Najee said: sosgemini said: too many hypotheticals for me to give a damn.
It's no hypothetical -- Keith Sweat and Freddie Jackson were much more successful than Teena Marie. Patrice Rushen had a similar career to Marie's, in mostly the same timespan. So why is Marie being held in some circles with higher regard for being an equal or (in Jackson's and Sweat's cases) a LESSER act? After all, YOU'RE the one who wanted to give Marie more credit over Jackson and Sweat. If you want a clown session, do it when you're not trying to avoid answering the question. [Edited 8/9/07 17:05pm] Keith Sweat & Freddie Jackson were much more successful according to who? According to record sales? Brittney Spears has sold more records that all of them put together, but miss thang ain't gonna get my respect as a successful artist! Success is a matter of interpretation! This whole Teena Marie thing started because someone said she should get this so called "black pass", while other felt she didn't deserve the recognition simply because she was white. My feeling is that Teena Marie IS a true Soul/R&B artist who wrote and produced her own stuff. She should be given the same accolades as Patrice Rushen, Roberta Flack and others who came up during that time...no more, no less...white or black! | |
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VonMarie said: Keith Sweat & Freddie Jackson were much more successful according to who? According to record sales? Brittney Spears has sold more records that all of them put together, but miss thang ain't gonna get my respect as a successful artist! Success is a matter of interpretation!
The analogy is a poor one, because Keith Sweat (mostly "Make It Last Forever") and Freddie Jackson ("Rock Me Tonight," "Just Like the First Time") also enjoyed albums that were more critically acclaimed than anything Teena Marie recorded. Let's not act like Marie was more profound than she really was. No matter what measuring stick of success you want to use, Marie's career doesn't compare with Jackson's and Sweat's -- unless you feel that "Sleeping with Rick James" should be a category. VonMarie said: This whole Teena Marie thing started because someone said she should get this so called "black pass", while other felt she didn't deserve the recognition simply because she was white. My feeling is that Teena Marie IS a true Soul/R&B artist who wrote and produced her own stuff. She should be given the same accolades as Patrice Rushen, Roberta Flack and others who came up during that time...no more, no less...white or black!
I personally cannot see why Marie wouldn't get a "black pass" -- after all, her music is soul music-oriented and that is her core audience, and in some cases that audience gets blinded by her talent and novelty -- but she certainly doesn't deserve more accolades than Patrice Rushen as a recording artist (much less Roberta Flack). The "pass" should NOT be interpreted as "given comparable careers, Teena Marie should be elevated over other acts because she's white." [Edited 8/9/07 18:42pm] THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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rebelsoldier said: The real issue is that black soul singers are not being promoted because
1. Rap has become the only form of afro art/life/musical expression. A PFunk or sly stone equivalent of today would be labelled as making white music. 2. People want to hear white soul singers. The same thing happened when they found a white guy that could rock and roll bakc in the day. 3. People are too lazy to look for real music Unfortunately, some members of the listening public have sunk to these lows. | |
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Najee said: sosgemini said: ummm...where did i ever state that teena marie deserves more credit then jackson or sweat?
You said that in comparison to Freddie Jackson, Keith Sweat, Miki Howard and Regina Belle, "isnt teena the only one who writes, plays and produces her own work? ... see, i think teena gets credit because she is a *woman* who broke down gender barriers in the funk world...not racial." The problem is that Marie didn't "break down any barriers" and shouldn't get any more credit in comparison to the aforementioned solely because she wrote and produced some songs. She shouldn't get any more credit than Sweat (who also wrote and produced his own music) or Jackson (who wrote his music to a lesser degree), and she surely wasn't as successful as them. Since you and I don't know the same people, it's silly for me to say that "I was having this conversation with XYZ and they really feel that Teena Marie was a major success in the soul music genre, and hold her music in the same regard as more prominent acts."I have talked with and heard quite a few people over the years who hold Marie in such high standing -- just listening to some of the 1980s formats radio stations and hearing some of the people on the radio stations going on about Marie would lead you to think she was a major success. Earlier, you were babbling on her relevance based on some of her songs being sampled by other artists, as if it's a validation for Marie's disproportionately praised career. Several people jumped all over krayzie for questioning the undue praise Marie gets for being moderately successful. I've heard and seen similar reactions from certain people when someone else questions Marie's reputation and relevance. sosgemini said: well, you know what? go for it...your right...your opinion and our opinion is correct...and you have verified polling data compiled from "those people" and "other people" and possibly "some people".
