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I Hear Your Voice Always wondered why this song hasn't got much praise from fans... I feel in an era more iconic for the image over than the actual quality of the music, this recording stands out as one of his strongest songs from the era. Lyrically, even that very brief but amazing guitar solo at the end... This is such a haunting beautiful song and I feel it is very underrated.
Both Patti's version and the Prince & Rosie version are outstanding.
I love this line
"I even brought a new dress but when I put it on
This rivals any great line from his genius ballads from the 80's. | |
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Maybe not too fans heard of this song? | |
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Most Prince songs he "gave away" get slept on until people are widely made aware of a Prince vocal demo. . I think it's kinda sad, some of his best songs were released without his vocals (by his own intentions). I mean, I get why people prefer Prince vocals on a track ultimately, but, did we become fans of Prince the singer or Prince the musician/songwriter? | |
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I've heard both versions of this song and even though I actually like them, I honestly cannot agree with the OP's ending premise. I knew from the start that I loved you with all my heart. | |
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You don't have to agree... But in the 1991 era, this song stands out for its excellent songwriting and musicianship in an era of majority "average" recordings. | |
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I think fans have heard this song, it's silly to think most haven't. But I agree that it doesn't get the love it should. I first heard of it in the mid-90s on the In Rock 5-CD bootleg set. His version was on there. (Patti's is also on Symbolism as well as her album Burnin'). Out of the lonely blue I remember just like it was yesterday Cuz I could hear (I hear your voice calling in the night) I started lookin', lookin' from dusk till dawn
(I hear your voice) I... I hear your voice {x2} Sorry, it's the Hodgkin's talking. | |
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P goes off during the climax For all time I am with you, you are with me. | |
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Lyrically this eclipses anything on the D&P album in my opinion. | |
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I love Prince's version. I usually prefer his versions over the artists who cover his songs - Come Home, 101, 5 Women.....all better with Prince singing them for me. Once exception would be I Feel For You - love Chaka's version. | |
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What? | |
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He/She can't stand being away from their lover, hears her/his voice in her/his head constantly, and feels like he/she wants to die without her/him there. Same theme as Come Home, 101, Solo, Goodbye, etc... | |
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What? | |
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Yeah, brutal for sure | |
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Yes, it’s fabulous and one of his best songs of the early 90s. Love the nocturnal feel. Feel free to join in the Prince Album Poll 2018! Let'a celebrate his legacy by counting down the most beloved Prince albums, as decided by you! | |
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Moonbeam said: Yes, it’s fabulous and one of his best songs of the early 90s. Love the nocturnal feel. Yes! The production is so... Hidden? Hard to describe. Sounds like it was very dark in the studio while he recorded it, had a very Batmanny vibe (the isolated feeling). . That whole post-GB, pre-DP era of outtakes is my favorite. Hold Me, Uh Huh, Allegiance, The Voice... It's like he was trying to mature, then went with Horny Pony instead. | |
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Yep - he really took the sexual turn with Get Off, The Continental, 18 & Over, Pheromone, etc... The beginning of his dark time | |
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violetcrush said:
Yep - he really took the sexual turn with Get Off, The Continental, 18 & Over, Pheromone, etc... The beginning of his dark time Totally agree. He released 'Diamonds and Pearls' and the 'Love Symbol' album, but in the meantime there was so much more mature and in my opinion better music being made by him. 'I Hear Your Voice' is a great song and one of his finest from the 90's period. Imagine if he released the album 'The Voice' in 1991? I listen to it in this configuration. It truly has a nice flow. 1991 Prince The Voice 52.19 min. Side 1- 01. The Voice (Prince Vocal) (Outtake) Side 1- 02. Allegiance (Outtake) Side 1- 03. Well Done (Outtake) Side 1- 04. I Hear Your Voice (Outtake) Side 1- 05. Player (Outtake) Side 2- 01. Letter 4 Miles (Instrumental) (Outtake) Side 2- 02. She Spoke 2 Me (Long Version) Side 2- 03. Uh Huh! (Outtake) Side 2- 04. When The Lights Go Down Side 2- 05. Old Friends 4 Sale (1991 Re-Recording) Side 2- 06. The Voice - Reprise (Prince-Mavis Staples) (Outtake) | |
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That's the paradox with Prince... In between, he can come up with brilliant songs from periods where most critics say was past his "golden age".
