Considering he has a hit with TMBGITW not long after who knows why? The song is nice but it's also a bit underwritten It wants to be a big anthem but doesnt put the work in I think it needs an extra verse too? Wants to rush to it's big climax too eagerly. | |
- E-mail - orgNote - Report post to moderator |
The fifth single from his second album in two years? I mean I don't think much of it as a song myself but if it had been released as the first single it'd probably have been a hit. [Edited 8/3/21 5:43am] | |
- E-mail - orgNote - Report post to moderator |
I know you love your numbers and stats and you don't have to tell me the positions but 'huge flop' isn't entirely accurate. . The video was constantly on MTV Europe and other channels and it got a lot of radio play in the UK too, it seemed to be very popular at the time [Edited 8/3/21 5:59am] | |
- E-mail - orgNote - Report post to moderator |
I was only a kid and I remember seeing the 7 video a lot. Technically Musicology wasn't a hit either but it got a lot of video play. Hard to measure that kind of thing. [Edited 8/3/21 6:03am] | |
- E-mail - orgNote - Report post to moderator |
7 is musically quite leaden compared to TMP yet that WAS a hit. So the question should maybe be why WAS 7 a hit? | |
- E-mail - orgNote - Report post to moderator |
It's a better song, big chorus, and it opens with the chorus, I don't know where you're getting "leaden" from. The Morning Papers sounds more like a theme tune to an 80s cop show, no bad thing, but it was 1992/3 already. [Edited 8/3/21 7:16am] | |
- E-mail - orgNote - Report post to moderator |
RODSERLING said: ufoclub said: People, come on, in the pop landscape when that single was released... it was not an exciting, meaningful, inventive, or catchy pop song. 7 was a huge flop outside the US. 7 reached #28 in Holland, TMP #24. Not huge hits, but not huge flops either. If you take any of this seriously, you're a bigger fool than I am. | |
- E-mail - orgNote - Report post to moderator |
Yes, but in the U.S. "7" got airplay, and the video was on rotation on MTV. My art book: http://www.lulu.com/spotl...ecomicskid
VIDEO WORK: http://sharadkantpatel.com MUSIC: https://soundcloud.com/ufoclub1977 | |
- E-mail - orgNote - Report post to moderator |
Like quite a bit of his 90s output it was subpar. No longer reaching the bar he set. | |
- E-mail - orgNote - Report post to moderator |
| |
- E-mail - orgNote - Report post to moderator |
dodger said:
I know you love your numbers and stats and you don't have to tell me the positions but 'huge flop' isn't entirely accurate. . The video was constantly on MTV Europe and other channels and it got a lot of radio play in the UK too, it seemed to be very popular at the time [Edited 8/3/21 5:59am] It was so popular, that once 7 was released and aired, it killed completely the album in the charts outside the US. Before 7, Prince had hits upon hits in Europe and Australia. MNIP amd Sexy MF were huge. 7 lacked too much of Tony M maybe, to be a worldwide hit. | |
- E-mail - orgNote - Report post to moderator |
ufoclub said:
Yes, but in the U.S. "7" got airplay, and the video was on rotation on MTV. Is he new here or something? I know perfectly well the charts and sales for 7 in the US, thanks. In fairness to Morning PPers, like I said, it was just a 4th single, not a 3rd like 7. So the chance for a 4th single to be a hit are rather thin. | |
- E-mail - orgNote - Report post to moderator |
Thank God the flow was never released as a single. | |
- E-mail - orgNote - Report post to moderator |
You are right , I stand corrected.
