im STILL confused and taken aback by "im so cold"... after all that primal screaming and begging for someone/something to "do him"... alotta darkness on a dark album | |
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It takes some doing but that's his cringiest moment on record for me. If I want a bit of Do Me, Baby I go for The Hits edit. I can't bring myself to listen to the album version. | |
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the Lasers are EVERYTHING on "Breakdown" ... i love them... i always interpreted them as strikes from GOD as he is breaking Prince down | |
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I always took it pretty straight forwardly as the cool feeling of [post-coital] sweat on skin. . . .
I'd like to believe that but that's giving Prince a lot of credit and leeway that I'm not sure is merited. It's still a killer track, it just mars the enjoyment of it a tad. | |
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The Max would be much cooler without Tony in the chorus and Mayte's howling.
Mayte should never have been let near any of Prince's music. | |
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The orgasms on Orgasm ruined the song for me. | |
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yeah, i cant listen to that fooolishness either | |
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8 (Madhouse) beautiful piece, (but the WHOMB, WHOMB, WHOMB thought the song makes you go WHY Austra Chanel WHY??
* BUT the ending sounds like the opening of U Got the Look. and blends well back to back | |
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I Love U In Me`s horrible lyrics. Could have been a great song. | |
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After some purple (on the phone) discussion with another purple hippie, we've concluded that its a lonely feeling one gets after 'masturbation' 'the Lonely Cold' -what song is that from again?? Oh extended version of Shockadelica
Shockadelica is a feeling, the lonely cold, ... in lust we will suffer but in love we will grow... . "You just gonna sit there and watch?
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Planet Earth: it's never going to be a classic but I quite like the song for the most part. Then there's that weird section in the middle where he seems to be channeling Barry Manilow's ( / Take That's ) 'Could It Be Magic?' I had to make en edit for myself that removes that section. | |
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It still applies, hence []. | |
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W&L vocals and Eric horns on Witness. What were they thinking.... | |
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Appolonia's horrible singing almost ruins the great "Take Me With U" | |
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Listening to SOTT SDE last night, I realized the one thing that doesn't necessarily ruin the song but annoys me about it, is the open highhat throughout most of "I Could Never Take The Place Of Your Man." Sorry, it's the Hodgkin's talking. | |
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TrivialPursuit said: Listening to SOTT SDE last night, I realized the one thing that doesn't necessarily ruin the song but annoys me about it, is the open highhat throughout most of "I Could Never Take The Place Of Your Man." wow... thats one of the things i love about that song... its so rock & roll... almost gives it a garage band feel...on both songs you mentioned...but especially on NeverTakeThePlace. | |
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The Question of U
The cartoonisch soundbit about 4 seconds into the intro just before the drum kicks in ... WHY??? It doesn't ruin the whole song, but certainly destroys an otherwise epic beginning of a song. | |
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I agree, her singing was pretty bad, but the way you put it made me laugh. | |
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Take That? Take That? Manilow all the way!
*
Yeah - this is a horrible moment in quite an othewise ordinary song. | |
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- Well... that's the best part to me. - "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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- LOL. and again, Ilike that of key singing of her so much. It was so 'Prince' to keep that in this great song. - "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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I hate Ingrid Chavez’s spoken intro to ‘Eye Know’and Kirsty Ally’s ‘contribution’ to the Symbol album. He seemed to have a penchant for choosing women with annoying ‘innocent-but-sexy’ voices (not true for Kirsty- she just sounds so stilted as the journalist). | |
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Oh yeah, I was listening to that one volume crancked the horns and their vocals make that one a little crazy like it's supposed to be. Extroverted. That one could have been played during a Madhouse show. It is the opposite of the other version that has a more introspective thought. | |
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Yes it does apply
male post-coital dysphoria, a condition that leads to feelings of sadness, distance etc | |
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LOL 100%. I love that song except for that part, those weak chords, everything after that is majestic
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The salma daughter song Valentina.
[Edited 10/30/20 11:34am] | |
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Love 2 the 9's could have been one of Prince's GOATs but as many others mentioned he done all messed it up.
The added keys on Endorphinmachine, not necessary. I believe the Black Sweat sine wave is illegal is some states.
Pussy Control - the name "Pussy Control".
As to Joint to Joint - the cereal eating part is one of my fav parts ("You dont love me...[munch munch] you're faker!) but the tap dancing however.......no just no. | |
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I hate you now, that song is perfection. | |
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emesem said: Love 2 the 9's could have been one of Prince's GOATs but as many others mentioned he done all messed it up.
The added keys on Endorphinmachine, not necessary. I believe the Black Sweat sine wave is illegal is some states.
Pussy Control - the name "Pussy Control".
As to Joint to Joint - the cereal eating part is one of my fav parts ("You dont love me...[munch munch] you're faker!) but the tap dancing however.....no just no. IMO pussy control is P's worst song..it sounds like someone doing a parody of a Prince song..i hate it | |
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That and My Name Is. | |
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