Lothan said: Wow, could you associate me with someone a little mo' deeper than Robin Thicke? Please? you've seen him 30 times in the past three days! i don't even know how that's possible! and you don't see muse complaining about anne murray, do you? | |
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theAudience said: It would be hard to associate some of the Orgers I would list with only one artist.
(which is what makes them interesting) Here are just a few off the top with associations they would understand... paligap - Japanese crossover / Lewis Taylor Anxiety - Alice Coltrane I Ain't The One - The Rascals ("Young" and old) RipHer2Shreds - Dionne Warwick damosuzuki - Moby Grape (I hope i'm remembering this right) NDRU - Robben Ford Slave2daGroove - Lettuce VoicesCarry - The Jaynetts vainandy - The Controllers/Bobby Rush blackguitaristz - Marcus MIGUELGOMEZ - Little Jimmy Scott Stax - Holdsworth/Pasqua Project (gotta get that DVD) PFunkjazz - King's X cubic61052 - Tribal Disorder Moonsongs - Any artist from my era SoulAlive - EW&F/Santana (Almost any artist from the 70s) NuPwr319 - Avishai Cohen anon - Shobha Gurtu ...more as they come to me. tA Tribal Disorder http://www.soundclick.com...dID=182431 Hey Aud, um,..who's "Marcus"? SynthiaRose said "I'm in love with blackguitaristz. Especially when he talks about Hendrix."
nammie "What BGZ says I believe. I have the biggest crush on him." http://ccoshea19.googlepa...ssanctuary http://ccoshea19.googlepages.com | |
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Lothan said: Harle-Billie Holliday
Moonbeam-Annie Lennox Gangsta-The Cure Anx-Nick Cave & The Bad Seeds/Bjork/Bowie/Peaches/Princess Superstar tA-Bootsy Finess-Stevie DavidEye-Madonna Manki-Sly Stone Rip-Funk music, period ok, now you're making me feel bad! you just like so many kinds of music, but thicke is the only specific thing that i hear you talk about that seems specifically YOU. maybe kenna? i don't know many others besides you and me who like him, and i think you like him way more than i do! | |
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Lothan said: FuNkeNsteiN said: Hey no probs mate. It just seemed like an odd pick. I associate tA with Hendrix and a bunch of old jazz and blues artists It is not known why FuNkeNsteiN capitalizes his name as he does, though some speculate sunlight deficiency caused by the most pimpified white guy afro in Nordic history.
- Lammastide | |
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blackguitaristz said: Hey Aud, um,..who's "Marcus"?
...Marcus - One of the original Black-Rockers from the 70s. "Marcus" (United Artists, 1976) - Possibly one of the most obscure, yet incredible metal releases ever was the 1976 debut and solitary LP by Detroit's MARCUS. The packaging of the LP is very deceptive and this, plus The fact that it received little promotion were probably the chief reasons is so sparsely known. With a cover featuring lead singer Marcus Malone decked out in a Rick James-type outfit, coupled with a release during the formation of the disco era, it was no wonder that this platter often ended up filed in record stores' "soul or r&b" sections! However, the careful metal conessieur, upon looking at the back of the jacket, can spy a couple things that make him/her take note. The first eye-opener is the band's line-up: it featured 3 lead guitarists, Gene Bloch, Randall David and Jack Weber. Not many disco or soul bands feature triple axeters, now do they!? Secondly, a sharp metaller would instantly recognize the bass player on most cuts, Tim Bogert (a veteran of countless heavy units like Cactus, Vanilla Fudge & others). MARCUS' drummer was Dandy "Star" Holmes, later to be involved in more dance-oriented material. With all of this, though, even the most astute hard rock fanatic would have no idea of how monumental the record is that awaits within this subtle cover! Opening with a mellow keyboard intro, MARCUS erupts into Side One and "Black Magic." Using a riff similar to Purple's "Space Truckin'" but in no way a copy, it's immediate to the listener that they have a powerhouse on their hands! Bloch, David and Weber all stay close enough to the main rhythm to be tight, but each layer casual licks and fills over the other to become the ultimate 3-way attack team. Malone's vocals are some of the most unique ever, calling to mind a great combination of Steven Tyler and old Glen Hughes. What a song, but it's just the beginning. Next up is "Salmon Ball," with it's heavy, funk-laden rhythm and blatantly sexual lyrics, uttered in a leering yet controlled tone by Marcus M. This 6 1/2 minute epic gradually builds until it turns into an all-out full-speed guitar assault, making any of the well-known guitar classics look like child's play! Side One continues briefly with the mellow "Kelly," highlighting Malone's emotional vocal prowess before concluding with the devastating 7 minute "Gypsy Fever." Again, funk influenced, but this time with a decided early Priest-ish feel as well, this chunk of metallic class sizzles with power. The main guitar solo is very reminiscent of Gary Moore.Moving to Side Two, the captivated listener can only wonder what will be next! The answer to their question is "Pillow Stars," yet another 6 minute epic filled with complicated rhythms, incredible 3-part guitar sections and dazzling vocals. Perhaps the strangest thing about this cut is that it's opening is quite similar to that of Boston's"Foreplay/Long Time," but far more complex and way better. Continuing the side is "High School Babies," a straight-ahead, heavy funk scorcher calling to mind the best days of Aerosmith. Malone's gritty vocals are perfect and the guitar interplay between Bloch, David and Weber is masterful. With "Dream Wheel," the band explores their mellower side, once again. An example of stellar songwriting ability, this cut could've garnered considerable airplay with proper promotion, yet it remains heavy enough to fit the album's flow. What in the hell was United Artists doing as a label??!?!! Sleeping at the switch on this one, that's for sure! You can talk about classic songs for hours, but very few you'll mention are in the league with the work of art that concludes this brilliant LP. Clocking in at just under 7 minutes, "Rise Unto Falcon" is simply one of the most beautiful and haunting, yet totally heavy metal songs ever committed to vinyl. Opening with a gentle acoustic section, it is a vehicle for Malone's vocals which are, at once, drainingly emotional and heroically powerful. The patterned guitar solos which drift in and out here are very reminiscent of Glenn Tipton on Priest's "Dreamer Deceiver." Then, the song begins to escalate and eventually reaches a climatic crescendo of such majestic scope that it is nearly classical in nature. The guitar work here is so intricate, heavy and perfectly done that it's guaranteed to give the most icy-veined cynic goose bumps. Incredible!!!! I can't say enough about MARCUS' only LP, except if you don't have it, you must. This album is quite difficult to find, but it's one that EVERY metal and hard rock fan should go to the ends of the earth in search of. Ray Dorsey http://www.marcusmalone.c...0(EMI).htm =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Thought sure you said you were hip to him. tA Tribal Disorder http://www.soundclick.com...dID=182431 "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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theAudience said: blackguitaristz said: Hey Aud, um,..who's "Marcus"?
Thought sure you said you were hip to him. tA Tribal Disorder http://www.soundclick.com...dID=182431 I am.... "Love and compassion are necessities, not luxuries. Without them humanity cannot survive."
Dalai Lama | |
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theAudience said: blackguitaristz said: Hey Aud, um,..who's "Marcus"?
...Marcus - One of the original Black-Rockers from the 70s. "Marcus" (United Artists, 1976) - Possibly one of the most obscure, yet incredible metal releases ever was the 1976 debut and solitary LP by Detroit's MARCUS. The packaging of the LP is very deceptive and this, plus The fact that it received little promotion were probably the chief reasons is so sparsely known. With a cover featuring lead singer Marcus Malone decked out in a Rick James-type outfit, coupled with a release during the formation of the disco era, it was no wonder that this platter often ended up filed in record stores' "soul or r&b" sections! However, the careful metal conessieur, upon looking at the back of the jacket, can spy a couple things that make him/her take note. The first eye-opener is the band's line-up: it featured 3 lead guitarists, Gene Bloch, Randall David and Jack Weber. Not many disco or soul bands feature triple axeters, now do they!? Secondly, a sharp metaller would instantly recognize the bass player on most cuts, Tim Bogert (a veteran of countless heavy units like Cactus, Vanilla Fudge & others). MARCUS' drummer was Dandy "Star" Holmes, later to be involved in more dance-oriented material. With all of this, though, even the most astute hard rock fanatic would have no idea of how monumental the record is that awaits within this subtle cover! Opening with a mellow keyboard intro, MARCUS erupts into Side One and "Black Magic." Using a riff similar to Purple's "Space Truckin'" but in no way a copy, it's immediate to the listener that they have a powerhouse on their hands! Bloch, David and Weber all stay close enough to the main rhythm to be tight, but each layer casual licks and fills over the other to become the ultimate 3-way attack team. Malone's vocals are some of the most unique ever, calling to mind a great combination of Steven Tyler and old Glen Hughes. What a song, but it's just the beginning. Next up is "Salmon Ball," with it's heavy, funk-laden rhythm and blatantly sexual lyrics, uttered in a leering yet controlled tone by Marcus M. This 6 1/2 minute epic gradually builds until it turns into an all-out full-speed guitar assault, making any of the well-known guitar classics look like child's play! Side One continues briefly with the mellow "Kelly," highlighting Malone's emotional vocal prowess before concluding with the devastating 7 minute "Gypsy Fever." Again, funk influenced, but this time with a decided early Priest-ish feel as well, this chunk of metallic class sizzles with power. The main guitar solo is very reminiscent of Gary Moore.Moving to Side Two, the captivated listener can only wonder what will be next! The answer to their question is "Pillow Stars," yet another 6 minute epic filled with complicated rhythms, incredible 3-part guitar sections and dazzling vocals. Perhaps the strangest thing about this cut is that it's opening is quite similar to that of Boston's"Foreplay/Long Time," but far more complex and way better. Continuing the side is "High School Babies," a straight-ahead, heavy funk scorcher calling to mind the best days of Aerosmith. Malone's gritty vocals are perfect and the guitar interplay between Bloch, David and Weber is masterful. With "Dream Wheel," the band explores their mellower side, once again. An example of stellar songwriting ability, this cut could've garnered considerable airplay with proper promotion, yet it remains heavy enough to fit the album's flow. What in the hell was United Artists doing as a label??!?!! Sleeping at the switch on this one, that's for sure! You can talk about classic songs for hours, but very few you'll mention are in the league with the work of art that concludes this brilliant LP. Clocking in at just under 7 minutes, "Rise Unto Falcon" is simply one of the most beautiful and haunting, yet totally heavy metal songs ever committed to vinyl. Opening with a gentle acoustic section, it is a vehicle for Malone's vocals which are, at once, drainingly emotional and heroically powerful. The patterned guitar solos which drift in and out here are very reminiscent of Glenn Tipton on Priest's "Dreamer Deceiver." Then, the song begins to escalate and eventually reaches a climatic crescendo of such majestic scope that it is nearly classical in nature. The guitar work here is so intricate, heavy and perfectly done that it's guaranteed to give the most icy-veined cynic goose bumps. Incredible!!!! I can't say enough about MARCUS' only LP, except if you don't have it, you must. This album is quite difficult to find, but it's one that EVERY metal and hard rock fan should go to the ends of the earth in search of. Ray Dorsey http://www.marcusmalone.c...0(EMI).htm =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Thought sure you said you were hip to him. tA Tribal Disorder http://www.soundclick.com...dID=182431 Damn, bruh! I LOVE you, man. I did and I am indeed hip to him. BUT I was like "Is Aud THAT cool to be connecting me with this cat? Such an OBSCURE brother? All that this cat represents, for u to connect him with me, is a serious compliment, man. I was afraid to assume that u were talking about this cat. I didn't want to assume u were doing that. So, it was safer for me to ask "Who's Marcus" so I'm not all out there and shit, thinking I'm bad, when all the while u could have been talking about Marcus Miller! SynthiaRose said "I'm in love with blackguitaristz. Especially when he talks about Hendrix."
nammie "What BGZ says I believe. I have the biggest crush on him." http://ccoshea19.googlepa...ssanctuary http://ccoshea19.googlepages.com | |
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thank u, Aud. SynthiaRose said "I'm in love with blackguitaristz. Especially when he talks about Hendrix."
nammie "What BGZ says I believe. I have the biggest crush on him." http://ccoshea19.googlepa...ssanctuary http://ccoshea19.googlepages.com | |
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blackguitaristz said: thank u, Aud.
co-sign. it's an honor to be linked to alice. | |
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theAudience said: paligap - Lewis Taylor Ah, Yess!! One of the greatest disappearing acts of our time, unfortunately.... ... " I've got six things on my mind --you're no longer one of them." - Paddy McAloon, Prefab Sprout | |
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Again, I gotta say I don't like lists. Especially when it comes to "who are your fave orgers" and shit. I think it makes folks feel bad when their not mentioned. And I'm not about making folks feel bad. But dig; here's a short ass list of people. Forgive me if I leave some people off. It wasn't intentional.
Miss H : Billie Holliday funkpill: The Ohio Players VainAndy: 70's and 80's funk SoulAlive: Donna Summer paligap : Stevie Wonder Anxiety : Bowie The Audience: Steely Dan SynthiaRose said "I'm in love with blackguitaristz. Especially when he talks about Hendrix."
nammie "What BGZ says I believe. I have the biggest crush on him." http://ccoshea19.googlepa...ssanctuary http://ccoshea19.googlepages.com | |
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Theodore---> Christina Aguilera and Mariah Carey.... | |
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cloudbuster-kate bush(billie piper also works here)
danceWme-princepac lol | |
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Thanks for all the mentions guys! It's nice to be associated with music, being the big geek that I am. And good music at that. | |
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GangstaFam said: Thanks for all the mentions guys! It's nice to be associated with music, being the big geek that I am. And good music at that.
oh shit gangsta-beastie boys.....or just ad rock | |
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Christopher said: oh shit
gangsta-beastie boys.....or just ad rock Christopher - Gwen! | |
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theAudience said: blackguitaristz said: Hey Aud, um,..who's "Marcus"?
...Marcus - One of the original Black-Rockers from the 70s. "Marcus" (United Artists, 1976) - Possibly one of the most obscure, yet incredible metal releases ever was the 1976 debut and solitary LP by Detroit's MARCUS. The packaging of the LP is very deceptive and this, plus The fact that it received little promotion were probably the chief reasons is so sparsely known. With a cover featuring lead singer Marcus Malone decked out in a Rick James-type outfit, coupled with a release during the formation of the disco era, it was no wonder that this platter often ended up filed in record stores' "soul or r&b" sections! However, the careful metal conessieur, upon looking at the back of the jacket, can spy a couple things that make him/her take note. The first eye-opener is the band's line-up: it featured 3 lead guitarists, Gene Bloch, Randall David and Jack Weber. Not many disco or soul bands feature triple axeters, now do they!? Secondly, a sharp metaller would instantly recognize the bass player on most cuts, Tim Bogert (a veteran of countless heavy units like Cactus, Vanilla Fudge & others). MARCUS' drummer was Dandy "Star" Holmes, later to be involved in more dance-oriented material. With all of this, though, even the most astute hard rock fanatic would have no idea of how monumental the record is that awaits within this subtle cover! Opening with a mellow keyboard intro, MARCUS erupts into Side One and "Black Magic." Using a riff similar to Purple's "Space Truckin'" but in no way a copy, it's immediate to the listener that they have a powerhouse on their hands! Bloch, David and Weber all stay close enough to the main rhythm to be tight, but each layer casual licks and fills over the other to become the ultimate 3-way attack team. Malone's vocals are some of the most unique ever, calling to mind a great combination of Steven Tyler and old Glen Hughes. What a song, but it's just the beginning. Next up is "Salmon Ball," with it's heavy, funk-laden rhythm and blatantly sexual lyrics, uttered in a leering yet controlled tone by Marcus M. This 6 1/2 minute epic gradually builds until it turns into an all-out full-speed guitar assault, making any of the well-known guitar classics look like child's play! Side One continues briefly with the mellow "Kelly," highlighting Malone's emotional vocal prowess before concluding with the devastating 7 minute "Gypsy Fever." Again, funk influenced, but this time with a decided early Priest-ish feel as well, this chunk of metallic class sizzles with power. The main guitar solo is very reminiscent of Gary Moore.Moving to Side Two, the captivated listener can only wonder what will be next! The answer to their question is "Pillow Stars," yet another 6 minute epic filled with complicated rhythms, incredible 3-part guitar sections and dazzling vocals. Perhaps the strangest thing about this cut is that it's opening is quite similar to that of Boston's"Foreplay/Long Time," but far more complex and way better. Continuing the side is "High School Babies," a straight-ahead, heavy funk scorcher calling to mind the best days of Aerosmith. Malone's gritty vocals are perfect and the guitar interplay between Bloch, David and Weber is masterful. With "Dream Wheel," the band explores their mellower side, once again. An example of stellar songwriting ability, this cut could've garnered considerable airplay with proper promotion, yet it remains heavy enough to fit the album's flow. What in the hell was United Artists doing as a label??!?!! Sleeping at the switch on this one, that's for sure! You can talk about classic songs for hours, but very few you'll mention are in the league with the work of art that concludes this brilliant LP. Clocking in at just under 7 minutes, "Rise Unto Falcon" is simply one of the most beautiful and haunting, yet totally heavy metal songs ever committed to vinyl. Opening with a gentle acoustic section, it is a vehicle for Malone's vocals which are, at once, drainingly emotional and heroically powerful. The patterned guitar solos which drift in and out here are very reminiscent of Glenn Tipton on Priest's "Dreamer Deceiver." Then, the song begins to escalate and eventually reaches a climatic crescendo of such majestic scope that it is nearly classical in nature. The guitar work here is so intricate, heavy and perfectly done that it's guaranteed to give the most icy-veined cynic goose bumps. Incredible!!!! I can't say enough about MARCUS' only LP, except if you don't have it, you must. This album is quite difficult to find, but it's one that EVERY metal and hard rock fan should go to the ends of the earth in search of. Ray Dorsey http://www.marcusmalone.c...0(EMI).htm =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Thought sure you said you were hip to him I'm curious about this artist.Gotta find that album! | |
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blackguitaristz said: Again, I gotta say I don't like lists. Especially when it comes to "who are your fave orgers" and shit. I think it makes folks feel bad when their not mentioned. And I'm not about making folks feel bad. But dig; here's a short ass list of people. Forgive me if I leave some people off. It wasn't intentional.
Miss H : Billie Holliday funkpill: The Ohio Players VainAndy: 70's and 80's funk SoulAlive: Donna Summer paligap : Stevie Wonder Anxiety : Bowie The Audience: Steely Dan It is not known why FuNkeNsteiN capitalizes his name as he does, though some speculate sunlight deficiency caused by the most pimpified white guy afro in Nordic history.
- Lammastide | |
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MoonSongs said: sextonseven said: Gangsta -
Sassy and NorthernLad too! Thanks for remembering me! [Edited 6/1/07 5:58am] | |
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sextonseven said: damosuzuki said: I guess Moonbeam and Kylie are intractably linked at this point for everyone.
The first artist I think of in reference to Moonbeam is Annie. He posted pics of him and her together. He has got to be her number 1 fan. He also got me to buy her album. Are you happy you bought it? Feel free to join in the Prince Album Poll 2018! Let'a celebrate his legacy by counting down the most beloved Prince albums, as decided by you! | |
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SoulAlive said: theAudience said: ...Marcus - One of the original Black-Rockers from the 70s. "Marcus" (United Artists, 1976) - Possibly one of the most obscure, yet incredible metal releases ever was the 1976 debut and solitary LP by Detroit's MARCUS. The packaging of the LP is very deceptive and this, plus The fact that it received little promotion were probably the chief reasons is so sparsely known. With a cover featuring lead singer Marcus Malone decked out in a Rick James-type outfit, coupled with a release during the formation of the disco era, it was no wonder that this platter often ended up filed in record stores' "soul or r&b" sections! However, the careful metal conessieur, upon looking at the back of the jacket, can spy a couple things that make him/her take note. The first eye-opener is the band's line-up: it featured 3 lead guitarists, Gene Bloch, Randall David and Jack Weber. Not many disco or soul bands feature triple axeters, now do they!? Secondly, a sharp metaller would instantly recognize the bass player on most cuts, Tim Bogert (a veteran of countless heavy units like Cactus, Vanilla Fudge & others). MARCUS' drummer was Dandy "Star" Holmes, later to be involved in more dance-oriented material. With all of this, though, even the most astute hard rock fanatic would have no idea of how monumental the record is that awaits within this subtle cover! Opening with a mellow keyboard intro, MARCUS erupts into Side One and "Black Magic." Using a riff similar to Purple's "Space Truckin'" but in no way a copy, it's immediate to the listener that they have a powerhouse on their hands! Bloch, David and Weber all stay close enough to the main rhythm to be tight, but each layer casual licks and fills over the other to become the ultimate 3-way attack team. Malone's vocals are some of the most unique ever, calling to mind a great combination of Steven Tyler and old Glen Hughes. What a song, but it's just the beginning. Next up is "Salmon Ball," with it's heavy, funk-laden rhythm and blatantly sexual lyrics, uttered in a leering yet controlled tone by Marcus M. This 6 1/2 minute epic gradually builds until it turns into an all-out full-speed guitar assault, making any of the well-known guitar classics look like child's play! Side One continues briefly with the mellow "Kelly," highlighting Malone's emotional vocal prowess before concluding with the devastating 7 minute "Gypsy Fever." Again, funk influenced, but this time with a decided early Priest-ish feel as well, this chunk of metallic class sizzles with power. The main guitar solo is very reminiscent of Gary Moore.Moving to Side Two, the captivated listener can only wonder what will be next! The answer to their question is "Pillow Stars," yet another 6 minute epic filled with complicated rhythms, incredible 3-part guitar sections and dazzling vocals. Perhaps the strangest thing about this cut is that it's opening is quite similar to that of Boston's"Foreplay/Long Time," but far more complex and way better. Continuing the side is "High School Babies," a straight-ahead, heavy funk scorcher calling to mind the best days of Aerosmith. Malone's gritty vocals are perfect and the guitar interplay between Bloch, David and Weber is masterful. With "Dream Wheel," the band explores their mellower side, once again. An example of stellar songwriting ability, this cut could've garnered considerable airplay with proper promotion, yet it remains heavy enough to fit the album's flow. What in the hell was United Artists doing as a label??!?!! Sleeping at the switch on this one, that's for sure! You can talk about classic songs for hours, but very few you'll mention are in the league with the work of art that concludes this brilliant LP. Clocking in at just under 7 minutes, "Rise Unto Falcon" is simply one of the most beautiful and haunting, yet totally heavy metal songs ever committed to vinyl. Opening with a gentle acoustic section, it is a vehicle for Malone's vocals which are, at once, drainingly emotional and heroically powerful. The patterned guitar solos which drift in and out here are very reminiscent of Glenn Tipton on Priest's "Dreamer Deceiver." Then, the song begins to escalate and eventually reaches a climatic crescendo of such majestic scope that it is nearly classical in nature. The guitar work here is so intricate, heavy and perfectly done that it's guaranteed to give the most icy-veined cynic goose bumps. Incredible!!!! I can't say enough about MARCUS' only LP, except if you don't have it, you must. This album is quite difficult to find, but it's one that EVERY metal and hard rock fan should go to the ends of the earth in search of. Ray Dorsey http://www.marcusmalone.c...0(EMI).htm =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Thought sure you said you were hip to him I'm curious about this artist.Gotta find that album! I've had it on wax for about 5 years now. I bought it for 99 cents! The store didn't have a clue about it and couldn't care less. I bought it just cuz of the way the cats looked. Out of curiousity more than anything. SynthiaRose said "I'm in love with blackguitaristz. Especially when he talks about Hendrix."
nammie "What BGZ says I believe. I have the biggest crush on him." http://ccoshea19.googlepa...ssanctuary http://ccoshea19.googlepages.com | |
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furygirl said: Theodore---> Christina Aguilera and Mariah Carey....
| |
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theodore said: furygirl said: Theodore---> Christina Aguilera and Mariah Carey....
LOVE ♪♫♪♫ ♣¤═══¤۩۞۩ஜ۩ஜ۩۞۩¤═══¤♣ | |
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theodore said: furygirl said: Theodore---> Christina Aguilera and Mariah Carey....
| |
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Moonbeam said: sextonseven said: The first artist I think of in reference to Moonbeam is Annie. He posted pics of him and her together. He has got to be her number 1 fan. He also got me to buy her album. Are you happy you bought it? Oh, definitely! I wouldn't have gone to see her live when she played here in NY last year if I thought the album sucked. I liked the new songs I heard that night a lot. | |
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blackguitaristz said: Damn, bruh! I LOVE you, man. I did and I am indeed hip to him. BUT I was like "Is Aud THAT cool to be connecting me with this cat? Such an OBSCURE brother? All that this cat represents, for u to connect him with me, is a serious compliment, man. I was afraid to assume that u were talking about this cat. I didn't want to assume u were doing that. So, it was safer for me to ask "Who's Marcus" so I'm not all out there and shit, thinking I'm bad, when all the while u could have been talking about Marcus Miller! Not a problem. Some time back, when I mentioned that i'd played with him around L.A. in the 80s, you were the only one that had heard of the "Marcus" album. tA Tribal Disorder http://www.soundclick.com...dID=182431 "Ya see, we're not interested in what you know...but what you are willing to learn. C'mon y'all." | |
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theAudience said: blackguitaristz said: Damn, bruh! I LOVE you, man. I did and I am indeed hip to him. BUT I was like "Is Aud THAT cool to be connecting me with this cat? Such an OBSCURE brother? All that this cat represents, for u to connect him with me, is a serious compliment, man. I was afraid to assume that u were talking about this cat. I didn't want to assume u were doing that. So, it was safer for me to ask "Who's Marcus" so I'm not all out there and shit, thinking I'm bad, when all the while u could have been talking about Marcus Miller! Not a problem. Some time back, when I mentioned that i'd played with him around L.A. in the 80s, you were the only one that had heard of the "Marcus" album. tA Tribal Disorder http://www.soundclick.com...dID=182431 Unless the mention pre-dated me, not totally correct....! "Love and compassion are necessities, not luxuries. Without them humanity cannot survive."
Dalai Lama | |
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theAudience said:[quote] blackguitaristz said: Damn, bruh! I LOVE you, man. I did and I am indeed hip to him. BUT I was like "Is Aud THAT cool to be connecting me with this cat? Such an OBSCURE brother? All that this cat represents, for u to connect him with me, is a serious compliment, man. I was afraid to assume that u were talking about this cat. I didn't want to assume u were doing that. So, it was safer for me to ask "Who's Marcus" so I'm not all out there and shit, thinking I'm bad, when all the while u could have been talking about Marcus Miller! Not a problem. Some time back, when I mentioned that i'd played with him around L.A. in the 80s, you were the only one that had heard of the "Marcus" album. tA Yep. Hey, out of all the folks I mention on here that I dig, why did u link him to me? SynthiaRose said "I'm in love with blackguitaristz. Especially when he talks about Hendrix."
nammie "What BGZ says I believe. I have the biggest crush on him." http://ccoshea19.googlepa...ssanctuary http://ccoshea19.googlepages.com | |
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FuNkeNsteiN said: vainandy - Lakeside, Bar-Kays, Whitney Houston theAudience - Jimi Hendrix funkpill - Funkadelic paligap - Slave, Quincy Jones, Herbie Hancock TonyVanDam - Synth-Funk in general MikeMatronik - Madonna, Gwen Stefani Anxiety - Radiohead StarMon - Bootsy Collins SoulAlive - Jamiroquai, Earth, Wind & Fire Harlepolis - Billie Holiday Sextonseven - Siouxsie And The Banshees Synth-Funk 4 Life! | |
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FuNkeNsteiN said: vainandy - Lakeside, Bar-Kays, Whitney Houston theAudience - Jimi Hendrix funkpill - Funkadelic paligap - Slave, Quincy Jones, Herbie Hancock TonyVanDam - Synth-Funk in general MikeMatronik - Madonna, Gwen Stefani Anxiety - Radiohead StarMon - Bootsy Collins SoulAlive - Jamiroquai, Earth, Wind & Fire Harlepolis - Billie Holiday Sextonseven - Siouxsie And The Banshees Now that's low!!! | |
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