I think a song like this could've taken the 1991 era into a whole new direction, musically and artistically... Shame he was really aiming to be "mainstream" during that era... | |
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violetcrush said:
Yep - he really took the sexual turn with Get Off, The Continental, 18 & Over, Pheromone, etc... The beginning of his dark time Sex sells. It's as simple as that. But I agree that these songs are much better than the ones on D&P. | |
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I agree, to me the finished version of any given track is the one that got released, with whomever Prince decided should be singing it. Now it's always nice to have the Prince guidelines, same as it's always nice to have work-in-progress versions of songs. Now in that specific case, and it's quite an exception, I favor Prince's version, simply because I'm not such a big fan of how Patti sings it, I think Patti makes it more diva-like but detached, while P's rendition is more emotional, but that's just me. I haven't listened to either version in a long while but aren't there some instrumental overdubs on Patti's instrumental, too? I seem to remember the backing tracks aren't exactly the same, but someone correct me if I'm wrong. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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Have you heard Larry Graham's song "Shoulda Coulda Woulda"? Prince is all over the track singing backround and playing guitar. The lyrics are amazing and so 'Prince". I don't like Larry's deep vocal, because it doesn't fit the song. I would love to hear just Prince singnig that one - even his backround vocal sounds beautiful. I'm guessing the song was too personal for him to release himself, or he gave it to Larry for other reasons. | |
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Except that until proven otherwise, Larry Graham wrote that song. While it could be nice having a Prince vocal version of it (and for all we know it might exist), it's Larry's song and Larry is fully entitled to sing it. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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This has Prince written all over it - lyric and music. We know he was often giving credit away for his own work. This started with The Time in 1982. I would put money on the fact that there is an "all Prince' demo for this one. He's all over the song even with Larry singing it. * Not trying to take any credit away from Larry at all. Just saying I'd love to here Prince's version if it does exist. | |
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Prince didn't give away royalties to The Time. SCW, however, is registered/copyrighted as a Larry Graham composition. Giving away credits and copyright is waaay different. This being said, Prince has also been known to give away royalties and copyright on a few (much, much fewer) occasions. So is it in the realm of the possible that he did it with SCW? Yes. . Now when you say it sounds like a Prince composition, I don't agree at all. The melody, for instance, is very typical of Larry's melody patterns if you're familiar with his body of work. I have Larry's complete discography so I'm kind of used to his melodies and they have a very distinctive pattern to them. When you know both Prince's and Larry's work, it makes little doubt that it's a Larry composition (or it's Prince trying hard to imitate Larry's style). As for the lyrics I don't feel them as being especially typical of Prince either. Anyway, Prince fans on this board have been known to claim they recognize Prince in the most unlikely songs, or to deny Prince had a hand in songs he had undeniably composed, so our "ears", both yours and mine, are worth one and one thing only when it comes to research: they're worth shit. Duane doesn't write his books with his ears. . So in the end, Prince might have had a hand in composing SCW, but this could be said for the whole GCS2000 album as well, and for many other Paisley Park songs Prince isn't supposed to have composed... We can speculate all we want but until a collaborator or direct witness says it's Prince, or any other sort of evidence that Prince composed it surfaces, SCW has to be treated as a Larry Graham composition. . The fact that Larry wrote it doesn't mean there isn't a Prince vocal version, though. Bang Bang, for example, is a Levi composition, yet Prince recorded his own vocals on it. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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databank said:
Prince didn't give away royalties to The Time. SCW, however, is registered/copyrighted as a Larry Graham composition. Giving away credits and copyright is waaay different. This being said, Prince has also been known to give away royalties and copyright on a few (much, much fewer) occasions. So is it in the realm of the possible that he did it with SCW? Yes. . Now when you say it sounds like a Prince composition, I don't agree at all. The melody, for instance, is very typical of Larry's melody patterns if you're familiar with his body of work. I have Larry's complete discography so I'm kind of used to his melodies and they have a very distinctive pattern to them. When you know both Prince's and Larry's work, it makes little doubt that it's a Larry composition (or it's Prince trying hard to imitate Larry's style). As for the lyrics I don't feel them as being especially typical of Prince either. Anyway, Prince fans on this board have been known to claim they recognize Prince in the most unlikely songs, or to deny Prince had a hand in songs he had undeniably composed, so our "ears", both yours and mine, are worth one and one thing only when it comes to research: they're worth shit. Duane doesn't write his books with his ears. . So in the end, Prince might have had a hand in composing SCW, but this could be said for the whole GCS2000 album as well, and for many other Paisley Park songs Prince isn't supposed to have composed... We can speculate all we want but until a collaborator or direct witness says it's Prince, or any other sort of evidence that Prince composed it surfaces, SCW has to be treated as a Larry Graham composition. . The fact that Larry wrote it doesn't mean there isn't a Prince vocal version, though. Bang Bang, for example, is a Levi composition, yet Prince recorded his own vocals on it. I thought Bang Bang was a Brown Mark song? * If I'm not mistaken I think SCW is the only track with major contributions from Prince - in terms of guitar and background vocals. I just get the sense that he was a guide on this song. The lyric is also relating to pain and regret over losing a woman - also a more common theme with Prince. * Again, not saying I'm correct - just a hunch... | |
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I Hear Your Voice is a beautiful song It's imo better than all songs on D&P except Diamonds & Pearls which I think is a brilliant track. [Edited 1/28/19 4:56am] Welcome 2 The Dawn | |
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Bang Bang is the first track on Brownmark's second solo album Good Feeling, and, around the time of the album's release, Bang Bang was released as the album's first single. The track was written and produced by Levi Seacer, Jr., and Prince appears only on background vocals. Specific recording dates are not known, but it is likely that basic tracking took place in Summer 1989, at Paisley Park Studios in Chanhassen, Minnesota; Prince's background vocals were likely added separately, but this is unconfirmed. No additional credits are given for the remixes included on the single.
