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Reply #30 posted 08/03/21 5:36am

funkbabyandthe
babysitters

Considering he has a hit with TMBGITW not long after who knows why?
The song is nice but it's also a bit underwritten
It wants to be a big anthem but doesnt put the work in
I think it needs an extra verse too?
Wants to rush to it's big climax too eagerly.
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Reply #31 posted 08/03/21 5:39am

jaawwnn

The fifth single from his second album in two years? I mean I don't think much of it as a song myself but if it had been released as the first single it'd probably have been a hit.

Also, look at those b-sides, there's nothing there for fans.

[Edited 8/3/21 5:43am]

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Reply #32 posted 08/03/21 5:58am

dodger

RODSERLING said:

ufoclub said:

People, come on, in the pop landscape when that single was released... it was not an exciting, meaningful, inventive, or catchy pop song.

"7" was. And that hit.

7 was a huge flop outside the US.

I know you love your numbers and stats and you don't have to tell me the positions but 'huge flop' isn't entirely accurate.

.

The video was constantly on MTV Europe and other channels and it got a lot of radio play in the UK too, it seemed to be very popular at the time

[Edited 8/3/21 5:59am]

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Reply #33 posted 08/03/21 6:02am

jaawwnn

I was only a kid and I remember seeing the 7 video a lot. Technically Musicology wasn't a hit either but it got a lot of video play. Hard to measure that kind of thing.

[Edited 8/3/21 6:03am]

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Reply #34 posted 08/03/21 7:03am

funkbabyandthe
babysitters

7 is musically quite leaden compared to TMP yet that WAS a hit.
So the question should maybe be why WAS 7 a hit?
biggrin
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Reply #35 posted 08/03/21 7:15am

jaawwnn

funkbabyandthebabysitters said:

7 is musically quite leaden compared to TMP yet that WAS a hit. So the question should maybe be why WAS 7 a hit? biggrin

It's a better song, big chorus, and it opens with the chorus, I don't know where you're getting "leaden" from. The Morning Papers sounds more like a theme tune to an 80s cop show, no bad thing, but it was 1992/3 already.

[Edited 8/3/21 7:16am]

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Reply #36 posted 08/03/21 8:00am

SantanaMaitrey
a

RODSERLING said:

ufoclub said:

People, come on, in the pop landscape when that single was released... it was not an exciting, meaningful, inventive, or catchy pop song.

"7" was. And that hit.



7 was a huge flop outside the US.

7 reached #28 in Holland, TMP #24. Not huge hits, but not huge flops either.
If you take any of this seriously, you're a bigger fool than I am.
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Reply #37 posted 08/03/21 9:46am

ufoclub

avatar

RODSERLING said:

ufoclub said:

People, come on, in the pop landscape when that single was released... it was not an exciting, meaningful, inventive, or catchy pop song.

"7" was. And that hit.

7 was a huge flop outside the US.

Yes, but in the U.S. "7" got airplay, and the video was on rotation on MTV.

"7" got to number 7 in the US. It got to 27 in the UK.

"The Morning Papers" got to 44 in the US and 42 in the UK.

Here's the 1993 American pop landscape with The Morning Papers just entering the list:
https://www.billboard.com...03?rank=24


Regardless... the song "The Morning Papers" doesn't have a remarkable melody, lyric, or production. It sounds like the music that accompanies an older celeb's walk up to the podium at an awards show by a live TV show band. That's wasn't going to grab the teenage attention back then.

Even something like "I Want to Melt With U" or "The Flow" might have done better as top 40 single.

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Reply #38 posted 08/03/21 10:06am

Prog5000

avatar

Like quite a bit of his 90s output it was subpar. No longer reaching the bar he set.
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Reply #39 posted 08/03/21 10:28am

lurker316

avatar

KoolEaze said:

I actually still like the song quite a lot and liked it back then, too, but I´ve always found the lyrics a bit creepy. Sure, singing about virgin young girls was nothing new for him but he was 34 when the song came out and Mayte was still an underage teenager. I agree with you that he had done it before but the difference is that he wasn´t in his mid 30s then.

At least he recognizes that it might lead to speculations and gossip in the newspapers, and it is not as creepy as that line in I Wanna Melt With U, so there´s that. lol

Obviously not a hit for the masses but still a beautiful song though, despite the questionable lyrics.


Mayte was 19. Perfectly legal. In fact, in most states the age of consent is 16, not 18. Either way, Prince was legally OK.

