I remember first hearing segues on Janet Jackson's Rhythm Nation 1814. I didn't know what they were at first. Same overall effect: some were good, some seemed forced. | |
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I like it, they always remind me of his wicked sense of humor. He's not ALWAYS funny, but it's cute his lil uncle humour. I Just Came To Dance and Shade for Yall | |
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I don't care much for them. Jimmy & Terry & Janet took it too far, just too much talking
On the Rainbow Children, I felt it added to the storyline. I wish the voice wasn't so low registered and dragging, but it added reveal to the story and subject. On the Love Symbol album and most of the others I didn't care for it. The Gold Experience sometimes it was ok others not(TGE reminds me of AOA)... . The Dream Factory would have had little segues, that went from one song to another like neaveH in ecalP A and one or two others. And I love them Power Fantastic intro is wonderful, but not a technical segue? . I guess in similar fashion Lovesexy had a few too that worked, Eye Know poem opening, party scene before Alphabet St etc
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I love that one "she was right next to ma woman" , I have no idea why that makes me laugh so much lol I Just Came To Dance and Shade for Yall | |
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"if you can't clap on the one, then don't clap at all" | |
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is it really? that is an old term people have always used when they are financially taken advantage of 'bent over' 'raped' there is another term that deals with being lubed or taken raw I've always heard these | |
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The reason my voice is so clear Is there's no smack in my brain Hundalasiliah
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Tell you what I need the green three sheets A peanut-butter sandwich (her and her girlfriend)
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So you found me . . .
Serve it up, Frankie
This is precisely what I intend to do, honey
Oh girl, where did you get those shoes Maurice, what, what can I serve you Squirrel meat Cat, what's happenin' babe Honey, it's not that type of party What cha mean? Honey, you see these pumps? I wanna, I wanna (who you callin' bitch, ho bitch)
I want you to meet some friends of mine (bitch) No, no you'll like them They're, they're musicians Two nigs united for West Compton | |
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"if you can't clap on the one, then don't clap at all" | |
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The ones from Come have grown on me over the years. "My left hand under your head, while my right embraces time. COME". It's just so...Prince. | |
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As prophesied, the Wise One and his woman were tempted by the Resistor. He, . The Banished Ones approaching the palace shouted obscenities. They tried 2 . From all over, the people came 2 do The Work. And with every phase of the . To all his good brothers
The Wise One spoke highly of his Muse, Because her love for the one true God Was growing with every passing day. So he said, "to all a good night", Sent them to bed early and invited his Muse to join him in The sensual ever after . . One after the other, the Banished Ones fled With no more fruit to bear from its trees As though awakened from a dream
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renfield said: The ones from Come have grown on me over the years. "My left hand under your head, while my right embraces time. COME". It's just so...Prince. Yes the Come ones work well. Even though they are not tracked separately they are short enough. . The longer ones at the beginning of 1+1+1 Is 3 and especially Family Name are annoying as you can't skip them. . TGE ones are cool, keeping with the Interactive and Beautiful Experience movie theme | |
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I like the one on the Diamonds & Pearls album just before Money Don't Matter 2 Night, where the manager gets slapped by Sonny T!
That shit makes me laugh, errrtime! | |
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That's Tony | |
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