Dunno, I was curious about that too, professional not to name him, hope it was not Tom Petty when he recorded Southern Accents there in 85 merf | |
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Sounded like a piano player, @ least he demanded 2 pianos during one practice... I don't think it was Tom Petty. | |
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steakfinger said:
You are. Prince wasn't one of the best by a mile. There are guys in every town I've lived in that could smoke Prince strictly as physically handling the instrument goes. His ideas and songs set him apart, not his physical skill in manipulating the instrument. I love Prince as a guitarist. Don't get me wrong. He didn't change the instrument or introduce anything new, though. He didn't even take what someone else has done and do it better than them. He's a legend because of the entire package, not because of skills on any one instrument. I don't disagree....I would say he was pretty damn great but he wasn't a guitarist like those guys who played a million notes per sec. That stuff sounds like shit. | |
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Prince had a wonderful feel for the guitar. | |
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Stop it. Welcome to "the org", Mumio…they can have you, but I'll have your love in the end | |
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steakfinger said:
You are. Prince wasn't one of the best by a mile. There are guys in every town I've lived in that could smoke Prince strictly as physically handling the instrument goes. His ideas and songs set him apart, not his physical skill in manipulating the instrument. I love Prince as a guitarist. Don't get me wrong. He didn't change the instrument or introduce anything new, though. He didn't even take what someone else has done and do it better than them. He's a legend because of the entire package, not because of skills on any one instrument. | |
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Many guitarists have called Prince an incredible guitarist...Lionel Loueke (Herbie Hancock), Pearl Jam ("best guitarist weve ever seen"), Vernon Reid, Gary Clark...just to name a few. Tom Morello's article says it well...an extremely skilled and underrated guitarist... | |
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Piano player. Star at the time...hmmm... [Edited 3/6/21 6:58am] | |
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Steve Vai. | |
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I think I may have to listen again as I thought it was a piano player but am not completely certain. I was surmising as I seem to remember her saying he was demanding a second piano. | |
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I can't get over how matter-of-fact she is. It's like she was a sister to some of these guys. I loved the part when Stevie Nicks was putting the moves on Prince @ a party and he hastily said to Peggy, 'make believe you are dancing w/me". | |
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Mumio, tell us why he acted like that? All you others say Hell Yea!! | |
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I don't want to see the hair on my bosses ass. lol All you others say Hell Yea!! | |
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I'm interested as well. | |
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somehow related to challenges w/empathy...no clue about why. | |
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I don't know Joe Jackson but will look into him.
I hope it wasn't Leon Russell who was Elton John's hero... He could be a diva @ times.
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Great interview. The VH shit was annoying since she clearly didn't remember, but those Prince stories were golden. Paints a real, almost human picture of him. She seems like a super cool lady too. | |
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- So, Warner Br. didn't like Prince being all alone in the studio, without a producer or fellow musicians (during the 1999 sessions), just someone to keep an eye on things ... And they send Ray Parker Jr. to just do that ... And he went straight back to tell WB, ''Let him go, he's got this'' ... - Or Prince and Jesse in the Sunset Studios asking Peggy to set up speakers so some girls they brought in could dance to his fresh recorded ''1999'' song, to see if they would dance to it, and then laught at 'm... - Or Peggy singing a bit of a huge recorded hit by Culture Club (could it be ''Do You Really Want To Hurt Me''?) ... adn said immediately ''Stop! That's competition!'' ... - And so much more. I mean how cool are these stories. - "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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Fantastic interview. As a huge VH/P fan, I really enjoyed this. Some people in the comments are saying the "jerk" was either Joe Jackson or Jackson Browne. | |
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Jackson Browne. He was rough on a few girlfriends. | |
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I wanna party with Peggy Mac!!! "Whatever skin we're in
we all need 2 b friends" | |
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LOL. the statement still stands. Tony M just wasn't the best rapper but he can dance for sure. | |
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She might be the most 'normal' person who has talked about Prince, no self-aggrandizement; very refreshing and believable.
[Edited 3/8/21 11:57am] | |
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Great insights and, like Susan Rogers, she comes across really well in that she realises he was a genius but also he had a nasty side to him. Felt kinda bad she had to go through such a hard time working with some of those guys. She seems to have kept her sense of humour and definitely knows how to stand up for herself. I bet Prince liked that she was spunky. 3121... Don't U Wanna Come? | |
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Margot said: I can't get over how matter-of-fact she is. It's like she was a sister to some of these guys. I loved the part when Stevie Nicks was putting the moves on Prince @ a party and he hastily said to Peggy, 'make believe you are dancing w/me". Totally. She’s so much easier to listen to than Susan Rogers, with all of her psycho analyzing bs. | |
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JoeyCococo said: steakfinger said:
You are. Prince wasn't one of the best by a mile. There are guys in every town I've lived in that could smoke Prince strictly as physically handling the instrument goes. His ideas and songs set him apart, not his physical skill in manipulating the instrument. I love Prince as a guitarist. Don't get me wrong. He didn't change the instrument or introduce anything new, though. He didn't even take what someone else has done and do it better than them. He's a legend because of the entire package, not because of skills on any one instrument. I don't disagree....I would say he was pretty damn great but he wasn't a guitarist like those guys who played a million notes per sec. That stuff sounds like shit. Check Bill Connors 1987 Step ItAlbum.guy is very soulful but very skilled.can play circles around Prince | |
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I loved both episodes. I even loved Dweezil. For those that think he was stanning for EVH... for one thing, since the untimely death of EVH, he is currently doing a series going into the live and times of EVH: Runnin' With The Dweezil, so it's his current top of mind thing. I don't agree though, for instance, with the When Doves Cry he goes out of his way to talk about how the guitar tone of Prince on When Doves Cry is different than Prince's "regular" tone. This is true. Lastly... Dweezil comes from a rock and faster=better school of guitar playing. Personally, I think that's a lot of wanking (Steve Vai, Yngwie and, yes, EVH) and noodling (Frank Zappa and lots of jazz/fusion players) and I think Prince played circles around them. But that's just my opinion and there's a lot of "reader's-poll-voting-motherfuckers"* out there that feel differently. . Whiever way you slice it though (I think Peggy later on actually mentions the Jerk by name as in "the soandso debacle"), I think this is a great document and simply shows how we need to get Don Batts, Peggy Mac, David Z, David Leonard, David Tickle, Femi Jiya and all those engineers who I can't recall right this minute (finishing the wine bottle) together and give them a day of reminiscing and comparing and contrasting recording techniques/microphones/gear/etc. . After that we can do the same for assorted associates from Grand Central to 3EG, but to be honest, I think that would actually be less enlightning. . *1 (one) Internet for anyone catching that reference
[Edited 3/9/21 11:49am] Paisley Park is in your heart - Love Is Here! | |
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