With that said, I get your point. In our modern, western culture, a 34-year old man and a 19-year old girl, regardless of the legality, could be seen as creepy. I'm only challenging your use of the word "underage".


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Reply #40 posted 08/03/21 2:55pm

RODSERLING

dodger said:



RODSERLING said:


ufoclub said:

People, come on, in the pop landscape when that single was released... it was not an exciting, meaningful, inventive, or catchy pop song.

"7" was. And that hit.



7 was a huge flop outside the US.



I know you love your numbers and stats and you don't have to tell me the positions but 'huge flop' isn't entirely accurate.


.


The video was constantly on MTV Europe and other channels and it got a lot of radio play in the UK too, it seemed to be very popular at the time

[Edited 8/3/21 5:59am]



It was so popular, that once 7 was released and aired, it killed completely the album in the charts outside the US.
Before 7, Prince had hits upon hits in Europe and Australia. MNIP amd Sexy MF were huge.
7 lacked too much of Tony M maybe, to be a worldwide hit.
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Reply #41 posted 08/03/21 3:00pm

RODSERLING

ufoclub said:



RODSERLING said:


ufoclub said:

People, come on, in the pop landscape when that single was released... it was not an exciting, meaningful, inventive, or catchy pop song.

"7" was. And that hit.



7 was a huge flop outside the US.


Yes, but in the U.S. "7" got airplay, and the video was on rotation on MTV.

"7" got to number 7 in the US. It got to 27 in the UK.

"The Morning Papers" got to 44 in the US and 42 in the UK.

Here's the 1993 American pop landscape with The Morning Papers just entering the list:
https://www.billboard.com...03?rank=24


Regardless... the song "The Morning Papers" doesn't have a remarkable melody, lyric, or production. It sounds like the music that accompanies an older celeb's walk up to the podium at an awards show by a live TV show band. That's wasn't going to grab the teenage attention back then.

Even something like "I Want to Melt With U" or "The Flow" might have done better as top 40 single.



Is he new here or something?
I know perfectly well the charts and sales for 7 in the US, thanks.

In fairness to Morning PPers, like I said, it was just a 4th single, not a 3rd like 7.
So the chance for a 4th single to be a hit are rather thin.
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Reply #42 posted 08/03/21 3:09pm

funkbabyandthe
babysitters

Thank God the flow was never released as a single.
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Reply #43 posted 08/03/21 3:19pm

KoolEaze

avatar

You are right , I stand corrected.

lurker316 said:

KoolEaze said:

I actually still like the song quite a lot and liked it back then, too, but I´ve always found the lyrics a bit creepy. Sure, singing about virgin young girls was nothing new for him but he was 34 when the song came out and Mayte was still an underage teenager. I agree with you that he had done it before but the difference is that he wasn´t in his mid 30s then.

At least he recognizes that it might lead to speculations and gossip in the newspapers, and it is not as creepy as that line in I Wanna Melt With U, so there´s that. lol

Obviously not a hit for the masses but still a beautiful song though, despite the questionable lyrics.


Mayte was 19. Perfectly legal. In fact, in most states the age of consent is 16, not 18. Either way, Prince was legally OK.

With that said, I get your point. In our modern, western culture, a 34-year old man and a 19-year old girl, regardless of the legality, could be seen as creepy. I'm only challenging your use of the word "underage".

" I´d rather be a stank ass hoe because I´m not stupid. Oh my goodness! I got more drugs! I´m always funny dude...I´m hilarious! Are we gonna smoke?"
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Reply #44 posted 08/03/21 3:21pm

ufoclub

avatar

RODSERLING said:

ufoclub said:

Yes, but in the U.S. "7" got airplay, and the video was on rotation on MTV.

"7" got to number 7 in the US. It got to 27 in the UK.

"The Morning Papers" got to 44 in the US and 42 in the UK.

Here's the 1993 American pop landscape with The Morning Papers just entering the list:
https://www.billboard.com...03?rank=24


Regardless... the song "The Morning Papers" doesn't have a remarkable melody, lyric, or production. It sounds like the music that accompanies an older celeb's walk up to the podium at an awards show by a live TV show band. That's wasn't going to grab the teenage attention back then.

Even something like "I Want to Melt With U" or "The Flow" might have done better as top 40 single.

Is he new here or something? I know perfectly well the charts and sales for 7 in the US, thanks. In fairness to Morning PPers, like I said, it was just a 4th single, not a 3rd like 7. So the chance for a 4th single to be a hit are rather thin.