Last I looked, no one told you to answer my statements. You talk a lot for someone who continually seems to be oblivious to soul music (but yet is always commenting on it) and is nothing more than moderator who apparently has no real job, save to become too involved in being on a Web site. You run your mouth and when asked to step forward you cry like a fourth-grader with a skinned-up knee. [Edited 8/9/07 17:53pm] so, instead of standing by your own personal opinion now you need to discredit your detractors? but yeah...i don't have a real job...i'm oblivious to soul music and i have skinned-up knees...so why are you responding to me then? ohhh, thats right...it's cause you have to prove yourself right...even when dealing with a subjective discussion. well, how about you take your army of "somebodies, "xyzs", and "others" and and claim your thrown cause you be the king. Space for sale... | |
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sosgemini said: so, instead of standing by your own personal opinion now you need to discredit your detractors?
Considering that you post on this site nearly all day -- and you have Teena Marie listed as one of your favorites on your profile -- it's easy to see why you're unobjective in regards to her career. The problem is you apparently want her to be more relevant than what she was, and that was a moderately successful soul act. [Edited 8/9/07 18:51pm] THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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Najee said: sosgemini said: so, instead of standing by your own personal opinion now you need to discredit your detractors?
Considering that you post on this site nearly all day -- and you have Teena Marie listed as one of your favorites on your profile -- it's easy to see why you're unobjective in regards to her career. The problem is you apparently want her to be more relevant than what she was, and that was a moderately successful soul act. [Edited 8/9/07 18:49pm] im sorry that i have a job that allows me to hang out on-line and get paid...im really sorry...i don't want my good fortune to impede on your happiness. so please, please forgive me. and no, i don't care what you or anyone things about teena marie's legacy...i could give a squat because all i care about is enjoying the music...but when i see you trying to bully your opinion on folks and dragging in an army of hypotheticals it just compelled me to respond. cause in the end, i disagree with you...and i've stated it before...and you and your army are free to think whatever you want...but dont try to discredit other's views...or belittle them for having them... shit man, folks might as well pull out their freaken dicks and start measuring cause thats all this exercise feels like. Space for sale... | |
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Najee said: VonMarie said: Keith Sweat & Freddie Jackson were much more successful according to who? According to record sales? Brittney Spears has sold more records that all of them put together, but miss thang ain't gonna get my respect as a successful artist! Success is a matter of interpretation!
The analogy is a poor one, because Keith Sweat (mostly "Make It Last Forever") and Freddie Jackson ("Rock Me Tonight," "Just Like the First Time") also enjoyed albums that were more critically acclaimed than anything Teena Marie recorded. Let's not act like Marie was more profound than she really was. No matter what measuring stick of success you want to use, Marie's career doesn't compare with Jackson's and Sweat's -- unless you feel that "Sleeping with Rick James" should be a category. VonMarie said: This whole Teena Marie thing started because someone said she should get this so called "black pass", while other felt she didn't deserve the recognition simply because she was white. My feeling is that Teena Marie IS a true Soul/R&B artist who wrote and produced her own stuff. She should be given the same accolades as Patrice Rushen, Roberta Flack and others who came up during that time...no more, no less...white or black!
I personally cannot see why Marie wouldn't get a "black pass" -- after all, her music is soul music-oriented and that is her core audience, and in some cases that audience gets blinded by her talent and novelty -- but she certainly doesn't deserve more accolades than Patrice Rushen as a recording artist (much less Roberta Flack). The "pass" should NOT be interpreted as "given comparable careers, Teena Marie should be elevated over other acts because she's white."[Edited 8/9/07 18:42pm] Sleeping with Rick James a category? Wow, talk about a poor analogy! And please re-read my post! You are making a response to something I never said! Although I'm sure you'll probably argue otherwise! Peace! | |
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sosgemini said: im sorry that i have a job that allows me to hang out on-line and get paid...im really sorry...i don't want my good fortune to impede on your happiness. so please, please forgive me.
