bboy87 said:

Timmy84 said:

1.) Every video was shot very weirdly or in creations of live performances.

2.) Storyline: Michael escapes a paparazzi trying to catch a story and he becomes invisible later to avoid anybody else looking at him therefore the disappearing act. Plus it was created to make his videos different from other videos (which obviously worked).

3.) I don't know about how edited Bad needed to be but I guess they were trying to include both a movie and a musical...

4.) Smooth Criminal was only filmed for purposes of "Moonwalker" so of course the plot holes were visible. Even I noticed it when I watched it the first few times lol

Bad has parts where some things needed an explanation:

Why did Darryl go to the private school?

Did his mother ever come home after work?

Why did his friends go from happy to see him to hesitant when he corrected them about their glasses? Was there some past anger towards him?

Bad was 18 minutes but I think they could've fleshed it out to maybe 30

Smooth Criminal....lawd, like I said I can make a list

-Where were the kids' parents? Where they orphans

-What kind of store did Michael run? It's called "Michael's Music" but was it selling albums? instruments? (I'm all for detail so I wanna know lol)

-How did Michael and Katie escape Mr. Big's lair

-Where did Michael fly off to?

-Why were the kids sitting outside?

so many questions...

*sigh*

Moonwalker...

Video comments

DSTYGE - it was just a graphic backdrop - not meant to be a physical space.

Billie Jean - the chase of the paparazzi, being able to escape them, and of course the fact MJ disappears is an allusion to the lyrics - it was a figment of the media's imagination as it never took place thus "the kid is not my son".

BAD - again the whole musical breakdown was a metaphor, all that happened was MJ stood up to the old skool crew and stood his ground. Edit out the dance sequence and you have the black and white story being told.

As for the larger story being told, it was the story of a kid from a run down neighbourhood making good. His scholarship to the "sissy private school", was seen as moving up by his old friends. Their pride at "college boy" making good turns when they feel they have been left behind, and he has changed, gone all elite on them - as alluded to with the correction of Tortoise Glasses.

BAD was based around a real story at the time of a college kid who was killed by his old friends when he returned during school break.

Smooth Criminal starts with MJ rolling up in the car (actually transforming from the car) and this was just a facet of it being part of a bigger storyline. It makes more sense to start the short film with MJ just entering the club.

Black or White - the opening scene just echoed what was on the album.

Michael's Music was a store that sold instruments. You see them in the window.

Ugh I forgot about the intro to "Black or White". It made much sense then lol

Swa said:

Video comments

BAD - again the whole musical breakdown was a metaphor, all that happened was MJ stood up to the old skool crew and stood his ground. Edit out the dance sequence and you have the black and white story being told.

As for the larger story being told, it was the story of a kid from a run down neighbourhood making good. His scholarship to the "sissy private school", was seen as moving up by his old friends. Their pride at "college boy" making good turns when they feel they have been left behind, and he has changed, gone all elite on them - as alluded to with the correction of Tortoise Glasses.

BAD was based around a real story at the time of a college kid who was killed by his old friends when he returned during school break.

I forgot about that. Yeah it was about some college student.

The major issue with MJ short films was when they were edited down from their original length to just the song - they often wouldn't make sense - eg BOW starts and you have a guy in an armchair fall into the scene. If you haven't seen the full intro you'd be like, what?!?!

I always felt they should have covered off these little things, shot an extra scene etc, to ensure the edits would work from a visual / storyline point of view.

That all said... I still think THIS is his best video.....

^ All his HIStory videos were ON THE FUCKING POINT!

scorp84 said:

[img:$uid]http://www.gifsoup.com/view7/2752539/mjsrsly-o.gif[/img:$uid]

Come on, now! You know he broke her off right after she asked that stupid question. But, due to his "strong personal convictions", that scene was edited out of the film.

LOL.

bboy87 said:

Bad has parts where some things needed an explanation:

Why did Darryl go to the private school?

Did his mother ever come home after work?

Why did his friends go from happy to see him to hesitant when he corrected them about their glasses? Was there some past anger towards him?

Umm...I thought that the Bad video was pretty self-explanatory.

