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[Edited 3/7/24 3:22am] | |
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IanRG said:
"will.i.am, Kanye West, Akon and Fergie - not people known for being in their right minds" This is brilliant | |
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IanRG said:
[Edited 3/7/24 3:22am] Didn't he work with one of the Bee Gees after 2001? I'm genuinely asking because I don't know. But I remember someone telling me he recorded a song or two with Barry(?) Gibb after Invincible was out. Admittedly, I could be wrong. | |
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ShellyMcG said: IanRG said:
[Edited 3/7/24 3:22am] Didn't he work with one of the Bee Gees after 2001? I'm genuinely asking because I don't know. But I remember someone telling me he recorded a song or two with Barry(?) Gibb after Invincible was out. Admittedly, I could be wrong. Yes, All In Your Name, circa 2002/2003. There s even a music video : https://youtu.be/KkvmKpuQ...0kDMMzY0LG | |
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A little perspective: In 2001, Prince released 'The Rainbow Children' and did classy on late nite In 2001, MJ did a haphazard cameo at the end of an Nsync "Pop" on MTVMA "Whatever skin we're in
we all need 2 b friends" | |
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IanRG said:
[Edited 3/7/24 3:22am] How do you Know MJ told him his solo was too long? It was already too long in the MTV 1995. And why would he have reappeared at the WMCIG concert after the MSG ? These performances are well-calibrated and rehearsed, and as long as Slash is soloing, at least MJ don't have to perform or even show up, so that's a win situation for him : it filled that very short concert. | |
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[Edited 3/7/24 13:25pm] | |
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Why do I think, you should've brushed up on your origami skills? Make each one a swan or something. I wonder what facial expressions she could have gooten doing something random like that. Time keeps on slipping into the future...
This moment is all there is... | |
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IanRG said:
[Edited 3/7/24 13:25pm] Michael Jackson never really released singles that weren't on albums though. Perhaps that Barry Gibb song would have been on his next album? I don't think it's fair to say that the reason it wasn't released was because MJ was a mess. He recorded a song or two with Freddie Mercury in the 80s that were never released too. And whatever about his personal life it can't be denied that he was thriving, professionally, in the 80s. And wasn't Michael Jackson working on a new album before he died? Unfortunately MJ wasn't like Prince when it came to frequency of output. He'd only release an album every 5 or 6 years. The big court case after Invincible obviously delayed his next album even further. But there's no doubt in my mind that he would have released another album if he hadn't died and it would have sold like hotcakes. He was still really popular. And if he had been able to fulfil those This Is It concerts then I can think of plenty worse things Prince could have been doing in 2009 than joining MJ on stage as a special guest for one of them. | |
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SpookyPurple said: This from producer Lynda Obst in an inteview in the Hollywood Reporter when she worked for David Geffen in the 80s:
But moments on the clock were “phenomenal.” She recalls having a meeting with Prince one day and with Michael Jackson on another. Then there was the day they both were in her office at the same time, sitting across from her. “They happened to be visiting David and I had to entertain them while they waited,” she says. “I just sat there, and they barely looked at each other. I think they were both uncomfortable.”
Is there a link to this anecdote? | |
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[Edited 3/11/24 4:20am] | |
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IanRG said:
[Edited 3/11/24 4:20am] I mean, you're right. It wouldn't have matched Prince's character. My point was that it's a shame he couldn't put that ego aside for a while to work together. Even if it was just for a one off guest spot at a Michael Jackson concert. Or to give MJ a few minutes onstage during a Prince concert. As it is, the only footage of them on the same stage was that disastrous James Brown concert. You would think that Prince would have wanted to change the narrative a bit by bringing MJ on stage for a bit of a jam or something. Prince regularly brought other people up on stage with him. I can't see how having Michael Jackson there would be a negative. As for the This Is It concerts being the final project, I have my doubts. A lot of artists have claimed to be set for retirement only to come back again shortly afterwards. I think that was all a ploy to generate ticket sales if I'm honest. If the public think he's retiring, they'll show up just in case they never see him again. He wasn't exactly old when he died and he still had a pretty good voice. He could have easily kept going if he'd been in better health. | |
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IanRG said:
Oh I have no doubt that MJ is as much at fault for why a collaboration never happened. And it's a shame that arguably the greatest pop star of all time and a bonafide musical genius couldn't find some common ground for a team up. Do you think Prince was that bothered by the potential negative media attention teaming up with MJ would bring? Prince was never accused of the kind of things MJ was accused of but he wasn't exactly a PR company's dream client. Knowing what little we know about Prince I can't see a scenario whereby he was worried about negative media attention in being associated with Michael Jackson. I'm sure he had his own reasons for not wanting to work with him but negative media attention was not on that list. | |