and no, i don't care what you or anyone things about teena marie's legacy...i could give a squat because all i care about is enjoying the music...but when i see you trying to bully your opinion on folks and dragging in an army of hypotheticals it just compelled me to respond. cause in the end, i disagree with you...and i've stated it before...and you and your army are free to think whatever you want...but dont try to discredit other's views...or belittle them for having them... I have no problem with anyone liking Teena Marie, but like krayzie said don't overrate her career as she was more profound than she was. But then again, crying about something that doesn't go your way has been your trademark since I've been on this site. So if you're going to throw a hissy fit because some people actually don't think Marie was more than she was -- BTW, it really showcases your biases (considering you have made similar comments regarding Luther Vandross, who would be considered a superior artist to Marie) -- then go ahead and act like you can preach from the bully pulpit of being a way-too-involved moderator. [Edited 8/9/07 19:18pm] THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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VonMarie said: Sleeping with Rick James a category? Wow, talk about a poor analogy! And please re-read my post! You are making a response to something I never said! Although I'm sure you'll probably argue otherwise! Peace!
You made some poor analogy about "Brittney Spears has sold more records that all of them put together, but miss thang ain't gonna get my respect as a successful artist! Success is a matter of interpretation!" So entertain me -- on what measure of success (commercial, critical, whatever you want to use) can you say Teena Marie's career compares with (or exceeds) Keith Sweat's or Freddie Jackson's? Because unless the category is "Who slept with Rick James," there's not much of anything Lady T can claim as being more successful than Sweat and Jackson. [Edited 8/9/07 19:04pm] THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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Najee said: sosgemini said: im sorry that i have a job that allows me to hang out on-line and get paid...im really sorry...i don't want my good fortune to impede on your happiness. so please, please forgive me.
and no, i don't care what you or anyone things about teena marie's legacy...i could give a squat because all i care about is enjoying the music...but when i see you trying to bully your opinion on folks and dragging in an army of hypotheticals it just compelled me to respond. cause in the end, i disagree with you...and i've stated it before...and you and your army are free to think whatever you want...but dont try to discredit other's views...or belittle them for having them... I have no problem with anyone liking Teena Marie, but like krayzie said don't overrate her career as she was more profound than she was. But then again, crying about something that doesn't go your way has been your trademark since I've been on this site. So if you're going to throw a hissy fit because some people actually don't think Marie was more than she was -- BTW, it's really showcases your biases (considering you have made similar comments regarding Luther Vandross, who would be considered a superior artist to Marie) -- then go ahead but act like you can preach from the bully pulpit of being a way-too-involved moderator. you really can't stop can you? and what the hell does being a moderator have to do with the price of tea in china? if i felt you were breaking a site rule i would have deleted your account ten hours ago. it's just another attempt to prove yourself right...but buddy, i've already told you, "your right...your always right". now tell me, you call my responding within this thread "crying". so what would you consider all of your tit for tat posts that draw in the hypothetical army then? or what about your long long long and detailed arguing over Robert Palmer? sound debating skills? Space for sale... | |
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Najee said: VonMarie said: Sleeping with Rick James a category? Wow, talk about a poor analogy! And please re-read my post! You are making a response to something I never said! Although I'm sure you'll probably argue otherwise! Peace!
You made some poor analogy about "Brittney Spears has sold more records that all of them put together, but miss thang ain't gonna get my respect as a successful artist! Success is a matter of interpretation!" So entertain me -- on what measure of success (commercial, critical, whatever you want to use) can you say Teena Marie's career compares with (or exceeds) Keith Sweat's or Freddie Jackson's? Because unless the category is "Who slept with Rick James," there's not much of anything Lady T can claim as being more successful than Sweat and Jackson. [Edited 8/9/07 19:04pm] Okey-Dokey Whatever you say! Later! | |
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sosgemini said: now tell me, you call my responding within this thread "crying". so what would you consider all of your tit for tat posts that draw in the hypothetical army then? or what about your long long long and detailed arguing over Robert Palmer? sound debating skills?
