Josh may be an average producer as some of you say, all I can go with is what I hear, and the Prince/Josh combo has been pleasing to my ears so far.
Hate away....
"You always get the dream that you deserve, from what you value the most" -Prince 2013 | |
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The new stuff sounds just as cheap and artificial as 20ten. | |
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I don't think the issue is with Prince working with an outside producer. I think the issue is that he's working with THIS outside producer (i.e. relatively unknown with a bit of nepotism in there). . If this was Nile Rodgers producing him, or Quincy Jones, or Pharrel, etc. there would not be as much complaining.
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Josh is the best thing to happen to Prince in a long time. He's talented and has a lot of fun with his music. Prince talks a lot about never looking back - and yet for the past 10 years he's been talking about how music used to sound. He was doing it "like back in the day" or he was "bringing it old school". With rare exception Prince has spent the past 15 years trying to sound like Prince in the mid/late 80s and failing. Each failure brought further despiration for a hit song and each subsiquent album couldn't be further from it. At least Josh has made Prince embrace contemporary music again. He's needed a new sound for SO long.
I found this on youtube - http://www.youtube.com/wa...9AO0Ywezjg I'm guessing it's Josh doing a Prince impersonation. His other stuff isn't bad either.
FALLINLUVNIGHT is a great song. Its a simple dance/pop song. You know when people say "oh well if [insert popstar here] had released that single it would have been a hit" - THIS is the type of song they're talking about. If he had given this song to Kelly Roland, Gaga, or even NewGirl (I Forget her name) this song would have been all over the radio. When it's sung by a 55 year old bloke it's a bit wierd and no amount of batting your eyes into the camera lense is going to change that. Prince could be having hit after hit if he would give away songs like this.
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I agree FallininLUV is a great song, it has a catchy chorus and melody, but imagine this song produced by Calvin Harris, who did Rihanna's song "We Found Love." Then we would have ourselves a #1 Prince single. The song is as good as Rihanna's song, but the production is lacking that production power and buildup that's so popular on dance floors these days. I would love to see what Calvin or someone like him could do with this song. [Edited 9/22/14 12:31pm] ______________________________________________
onedayimgonnabesomebody | |
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And Listening to it now, it sounds like NEYO, but lighter, which is kind of out of fashion on the radio now. ______________________________________________
onedayimgonnabesomebody | |
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He's not really a "producer", more like a do-it-yourself guy doing an Usher type of an act. Just do a Youtube search on him and you'll find out what he's about. He's done talent shows, some Michael Jackson imitation stuff and has apprently gotten a song of his used by the Chicago Bulls. | |
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Calvin wrote and produced "We Found Love." I hear similarities between that song and Fallinlovetonight. I think better production would really put this over the top. ______________________________________________
onedayimgonnabesomebody | |
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Let's be honest, the few tracks we have heard have been better than some had thought, I myself had put down a couple of them but then after a proper listen on a good system you realise the production is actually quite good.
What Prince needs is to work with a producer like Nile Rodgers, but I couldnt see him sharing the credit with another established artist myself. | |
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Im not like a big DJ fan, but I was just using that song and production as an example of what FallINLOVE could do. "We Found Love" to me has great production and was all over the radio for a long time and at #1. I still think it sounds great, even though Ive heard it a million times. I think Prince's song had that potential, but the production is more tame and not as dynamic.
That being said, I don't totally dislike Joshua's work, I just think it could be better and more current. These songs are good and Prince is ready to have a hit again, people are on the Prince wagon, he just needs to get the right production to get on the radio.
I also think he could have a hit with minimal production like he used to. KISS sounded like a demo but that's what made it stand out on the radio. I literally pulled over the first time I heard it on the radio. It was so different and cool. Still is!
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Seems like whatever the problem is has been a lot of peoples fault over the years. Tony M's fault, Larry's fault, Kirky J's fault, Josh's fault. Seems to me like there's a common denominator in all these periods where it's been someone elses fault that Princes music sucks...
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I think its just tough to sound current and cutting edge for 35+ years. Most fans see potentital in his music its just the production that is lacking. I haven't been dazzled by his production in a long time. I like when I used to hear his music and wonder how he got those sounds and wonder what is exactly going on behind the curtain. I haven't felt that in a long time with his music. ______________________________________________
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let's face it..........his gig with P is the best thing that will ever happen to him
watch this and you will see
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so far, so good! | |
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I'm liking the sound Prince is currently coming up with and if Joshua is having a part in that, then that's fine. He comes across well on stage and seems to be enjoying himself. Prince obviously has faith in him and I think it's justified. And this way, it feels like the co-production is being kept in-house, so it still feels like it's a Prince project. If he'd got a known, named producer in, it would have become more about the producer than it would about Prince. I'd rather leave that for Madonna, thanks. | |
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I agree with this statement with the exception of Screwdriver. So far Screwdriver is my favorite thing that I have heard from him this 3rd eye era including the AOA stuff too. | |
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i think the 'co-production' credit is there cuz prince is in teaching mode(arsineo) and is working with him like he is Hannah and Donna. His direct involvement is probably minimal. He probably doing more observing than he is producing. He may be inspiring some new or revisited directions and hipping prince to tunes not in his typical sphere of sound. Akso, he may make it easier for prince to try something atypical and allows his ego a scapegoat if thr toast gets burnt, so to speak.