Sorry, it's the Hodgkin's talking. | |
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TrivialPursuit said:
Bang Bang is the first track on Brownmark's second solo album Good Feeling, and, around the time of the album's release, Bang Bang was released as the album's first single. The track was written and produced by Levi Seacer, Jr., and Prince appears only on background vocals. Specific recording dates are not known, but it is likely that basic tracking took place in Summer 1989, at Paisley Park Studios in Chanhassen, Minnesota; Prince's background vocals were likely added separately, but this is unconfirmed. No additional credits are given for the remixes included on the single.
Mark recently said that Motown pressured him to work with Prince, that he wasn't happy about it at all about either the situation or the songs. So idk, I wasn't aware of the Stevie Nicks and music video situations though. But it seems to add up. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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violetcrush said: databank said:
Prince didn't give away royalties to The Time. SCW, however, is registered/copyrighted as a Larry Graham composition. Giving away credits and copyright is waaay different. This being said, Prince has also been known to give away royalties and copyright on a few (much, much fewer) occasions. So is it in the realm of the possible that he did it with SCW? Yes. . Now when you say it sounds like a Prince composition, I don't agree at all. The melody, for instance, is very typical of Larry's melody patterns if you're familiar with his body of work. I have Larry's complete discography so I'm kind of used to his melodies and they have a very distinctive pattern to them. When you know both Prince's and Larry's work, it makes little doubt that it's a Larry composition (or it's Prince trying hard to imitate Larry's style). As for the lyrics I don't feel them as being especially typical of Prince either. Anyway, Prince fans on this board have been known to claim they recognize Prince in the most unlikely songs, or to deny Prince had a hand in songs he had undeniably composed, so our "ears", both yours and mine, are worth one and one thing only when it comes to research: they're worth shit. Duane doesn't write his books with his ears. . So in the end, Prince might have had a hand in composing SCW, but this could be said for the whole GCS2000 album as well, and for many other Paisley Park songs Prince isn't supposed to have composed... We can speculate all we want but until a collaborator or direct witness says it's Prince, or any other sort of evidence that Prince composed it surfaces, SCW has to be treated as a Larry Graham composition. . The fact that Larry wrote it doesn't mean there isn't a Prince vocal version, though. Bang Bang, for example, is a Levi composition, yet Prince recorded his own vocals on it. I thought Bang Bang was a Brown Mark song? * If I'm not mistaken I think SCW is the only track with major contributions from Prince - in terms of guitar and background vocals. I just get the sense that he was a guide on this song. The lyric is also relating to pain and regret over losing a woman - also a more common theme with Prince. * Again, not saying I'm correct - just a hunch... Thing is we don't know when those Raise Up tracks are from. SCW could go all the way back to the GCS2000 sessions where Prince did nearly everything. I guess those songs will be documented in time, so we'll see. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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TrivialPursuit said:
Bang Bang is the first track on Brownmark's second solo album Good Feeling, and, around the time of the album's release, Bang Bang was released as the album's first single. The track was written and produced by Levi Seacer, Jr., and Prince appears only on background vocals. Specific recording dates are not known, but it is likely that basic tracking took place in Summer 1989, at Paisley Park Studios in Chanhassen, Minnesota; Prince's background vocals were likely added separately, but this is unconfirmed. No additional credits are given for the remixes included on the single.
He has stated that not long after he left Prince had asked him to join the NPG. It's very possible that Prince asked him to come back while he was there doing that song. The timing would make sense because Prince was forming NPG and getting ready for the Nude Tour. [Edited 1/28/19 11:21am] | |
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