mattosgood said:
I've been to Celebration in 2022, 2024 and now 2025 - while I would say I think this year was over priced going in and I am more than happy I went and will go again next year; as funnily enough I don't need you to think for me or tell me whether I got my money's worth...
I am reporting what was said and promoting the truth of that rather than allow spin and make believe - as, to quote the great man himself, "Ain't nothing ever came from complaining 'cept a bitter heart, that's true..." More clarity and transparency will be brought to the public/fans....better this will be...and everybody will benefit from this! Thanks 👍 | |
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that was the gist of the Q&A session and the way they chatted with people, myself included, in 121s afterwards - they heard loud and clear what the hardcore fams want, like and wouldn't like.
The biggest cheer of the nearly 2 hours was related to a great question by an even greater Spanish lady who asked about them releasing 'Small Club' as a video and audio - psoitively they came across as knowing how good the 1988 aftershows are. | |
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What was the answer to the spanish lady’s question? | |
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JorisE73 said:
While I would love to see it, if only to see that blistering performance of Just My Imagination (the exact guitar he was using, the outfit, his face during the guitar solo, etc.), I would be thrilled to see any of the filmed Lovesexy aftershows. I know it’s subjective, but were there any better after shows during his entire career? | |
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That's kinda why I said 1988 Aftershows, while the Spanish lady asked specifcally about 'Small Club' As to footage, we know the Camden Palace aftershow exists on film: https://www.youtube.com/watch?v=9D8TWK5FluA | |
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Arguably, the legend status of the so called 'Small Club' it's just because it's a complete aftershow soundboard recording. Reckon the guitar solo from Just My Imagination is mind blowing, hands down. But (then again, arguably) some other Lovesexy aftershows were better (going by the existing audience recordings making the rounds). Subjective stuff, of course, but I always saw the big deal of the Small Club was its sound quality. . Regarding the "video" ... as much as I'd love to see it, go figure what a single cam venue shot from 1988 would be like. | |
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after the big applause for her question, her name was Barbara I recall
Again from Charles Spicer - general gist - not exact word for word:
"What we have available is not only the visual but the audio. We have video content, I'm not going to say Prince taped everything but he taped nearly everything, like we showed the other day (The 3rd of March 1986 1st Avenue gig) but to get to a point to it looked as good, like the other day, and not seconds of black screen or skips within songs, we won't do that, not to Prince. We'd like to take them to movie theatres so everybody can see them."
Then there was talk of a deal with national movie distributors to show more content, music today being consumed visually so they recognise the importance of the video footage they have and the mention of the 'biggest' Prince collabration being shared in 2026.
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mattosgood said:
It came across as Londell was in charge, they said they had been let down at the last minute by two people, one at least a woman, who were supposed to be on the panel. Charles Spicer is responsible for the Vault and what comes out if it. Warners (not there) and Sony distribute and do the marketing plans - in the 121 chat I had with Charles Spicer after the Q&A he stated he's not got any interest in further re-issues of Purple Rain - that pressure comes from the record companies.