" I´d rather be a stank ass hoe because I´m not stupid. Oh my goodness! I got more drugs! I´m always funny dude...I´m hilarious! Are we gonna smoke?" | |
- E-mail - orgNote - Report post to moderator |
I've been here since the inception of the site in its old format. My art book: http://www.lulu.com/spotl...ecomicskid
VIDEO WORK: http://sharadkantpatel.com MUSIC: https://soundcloud.com/ufoclub1977 | |
- E-mail - orgNote - Report post to moderator |
It’s a strange situation.The ‘Love Symbol’ album is filled with catchy,potential hit singles and yet,the single choices were sorta unfocused. | |
- E-mail - orgNote - Report post to moderator |
skywalker said: Simply put: Overexposure. -
I think we underestimate how much Prince the mass audience was exposed to Prince during this time. in the summer/fall of 1991 Diamonds and Pearls received one of the biggest commercial pushes/promotions in Prince's entire career (second maybe only to Purple Rain). He was everywhere. This continued (without pause) directly into the era. - By the time The Morning Papers was released as a single in April of 1993, it had been nearly 2 solid years of nonstop promotion for two albums. This, essentially, is one of the things that lead to the schism between Prince and WB. - WB, like most record labels, wanted their big stars to follow typical record/release/promotion/tour schedules and cycles. Prince didn't work that way. He wanted a constant and immediate output/promotion regardless of charts, sales trends, audience response, etc. This is absolutely correct.Prince was flooding the market,to the point where one “era” would go right into the next era,without a gap.The diehard fans were happy,but the mainstream audiences couldn’t keep up,lol.This is one reason why that huge 1992 recording contract was never going to work. | |
- E-mail - orgNote - Report post to moderator |
ufoclub said:
I've been here since the inception of the site in its old format. Even in 1993, the more single you release from an album, the more people will buy the album. Then, once a new single is released, people already interesred in that kind of music, won't buy the new single if they already bought the album. Of course there are many instances where a 7th single did better than the first ( Michael Jackson, anyone?). What's unexplainable was the flop in the US of MNIzp and Sexy MF, whereas it wa# hits elsewhere. A #44 position is not so bad for a 4th single. About the video or the song to your timestamp, I don't thing it s that terrible, for the teens I don't know. It wasn't clearly the good choice of single. Like I said, God Created Women would have been better, but the video didn't exist. Even Blue Light would have been better and fresh. An interesting B-side would have helped for sure. Something like I Wonder or 2Gether would have made that single legendary! [Edited 8/3/21 21:08pm] | |
- E-mail - orgNote - Report post to moderator |
This was a few years before I became a hardcore Prince fan but, as early teens, we were raving about the song in my friend group. And we were very surprised when it didn't crack the UK Top 40, considering everything he had released for many years had, and it would be another seven years before he had another single that did not. | |
- E-mail - orgNote - Report post to moderator |
I'm not completely sure, but my understanding at the time was that WB had decided TMP was a single to promote heavily in Europe, while 7 was one to promote heavily in the US. Different focus for different markets, based on what they assumed audiences liked here and there. . I think I'd read it somewhere, or maybe some other fan told me back then? Typically, Insatiable and Damn U had been singles targeted almost exclusively at the US R&B market, with very little to no promotion at all in Europe/France, so this kind of strategy didn't seem unusual in these pre-Internet times (some of the best selling US artists or songs, notably in R&B or country music, were almost unknown in Europe, with little to no promotion by labels). . Either way, I remember 7 being very much ignored by French radio and not played heavily on MTV Europe (Sexy MF and MNIP had been promoted heavily, but 7 went almost unnoticed), while TMP was all over French radio and on heavy rotation on MTV Europe. . I'm sure someone (Bart?) could confirm or debunk this theory. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
- E-mail - orgNote - Report post to moderator |
- ''Rock to the Ef El Ow, Double You, just like you suppose to do''... ...would've never been a hit. "Tony, shoot that piece of shit" What a horrible song that is. -
"The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
- E-mail - orgNote - Report post to moderator |
There's good chance it would have charted higher than "The Morning Papers" knowing top 40 stuff. My art book: http://www.lulu.com/spotl...ecomicskid
VIDEO WORK: http://sharadkantpatel.com MUSIC: https://soundcloud.com/ufoclub1977 | |
- E-mail - orgNote - Report post to moderator |
databank said: I'm not completely sure, but my understanding at the time was that WB had decided TMP was a single to promote heavily in Europe, while 7 was one to promote heavily in the US. Different focus for different markets, based on what they assumed audiences liked here and there. . I think I'd read it somewhere, or maybe some other fan told me back then? Typically, Insatiable and Damn U had been singles targeted almost exclusively at the US R&B market, with very little to no promotion at all in Europe/France, so this kind of strategy didn't seem unusual in these pre-Internet times (some of the best selling US artists or songs, notably in R&B or country music, were almost unknown in Europe, with little to no promotion by labels). . Either way, I remember 7 being very much ignored by French radio and not played heavily on MTV Europe (Sexy MF and MNIP had been promoted heavily, but 7 went almost unnoticed), while TMP was all over French radio and on heavy rotation on MTV Europe. . I'm sure someone (Bart?) could confirm or debunk this theory. Interesting theory, but 7 was released in Europe in late November of 1992, while TMP was released in late February/ early march of 1993. Maybe in France it was different- many Prince single s at his peak never charted in France. | |
