that would be cool, but its not positioned as that. though i guess you couldnt really mention that if you want people to buy the bigger releases later on, maybe. i think the best thing is to wait until the celebration is over, as they will make any announcements about new releases then most likely. | |
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I can't clarify anything, but I'm hoping that this is indeed an important challenge to the status quo that all unreleased vault material recorded while under contract to WB belongs to WB because of the DCMA work for hire provisions. This was always something I have railed against as extremely unfair.I hope that this represents a serious challenge to this absurd retroactive doctrine when it comes to Prince's vault material and leads to all this vault material being "owned" by Prince as it should be. | |
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Yeah, this just confirms what some people said after last year's Celebration (Raphy from Schkopi, IIRC): McMillan/Spicer just don't know what to do with the previously unreleased stuff / what has been digitized so far in the Vault. They have no clear plan. They don't know how to make (a lot of) money with it. Hence this totally underwhelming release, the Deluxe Editions (Parade included, I'm ready to bet) that won't include anything previously unreleased, etc. [Edited 6/5/26 9:38am] | |
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olb99 said: Yeah, this just confirms what some people said after last year's Celebration (Raphy from Schkopi, IIRC): McMillan/Spicer just don't know what to do with the previously unreleased stuff / what has been digitized so far in the Vault. They have no clear plan. They don't know how to make (a lot of) money with it. Hence this totally underwhelming release, the Deluxe Editions (Parade included, I'm ready to bet) that won't include anything previously unreleased, etc. [Edited 6/5/26 9:38am] Why not do a separate documentary about the legendary vault? They could talk to the people who were there, including musicians and engineers, Prince historians etc., and include audio and video footage. They could make it a multi part series with each focusing on a specific era. Compare the albums that were released at the time with the rest of the material that was recorded during that period, offer alternate track lists, etc. They could use that as a launching pad to release a Vault Series of unreleased music, which Prince toyed with the 90s, and/or restart the NPG Music Club. They could coordinate the doc series with Duane Tudahl’s books, so those whose curiosity was piqued by the series could by the books. Get the fans involved while we are still alive, which for many of whom would be a labor of love. | |
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It makes no sense (to me anyway ) to jumble together an album like this. If anything it's hurting his legacy. The primary audience for any Prince vault material or indeed sde's are the hardcore fanbase... Kids aren't buying this stuff. So, I can't understand the logic in releasing a random compilation like this which has no continuity in era or sound ... It's just going to piss off the majority of the fanbase. This is what happens when you have a lawyer in control! Regardless of any publishing/licensing issues, the Parade Sde should have been next and the focus of the attention. I get it takes time and money to go through everything and digitise it etc but they could save a bunch of money if they stopped churning out the tacky merchandising tat | |
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Ah stop coming in here with common sense and genuinely great ideas, how on earth could they monetise that via bedspreads and caps? | |
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olb99 said: Yeah, this just confirms what some people said after last year's Celebration (Raphy from Schkopi, IIRC): McMillan/Spicer just don't know what to do with the previously unreleased stuff / what has been digitized so far in the Vault. They have no clear plan. They don't know how to make (a lot of) money with it. Hence this totally underwhelming release, the Deluxe Editions (Parade included, I'm ready to bet) that won't include anything previously unreleased, etc. [Edited 6/5/26 9:38am] Yes, I don't think they have a real plan in place for the vault music. It's insane because they had a few years to figure it out. U are now an official member of the New Power Generation
Welcome 2 The Dawn | |
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Iirc most vault releases for Dylan etc aren't huge money spinners
But they are released because it's recognised that it's important to that artists legacy and reputation, that it's worthwhile in some way, because that artist was important in the culture But you need record company/music/creative ppl involved in that Not a lawyer who doesn't think that way, who only considers the bottom line [Edited 6/5/26 11:25am] | |
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They need some bad publicity in the media, like respectable Prince fans in the show business (Questlove, Mathieu Bitton...who else?) calling them out in interviews on TV about how badly they are managing the estate. Maybe a couple of articles about that on major newspapers and they'd be exposed. Then maybe McMillions would stop being arrogant towards fans on interviews where he gets invited. But I'm not so sure either... [Edited 6/5/26 12:14pm] | |
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Thanks, found it.
[Edited 6/5/26 13:20pm] | |
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If true that at least gives me some hope. | |
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. a) a sampler is still a disconnected set of tracks. . b) what kind of idiot makes merch for a sampler? . c) why should we pay full price for a sampler? | |
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They went with Alice through the looking glass as the first promotional single... it's dull. Nobody is dancing round their kitchen to that song. Nobody is putting that song on to get read to go out. A first single is supposed to get people excited.