I've been here since the inception of the site in its old format.

I'm arguing that the pop quality of the song is the main factor that determines its success, not the order of single release. In 1993 if a song sounded catchy, fresh, and interesting; and even better, if it had a good music video... it would hit. People don't even care who sings a song for it to hit. Hence one hit wonders.

Just look at this video and the sound of this song... nope. Just click the link at this timestamp... how is that going to win over the teens?



https://youtu.be/6Ub0cMp0uPc?t=206

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Reply #45 posted 08/03/21 3:33pm

SoulAlive

It’s a strange situation.The ‘Love Symbol’ album is filled with catchy,potential hit singles and yet,the single choices were sorta unfocused.
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Reply #46 posted 08/03/21 8:18pm

SoulAlive

skywalker said:

Simply put: Overexposure.


-



I think we underestimate how much Prince the mass audience was exposed to Prince during this time. in the summer/fall of 1991 Diamonds and Pearls received one of the biggest commercial pushes/promotions in Prince's entire career (second maybe only to Purple Rain). He was everywhere. This continued (without pause) directly into the prince era.


-


By the time The Morning Papers was released as a single in April of 1993, it had been nearly 2 solid years of nonstop promotion for two albums. This, essentially, is one of the things that lead to the schism between Prince and WB.


-


WB, like most record labels, wanted their big stars to follow typical record/release/promotion/tour schedules and cycles. Prince didn't work that way. He wanted a constant and immediate output/promotion regardless of charts, sales trends, audience response, etc.




This is absolutely correct.Prince was flooding the market,to the point where one “era” would go right into the next era,without a gap.The diehard fans were happy,but the mainstream audiences couldn’t keep up,lol.This is one reason why that huge 1992 recording contract was never going to work.

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Reply #47 posted 08/03/21 9:01pm

RODSERLING

ufoclub said:



RODSERLING said:


ufoclub said:



Yes, but in the U.S. "7" got airplay, and the video was on rotation on MTV.

"7" got to number 7 in the US. It got to 27 in the UK.

"The Morning Papers" got to 44 in the US and 42 in the UK.

Here's the 1993 American pop landscape with The Morning Papers just entering the list:
https://www.billboard.com...03?rank=24


Regardless... the song "The Morning Papers" doesn't have a remarkable melody, lyric, or production. It sounds like the music that accompanies an older celeb's walk up to the podium at an awards show by a live TV show band. That's wasn't going to grab the teenage attention back then.

Even something like "I Want to Melt With U" or "The Flow" might have done better as top 40 single.



Is he new here or something? I know perfectly well the charts and sales for 7 in the US, thanks. In fairness to Morning PPers, like I said, it was just a 4th single, not a 3rd like 7. So the chance for a 4th single to be a hit are rather thin.


I've been here since the inception of the site in its old format.

I'm arguing that the pop quality of the song is the main factor that determines its success, not the order of single release. In 1993 if a song sounded catchy, fresh, and interesting; and even better, if it had a good music video... it would hit. People don't even care who sings a song for it to hit. Hence one hit wonders.

Just look at this video and the sound of this song... nope. Just click the link at this timestamp... how is that going to win over the teens?



https://youtu.be/6Ub0cMp0uPc?t=206



Even in 1993, the more single you release from an album, the more people will buy the album.
Then, once a new single is released, people already interesred in that kind of music, won't buy the new single if they already bought the album.

Of course there are many instances where a 7th single did better than the first ( Michael Jackson, anyone?).
What's unexplainable was the flop in the US of MNIzp and Sexy MF, whereas it wa# hits elsewhere.
A #44 position is not so bad for a 4th single.

About the video or the song to your timestamp, I don't thing it s that terrible, for the teens I don't know.

It wasn't clearly the good choice of single.
Like I said, God Created Women would have been better, but the video didn't exist.
Even Blue Light would have been better and fresh.

An interesting B-side would have helped for sure.
Something like I Wonder or 2Gether would have made that single legendary!
[Edited 8/3/21 21:08pm]
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Reply #48 posted 08/04/21 3:28am

leecaldon

This was a few years before I became a hardcore Prince fan but, as early teens, we were raving about the song in my friend group. And we were very surprised when it didn't crack the UK Top 40, considering everything he had released for many years had, and it would be another seven years before he had another single that did not.