The story was about Darryl who went to...what looked like a boarding school, probably because he was really smart. His mother isn't home, because she is probably working 2-3 jobs to pay for his ass to continue being in that school as well sending him clothes, paying her rent, and making sure she has food for him and her to eat. As for the friends, even if they were, it's always really hard for you to reconnect with people when the both of you are on two seperate paths in life. They could have been harboring some sort of resentment, because they feel that he thinks that he's better than them, because he goes to a prediminantly white school and abandoned them.

I don't remember there being any plotholes in that music video. I can't say the same for Moonwalker though. =/

Swa said:

ViintageJunkiie said:

So I'm watching my "Visions" DVD and in TWYMMF, I know that song in the beginning is another record, but why do I always feel like it's the original music to Hot Fever?

When TWYMMF was released - initially it was listed by NME as being released with the b-side called "Love Games". Alas no such release took place - but I always wondered if this was the track they played.

Has anyone bothered to Shazam it?

I'm going to put that info on the Michael Jackson Archives page and hopefully someone will know more

Unholyalliance said:

bboy87 said:

Bad has parts where some things needed an explanation:

Why did Darryl go to the private school?

Did his mother ever come home after work?

Why did his friends go from happy to see him to hesitant when he corrected them about their glasses? Was there some past anger towards him?

Umm...I thought that the Bad video was pretty self-explanatory.

The story was about Darryl who went to...what looked like a boarding school, probably because he was really smart. His mother isn't home, because she is probably working 2-3 jobs to pay for his ass to continue being in that school as well sending him clothes, paying her rent, and making sure she has food for him and her to eat. As for the friends, even if they were, it's always really hard for you to reconnect with people when the both of you are on two seperate paths in life. They could have been harboring some sort of resentment, because they feel that he thinks that he's better than them, because he goes to a prediminantly white school and abandoned them.

I don't remember there being any plotholes in that music video. I can't say the same for Moonwalker though. =/

I just think they should've fleshed out the Bad video a little longer. If it had been about 30 minutes instead of 18, I think it would've been a bit better

Alright y'all...you made your points with the other music videos and all your discussions made sense.

Now if there was one vid I was gonna overanalyze...it would be Captain EO. Gatdamn....

Seriously...it was more coherent than most of his other music videos (beginning, middle, end)...but the script was just so damn BAD! I love the movie, don't get me wrong. But for all the people who were working on it, like Coppola and George Lucas...I expected waaaaaay better. I mean, EO is the captain of a broken down ship, leading a gang of muppets. And they say they're like the WORST battalion in space, or at least, they're not the elite. I wish I got some background on that. Like, why are they considered that sucky? What did they do?

Also, the villian (The Supreme Leader)...not well-developed. You only see her once, and I didn't get the idea that she was really a bad person aside from the fact she wasn't good-looking and was a bit bad-natured diva. I mean, if I see her beat a kid, or have a history of plundering villages and burning down towns, then yeah, she's a villian. I wish they developed her more.

And getting down to what I really needed to know...I wanted to know more about EO himself. Where'd he come from, how'd he get to be a captain, he'd he end up with his crew, etc.

ThruTheEyesOfWonder said:

Alright y'all...you made your points with the other music videos and all your discussions made sense.

Now if there was one vid I was gonna overanalyze...it would be Captain EO. Gatdamn....

Seriously...it was more coherent than most of his other music videos (beginning, middle, end)...but the script was just so damn BAD! I love the movie, don't get me wrong. But for all the people who were working on it, like Coppola and George Lucas...I expected waaaaaay better. I mean, EO is the captain of a broken down ship, leading a gang of muppets. And they say they're like the WORST battalion in space, or at least, they're not the elite. I wish I got some background on that. Like, why are they considered that sucky? What did they do?

Also, the villian (The Supreme Leader)...not well-developed. You only see her once, and I didn't get the idea that she was really a bad person aside from the fact she wasn't good-looking and was a bit bad-natured diva. I mean, if I see her beat a kid, or have a history of plundering villages and burning down towns, then yeah, she's a villian. I wish they developed her more.

And getting down to what I really needed to know...I wanted to know more about EO himself. Where'd he come from, how'd he get to be a captain, he'd he end up with his crew, etc.

I agree

ViintageJunkiie said:

bboy87 said:

Questions never answered:

Where was he in the Don't Stop Til You Get Enough video? A pinball machine?

Where was he going in Billie Jean? WHAT WAS THE ACTUAL STORYLINE? When he disappeared, where did he go?

