Noodled24 said:
That's not me saying that about it, it's those defending why it sounds to bad, | |
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He's poking gentle fun more than "mocking", it's playful and astute as well. There are quite a few classic Prince vibes rendered digitally with great panache, he's not literally trying to sound like "today's music" but like Prince in the digital age.
Prince obviously enjoys making studio music but seems to be delegating much of the programming. Whatever Josh's contribution, you have every reason to believe Prince had everything done to his exact specifications, just like his shoes.
For the analog age, there is PLEL and that is where I was disappointed. This time he turned out to be better at his "art official" effort than his rock project, contrary to what happened wiht Lotus Flower/MPSound). Accidentally? PLEL has its share of weak songs, contrary to AOA, which is strong all the way.
Despite this, his love of analog does shine through with Wow, FULU, Marz, AnotherLove, FunkNRoll.
With him, there's always duality and contradiction.
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Then rather than articulate examples of parts of the album illustrate your point you went off on a rant about how Prince must be loosing his hearing - again with nothing to substantiate it. The dude is happy to jump in with a live Jazz band seemingly just for a laugh. [Edited 1/24/15 13:15pm] | |
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^^^ oh dear.. some of you sounds so ungrateful. Prince 4Ever. | |
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Aerogram said:
He's poking gentle fun more than "mocking", it's playful and astute as well. There are quite a few classic Prince vibes rendered digitally with great panache, he's not literally trying to sound like "today's music" but like Prince in the digital age.
Prince obviously enjoys making studio music but seems to be delegating much of the programming. Whatever Josh's contribution, you have every reason to believe Prince had everything done to his exact specifications, just like his shoes.
For the analog age, there is PLEL and that is where I was disappointed. This time he turned out to be better at his "art official" effort than his rock project, contrary to what happened wiht Lotus Flower/MPSound). Accidentally? PLEL has its share of weak songs, contrary to AOA, which is strong all the way.
Despite this, his love of analog does shine through with Wow, FULU, Marz, AnotherLove, FunkNRoll.
With him, there's always duality and contradiction.
I think we have the exact same opinion of both albums. Right on. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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Aerogram said:
He's poking gentle fun more than "mocking", it's playful and astute as well. There are quite a few classic Prince vibes rendered digitally with great panache, he's not literally trying to sound like "today's music" but like Prince in the digital age.
Prince obviously enjoys making studio music but seems to be delegating much of the programming. Whatever Josh's contribution, you have every reason to believe Prince had everything done to his exact specifications, just like his shoes.
For the analog age, there is PLEL and that is where I was disappointed. This time he turned out to be better at his "art official" effort than his rock project, contrary to what happened wiht Lotus Flower/MPSound). Accidentally? PLEL has its share of weak songs, contrary to AOA, which is strong all the way.
Despite this, his love of analog does shine through with Wow, FULU, Marz, AnotherLove, FunkNRoll.
With him, there's always duality and contradiction.
True, Plectrum doesn't sound as thin and annoying as AOA. But it's intresting that some of us could hear the thinness and chalk it up to an artistic decision or like myself accuse Prince of losing his hearing, while others couldn't hear the narrowness and thinness at all. I guess it's like color blindness where some can see a wider color range than others and we all perceive things differently. | |
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the popfunk of AOA is sounding just great, Prince 4Ever. | |
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I think I see the problem. You appear to be listening to an internet service providers disc from the early 90's. These were data CD's and meant to be ran on your computer, not listened to on a hi-fi. RIP | |
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Isn't AOA co-produced by Joshua Welton? He's hardly losing his hearing | |
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This is a joke? | |
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Bob Dylan said that for Blonde on Blonde he was looking for "that thin wild mercury sound". So even if an album does sound thin, I don't see/hear why that should be a problem. | |
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Probably. It's hardly scientific. My questions weren't really answered. And those were only a simple start. Pills and thrills and daffodils will kill... If you don't believe me or don't get it, I don't have time to try to convince you, sorry. | |
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TheEnglishGent said:
I think I see the problem. You appear to be listening to an internet service providers disc from the early 90's. These were data CD's and meant to be ran on your computer, not listened to on a hi-fi. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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moderator |