People who whine and bring up irrelevant conversations nearly a year ago that have no relevance to the conversation at hand. Again, a personally involved moderator who holds grudges like a petulant child. [Edited 8/9/07 19:20pm] THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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Yikes! | |
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Najee said: sosgemini said: now tell me, you call my responding within this thread "crying". so what would you consider all of your tit for tat posts that draw in the hypothetical army then? or what about your long long long and detailed arguing over Robert Palmer? sound debating skills?
People who whine bring up irrelevant conversations nearly a year ago that have no relevance to the conversation at hand. Again, a personally involved moderator who holds grudges like a petulant child. more of that sound debating skills there, ehh? Space for sale... | |
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VonMarie said: Okey-Dokey Whatever you say! Later!
Sashay your ass out the door, then. "Keith Sweat & Freddie Jackson were much more successful (than Teena Marie) according to who?" According to the people who actually buy and listen to soul music, that's who. You keep validating krayzie's apparent point about Marie -- there is no way she was as successful as Jackson and Sweat in any context. [Edited 8/12/07 6:57am] THE TRAFFIC JAMMERS, The Org's house band: VAINANDY -- lead singer; NAJEE -- bass; THE AUDIENCE -- guitar; PHUNKDADDY -- rhythm guitar; ALEX de PARIS -- keyboards; Da PRETTYMAN -- keyboards; FUNKENSTEIN -- drums. HOLD ON TO YOUR DRAWERS! | |
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krayzie said:
Nope, you aren't concerned about talent at all, that's why you said "I don't give a damn about how well someone sings" How can you be extremely concerned about talent if you prefer untalented acts over real singers ??? What matters to you are the hot producers making hot beats and the image... And this what dominates the charts... Image and hot producers first, talent comes second... You are confusing me with someone that likes today's music because you are saying that I like a producer that makes "hot beats". Apparently, you know absolutely nothing about me because if you did, you would know that I care more about a talented person behind the singer playing the bass, real drums, the synths, or whatever else.....INSTRUMENTS, not a damn weak ass shit hop sounding drum machine. I'm am into the music first.....REAL music.....not a singer. Look at a funky ass jam like "Soul Makossa" by Manu Dibango. There is no singer on the record and it is funky as hell. I care about funk, the whole funk, and NOTHING BUT THE FUNK. These examples you are giving are about these midtempo shit hop sounding folks these days. That's the furthest thing I like. I don't give a damn about how boring she is, just a matter of taste. Whitney Houston acappella puts in the water all of your manufactured over produced untalented prostitutes with no talent like Vanity Shit. They can't even handle a single note to save their lives.
And it ain't a person hitting a note that makes my ass wanna shake. It's funky bass and drums....real drums.....and not this midtempo shit that's all over the radio these days. You seem to be more concerned about the image, and the hot producers behind. In fact you don't care about real talent.
What you said explains everything. It explains why the charts are dominated by garbage shit like the Pussy cat dolls, the Fergie, the Danity Kane, the Gwen Stefani... This is what you like this what you want... And many people think just like you... Hot Producers and image first, real talent behind... This is what matters to you. And see, once again, you don't know a damn thing about me or what I mean when I make my statements. I can't stand all those people you listed. I'm into folks like Prince, Rick James, Lakeside, The Barkays, Roger and Zapp, Midnight Star, Con-Funk-Shun, etc. Now, are those groups extremely talented vocalists? Hell no, they aren't but they are extremely talented ass musicians and once again, music is what makes my ass shake....not some tired ass standing at a microphone singing their heart out to a slow boring ass song with no funk behind it. And before you accuse me of liking today's music, you better turn on your radio and see if you hear some funk. You won't find it in today's artists and funk is ALL I care about. The hell the other shit. Now, if you place so much importance on vocalists, you might as well be listening to some opera. Those are some talented vocalists. However.....they are boring as hell. . . [Edited 8/9/07 19:35pm] Andy is a four letter word. | |
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sosgemini said: ehuffnsd said: We know from your posting on Koreans who get a Japanense that you think the validity of these threads should be discussed in PnR not here. no no, i said the validity should be discussed in site discussion...i suggested discussing the racial aspect in p&r. --- i don't know...this is a tough one...do we lock these threads because they are retreads (yet run the risk of being overzealous)? or do we keep it and run the risk of being non-responsive cause everyone can see the thread topic and avoid at their own discretion? i don't know...let me think on that. No, you delete it because it's offensive to people. The original question is ridiculous. | |