Where all dancers in the Bad video go after the video went back to black and white? If you think about it, the Bad short film could've been edited a bit better

Smooth Criminal leaves so many plot holes I'd have to make a list for them

What did the opening scene to Black or White have to do with ANYTHING?

Why was LaToya cock blocking MJ's game in The Way You Make Me Feel?

Why did Spike turn into a damn MOUNTAIN in Speed Demon?

Smooth Criminal...Sooooooooooooo you just gonna start the short film with him pulling up as a damn car?

Well they had to get to Africa somehow...

pshhh...talking about MJ movies not making any sense on Prince fansite?! I <3 Prince but Under the Cherry Moon was just too wacky and I didn't really get the story of the film...ugh and I bought the freaking DVD...I'd thought it was going to be a cool purple rain type of movie...silly me DX

Oh and I've never seen Graffity Bridge but I've seen people complaining about that one being the most unwatchable film ever...I guess musical geniuses have a tendency to make wacky films...btw I've never seen Captain.. is it good? I'm not a fan of Moonwalker so maybe I shouldn't watch it....but if it has cool dancing to it I wanna watch it...

ThruTheEyesOfWonder said:

Alright y'all...you made your points with the other music videos and all your discussions made sense.

Now if there was one vid I was gonna overanalyze...it would be Captain EO. Gatdamn....

Seriously...it was more coherent than most of his other music videos (beginning, middle, end)...but the script was just so damn BAD! I love the movie, don't get me wrong. But for all the people who were working on it, like Coppola and George Lucas...I expected waaaaaay better. I mean, EO is the captain of a broken down ship, leading a gang of muppets. And they say they're like the WORST battalion in space, or at least, they're not the elite. I wish I got some background on that. Like, why are they considered that sucky? What did they do?

Also, the villian (The Supreme Leader)...not well-developed. You only see her once, and I didn't get the idea that she was really a bad person aside from the fact she wasn't good-looking and was a bit bad-natured diva. I mean, if I see her beat a kid, or have a history of plundering villages and burning down towns, then yeah, she's a villian. I wish they developed her more.

And getting down to what I really needed to know...I wanted to know more about EO himself. Where'd he come from, how'd he get to be a captain, he'd he end up with his crew, etc.

It was a "ride/movie" and set up to be 11 minutes wrong. All disney rides are set up for high turn over. Thus, the movie uses a lot of narrative in the dialogue to propel the story along. In short, EO and his crew are the laughing stock, and this mission is their chance to prove themselves.

The villain is very much drawn in the Disney mould. She is menacing in the way she looks, speaks and acts. The fact that her world is monochromatic gives the impression of a dreary existence. Thus when EO delivers the gift of the song and transforms the evil queen in a serene beauty all the world is colourful and bright. And all done with time for song to spare.

I remember seeing EO the year it came out and enjoying it. It's not the best Disney piece by a long shot, but it was enjoyable.

Swa said:

ThruTheEyesOfWonder said:

Alright y'all...you made your points with the other music videos and all your discussions made sense.

Now if there was one vid I was gonna overanalyze...it would be Captain EO. Gatdamn....

Seriously...it was more coherent than most of his other music videos (beginning, middle, end)...but the script was just so damn BAD! I love the movie, don't get me wrong. But for all the people who were working on it, like Coppola and George Lucas...I expected waaaaaay better. I mean, EO is the captain of a broken down ship, leading a gang of muppets. And they say they're like the WORST battalion in space, or at least, they're not the elite. I wish I got some background on that. Like, why are they considered that sucky? What did they do?

Also, the villian (The Supreme Leader)...not well-developed. You only see her once, and I didn't get the idea that she was really a bad person aside from the fact she wasn't good-looking and was a bit bad-natured diva. I mean, if I see her beat a kid, or have a history of plundering villages and burning down towns, then yeah, she's a villian. I wish they developed her more.

And getting down to what I really needed to know...I wanted to know more about EO himself. Where'd he come from, how'd he get to be a captain, he'd he end up with his crew, etc.

It was a "ride/movie" and set up to be 11 minutes wrong. All disney rides are set up for high turn over. Thus, the movie uses a lot of narrative in the dialogue to propel the story along. In short, EO and his crew are the laughing stock, and this mission is their chance to prove themselves.