- E-mail - orgNote - Report post to moderator |
I agree. When I bought the CD back then I only played it once | |
- E-mail - orgNote - Report post to moderator |
- If there was a scientifc formula to proof that, we would only be left with horrible perfect fit hit songs. And about 'the charts' / 'Bilboard' indications... Honestly, how many records do you have that fit the charts/bilboards lists ? Look here at this wiki info : https://en.wikipedia.org/wiki/List_of_best-selling_singles Not much of these best 15 million selling copies mean much to me, or is in my collection. And most important of all, the overall quality of most songs with these selling numbers are by far mediocre (imho). Just sayin' -
"The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
- E-mail - orgNote - Report post to moderator |
Thats not the point of this thread though, its asking about charts, not the value of the song. I agree with you that personal taste sometimes has nothing to do with the charts. I marvel at how I love Prince songs that others don't care for and vice versa. My art book: http://www.lulu.com/spotl...ecomicskid
VIDEO WORK: http://sharadkantpatel.com MUSIC: https://soundcloud.com/ufoclub1977 | |
- E-mail - orgNote - Report post to moderator |
Not sure about "The Flow" but I think that "The Continental","And God Created Woman" and "Blue Light" all would have done better as singles than "The Morning Papers". | |
- E-mail - orgNote - Report post to moderator |
Morning Papers is listenable but definitely not a hit. It's not one of his best songs. If it's not a consensus hit here on the org you know it wouldn't be in the general public. To me it's like the song Gold-- it's mildly pleasurable but ultimately falls flat. It's almost un-Princely because it's not unique, daring nor very passionate. | |
- E-mail - orgNote - Report post to moderator |
Honestly I think after D&P Prince started to lose his grip on writing melodies and hooks that create classic songs. He seemed to want to keep doing unusual things and writing lots and lots than honing and refining fewer songs. TMBGW is a single melodic phrase and hook that repeats in verse and chorus ( a bit like When Doves Cry) and after that was a hit it feels like he said "F this hook melody thing, it's boring
I'm going my own way." The Morning Papers is too meandering and its melody and hook are not strong enough. You could see a reworked version with a stronger melodic hook being a massive hit. There's a ton of songs like this where you feel Prince is only a few melody and hook choices away from a monster hit and is more interested in doing something unusual with the song than ensuring the hook and melody are the supreme objective. For me this is the main reason he dropped off the charts: he refused to conform to create songs disciplined by hook and melody. Here's a partial list: My Name is Prince ( the best melody and hook is in the background chant and it is wildly overworked) The Sacrifice of Victor ( messy and overwrought chorus) The Greatest Romance Ever Sold (structurally and rhythmically off) Clouds ( the opening hook is awesome and he neglects it for most of the song) Cinnamon Girl ( sounds unfinished and like music was forced onto lyrics) Dinner with Dolores(melody teases hook but never delivers and its not very singable) Dolphin (melody in chorus too complex and as if the hook was strangled out of it as an F U to Warners) Endorphine Machine (main hook is in the accompanying melody line not the singing- neither chorus or verse are very singable) Somebody's Somebody (chorus meanders and kills the hook and rhythm) Sex in the Summer ( chorus is too cumbersome and aryyhmic killing the melodic hook) In this Bed I scream (chorus tapers off messily and unsingably) www.emale.com (lacks the final hook) White Mansion(each chorus line does something at the end and in the accompanying music that interrupts the rhythmic and melodic flow) I Rock Therfore I am (chorus is phoned in like he doesn't care) We March ( chorus and its hook is almost completely missing after verses promise so much) Billy Jack Bitch ( another one where the music is deformed to fit clunky lyrics) I'll stop there with the explanations but you get my drift. Here are a few more: Last December So Far So pleased Baby Knows Black Sweat Fury ( the hook her is in the background melody not the singing!) Beautiful loved and blessed If I was the Man in Your Life And to those saying he flooded the market, that's true but a hit song is still a hit. 7 has the strongest melody and hook on the symbol album and it charted well. If he'd trimmed the chorus a bit and not let ir go on for so long I think it would have stayed longer on the charts. These examples suggest to me that he was always more willing to compromise melody and rhythm than change lyrics which is an interesting take I hadn't thought of before. [Edited 8/7/21 1:41am] [Edited 8/7/21 1:46am] [Edited 8/7/21 1:47am] [Edited 8/7/21 1:50am] | |
- E-mail - orgNote - Report post to moderator |
Because his thing for teen girls might be deemed a little creepy perhaps. Still a great song granted. | |
- E-mail - orgNote - Report post to moderator |