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Reply #49 posted 08/04/21 7:21am

databank

avatar

I'm not completely sure, but my understanding at the time was that WB had decided TMP was a single to promote heavily in Europe, while 7 was one to promote heavily in the US. Different focus for different markets, based on what they assumed audiences liked here and there.

.

I think I'd read it somewhere, or maybe some other fan told me back then? Typically, Insatiable and Damn U had been singles targeted almost exclusively at the US R&B market, with very little to no promotion at all in Europe/France, so this kind of strategy didn't seem unusual in these pre-Internet times (some of the best selling US artists or songs, notably in R&B or country music, were almost unknown in Europe, with little to no promotion by labels).

.

Either way, I remember 7 being very much ignored by French radio and not played heavily on MTV Europe (Sexy MF and MNIP had been promoted heavily, but 7 went almost unnoticed), while TMP was all over French radio and on heavy rotation on MTV Europe.

.

I'm sure someone (Bart?) could confirm or debunk this theory.

A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/
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Reply #50 posted 08/04/21 8:25am

Vannormal

funkbabyandthebabysitters said:

Thank God the flow was never released as a single.

-

''Rock to the Ef El Ow, Double You, just like you suppose to do''...

...would've never been a hit. wink

"Tony, shoot that piece of shit"

What a horrible song that is.

-

"The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972)
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Reply #51 posted 08/04/21 8:35am

ufoclub

avatar

Vannormal said:

funkbabyandthebabysitters said:

Thank God the flow was never released as a single.

-

''Rock to the Ef El Ow, Double You, just like you suppose to do''...

...would've never been a hit. wink

"Tony, shoot that piece of shit"

What a horrible song that is.

-

There's good chance it would have charted higher than "The Morning Papers" knowing top 40 stuff.

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Reply #52 posted 08/04/21 3:24pm

RODSERLING

databank said:

I'm not completely sure, but my understanding at the time was that WB had decided TMP was a single to promote heavily in Europe, while 7 was one to promote heavily in the US. Different focus for different markets, based on what they assumed audiences liked here and there.


.


I think I'd read it somewhere, or maybe some other fan told me back then? Typically, Insatiable and Damn U had been singles targeted almost exclusively at the US R&B market, with very little to no promotion at all in Europe/France, so this kind of strategy didn't seem unusual in these pre-Internet times (some of the best selling US artists or songs, notably in R&B or country music, were almost unknown in Europe, with little to no promotion by labels).


.


Either way, I remember 7 being very much ignored by French radio and not played heavily on MTV Europe (Sexy MF and MNIP had been promoted heavily, but 7 went almost unnoticed), while TMP was all over French radio and on heavy rotation on MTV Europe.


.


I'm sure someone (Bart?) could confirm or debunk this theory.




Interesting theory, but 7 was released in Europe in late November of 1992, while TMP was released in late February/ early march of 1993.
Maybe in France it was different- many Prince single s at his peak never charted in France.
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Reply #53 posted 08/04/21 9:26pm

SanDiegoFunkDa
ddy

SoulAlive said:

It's a mediocre,uneventful song.There was no way that this song would be a Top 10 hit.The Love Symbol album was filled with strong,potential singles but this track wasn't one of 'em.

I agree. When I bought the CD back then I only played it once

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Reply #54 posted 08/05/21 2:05am

Vannormal

ufoclub said:

Vannormal said:

-

''Rock to the Ef El Ow, Double You, just like you suppose to do''...

...would've never been a hit. wink

"Tony, shoot that piece of shit"

What a horrible song that is.

-

There's good chance it would have charted higher than "The Morning Papers" knowing top 40 stuff.

-

If there was a scientifc formula to proof that, we would only be left with horrible perfect fit hit songs.

And about 'the charts' / 'Bilboard' indications...

Honestly, how many records do you have that fit the charts/bilboards lists ?

Look here at this wiki info :

https://en.wikipedia.org/wiki/List_of_best-selling_singles

Not much of these best 15 million selling copies mean much to me, or is in my collection. wink

And most important of all, the overall quality of most songs with these selling numbers are by far mediocre (imho).

Just sayin' smile

-

"The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972)
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Reply #55 posted 08/05/21 8:47am

ufoclub

avatar

Vannormal said:

ufoclub said:

There's good chance it would have charted higher than "The Morning Papers" knowing top 40 stuff.

-

If there was a scientifc formula to proof that, we would only be left with horrible perfect fit hit songs.

And about 'the charts' / 'Bilboard' indications...

Honestly, how many records do you have that fit the charts/bilboards lists ?

