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"Comeback" came on in the car... and I really like it as a standalone track. Would have been a great b-side if b-sides were a thing. My art book: http://www.lulu.com/spotl...ecomicskid
VIDEO WORK: http://sharadkantpatel.com MUSIC: https://soundcloud.com/ufoclub1977 | |
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Check out The Mountains and the Sea, a Prince podcast by yours truly and my wife. More info at https://www.facebook.com/TMATSPodcast/ | |
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It's an artier album vs a pop album so the reception by the masses is understandable. These types of releases rarely garner much mainstream attention, but loved y those who care and love art. | |
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KingSausage said: Comeback is mega depressing. When I first got the album I thought Circle of Amour was about Mary, Claire, Denise, and BILL. I was like damn, I don't know who this Bill is, but he's got a good thing going! You're funny! But... I don't think Comeback is depressing at all. "If U ever lose someone dear 2U, never say the words "they're gone" and they'll come back" That's not depressing. I know what it's like to lose someone dear to you and I find it hopeful and uplifting. | |
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NorthC said: KingSausage said: Comeback is mega depressing. When I first got the album I thought Circle of Amour was about Mary, Claire, Denise, and BILL. I was like damn, I don't know who this Bill is, but he's got a good thing going! You're funny! But... I don't think Comeback is depressing at all. "If U ever lose someone dear 2U, never say the words "they're gone" and they'll come back" That's not depressing. I know what it's like to lose someone dear to you and I find it hopeful and uplifting. Totally agree on Comeback; if you've lost someone close it strikes a chord. It's maybe his most personal song, after what happened back then. | |
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dodger said: NorthC said: You're funny! But... I don't think Comeback is depressing at all. "If U ever lose someone dear 2U, never say the words "they're gone" and they'll come back" That's not depressing. I know what it's like to lose someone dear to you and I find it hopeful and uplifting. Totally agree on Comeback; if you've lost someone close it strikes a chord. It's maybe his most personal song, after what happened back then. It's the "Tears go here." part. What? | |
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dodger said: NorthC said: You're funny! But... I don't think Comeback is depressing at all. "If U ever lose someone dear 2U, never say the words "they're gone" and they'll come back" That's not depressing. I know what it's like to lose someone dear to you and I find it hopeful and uplifting. Totally agree on Comeback; if you've lost someone close it strikes a chord. It's maybe his most personal song, after what happened back then. It strikes a chord with me. Both uplifting and depressing at the same time. It's a powerful, POWERFUL song. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
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Over the weekend I listened to the Peach & Black Podcast and they reviewed this album and recommended listening to it on headphones. I did and man it is more than just an acoustic album there is a lot happening in these songs. I like most of the sound effects the few I don't I can forgive because these are great songs. Fascination and Dionne are shimmering weirdness and I love them for that. I hope we get a vinyl version of this jank. Every song here let's us inside the world of Prince that doesn't happen a lot. Prince has always liked younger women so the Circle of Amour is not creepy to me. It might've happened in real life. | |
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iZsaZsa said: dodger said: Totally agree on Comeback; if you've lost someone close it strikes a chord. It's maybe his most personal song, after what happened back then. It's the "Tears go here." part. Yes, that gets me every time. Sometimes if I'm thinking about my mother (who has past away) I'll play this back to back with Reflection. | |
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KingSausage said: Comeback is mega depressing. When I first got the album I thought Circle of Amour was about Mary, Claire, Denise, and BILL. I was like damn, I don't know who this Bill is, but he's got a good thing going! "That's when stars collide. When there's space for what u want, and ur heart is open wide." | |
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I've been saying for years that The Truth is HIGHLY underrated. There are no skip-able tracks on it, imo. Even "Animal Kingdom" is such a wacky song that it's still an interesting listen. The Truth deserves far more respect than it gets. الحيوان النادلة ((((|̲̅̅●̲̅̅|̲̅̅=̲̅̅|̲̅̅●̲̅̅|)))) ...AND THAT'S THE WAY THE "TITTY" MILKS IT!
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Question: any accoustic songs in the future?
