Boyz II Men
47 – Usher
37 – Michael Jackson
36 – Beyoncé
34 – Elton John
34 – Rihanna
33 – Janet Jackson
32 – Madonna

I'm not giving Michael the title purely based on hits.

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Reply #78 posted 07/05/11 12:44pm

alphastreet

Imaginative, it's awesome Michael has 13 number 1's, plus We Are The World and the 4 Jackson 5 hits, which would be 18 times, though I do know you're talking about just his solo career smile

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Reply #79 posted 07/05/11 12:46pm

Imaginative

smoothcriminal12 said:

I'm not giving Michael the title purely based on hits.

lol Obviously! Why let facts get in the way?

"There is two kinds of music, the good, and the bad. I play the good kind."
Louis Armstrong
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Reply #80 posted 07/05/11 12:50pm

Imaginative

alphastreet said:

Imaginative, it's awesome Michael has 13 number 1's, plus We Are The World and the 4 Jackson 5 hits, which would be 18 times, though I do know you're talking about just his solo career smile

Glad you're pleased. Curious how many of those 18 songs he wrote.

As I said above, if we add group work and duets, McCartney goes up to 35! A little less than double what Jackson could manage to muster up! I didn't think it fair to do so, but being that you brought it up... ! lol

You guys can keep the "King of Pop" title. I'm fine with the undisputed truth.

[Edited 7/5/11 12:51pm]

"There is two kinds of music, the good, and the bad. I play the good kind."
Louis Armstrong
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Reply #81 posted 07/05/11 12:52pm

alphastreet

Imaginative said:

alphastreet said:

Imaginative, it's awesome Michael has 13 number 1's, plus We Are The World and the 4 Jackson 5 hits, which would be 18 times, though I do know you're talking about just his solo career smile

Glad you're pleased. Curious how many of those 18 songs he wrote.

As I said above, if we add group work and duets, McCartney goes up to 35! A little less than double what Jackson could manage to muster up! I didn't think it fair to do so, but being that you brought it up... ! lol

MJ wrote or co-wrote 9 of the 18 number ones. Feeling lazy to do the math for the top 10's

[Edited 7/5/11 12:52pm]

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Reply #82 posted 07/05/11 12:53pm

Unholyalliance

Imaginative said:

When it comes to substantiated facts, however... they speak for themselves. (Which is why Jackson needed to come up with a catchy title for himself.) It's interesting to note when looking at The Beatles numbers, that they had only seven years or so (or the amount of time between Off the Wall and Bad) to chart these huge numbers, where all of the solo artists had a lifetime to even come close.

Blah, blah, blah...

In my experience Beatles and/or Elvis fanbois start bringing out charts when there's a MJ discussion. Never fails.

Also, like how you didn't dispute the 'Emperor of Pop' title given to Prince in the article, but having a big titty fit about MJ's King of Pop title. If it was all about stats and charts then, obviously, Mariah Carey would have been crowned the Queen of Pop a while ago, not Madonna.

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Reply #83 posted 07/05/11 12:55pm

smoothcriminal
12

Imaginative said:

smoothcriminal12 said:

I'm not giving Michael the title purely based on hits.

lol Obviously! Why let facts get in the way?

Um, we're talking about the overall package man, not just the hits. Based on your logic, Britney Spears should be a legend. neutral

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Reply #84 posted 07/05/11 12:57pm

alphastreet

Michael and Madonna had a pop culture impact, which is why she was also crowned that. Mariah had hits and talent she shared with the world, but she didn't contribute to pop culture in my opinion, she was more like a Celine or Barbara Streisand when doing her power ballads to touch people, or making people chill out or dance at a club with her hip hop collabs

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Reply #85 posted 07/05/11 12:57pm

Imaginative

alphastreet said:

Imaginative said:

Glad you're pleased. Curious how many of those 18 songs he wrote.

As I said above, if we add group work and duets, McCartney goes up to 35! A little less than double what Jackson could manage to muster up! I didn't think it fair to do so, but being that you brought it up... ! lol

MJ wrote or co-wrote 9 of the 18 number ones. Feeling lazy to do the math for the top 10's

[Edited 7/5/11 12:52pm]

And how many did he write on his own?

FYI: It's well known and common practice in the music industry that a huge recording artist often adds his name to the writing credits to get a bigger royalty cut and being that he has the clout to do so. (He or she can simply not record the song if the composers don't agree to the artist's terms.) Therefore, it's likely that he had little to do with the "callaborations."

"There is two kinds of music, the good, and the bad. I play the good kind."
Louis Armstrong
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Reply #86 posted 07/05/11 12:57pm

alphastreet

smoothcriminal12 said:

Imaginative said:

lol Obviously! Why let facts get in the way?

Um, we're talking about the overall package man, not just the hits. Based on your logic, Britney Spears should be a legend. neutral

you weren't listening to Gimmie More carefully about her legendary status lol lol

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Reply #87 posted 07/05/11 1:03pm

Unholyalliance

Imaginative said:

And how many did he write on his own?

FYI: It's well known and common practice in the music industry that a huge recording artist often adds his name to the writing credits to get a bigger royalty cut and being that he has the clout to do so. (He or she can simply not record the song if the composers don't agree to the artist's terms.) Therefore, it's likely that he had little to do with the "callaborations."

Mmm...I love it when you talk out of your ass.

Ignorance is just so sexy...

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Reply #88 posted 07/05/11 1:04pm

whatsgoingon

avatar

alphastreet said:

smoothcriminal12 said:

Um, we're talking about the overall package man, not just the hits. Based on your logic, Britney Spears should be a legend. neutral

you weren't listening to Gimmie More carefully about her legendary status lol lol

Still believe King of Pop sounds naff. Why the fans are so obsessed with this title, I will never know. He never needed any silly title to validate who he was. MJ to me was his best, in every aspect when he was just known as "Michael Jackson". And that's how I will always remember him, with the beautiful smile, brown skinned, massive afro and bundles of talent.

[Edited 7/5/11 13:07pm]

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Reply #89 posted 07/05/11 1:06pm

Imaginative

Unholyalliance said:



Imaginative said:


When it comes to substantiated facts, however... they speak for themselves. (Which is why Jackson needed to come up with a catchy title for himself.) It's interesting to note when looking at The Beatles numbers, that they had only seven years or so (or the amount of time between Off the Wall and Bad) to chart these huge numbers, where all of the solo artists had a lifetime to even come close.



Blah, blah, blah...




In my experience Beatles and/or Elvis fanbois start bringing out charts when there's a MJ discussion. Never fails.



Also, like how you didn't dispute the 'Emperor of Pop' title given to Prince in the article, but having a big titty fit about MJ's King of Pop title. If it was all about stats and charts then, obviously, Mariah Carey would have been crowned the Queen of Pop a while ago, not Madonna.




I never said Prince was the Emperor of Pop. On the contrary, I've been saying all along that these titles are meaningless, and unsubstantiated by any actual facts.

No one ever crowned anyone the Queen of Pop. That crown doesn't exist except in the imaginations of those who believe it. Please show me a picture of this "crown!" These titles are generally used when there are not facts to substantiate the artists' desired place in history and/or reality. lol

Jackson crowned HIMSELF the King of Pop. This is well-documented and has been substatiated by his then manager.
[Edited 7/5/11 13:08pm]
"There is two kinds of music, the good, and the bad. I play the good kind."
Louis Armstrong
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