The villain is very much drawn in the Disney mould. She is menacing in the way she looks, speaks and acts. The fact that her world is monochromatic gives the impression of a dreary existence. Thus when EO delivers the gift of the song and transforms the evil queen in a serene beauty all the world is colourful and bright. And all done with time for song to spare.

I remember seeing EO the year it came out and enjoying it. It's not the best Disney piece by a long shot, but it was enjoyable.

Agreed. I saw it in 1994, and I remember being all in love with it. Still love it...

ThruTheEyesOfWonder said:

Alright y'all...you made your points with the other music videos and all your discussions made sense.

Now if there was one vid I was gonna overanalyze...it would be Captain EO. Gatdamn....

Seriously...it was more coherent than most of his other music videos (beginning, middle, end)...but the script was just so damn BAD! I love the movie, don't get me wrong. But for all the people who were working on it, like Coppola and George Lucas...I expected waaaaaay better. I mean, EO is the captain of a broken down ship, leading a gang of muppets. And they say they're like the WORST battalion in space, or at least, they're not the elite. I wish I got some background on that. Like, why are they considered that sucky? What did they do?

Also, the villian (The Supreme Leader)...not well-developed. You only see her once, and I didn't get the idea that she was really a bad person aside from the fact she wasn't good-looking and was a bit bad-natured diva. I mean, if I see her beat a kid, or have a history of plundering villages and burning down towns, then yeah, she's a villian. I wish they developed her more.

And getting down to what I really needed to know...I wanted to know more about EO himself. Where'd he come from, how'd he get to be a captain, he'd he end up with his crew, etc.

^ this

bboy87 said:

Swa said:

When TWYMMF was released - initially it was listed by NME as being released with the b-side called "Love Games". Alas no such release took place - but I always wondered if this was the track they played.

Has anyone bothered to Shazam it?

I'm going to put that info on the Michael Jackson Archives page and hopefully someone will know more

Well here's the record that plays at the beginning. It's called "Hot" by Roy Ayers. Funny how TWYMMF was originally called "HOT Fever"...Could the original record have sampled this? Easter egg maybe?

ViintageJunkiie said:

bboy87 said:

I'm going to put that info on the Michael Jackson Archives page and hopefully someone will know more

Well here's the record that plays at the beginning. It's called "Hot" by Roy Ayers. Funny how TWYMMF was originally called "HOT Fever"...Could the original record have sampled this? Easter egg maybe?

And mystery solved - thanks VJ.

ViintageJunkiie said:

bboy87 said:

I'm going to put that info on the Michael Jackson Archives page and hopefully someone will know more

Well here's the record that plays at the beginning. It's called "Hot" by Roy Ayers. Funny how TWYMMF was originally called "HOT Fever"...Could the original record have sampled this? Easter egg maybe?

Hot's from 1985.....Hot Fever originated in 1985......

I have to find a way to access the US Library Of Congress because they have it and other unreleased songs on record

VJ, you may have to lay on your back while I go and steal the tapes

bboy87 said:

ViintageJunkiie said:

Well here's the record that plays at the beginning. It's called "Hot" by Roy Ayers. Funny how TWYMMF was originally called "HOT Fever"...Could the original record have sampled this? Easter egg maybe?

Hot's from 1985.....Hot Fever originated in 1985......

I have to find a way to access the US Library Of Congress because they have it and other unreleased songs on record

VJ, you may have to lay on your back while I go and steal the tapes

You know I'm all for it! Remember, I told you I'd take Katherine down if I have to!

bboy87 said:

ViintageJunkiie said:

Well here's the record that plays at the beginning. It's called "Hot" by Roy Ayers. Funny how TWYMMF was originally called "HOT Fever"...Could the original record have sampled this? Easter egg maybe?

Hot's from 1985.....Hot Fever originated in 1985......

I have to find a way to access the US Library Of Congress because they have it and other unreleased songs on record

VJ, you may have to lay on your back while I go and steal the tapes :lol:

Seriously tho, VJ...why are you on your back? You're a dude, ain't ya?

ThruTheEyesOfWonder said:

bboy87 said:

Hot's from 1985.....Hot Fever originated in 1985......

I have to find a way to access the US Library Of Congress because they have it and other unreleased songs on record

VJ, you may have to lay on your back while I go and steal the tapes :lol:

Seriously tho, VJ...why are you on your back? You're a dude, ain't ya?

gotta do what i gotta do to solidify myself in this business...nothing this good ever gonna come that easy...