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http://prince.org/msg/7/404685 the Truth 1997/98 Emancipation Music The Truth is the first track on Prince's 21st album The Truth (his fifth under the name ), but a year before the album's release, The Truth was released as the album's first and only single by mail-order only. Specific recording dates are not known, but the track is believed to have been recorded in Autumn 1996 at Paisley Park Studios, Chanhassen, MN, USA (along with the rest of the album). -PrinceVault
What if half the things ever said turned out to be a lie Everybody's got a right to love What if time's only reason Questionnaire, what did you stand for? Everybody got a right to love Mmm, oh Gotta tell the truth If there was just one day
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iZsaZsa said: dodger said: Totally agree on Comeback; if you've lost someone close it strikes a chord. It's maybe his most personal song, after what happened back then. It's the "Tears go here." part. For me, it's the imagery of the opening lines. He's a little warm from running up the stairs, and is feeling refreshed by a "sweet wind," then suddenly realizing that the wind was a passing spirit. What an incredibly heartbreaking and personal moment to share in a song. The first time I heard it, I got goosebumps, welled up, and then felt completely numb. That's never happened with any song before or since. I can see the uplifting aspect of it, but the opening lines are just too much. "That's when stars collide. When there's space for what u want, and ur heart is open wide." | |
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SchlomoThaHomo said: iZsaZsa said: It's the "Tears go here." part. For me, it's the imagery of the opening lines. He's a little warm from running up the stairs, and is feeling refreshed by a "sweet wind," then suddenly realizing that the wind was a passing spirit. What an incredibly heartbreaking and personal moment to share in a song. The first time I heard it, I got goosebumps, welled up, and then felt completely numb. That's never happened with any song before or since. I can see the uplifting aspect of it, but the opening lines are just too much. What? | |
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iZsaZsa said: SchlomoThaHomo said: For me, it's the imagery of the opening lines. He's a little warm from running up the stairs, and is feeling refreshed by a "sweet wind," then suddenly realizing that the wind was a passing spirit. What an incredibly heartbreaking and personal moment to share in a song. The first time I heard it, I got goosebumps, welled up, and then felt completely numb. That's never happened with any song before or since. I can see the uplifting aspect of it, but the opening lines are just too much. The line that gets me is when he sings "but I think you already know." It breaks my heart every time. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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KingSausage said: iZsaZsa said: The line that gets me is when he sings "but I think you already know." It breaks my heart every time. That you miss them. That's why they comeback. What? | |
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agreed. THAT should have been a regular release CD. | |
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[Edited 6/10/15 19:57pm] | |
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TonyVanDam said:
The Truth is faaaar from the worst Prince album. Nothing at all unnatural about hearing his music without electric guitar solos. There's more than enough of that to go around, and some of it is truly his worst work. [Edited 6/10/15 19:51pm] Check out The Mountains and the Sea, a Prince podcast by yours truly and my wife. More info at https://www.facebook.com/TMATSPodcast/ | |
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TonyVanDam said:
Really? Please. Planet Earth. MPLSound. NPS. Musicology. NEWS. Emancipation. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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TonyVanDam said:
You've got an entire thread full of people above you expressing their love for The Truth and describing (sometimes in great detail) why they think the album is so fantastic. It's much more complex than simply missing keyboard synths and drum patterns. I debated even responding because that notion is so silly that this must be a joke. You're kidding, right? Who listens to an acoustic album and gets pissed because there are no electric guitars?! This is one of the dumbest things I've ever read. Also, Emancipation was a comeback album? Um, yeah, if he was making a grand comeback to the bargain bins! "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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Come on guys, harmony now! If this site learned me anything, then it's that whatever Prince did, there's always someone who likes it and someone who hates it. While I don' agree with Tony, I do see his point. I listened to The Truth again and it does sound a bit unfinished. Prince is at his best when he's funky, but this album is a nice little interlude. | |
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Yep, this album is definitely a great headphone listen [Edited 6/11/15 0:53am] Hard to believe I've been on the org for over 25 years now! | |
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Rolling Stone
On the title track of The Truth, the Artist comes off like Tracy Chapman's older brother, the formal genius, turning his meticulously natural singing voice to tough questions about responsibility and honesty. Of course, he knows as well as anyone that there's no more "truth," necessarily, in this style of music than there is in "P. Control." But the game here is up-close folkiedom, and hearing the Artist minus his usual musical constructs is interesting. On songs like "Don't Play Me" and "One of Your Tears," the Artist reconditions his sensational studio style, buffing everything down to a fine shine on a guitar line or two. The shocker is "Circle of Amour," a Joni Mitchell-ish ballad with a quietly twisted rhythm track. This remarkable portrait of female friendship before and after cheerleading practice hits with the same wallop of teenage truth as Big Star's "Thirteen." Certainly not all of Crystal Ball scales such heights. But for Paisleyheads, it's one long party. (RS 785) -- JAMES HUNTER | |
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DETROIT FREE PRESS * December 26, 1997 Detroit asks the questions, BY BRIAN MCCOLLUM Free Press Pop Music Writer
THE ART Q: You play so many instruments. Which are you primarily using for writing these days? A: I write in my head. The rest is just dictation. Q: Does the standard eight- to 10-song album still hold interest for you, or has it become too constricting? A: 2 constricting, although with some sets, like "The Truth," it's cool.
FUTURE WORK Q: The last three months alone, two bootleg, three-CD sets of very good-to-perfect quality artist outtakes have been released. I also have the unreleased album "The Truth." Does it concern you that bootleggers seem to be getting a jump on releasing material fans want to hear? A: ZZZZZ! | |
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