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So as mentioned above, I put on Bob's Blond on Blond at it is indeed very thin and tinny. I'll have to listen to it in full later. My girlfriend here shrieked and had me turn it off. Definitely thin and tinny. | |
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You honestly think lots of stuff you have no idea about. That's like me saying you may have a hearing problem yourself because you hear only the "thin" stuff apparently. | |
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V10LETBLUES said: So as mentioned above, I put on Bob's Blond on Blond at it is indeed very thin and tinny. I'll have to listen to it in full later. My girlfriend here shrieked and had me turn it off. Definitely thin and tinny. The mono version has a bit more thump. But it's still definitely thin and tinny. Which isn't necessarily bad, but just a different sound. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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Aerogram said:
You honestly think lots of stuff you have no idea about. That's like me saying you may have a hearing problem yourself because you hear only the "thin" stuff apparently. No actually I mention thin tinny music because it is rare. If I heard it all the time I wouldn't have said anything. Some here aparently can't tell the difference. | |
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I'd really appreciate it if you guys could fill out my survey on Art Official Age, it's for my college work, thanks https://www.surveymonkey.com/s/RVPW5MF | |
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Benthom said: I'd really appreciate it if you guys could fill out my survey on Art Official Age, it's for my college work, thanks https://www.surveymonkey.com/s/RVPW5MF Done | |
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V10LETBLUES said: So as mentioned above, I put on Bob's Blond on Blond at it is indeed very thin and tinny. I'll have to listen to it in full later. My girlfriend here shrieked and had me turn it off. Definitely thin and tinny. Go to Youtube and search "Can't Make Love to Bob Dylan" Funny! | |
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Finished listening to Blonde on Blonde and it sounds much warmer because of the inherent sound of traditional acoustic instruments and Bob's gravely voice. It sounds great. | |
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V10LETBLUES said: Finished listening to Blonde on Blonde and it sounds much warmer because of the inherent sound of traditional acoustic instruments and Bob's gravely voice. It sounds great. Funny story: for the opening track Rainy Day Women # 12 & 35, Bob decided to create a party atmosphere by getting all the band members (Nashville session musicians used to playing on country records) drunk. | |
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SuperSoulFighter said: V10LETBLUES said: Finished listening to Blonde on Blonde and it sounds much warmer because of the inherent sound of traditional acoustic instruments and Bob's gravely voice. It sounds great. Funny story: for the opening track Rainy Day Women # 12 & 35, Bob decided to create a party atmosphere by getting all the band members (Nashville session musicians used to playing on country records) drunk. Lol, sounds like the band had a great time recording it. Bob seems to chuckle at the beginning because of the hoots and hollers | |
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So how do you figure Prince does whole recordings (including PLEL) about which you have yet to say they are "thin"? Don't you see the same goes for him if it it's true for you.
It's called having a fixation. Sure, lots of people have a fixation on this site. I just wonder about those that have a negative one that's so important to them. Why? [Edited 1/25/15 14:37pm] | |
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Survey completed. | |
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Aerogram said:
So how do you figure Prince does whole recordings (including PLEL) about which you have yet to say they are "thin"? Don't you see the same goes for him if it it's true for you.
It's called having a fixation. Sure, lots of people have a fixation on this site. I just wonder about those that have a negative one that's so important to them. Why? [Edited 1/25/15 14:37pm] I dunno. I think I have expressed not liking less that those that express they do, and then go on to engage others for not liking it. Not you, just saying. Opinion and discussion is not exclusively about fawning is it? | |
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V10LETBLUES said: Aerogram said: What you call "thin and tinny" is his musical statement on the digital age.
Art Official Age is a great musical journey. If you don't get it, you don't.
...and some defend the title track cornyness as a "parody" of modern music too. People are bending over backwards to defend this mediocre album. To me it just sounds like someone so completely out of touch. [Edited 1/23/15 18:54pm] People defend it because they actually like it. To you it's mediocre, to me it's very good. | |
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Thin and tinny isnt what I would level at AOA. I do think the Gold Standard lacks punch in the bass department, especially compared to the rich, deep bass in most of the other songs. The Breakdown has always been utter crap to my ears and I never listen to that song. Yes, it is badly produced and distorted, but mainly I just think it is a crap song. But What it Feels Like, FnR, Time, This Could Be Us, My Way Home, Affirmation III, Clouds and U Know are all very rich and full sounding. the bass is fantastic and on good headphones you can hear how deep it really goes. | |
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