I mean, It was also overpriced and not as popular with fans as looking at the 90s sales data might lead one to believe.
The bluray was very popular though. I still get reaction videos in my YouTube feed.
Whoever is making these kind of decisions. Shouldn't be. | |
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Ndorphinmachina said:
They went with Alice through the looking glass as the first promotional single... it's dull. Nobody is dancing round their kitchen to that song. Nobody is putting that song on to get read to go out. A first single is supposed to get people excited.
I mean, It was also overpriced and not as popular with fans as looking at the 90s sales data might lead one to believe.
The bluray was very popular though. I still get reaction videos in my YouTube feed.
Whoever is making these kind of decisions. Shouldn't be. Maybe just my personal taste but Alice Through The Looking Glass is actually my favourite song on that set. I agree with everything else you say though. They shouldn't abandon the entire SDE model just because Diamonds & Pearls didn't sell as much as they were hoping for. They should instead be asking WHY it didn't sell as well as they thought. Was the price too high? Is that era of Prince music popular enough to warrant such a release in the first place? Has modern attitudes towards Prince's attempts at hip hop dampened fan enthusiasm for his early 90s work? Did they do a good enough job promoting the release? All of these are lessons they should be learning but by just abandoning future SDE releases they give off the impression that they just don't know what they're doing. And it's really hard to argue against that at this point. | |
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the SDE model isnt the only one.
theres also the miles davis/dylan model of just releasing compilations for each period/era.
that would be ideal, and save people from worrying about whether such and such song was for which album. | |
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funkbabyandthebabysitters said: the SDE model isnt the only one.
theres also the miles davis/dylan model of just releasing compilations for each period/era.
that would be ideal, and save people from worrying about whether such and such song was for which album. Yeah that's a good idea. To be honest, there are loads of avenues they could explore with this stuff. | |
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looking at the bob dylan bootleg series, if they did the same for prince, it could be great. they dont even have to release it step by step chronological order, it could just be a diff period each time.
https://en.wikipedia.org/wiki/Bob_Dylan_discography#The_Bootleg_Series
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ahhaahah oh man that made me laugh
oh but don't forget the pajamas! | |
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I’ll be interested to hear the first several tracks. Despite my best efforts, the last few decades of his output just never thrilled me. I can’t imagine this album will have much of a flow to it; it’s not difficult to imagine that this will indeed be an odd and maybe even underwhelming collection of 10 songs. It just seems odd when there is such a wealth of material in the vault. I’ve purchased many of his posthumous releases on CD, but this will just be a Spotify listen for me. I’m hoping for more releases following this, but this specific collection doesn’t leave me very excited. | |
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Genuinely think I might pass on this one, in terms of the retail version.
If the estate can't take meaningful steps this year to get larger volumes of P's unreleased work to fans, rather than this feeble trickle of tracks, I don't really see much of a future for any of it.
The notion that the songs need to be "finished" or more polished up to avoid alienating younger fans is truly bizarre. Casual fans are better off sticking with the released albums and the hits. The OG fans who actually care about Prince's raw unreleased demos and live material are well used to working with boots that are a bit rough around the edges.
[Edited 6/5/26 18:42pm] | |
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of couse, i wish we could have an SDE. However, i'm actually happy they are doing a more inexpensive single album with some excellent selections and (for me) 4 tracks I've not heard of.
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Indeed a 2011 picture taken by Neil Lupin, so not Ai. But certainly heavy 'wrong' work was done on the original pic. Wonder who the designer is on this project? [Edited 6/6/26 6:25am] "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts." (Bertrand Russell 1872-1972) | |
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"The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts." (Bertrand Russell 1872-1972) | |
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Apparently at the vault panel they admitted this was a stopgap release to get something out while they try to "clear up the mess the last guys left them". Yes, four years after taking over the clowns are still whining and blaming their problems on other people. . Crazy how the previous guys managed to release almost 200 tracks (and several live videos) (and yes, they get credit for the D&P SDE, not the current regime), but the new regime isn't in double figures yet (again: after FOUR YEARS). Add in Timeless and by the end of August the new regime will have released 10% of what the previous regime has... | |
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Their incompetence beggars belief. What mess? The last guys did all the work. . I mean, it was obviously going to happen in hindsight. The current estate have little to no experience, refuse to listen to fans and are constantly chasing a fictitious "next generation" of Prince fans. . I like the song "Stone". But it's not a pop banger, Nobody is driving around, blasting an admittedly uptempo; but ultimately melancholic song about loneliness from their car this summer. [Edited 6/6/26 13:26pm] | |
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