Look here at this wiki info :

https://en.wikipedia.org/wiki/List_of_best-selling_singles

Not much of these best 15 million selling copies mean much to me, or is in my collection. wink

And most important of all, the overall quality of most songs with these selling numbers are by far mediocre (imho).

Just sayin' smile

-

Thats not the point of this thread though, its asking about charts, not the value of the song. I agree with you that personal taste sometimes has nothing to do with the charts. I marvel at how I love Prince songs that others don't care for and vice versa.


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Reply #56 posted 08/05/21 2:35pm

SoulAlive

ufoclub said:

Vannormal said:

-

''Rock to the Ef El Ow, Double You, just like you suppose to do''...

...would've never been a hit. wink

"Tony, shoot that piece of shit"

What a horrible song that is.

-

There's good chance it would have charted higher than "The Morning Papers" knowing top 40 stuff.

hmmm Not sure about "The Flow" but I think that "The Continental","And God Created Woman" and "Blue Light" all would have done better as singles than "The Morning Papers".

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Reply #57 posted 08/05/21 4:33pm

whodknee

avatar

Morning Papers is listenable but definitely not a hit. It's not one of his best songs. If it's not a consensus hit here on the org you know it wouldn't be in the general public. To me it's like the song Gold-- it's mildly pleasurable but ultimately falls flat. It's almost un-Princely because it's not unique, daring nor very passionate.

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Reply #58 posted 08/07/21 1:21am

Buttox

Honestly I think after D&P Prince started to lose his grip on writing melodies and hooks that create classic songs. He seemed to want to keep doing unusual things and writing lots and lots than honing and refining fewer songs. TMBGW is a single melodic phrase and hook that repeats in verse and chorus ( a bit like When Doves Cry) and after that was a hit it feels like he said "F this hook melody thing, it's boring
I'm going my own way."

The Morning Papers is too meandering and its melody and hook are not strong enough. You could see a reworked version with a stronger melodic hook being a massive hit.

There's a ton of songs like this where you feel Prince is only a few melody and hook choices away from a monster hit and is more interested in doing something unusual with the song than ensuring the hook and melody are the supreme objective. For me this is the main reason he dropped off the charts: he refused to conform to create songs disciplined by hook and melody. Here's a partial list:

My Name is Prince ( the best melody and hook is in the background chant and it is wildly overworked)
The Sacrifice of Victor ( messy and overwrought chorus)
The Greatest Romance Ever Sold (structurally and rhythmically off)
Clouds ( the opening hook is awesome and he neglects it for most of the song)
Cinnamon Girl ( sounds unfinished and like music was forced onto lyrics)
Dinner with Dolores(melody teases hook but never delivers and its not very singable)
Dolphin (melody in chorus too complex and as if the hook was strangled out of it as an F U to Warners)
Endorphine Machine (main hook is in the accompanying melody line not the singing- neither chorus or verse are very singable)
Somebody's Somebody (chorus meanders and kills the hook and rhythm)
Sex in the Summer ( chorus is too cumbersome and aryyhmic killing the melodic hook)
In this Bed I scream (chorus tapers off messily and unsingably)
www.emale.com (lacks the final hook)
White Mansion(each chorus line does something at the end and in the accompanying music that interrupts the rhythmic and melodic flow)
I Rock Therfore I am (chorus is phoned in like he doesn't care)
We March ( chorus and its hook is almost completely missing after verses promise so much)
Billy Jack Bitch ( another one where the music is deformed to fit clunky lyrics)

I'll stop there with the explanations but you get my drift. Here are a few more:

Last December
So Far So pleased
Baby Knows
Black Sweat
Fury ( the hook her is in the background melody not the singing!)
Beautiful loved and blessed
If I was the Man in Your Life

And to those saying he flooded the market, that's true but a hit song is still a hit. 7 has the strongest melody and hook on the symbol album and it charted well. If he'd trimmed the chorus a bit and not let ir go on for so long I think it would have stayed longer on the charts.

These examples suggest to me that he was always more willing to compromise melody and rhythm than change lyrics which is an interesting take I hadn't thought of before.
[Edited 8/7/21 1:41am]
[Edited 8/7/21 1:46am]
[Edited 8/7/21 1:47am]
[Edited 8/7/21 1:50am]
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Reply #59 posted 08/08/21 8:48am

Dsoul

avatar

Because his thing for teen girls might be deemed a little creepy perhaps. Still a great song granted.
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