i say revisiting, cuz i get an amped up vibe of 'loose' in the remix if funknroll. well not necessarily 'loose' bt a high energy dance ditty which is an atypical choice. speaking of funknroll....anyone feel a 'mortal kombat' vibe? i cant help but think of that old ass tune when i hear funknroll. | |
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I love Screwdriver too but I think it's a Prince tune rather than 3rdEyegirl. The studio version is more in line with RnR Affair in its overall sound. However, 3rdEyegirl did make it their own with the live versions, which have all been awesome. RIP | |
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Sometimes I dont understand...people here are constantly bashing great albums such as DIAMONDS AND PEARLS, BATMAN, but worship shits like FALLINLOVE. What the fuck. This song is horrible. Collaboring with a guy to make this kind of shit is really nonsense. prince can do shit alone. Nothing more ludicrous than a song tailored for being a hit but that fail on charts. Maybe it would have been better with another type of production, but the song in the form that we know is a copycat of many dance songs of the early 90's...And that's not a compliment. Prince ans his new buddy are 20 years late. | |
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I like it too. It's the most catchy song he's done in years. Pure pop. RIP | |
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To me, there is some inconsistancies to bash BATMAN and DIAMONDS AND PEARLS, and to love FALLINLOVE. | |
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(Not me, Batman is a good album, As is D&P for the most part). FIL2N is pure pop. Great little song. Trouble is, it's a Katy Perry song, or an X-Factor winner single.
It's a contemporary sound. Just not really aimed at his audience. He hasn't always been a trend setter. He didn't invent rock and roll with Purple Rain, ATWIAD drew reference to The Beatles. As I think I've always said about this song - it's exactly the kind of thing he could give to a young pop star - see it ride the charts - which would feed his ego - meanwhile he can be releasing something more interesting. I still don't know why the recent forray into pop/dance is entirely placed on Josh. Prince has done this kind of thing before. The same with the vocal effects - it's almost something he's "known" for.
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What you described is not being a producer - especially when working with Prince | |
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You may have a point there. I definitely got the same impression about the underwhelming talent when I watched that terrible release party. Nobody - and I mean NOBODY - at Paisley Park seemed qualified for the jobs that Prince has given them. THe little Maya chick was comically and painfully awkward - so far in over her head that she should have not even been in the building. All I could do is think about how many fans (real fans from the 70s like me) would have done her job so much better - and would have deserved it. Joshua is not even an original flunkie - just the latest addition to dubious society that has grown over the decades. I watched him mimic Michael Jackson (badly) on YouTube and couldnt believe he went from what looked like the high school talent show to "producing" a Prince album. I would have had to be there during the entire production of AOA to see him actually doing something to believe that he is coming anywhewre near close to co-producing Prince. WHen I laid eyes on him and the videos produced for the singles, I was disappointed in what is obviously Prince's attempt to appeal to today's pitiful young generation which doesnt know real music - let alone great music or the single greatest musical artist alive. Joshua - and 3EYEGIRL to a lesser extent - are immature window dressing to ensure Prince doesnt look like so many of his contemporaries who have been blatantly recycling what made them famous 30 years ago. He has made himself the cool uncle; the guru who is guiding the lost children - imparting some of his legendary genius upon them because he has always been 20 years ahead of everyone. [Edited 10/10/14 19:47pm] | |
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People have been wanting Prince to let someone else produce him and now that he has and lo and behold those same people aren't happy with Princes choice of producer. Fuck' em all! Both these CDs kick ass! Miserable old cunts are that way for a reason and a CD of their dream collabos isn't going to moisten a snatch that rotted out and coughed up a dust bunny over a decade ago. When go 2 a Prince concert or related event it's all up in the house but when log onto this site and the miasma of bitchiness is completely overwhelming! | |
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Im sure this he has his place in music, just not with Prince. Prince did an interview with a woman at Record World. They talked about whatever, then he asked her: "Does your pubic hair go up to your navel?" At that moment, we thought maybe we shouldn't encourage him to do interviews. | |
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Listen closely, Josh chokes Prince's voice in nearly every song through a telephone... Is that contemporary production ? Also the overdone drum fill in's, the whoosh/wind sounds everywhere... The lack of true great funk in The Gold Standard... I can go on and on. And what surprises me the most is the lack of great strings. Basically no strings, and if so they are way back in the mix... Too much echo everywhere in the production too. So un-Prince. He's dry, he's funky and original for his sound. In other words, Prince doesn't need a new sound, an updated sound. He needs a kick in the butt. Now at least he sounds updated till 2001 if you like. That's all. I don't like this little club of Jehovah boys and girls around Prince. At least that's how they sound to me. They don't need to ge wild or rude, and that's the problem I think. "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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