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Oh, Shelly. MJ was always provoking Prince. MJ wanted Prince to sing on this, MJ wanted Prince to perform on that, MJ was always pushing... But, when did Prince ever say he wanted an MJ cameo? That's right! NEVER!!! "Whatever skin we're in
we all need 2 b friends" | |
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ShellyMcG said: IanRG said:
[Edited 3/7/24 13:25pm] Michael Jackson never really released singles that weren't on albums though. Perhaps that Barry Gibb song would have been on his next album? I don't think it's fair to say that the reason it wasn't released was because MJ was a mess. He recorded a song or two with Freddie Mercury in the 80s that were never released too. And whatever about his personal life it can't be denied that he was thriving, professionally, in the 80s. And wasn't Michael Jackson working on a new album before he died? Unfortunately MJ wasn't like Prince when it came to frequency of output. He'd only release an album every 5 or 6 years. The big court case after Invincible obviously delayed his next album even further. But there's no doubt in my mind that he would have released another album if he hadn't died and it would have sold like hotcakes. He was still really popular. And if he had been able to fulfil those This Is It concerts then I can think of plenty worse things Prince could have been doing in 2009 than joining MJ on stage as a special guest for one of them. Barry Gibb never got to release the song on his album, because Sony blocked ecery featuring MJ wanted to do. I don't think MJ would have released another album, had he live 10 more years. I don't even think he would have released Invincible at all, if Sony weren't pressuring him with giving him deadlines and other contractual threats. He changed the directions of Invincible too many times, and the songs he eventually released are not even finished. | |
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[Edited 3/11/24 15:46pm] | |
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IanRG said:
[Edited 3/11/24 15:46pm] We'll never know the answer to this but I do wonder if Prince regretted not working with MJ after MJ died. He started playing a few Michael Jackson songs in his live shows right? So I don't believe there was any serious bad blood between them. Nor do I think that Prince believed MJ was guilty of any of that stuff. Otherwise he wouldn't have introduced those songs into his setlist. | |
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RODSERLING said: ShellyMcG said: Michael Jackson never really released singles that weren't on albums though. Perhaps that Barry Gibb song would have been on his next album? I don't think it's fair to say that the reason it wasn't released was because MJ was a mess. He recorded a song or two with Freddie Mercury in the 80s that were never released too. And whatever about his personal life it can't be denied that he was thriving, professionally, in the 80s. And wasn't Michael Jackson working on a new album before he died? Unfortunately MJ wasn't like Prince when it came to frequency of output. He'd only release an album every 5 or 6 years. The big court case after Invincible obviously delayed his next album even further. But there's no doubt in my mind that he would have released another album if he hadn't died and it would have sold like hotcakes. He was still really popular. And if he had been able to fulfil those This Is It concerts then I can think of plenty worse things Prince could have been doing in 2009 than joining MJ on stage as a special guest for one of them. Barry Gibb never got to release the song on his album, because Sony blocked ecery featuring MJ wanted to do. I don't think MJ would have released another album, had he live 10 more years. I don't even think he would have released Invincible at all, if Sony weren't pressuring him with giving him deadlines and other contractual threats. He changed the directions of Invincible too many times, and the songs he eventually released are not even finished. Those songs aren't finished? They sound pretty finished to me . That's interesting though. I didn't know Sony were pressuring him into releasing Invincible. I'm glad they did though because I really like that album. | |
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IanRG said:
The difference there is that James Brown was a hero to Prince. Michael Jackson was not. I'm sure Prince would have probably been a fan of the Jackson 5 when he was a kid but I doubt he held MJ in the same esteem as he held James Brown. And like you pointed out earlier, what MJ was accused of was probably worse than what James Brown did. I can't imagine Prince paying tribute to MJ if he believed he was guilty. I'd be disappointed in anyone paying tribute to someone if they believed that person was guilty of those crimes. | |
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I know people compare these two all the time, but I have a hard time envisioning a collaboration. Their greatness was such opposite ends of the spectrum, imo. I think history is just fine the way it is. | |
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ShellyMcG said: RODSERLING said: Barry Gibb never got to release the song on his album, because Sony blocked ecery featuring MJ wanted to do. I don't think MJ would have released another album, had he live 10 more years. I don't even think he would have released Invincible at all, if Sony weren't pressuring him with giving him deadlines and other contractual threats. He changed the directions of Invincible too many times, and the songs he eventually released are not even finished. Those songs aren't finished? They sound pretty finished to me . That's interesting though. I didn't know Sony were pressuring him into releasing Invincible. I'm glad they did though because I really like that album. First the background vocals were not reworked from the demos the producers gave to MJ. Consequently it lacks that "Jackson sound". In the Jerkins productions, MJ did the background vocals, but it was mixed with those of Lashawn Daniels. To