Songs of Innocence was made available to everybody with an iTunes account, which allows most everybody who listens to digital music to hear it; a physical version will be out on October 14, at which point it will be eligible to chart
After a solid 12 hours of digesting the record — their first since 2010’s generally disappointing No Line on the Horizon — EW music experts Kyle Anderson and Miles Raymer fired up their e-mail machines, and their critical judgment.
KYLE: In my mind, there are two ways to look at the roll out. The first way is that U2 essentially operate like, say, Pearl Jam or Prince now, where the albums are merely mile-markers that offer a reason to hit the road again. Since nobody makes any money off of selling albums—not even a band as universally huge as U2—then the release is actually a smart way to get people to buy tickets to next year’s inevitable stadium tour.
MILES: The Pearl Jam and Prince comparisons seem apt, but it reminded me more of recent Bowie albums where no one with any sense goes into it expecting to get their wig flipped by its greatness, but there’s a pleasant surprise in finding them making semi-decent music that obviously shows they’ve been listening to some new stuff that’s actually cool.
KYLE: I agree. U2 are like Paul McCartney or the aforementioned Prince—even if this album was shockingly excellent, it still probably wouldn’t be in the top five (or maybe even the top 10) of the band’s all-time releases.
Read article here: