Prince returns to clean guitar lines and fully realized songs on his latest disc, "Musicology."

April 23, 2004
Prince
Musicology, NPG Records/Columbia Grade: B+
(Not sure if this is written by Mark Brown or Chelsea J. Carter, Associated Press)

http://www.rockymountainn...66,00.html

Even die-hard Prince fans admit that he needs an editor. He still writes amazing songs - and then drops them into filled-out three-CD sets.

He's putting out more music than he ever has, but in the past few years, wonderful songs such as The Holy River, What's My Name, Dolphin and Calhoun Square got lost.

Then he throws side trips into the mix - live albums, different live DVDs, instrumental jazz albums, New Power Generation releases, download-only music from his Web site.

It looked like we'd get the pure Prince with 1999's Rave Unto the Joy Fantastic, but it turned out to be another Clive Davis stunt, trying to emulate Carlos Santana's comeback success with miserable results (including the ruination of the title track, formerly a great live guitar workout).

With Musicology, in stores this week but available to fans for weeks, we finally get that simple, straight Prince album. It's full of clean guitar lines, fully realized songs and a recognition of his maturity.

Anyone looking for a rehash of Prince's hits won't find it here, but you will find flashes from every phase of his career, meshing funk, rock, psychedelia, touches of jazz and his unmistakable, perfect vocals.

Songs such as Call My Name go from being a love song to a comment on the world situation ("What's the matter with the world today? Land of the free? Huh! Somebody lied," Prince scoffs). In Dear Mr. Man, Prince carries on with the theme, chiding the president and others in power, even citing Scripture and the Bill of Rights in the verses as he demands answers for everything from the war to the environment to cigarette billboards. "Ain't no sense in voting / same soul with a different name / might not be in the back of the bus / but it sure feels just the same."

One of Prince's greatest sins in the past was to show off his chops without emotion. Here his heart shows. A Million Days is a song that aches as much as Nothing Compares to U as Prince sings, "I didn't have the heart to say I'm sorry / now I haven't got a heart at all," confessing to his estranged lover that "I didn't back then but I do know now / wherever you are is home."

With Prince yet again playing virtually every instrument, the sound has a timeless quality reminiscent of his masterpiece Sign o' the Times.

That's where the comparison ends, though. There isn't a song here equal to his absolute greatest cuts - When Doves Cry, Sign o' the Times, The Cross, Purple Rain, etc. But it's a great return to form in 2004, a year that Prince owns with his induction into the Rock and Roll Hall of Fame and his sterling concert tour, which hits Denver in August. Comeback is the wrong word if he never really went away, but that's how fans are going to see it anyway.

Photo link: http://mas.scripps.com/DR...ds-a_e.jpg (Not sure where this pic is from; looks like touched-up concert shot) Anat Givon © Associated Press
[This message was edited Fri Apr 23 10:17:51 2004 by newpowerlove]

nice - obviously i'm one of those people that feel the need to leave my mark on a thread that rquires no response. .

Hey, I just appreciate a review from someone who looks like they actually paid attention to the songs and their lyrics, instead of simply rehashing what all the other reviewers are saying. I mean, how many reviewers mis-heard the "rich beyond compare" line in ICPC saying that Prince was cussing again?

And, she called Calhoun Square a "wonderful song" that was lost thru the years and who blamed Clive Davis with pulling a stunt in Rave's mis-promotion.

One thing that I hope with all this comback talk, is for people to discover the albums that got no attention the last 10 years.

so true i noticed that also, the writer definatley seemed to know what they were talking about and obvioulsy has taken an interest...