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gemini13 said: sosgemini said: no no, i said the validity should be discussed in site discussion...i suggested discussing the racial aspect in p&r. --- i don't know...this is a tough one...do we lock these threads because they are retreads (yet run the risk of being overzealous)? or do we keep it and run the risk of being non-responsive cause everyone can see the thread topic and avoid at their own discretion? i don't know...let me think on that. No, you delete it because it's offensive to people. The original question is ridiculous. why delete it? Its just opinions. Hopefully people arent that fragile to the point that they cant stand another's point of view. And if they are, thats kind of their issue. A happy face, A Thumpin Bass, For A Lovin' Race. PEACE. | |
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unkemptpueblo said: gemini13 said: No, you delete it because it's offensive to people. The original question is ridiculous. why delete it? Its just opinions. Hopefully people arent that fragile to the point that they cant stand another's point of view. And if they are, thats kind of their issue. Ummm, because it's offensive? Was I not clear enough the first time? If the shoe were on the other foot, people would have a cow. The idea that "white" artists need a pass to perform music is fucking stupid. | |
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gemini13 said: unkemptpueblo said: why delete it? Its just opinions. Hopefully people arent that fragile to the point that they cant stand another's point of view. And if they are, thats kind of their issue. Ummm, because it's offensive? Was I not clear enough the first time? If the shoe were on the other foot, people would have a cow. The idea that "white" artists need a pass to perform music is fucking stupid. The shoe has been on the other foot. Only certain black artists received a "pass" in the white community....Lionel Richie, Tina Turner, Prince, Michael Jackson, Shitney Houston, etc. I never saw groups like The Barkays or Lakeside with that same pass. Andy is a four letter word. | |
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gemini13 said: unkemptpueblo said: why delete it? Its just opinions. Hopefully people arent that fragile to the point that they cant stand another's point of view. And if they are, thats kind of their issue. Ummm, because it's offensive? Was I not clear enough the first time? If the shoe were on the other foot, people would have a cow. The idea that "white" artists need a pass to perform music is fucking stupid. It's not offensive, like someone earlier said, it's just an opinion and in the black community these discussions are had from time to time. I think the word you were looking for is "uncomfortable." You think this thread should be deleted because it makes you (and some others) uncomfortable. That's not fair. It's a good discussion and people are obviously interested. And in my opinion a white artist a "pass" is not some serious thing, it can actually be an affirmation (and I think an aside to the fact that black people joke about having their "cards") to an artist saying "we like your music no matter what color you are." Unfortunately, it does not work the other way around. I agree with vainlady that only certain black artists were given free reign in the white music community and at that point the establishment says to them "You're so good we FORGET the fact that you're black." Prince, Lionel Richie, MJ and Whitney Houston definitely belong in this category. But if you fuck up, then off you go (Right, Mike?) I would also add Diana Ross to this list. Besides Lakeside and The Barkays I would also add the Gap Band to that list of people denied passage. [Edited 8/10/07 12:34pm] [Edited 8/10/07 12:39pm] | |
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Lovesexy82 said: gemini13 said: Ummm, because it's offensive? Was I not clear enough the first time? If the shoe were on the other foot, people would have a cow. The idea that "white" artists need a pass to perform music is fucking stupid. It's not offensive, like someone earlier said, it's just an opinion and in the black community these discussions are had from time to time. I think the word you were looking for is "uncomfortable." You think this thread should be deleted because it makes you (and some others) uncomfortable. That's not fair. It's a good discussion and people are obviously interested. And in my opinion a white artist a "pass" is not some serious thing, it can actually be an affirmation (and I think an aside to the fact that black people joke about having their "cards") to an artist saying "we like your music no matter what color you are." Unfortunately, it does not work the other way around. I agree with vainlady that only certain black artists were given free reign in the white music community and at that point the establishment says to them "You're so good we FORGET the fact that you're black." Prince, Lionel Richie, MJ and Whitney Houston definitely belong in this category. But if you fuck up, then off you go (Right, Mike?) I would also add Diana Ross to this list. Besides Lakeside and The Barkays I would also add the Gap Band to that list of people denied passage. [Edited 8/10/07 12:34pm] [Edited 8/10/07 12:39pm] Deleting this thread will only prove that some of the opinion's on this thread is true. "Love is like peeing in your pants, everyone sees it but only you feel its warmth" | |
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the John Mayer thread was better | |
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CalhounSq said: the John Mayer thread was better
I think its interesting that people are getting so heavily criticized FOR giving Teena some credit. I personally don't think Teena gets any more love because she's white. I think Justin gets more credit because he white, Elvis, etc. As much as I think Patrice IS a talented artist, vocally, I do like Teena better AND I current will play a Teena Marie old school joint before Patrice. Is that because of talent or race or that I just like some Teena music.....Portugese Love...I need your lovin', Square Biz, Out on a limb, Oh la la la...Teena does aight. some of ya'll are doing too much in trying to discredit her that you sound a little well....defensive like SOS said. And Krayzie...you are so wrong about Vain he HATES the music of today.....HATESSSSS it. | |
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Uhope said: Has anyone ever noticed how skilled white British artists seem to be at expressing "soul" in their music/voices?
Many of the artists mentioned repeatedly in this thread are Brits and it's a phenomenon I've discussed with friends before. What is that? Why do you suppose that is? [Edited 8/8/07 13:58pm] Simple. The British are exceptionally good when it comes to copying things. Lewis Taylor is another story however, that man is a grade A badass. | |
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Rhondab said: CalhounSq said: the John Mayer thread was better
I think its interesting that people are getting so heavily criticized FOR giving Teena some credit. I personally don't think Teena gets any more love because she's white. I think Justin gets more credit because he white, Elvis, etc. As much as I think Patrice IS a talented artist, vocally, I do like Teena better AND I current will play a Teena Marie old school joint before Patrice. Is that because of talent or race or that I just like some Teena music.....Portugese Love...I need your lovin', Square Biz, Out on a limb, Oh la la la...Teena does aight. some of ya'll are doing too much in trying to discredit her that you sound a little well....defensive like SOS said. And Krayzie...you are so wrong about Vain he HATES the music of today.....HATESSSSS it. I didn't even bother to read this damn thread But I love Teena Marie | |
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QuakeXLE said: jonylawson said: what 'black'artists would you give a 'white'pass to? heheh
Heh... that might have been an interesting topic. Charley Pride. Sold the 2nd most albumes on RCA. Elvis was #1. Made the Country Music Hall of Fame. | |
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Tracy Chapman is another black artist who gets a white pass. Space for sale... | |
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Rhondab said: I think its interesting that people are getting so heavily criticized FOR giving Teena some credit. I personally don't think Teena gets any more love because she's white. I think Justin gets more credit because he white, Elvis, etc.As much as I think Patrice IS a talented artist, vocally, I do like Teena better AND I currently will play a Teena Marie old school joint before Patrice. Is that because of talent or race or that I just like some Teena music.....Portugese Love...I need your lovin', Square Biz, Out on a limb, Oh la la la...Teena does aight.Some of ya'll are doing too much in trying to discredit her that you sound a little well....defensive like SOS said.
Agreed with everything you said.Certain folks on this thread are trying to discredit Teena and downplay her obvious talent.I hate the fact that color always has to be brought into it I don't really care whether Teena is white,green,purple or yellow....that lady can sing her ass off! She's done some of the most soulful songs I've ever heard.She deserves the props that she gets.And to those folks who insist that she got all that attention because of her connection to Rick James?? That's absurd.Unlike Prince's proteges,Teena established herself early on as an artist in her own right.Furthermore,Rick only produced her first album.She quickly proved that she was able to do her own thing.After 1981,she was writing her own songs and producing her own albums. ... [Edited 8/11/07 13:25pm] | |
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Nevermind. [Edited 8/11/07 13:07pm] | |
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