Speaking of Hot Fever, for some reason I think the hook goes

You give me hot fever (you give me hot fever)

you really turn me on (you really turn me on)

(blah blah blah, yall know the rest)

ViintageJunkiie said:

ThruTheEyesOfWonder said:

Seriously tho, VJ...why are you on your back? You're a dude, ain't ya?

gotta do what i gotta do to solidify myself in this business...nothing this good ever gonna come that easy...

You work your magic then, kid.

ThruTheEyesOfWonder said:

ViintageJunkiie said:

gotta do what i gotta do to solidify myself in this business...nothing this good ever gonna come that easy...

You work your magic then, kid.

thanks!

Came across this list of unreleased music. Some of the years are off a few years bit but some titles I've never seen before

A:
A Baby Smiles (1999) (Michael Jackson)
Al Capone (1982) (Michael Jackson, Rod Temperton)
All My Children (2000) (Michael Jackson, Teddy Riley, R. C. Stites)
Alright Now (1990) (Michael Jackson) +
Angel (1999) (Babyface, Michael Jackson)
Another Day (2002) (Michael Jackson, Lenny Kravitz) +

B:
Beautiful Girl (2004) (Michael Jackson) +
Bless My Soul (1980) (Michael Jackson, Quincy Jones)
Buffalo Bill (1985) (Michael Jackson)
Bumper Snippet (1986) (Michael Jackson, Bill Botrell) +
Bottle Of Smoke (1989) (Michael Jackson)
Bubble (1991) (Michael Jackson)
Basszouille (1994) (Michael Jackson, Bruce Swedien)
Be Me 4 A Day (1998) (Michael Jackson)
Belong 2 (1999) (Michael Jackson, Teddy Riley)
Breaking (2004) (Michael Jackson)
Bad Girl (1999) (Michael Jackson) +

C:

Circus Girl / Carousel (1982) (Michael Sembello, D. Freeman) +
Crack Kills (1986) (Michael Jackson)
Chicago 1945 (1987) (Michael Jackson, Steve Pocaro)
Cheater (1987) (Michael Jackson , Greg Phillinganes) +
California Grass (1993) (Michael Jackson)
Children's Holiday (1998) (Michael Jackson) +
Can't Stop Me Now (1998) (Michael Jackson)
Can You Feel Me (2000) (Michael Jackson, Teddy Riley, Tyrese)
Creep In' (2000) (Michael Jackson)
Crush (2002) (Michael Jackson, Lenny Kravitz) +

D:
Deep In The Night (1992) (Michael Jackson, Bill Bottrell)
Dreams (1993) (Michael Jackson)
Do You Want Me (2000) (Michael Jackson, Sisqo, Dru Hill)
Do You Love Me (2000) (Babyface, Michael Jackson)
Do You Know Where Your Children Are (2001) (Michael Jackson)
Dead Or Alive (2004) (Michael Jackson)

E:
Elisabeth, I Love You (1996) (Michael Jackson) +
Easy (1999) (Michael Jackson)
Edgar Allan Poe (2000) (Michael Jackson, Walter Afanasieff)
Entertainment Tonight (2000) (Michael Jackson)
Escape (2001) (Michael Jackson, Rodney Jerkins, La Shawn Daniels, Fred Jerkins III, Harvey Jay Mason) +
Ekam Satyam - The One Truth (2001) (Michael Jackson, A.R. Rahman)

F:
Far Far Away (1983) (Michael Jackson, Carole Bayer-Sager, David Foster)
Fly Away (1987) (Michael Jackson) +
Fever/ Hot Fever (1989) (Michael Jackson)
Faces/Pretty Faces (1991) (Michael Jackson, Stevie Wonder)
Fear (1993) (Michael Jackson)
Fall Again (1999) (Walter Afanasieff, Robin Thicke) Face (1999) (Michael Jackson) +
Free (2000) (Carole Bayer-Sager, Michael Jackson)
Fantasy (2000) (Michael Jackson)
Force (2003) (Michael Jackson, Irv Gotti, Ashanti, Ja Rule)

G:
Goin' To Rio (1978) (Michael Jackson, Carole Bayer-Sager)
Girls Of Another Love (1987) (Michael Jackson)
Groove Of Midnight (1987) (Michael Jackson)
Get Your Weight Off Me (2001) (Michael Jackson) +
Get Around (2001) (Michael Jackson, Rodney Jerkins, Fred Jerkins, La Shawn Daniels)