Proof will be in the pudding as to what we get and when we get it but as I've said, I went in sceptical and came out positive - and they get loud and clear what us ultra fams want but their job is to also grow the Prince fam base, taking Prince's music to the general public, more casual fams and to new generations, so we might not like everything they do. so this quote from spicer regarding purple rain was just a lie? "Of course," agrees Charles F Spicer Jr. "We'd be remiss if we didn't do something around Purple Rain next year, for both the film and the album. It's the work that elevated Prince to greatness, so we won't leave 2024 without doing justice to Purple Rain. That's a signature project." so what reason would anyone possibly have to believe or have faith in what he’s saying now? | |
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fair point. where is the quote from? Maybe, as they missed doing it in 2024, he has moved on - I don't know. I do know I am more excited by ATWIAD and Parade SDEs than another Purple Rain release - but if you're hanging on for one, then I can see why you'd be p*ssed. | |
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Not specifcally, they were mentioned directly once - in that they are involved in the decsion making process and sign offs. Up front, Londell, apologised for an all-male panel, stating they had been let down by two people who were supposed to be on the panel - we can assume that one of those two would have been from Primary Wave as it would have made senses but who they were was not clarified. | |
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mattosgood said:
fair point. where is the quote from? Maybe, as they missed doing it in 2024, he has moved on - I don't know. I do know I am more excited by ATWIAD and Parade SDEs than another Purple Rain release - but if you're hanging on for one, then I can see why you'd be p*ssed. well you seem to have missed my point. why i’m “pissed” has absolutely nothing to do with my desire for a purple rain sde. my point is that what they say in order to pacify fans and then what they end up actually doing are two entirely different things. if they’re going lie in the press about a pr sde then why would i believe them about parade? i appreciate your optimism but not only do you seem to be allergic to holding them accountable but you’re working overtime on this website making up excuses for them. you’ve praised them for showing up at all because “they didn’t have to”. clearly at this point the bar is six feet under. source : https://pocketmags.com/us...le%20Rain. [Edited 6/11/25 20:54pm] [Edited 6/11/25 21:01pm] | |
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all I'm trying to do is provide some perspective on what it came across hearing it first hand, rather than make sh*t up like some people here seem to like to do. the bar is low, based on past statements, but I'd rather be glass half full about it and as i've previously said, which I think is aligned to your perspective - proof is in the pudding, deeds not words etc | |
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It's been disappointing for sure, they heard that loud and clear and IMHO they get it. It is now time for deeds not words this year and next. | |
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GiggityGoo said: Regarding the resurrection of an NPG Club-styled online effort... . That's great and all, but I think a lot of us fans want to PHYSICALLY OWN the music. Streaming is fine, but when it comes to my favorite bands, I don't want an M4A file in my iTunes that might disappear when the licensing rights expire... I want a shiny silver CD in a nice package sitting on my shelf. This is very nice but, respectfully, rather absurd because 1/ there are ways to sell files that don't have a license (do they actually even do make those at all anymore??) and 2/ there's much more in the vault to release than the physical market can support, so saying this basically comes down to saying "I'd rather they don't release something at all than releasing it digitally", and I don't think this is sending the right message. Which does not mean they should not release certain things physically, but NPGMC year one gave us about an album's worth of new music each month, and I can't imagine you could do that on physical media. [Edited 6/17/25 23:48pm] A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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I agree with every point here. | |
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mattosgood said:
that was the gist of the Q&A session and the way they chatted with people, myself included, in 121s afterwards - they heard loud and clear what the hardcore fams want, like and wouldn't like.
The biggest cheer of the nearly 2 hours was related to a great question by an even greater Spanish lady who asked about them releasing 'Small Club' as a video and audio - psoitively they came across as knowing how good the 1988 aftershows are. If transparency is their goal, why is it locked behind a $1000 ticket and a plane ride or 3? Transparency isn't "content". Why not stream it, or put a video on YouTube. Preferring to have their transparent information disseminated via second hand accounts on Twitter, or through a fan who attended via the org? At the very least, official minutes, or a summary + roadmap. Perhaps because then they'd be accountable? | |
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"I would say that Prince's top thirty percent is great. Of that thirty percent, I'll bet the public has heard twenty percent of it." - Susan Rogers, "Hunting for Prince's Vault", BBC, 2015 | |
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are you aware of any other artist or band, dead or alive, who's representatives do things like you're suggesting? | |