me, it kills most of the fun and interest listening to an MJ album, if somebody else do the background vocals. Butterflies, Breaf Of Dawn and Heaven Can Wait are the most blatant examples. These are taken apart great songs, with great MJ lead vocals. But the background in the chorus are from somebody else's voices, and it gives an impression of a constant duet between MJ and " the unknown rnb singer of the day". What a shame these great songs weren't recorded by MJ the same way he recorded his previous albums ! Now, let s take some clunkers : this is so obviously not him singing the chorus in Don't Walk Away. That song could have been acceptable if it was written solely by MJ and sang by himself, and not written by four people, with the chorus/climax of the song sang by another unknown rnb singer. It s like MJ hadn't the time to recorded his voice over the singer demo. MJ can write solely Speechless, but such a random song needs officially four writers in the room ? What was the point of this? Privacy cumulates writing and recording problems, not fixed by lack of time, - - - aggressive harmony vocals from Daniels - MJ calls for Slash, but they couldn't reach him on time (?) so he is replaced by a completely random guy ( not Prince, not Clapton) but a Michael Thompson, an obscure studio guitarist. - The song ends abruptly, after being stretched to death with like two minutes of terrible "yeah yeah" - the song was supposed to be about Lady Diana death. Well, who wrote " in that cold winter night", since she died on a summer ? Wasn't " on that cold summer night" more appropriated ? And on, and on, and on... And beyond the album, MJ struggle to reunite a creative team to do new and exciting music video. He really didn't know what to do anymore, and had come up with YRMW because he was forced to do something fast. Or else, he would still be working on it [Edited 3/11/24 21:28pm] [Edited 3/11/24 21:30pm] | |
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pueroda said: I know people compare these two all the time, but I have a hard time envisioning a collaboration. Their greatness was such opposite ends of the spectrum, imo. I think history is just fine the way it is. That's exactly the appeal for me. I see them at opposite ends of the musical spectrum. I'd be curious about what it would have sounded like had they met in the middle. It could have been a disaster. It could have been brilliant. It's fun to speculate though. | |
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RODSERLING said: ShellyMcG said: Those songs aren't finished? They sound pretty finished to me . That's interesting though. I didn't know Sony were pressuring him into releasing Invincible. I'm glad they did though because I really like that album. First the background vocals were not reworked from the demos the producers gave to MJ. Consequently it lacks that "Jackson sound". In the Jerkins productions, MJ did the background vocals, but it was mixed with those of Lashawn Daniels. To me, it kills most of the fun and interest listening to an MJ album, if somebody else do the background vocals. Butterflies, Breaf Of Dawn and Heaven Can Wait are the most blatant examples. These are taken apart great songs, with great MJ lead vocals. But the background in the chorus are from somebody else's voices, and it gives an impression of a constant duet between MJ and " the unknown rnb singer of the day". What a shame these great songs weren't recorded by MJ the same way he recorded his previous albums ! Now, let s take some clunkers : this is so obviously not him singing the chorus in Don't Walk Away. That song could have been acceptable if it was written solely by MJ and sang by himself, and not written by four people, with the chorus/climax of the song sang by another unknown rnb singer. It s like MJ hadn't the time to recorded his voice over the singer demo. MJ can write solely Speechless, but such a random song needs officially four writers in the room ? What was the point of this? Privacy cumulates writing and recording problems, not fixed by lack of time, - - - aggressive harmony vocals from Daniels - MJ calls for Slash, but they couldn't reach him on time (?) so he is replaced by a completely random guy ( not Prince, not Clapton) but a Michael Thompson, an obscure studio guitarist. - The song ends abruptly, after being stretched to death with like two minutes of terrible "yeah yeah" - the song was supposed to be about Lady Diana death. Well, who wrote " in that cold winter night", since she died on a summer ? Wasn't " on that cold summer night" more appropriated ? And on, and on, and on... And beyond the album, MJ struggle to reunite a creative team to do new and exciting music video. He really didn't know what to do anymore, and had come up with YRMW because he was forced to do something fast. Or else, he would still be working on it [Edited 3/11/24 21:28pm] [Edited 3/11/24 21:30pm] I didn't know any of that. I knew that it wasn't MJ himself on the background vocals for a lot of songs but I assumed that was a conscious decision. The only real negative about that album for me, and it's a pretty big one, is that there are too many ballads. I think I can count on one hand the amount of Michael Jackson ballads that I actually like. I don't think they were his strong suit. Break Of Dawn being maybe the only one on Invincible I can listen to. | |
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ShellyMcG said: pueroda said: I know people compare these two all the time, but I have a hard time envisioning a collaboration. Their greatness was such opposite ends of the spectrum, imo. I think history is just fine the way it is. That's exactly the appeal for me. I see them at opposite ends of the musical spectrum. I'd be curious about what it would have sounded like had they met in the middle. It could have been a disaster. It could have been brilliant. It's fun to speculate though. Yeah, I sort of get what you're saying. I guess I never really gave it much thought. | |
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