H:
Holiday Inn (1979) (Michael Jackson)
Hotstreet / Got The Hots (1982) (Michael Jackson) +
Heaven Is Here (1991) (Michael Jackson)
House Of Style (2001) (Michael Jackson, Teddy Riley, Tyrese, Andre Harris)
Healing My Feelings (2004) (Michael Jackson)

I:
Iowa (1978) (Michael Jackson)
If You Don't Love Me (1989) (Michael Jackson) +
In The Back (1999) (Michael Jackson) +
I Forgive You (2000) (Michael Jackson)
I Have This Love Of Me (2000) (Michael Jackson)
I Don't Live Anymore (2001) (Michael Jackson)
In The Valley (2001) (Michael Jackson, Tyrese)
I Have This Dream (2002) (Michael Jackson, Carole Bayer-Sager, David Foster, Ric Kipp) +

J:

K:
Kentucky (1979) (Michael Jackson)
Kick It (2000) (Michael Jackson, Rodney Jerkins, Fred Jerkins, La Shawn Daniels, Norman Gregg)

L:
Learned My Lesson (1987) (Michael Jackson)
Lonely Man (1999) (Michael Jackson)
Little Girls (2000) (Michael Jackson)
Llama Lola (2000) (Michael Jackson)
Lonely Bird (2000) (Michael Jackson)
Lucy Is In Love With Linus (2001) (Michael Jackson)

M:
Monkey Business (1989) (Michael Jackson, Bill Bottrell) +
Mind Is The Magic (1990) (Michael Jackson) +
Men In Black (1990) (Michael Jackson, Teddy Riley)
Make A Wish (1999) (Michael Jackson)
Michael Mckeller (2000) (Michael Jackson)
Much Too Soon (2000) (Michael Jackson)
Maybe We Can Do It (2001) (Michael Jackson, P.Diddy, Rodney Jerkins)
Make Or Break (2001) (Michael Jackson, Teddy Riley)
Maybe Tomorrow (2003) (Michael Jackson)

N:
Nite Line (1985) (Michael Jackson) +
New Attitudes (2001) (Michael Jackson)

O:
Ode To Sorrow (1977) (Michael Jackson)
On The Line (1996) (Michael Jackson, Babyface) +
On My Anger (2000) (Michael Jackson, Teddy Riley, Blackstreet)

P:
Planet Earth (1991) (Michael Jackson) +
Peaceful Journey (1993) (Michael Jackson)
People Of The World (1999) (Michael Jackson)
People Have To Make Some Kind Of Joke (2000) (Michael Jackson)
Pressure (2003) (Michael Jackson, Rodney Jerkins, La Shawn Daniels, Fred Jerkins III, Harvey Jay Mason)

Prayer For Peace (2003) (Michael Jackson, Barry Gibb)

R:
Red Eye (2000) (Michael Jackson)
Revolution (2001) (Michael Jackson)
Resurrection (2003) (Michael Jackson)

S:
Susie (1979) (Michael Jackson)
Sunset Driver (1982) (Michael Jackson) +
Somewhere In Time (1982) (Michael Jackson)
Space Dance (1982) (Michael Jackson) +
Someone In The Dark (1982) (Michael Jackson, Rod Temperton, Alan Bergman, Marilyn Bergman) +
Scared Of The Moon (1984) (Michael Jackson, Buz Kohan) +
Saturday (1986) (Michael Jackson)
Streetwalker (1986) (Michael Jackson, Bill Botrell) +
Stand Tall (1987) (Michael Jackson)
Seven Digits (1989) (Michael Jackson)
Splash, We Can Get Wet Babe (1989) (Michael Jackson, D. Brack, L. Jackson)
Stay (1989) (Michael Jackson)
She Got It (1990) (Michael Jackson, Bill Botrell, Teddy Riley) +
Serious Effect (1990) (Michael Jackson, Teddy Riley, LL Cool J) +
Seven Bright New Stars (1991) (Michael Jackson, Lionel Richie, D. Brack)
Someone Put Your Hand Out (1992) (Michael Jackson, Teddy Riley) +
Secret Passage (1996) (Michael Jackson)
Stop The War (1999) (Michael Jackson, Carole Bayer-Sager)
Saved By The Bell (2000) (Michael Jackson)
Sheґs Not A Girl (2000) (Michael Jackson)
Shy Shy (2000) (Michael Jackson)
Sister Sue (2000) (Michael Jackson)
Song with Jae-R, Omer Bhatti (2004) (Michael Jackson, Jae-R, Omer Bhatti)
Soldier's Entrance (2001) (Michael Jackson)
Seduction (2003) (Michael Jackson, Shelby Lee Myrick II)
She Was Lovin' Me (2001) (Michael Jackson, Teddy Riley, Mark C. Rooney)
Seeing Voices (2001) (Sidney Fine, Michael Jackson, Ray Charles Choir) +
Shout (2001) (Michael Jackson, Teddy Riley)+
Still Got It (2003) (Michael Jackson) +