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NPGMC year one gave us about an album's worth of new music each month, and I can't imagine you could do that on physical media. [Edited 6/17/25 23:48pm] . There are artists who've sold CDs of recordings of each concert on a tour. Do you think they only do one concert a month? . Most boutique Blu-ray companies release multiple Blu-rays per month, and some have subscription services which send you everything they release (e.g. Radiance). . In the UK, independent music retailer Rough Trade have a club where they send you one record a month. . Why wouldn't it be possible? How much time do you think it takes to design a booklet, compile an album and master it and manufacture CDs etc.? . The problem is of course that they're linked with Sony/Legacy in the USA, and Warner Bros. elsewhere. So coordinating these releases between these two companies is a nightmare, and that's assuming these big companies can manage to fit in these monthly releases into their systems. . And if these release can be done outside of Sony & Warner, having this subscription service with only a USA base means that non-USA fans will have plenty of trouble obtaining these releases due to customs costs etc. The shipping costs from USA to Europe are horrendous. | |
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[Edited 6/22/25 14:55pm] | |
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mattosgood said:
are you aware of any other artist or band, dead or alive, who's representatives do things like you're suggesting? I'm confused, are you asking me if other Artists/Bands/or their representatives... issue press releases/have a functional website with an up to date "news" section? It feels like that's what you're asking, but I'm not sure why, because... All of them? Why does it matter if others are doing it? OK, Granted probably not the artists themselves, they like to work in private then release their project. But the estate isn't creating anything. They're compiling. The artist did all the hard work years ago. The estate are now doing the bureaucracy. Here's the thing with a roadmap, if something changes, they simply update it. Fans are in the loop, and the outright hostility goes away because there's nothing to complain about. It also stops false hope arising from rumours and miscommunications on social media. They can't say "our aim is to be transparent" from behind a locked door and expect to be taken seriously. | |
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I get a sense you are shooting the messenger here, in relation to what are probably all our frustrations about the delay in new music and mixed messages from the past. I don't beileve I have implied anything than that I relaying what was said rather than what wasn't said and people making stuff up like 'no more SDE because they are too expensive' clearly, things may change, not happen, be spin etc - that's life... to think otherwise would be silly. i do have a different, more optimistic perspective and yes I was lucky enough to be there to hear what was said, how it was said - which I appreciate makes a difference from reading it a report - I am not definding them, I am though giving them the benefit if the doubt as I'm as frustrated by the release schedule and release selections as much as anyone else here is. [Edited 6/23/25 9:48am] | |
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It's a fair enough question IMHO. Some answers were straight up, some weren't vague but some were, as they were clearly ideas they were sounding out, that were not fully formed. How transperant they were, only time will tell, deeds not words. Clearly too, the cost of the tickets covered a lot more than the Q&A session... What conflciting information are you referencing? | |
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it wasn't a complicated question, at least I didn't intend it to be. I get that we are all chomping at the bit for new music and frustrated by the delays. Maybe they will do the stuff you're talking about but then again, the room had the doors shut, phones were taken off us and they highlighted that there were some legal aspects they couldn't go in to in detail or were things they were sharing off the record - so videos of it are unlikey. I'm sure annoucements and press releases will come in due course, just like they have previously. Patience is a virtue and this was a fresh start. But deeds not words, that's what counts, they need to back it up now. | |
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The information from those who spoke off-the-record face to face to Spicer and Mc Millan is contradictory...some claim that they have clearly expressed that there will be no more SDE as we knew them and others the opposite, I believe that we are simply heading towards a simple deluxe release like the one of PR DELUXE 2017...it is clear that it is rather disappointing if the chosen format is the same, however it costs too much to produce big box SDE, even the simple act of remastering an album by a Bernie Grundman for example without any bonuses costs a fortune, I am surprised that no small preview and details have been shared on the project of releasing the deluxe/expanded edition of ATWIAD which would be planned for this year?....I fear that no work on this project has been done, I fear a rushed and botched job...September will be quickly approaching...if no information at that time is available on this supposed release so we have all the reasons to worry about the future of the Estate and to credit the current team with a new lie, hope remains but it is difficult to realize for various reasons, I hope that Mc Millan and Spicer will be able to surprise us very positively on the content even if in the end the format chosen for this new expanded edition project is less imposing than those that we have known with the SDE of SIGN and D&P?
[Edited 6/23/25 10:09am] | |
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