T:
This Is It (1979) (Michael Jackson) +
There Must Be More To Life Than This (1983) (Michael Jackson, Freddie Mercury) +
The Toy (1984) (Michael Jackson)
Trouble (1985) (Michael Jackson) +
The Prince Of Fame (1986) (Michael Jackson)
Throwin' Your Life Away (1987) (Michael Jackson)
Tomboy (1987) (Michael Jackson, Quincy Jones)
Trust About Youth (1991) (Michael Jackson)
The Sky Is The Limit (1998) (Michael Jackson)
Thank Heaven (1998) (Michael Jackson)
Tubeway (1999) (Michael Jackson)
Triple Threat Cable (1999) (Michael Jackson)
The Childrenґs Hour (1999) (Michael Jackson)
To The World (2000) (Michael Jackson, Carole Bayer-Sager)
The Gloved One (2000) (Michael Jackson, Sisqo)
This Is Our Time (2000) (Michael Jackson, David Foster, Lauryn Hill)
Turning Me Off (2000) (Michael Jackson)
Tragedy Of A Cheerleader (2001) (Michael Jackson)
That Kind Of Lover (2001) (A1, Ray Ruffin, Michael Jackson)
The Way You Love Me (2004) (Michael Jackson) +
The Pain (2003) (Michael Jackson, Rodney Jerkins, Harvey Jay Mason, Shawn Stockman)
Trash (2003) (Michael Jackson, Irv Gotti)
Trust In My Heart (2003) (Michael Jackson)
This'll Make You Cry (2003) (Michael Jackson)

U:
Under Your Skin (1979) (Michael Jackson)

V:
Victory (1984) (Michael Jackson) +
Vibrationist (1998) (Michael Jackson, Teddy Riley)
Visions (2003) (Michael Jackson)

W:
We've Had Enough (2004) (Michael Jackson, Rodney Jerkins, Fred Jerkins, L. Daniels, Carole Bayer Sager) +
We Are The Ones (2000) (Michael Jackson)
We Are Here To Change The World (1986) (Michael Jackson, John Barnes)+
We Are The World (solo version) (1985) (Michael Jackson, Lionel Richie)+
We Be Ballin' (2003) (Michael Jackson, Shaquille O'Neal, Raz-B, Ice Cube)

What's A Guy Gotta Do (2000) (Michael Jackson, Pharell Williams)
What`s Your Life (2000) (Michael Jackson)
What About Me (2004) (Michael Jackson)
What More Can I Give / Todo Para Ti (2002) (Michael Jackson, Marc Schaffel, Allstars) +
Why Can't It Be (1984) (Michael Jackson)
Who Do You Know (2000) (Michael Jackson)
Who Is The Girl With The Hair Down (2000) (Michael Jackson)
Work That Body (1989) (Michael Jackson, Bill Botrell) +

Y:
You're A Liar, Brother (2001) (Michael Jackson)
You Are So Beautiful (2005) (Michael Jackson)
You Ainґt Gonna Change Nothing (2001) (Michael Jackson)
You Cry (1992) (Michael Jackson)
You Told Me Your Lovin' (1979) (Michael Jackson)
You Were There (1985) (Michael Jackson)

ViintageJunkiie said:

ThruTheEyesOfWonder said:

You work your magic then, kid.

thanks!

I'm gonna keep the joke I just thought of to myself

bboy87 said:

ViintageJunkiie said:

thanks!

I'm gonna keep the joke I just thought of to myself

And Im SURE I know what you're talking about

Am I right?