You link 'analog' to a certain implementation. I was stating at a more general, abstract level. Wide, analog studio tapes with thick magnetic tracks can sound very great, even after 30 or more years. Also analog!
It is. On a proper studio tape (analog!) you need more than a CD to equal that sound quality in there.
So I state: Decent studio tape sounds better than the CD. The CD can sound better than the properly handled vinyl due to lack of crackles and pops. (this is not always the case) Pills and thrills and daffodils will kill... If you don't believe me or don't get it, I don't have time to try to convince you, sorry. | |
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comperic2003 said:
Most folks don't need to know that because it simply isn't true. Analog is not superior to digital.
And 96kHz/24bit or 192kHz/24bit is not audibly superior to 44.1kHz/16bit when double blind tested. It really depends on what they are being tested on, if your using crappy headphones or computer speakers or just an amp then of course no one will hear the difference but speaking from experience, taking a blind test on a good stereo system has always resulted in me noticing the difference right away. It's implausible in the slightest either, mp3s throw out 90% of the recording. On topic, it seems that most think that the 1999 on hdtracks is the same mastering on the 180gram vinyl, so yes it is much better than the original cd. If you already have the vinyl I wouldn't bother buying [Edited 3/28/13 10:09am] | |
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You do realise that this thread discusses a HR Audio release? If you think that is all humbug, why don't you just find another thread? No need to insult people here... | |
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just to be fair, yall talking all technical etc are not above reproach or being above our usual prince org insults
you are no better than the rest of us
"Climb in my fur." | |
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speak for yourself, but i'm better than all y'all motherfuckers!!! | |
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well, of course YOU are..In talking about these other knob twisting pocket protector wearing glasses held together with tape in the middle audio mugs "Climb in my fur." | |
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I'm surprised no one is talking about what seems to me to be the big news here, which is that Prince has agreed to allow a digital remaster of one of his albums to be released in some format, or at least is not stopping it from happening. Whether this release is better than the original vinyl or the 180-gram reissue seems to me less important than the fact that we have any kind of remaster at all. The previous reissues (like Ultimate) were just re-tweaked versions of the original digital files. As I pointed out above, these tracks have different running times and don't come from the same digital source as the original CD. THAT is the big news. The Census Bureau estimates that there are 2,518 American Indians and Alaska Natives currently living in the city of Long Beach. | |
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Has 1999 been taken down from the HDtracks.com? I'm hot and I don't care who knows it...I got a job to do. | |
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If that is true then yes, it is big news. "Climb in my fur." | |
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No, it's still there. "Climb in my fur." | |
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Thanks. I see it on the front page, but when you click on the image, it says it's not available. I'm hot and I don't care who knows it...I got a job to do. | |
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I've already predicted in other threads that there will be a big Purple Rain deluxe box for the 30th anniversary next year. This could be the first sign that a deal has been worked out to make that happen. The Census Bureau estimates that there are 2,518 American Indians and Alaska Natives currently living in the city of Long Beach. | |
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blacksweat said: rdhull said: No, it's still there. Thanks. I see it on the front page, but when you click on the image, it says it's not available. that's because these bandits use IP Address to determine your location and if they don't or can't sell to that location the item is shown as unavailable. you can get around that by using a proxy service. | |
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Thanks! I'm hot and I don't care who knows it...I got a job to do. | |
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How do you delete shit on winamp? for some reason I have 2 compies of albums one full the other blank. No i can't find a delete option an hate seeing those damn empty albums.
it's probably right in front of my eyes though haha. [Edited 3/28/13 23:11pm] Purple Music is my drug and I'm jonesin!!!!! | |
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in the winamp playlist highlight what you don't want and press your delete key or right click and see if remove is there | |
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So they cound albums as playlists? Purple Music is my drug and I'm jonesin!!!!! | |
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i'm not sure what you've done really. i just play a song or album, i don't import stuff in like itunes. you've maybe dragged and dropped and included both the files and a playlist file like a m3u file so it shows the album twice. itunes does that anyways | |
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ufoclub said: comperic2003 said: Except the three format versions available for The Beatles Love album all had significantly different dynamic range values, so, your example is not valid. Regardless, I would not consider you, or any naysayers of audio science, "CRAZY." Misguided and ignorant? Yes, but not "CRAZY." Are you are unwittingly confirming what I'm saying? "all had significantly different dynamic range". Because that is exactly what I'm saying. 16-bit CD has a theoretical dynamic range of about 96 dB, 24-bit digital audio calculates to 144 dB dynamic range. Yes, theoretically, but i can almost guarantee even the the 24-bit version had nowhere near that range, and it wouldnt have even maxed out the range of 16-bit audio. There is no way to tell what was done to the CD version of the album in comparison to the 24-bit one. You say its the same master, which is possible, but for all we know Dynamic Range Compression could have been applied to it. The most accurate way to do a double blind is to take the highest resolution source you can find and then make straight rips in lower res from it. Then you know for sure that the source is the same. Ive done this several time with SACD's that I knew sounded "better" to me (Thriller was the last I did). I made 16-bit 44.1, 320 Lame mp3, 256 m4a & 192 mp3 rips from 24-bit .dff files (yes, I had to make flac versions first. I know, I'm "loosing the benefits of DSD blah blah blah!) and the only one i could immediately spot was the 192. Could not distinguish between the others. The parts that i swore i was hearing in the SACD for the first time were right there in the 320 & the 16-bit. I was hearing them for the first time though..... because it was a different master than i was used to hearing for the past 20+ years.But i do want the 1999 album from HDTracks, just to see if it is a new master. [Edited 3/29/13 5:53am] [Edited 3/29/13 5:54am] | |
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Don't know WHY my posts are being formatted all screwy! | |
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The only parts of the sound that jumping from 16 bit to 24 bit effect within human perception are the quiet moments or the fade outs. CD 16bit quality in quiet parts might not be considered as bad as the degrading sound quality you get towards the inner grooves of vinyl records (as the curve gets more extreme), but that is where CD's can get a bit rough on the sound. For example listening to the higher resolution version of George Harrison's demo for "While My Guitar Gently Weeps" where it is just his vocal and an acoustic guitar sounds DRAMATICALLY more live and present on the the higher bit version.
But that is only about BITS, which which can be thought of as resolution of wave amplitude (volume).
Now the 96 or + hz advantage is probably only in the natural harmonics and unpredicable collisions that might result out of your speakers that can effect the frequencies in the limited perceptive range. This could result in more natural and lifelife changes or "defects".
Someone here could test this for themselves by bouncing down some originally produced full layered type music at a high frequency sampling of 120 and then at a lower like 44.1, and then listening to the two results on great speakers, or great headphones.
The other day I was playing the mono remaster of Sgt Pepper, and clearly heard where the dog whistle is laid in before the inner groove loop (it must have been a whistle that had part of it's voice still in human range). A friend of mine could not hear it, even if I rewound right to it. But it sounded exactly like the high pitched whine that an old analog tv makes when it is still on with no signal and no static. My point is: that not everyone even has the same range of hearing.
[Edited 3/29/13 7:52am] My art book: http://www.lulu.com/spotl...ecomicskid
VIDEO WORK: http://sharadkantpatel.com MUSIC: https://soundcloud.com/ufoclub1977 | |
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^ typically people's hearing changes not long after they turn around 20 and can keep changing through age. it's the high frequency range that is usually lost
in the uk there are gadgets used in places like shopping malls that emit a high pitched sound to prevent youths from gathering, and there are also high pitched devices used to keep insects away. i know someone who has one of those and i can hear it when it's on as i have excellent hearing. i can also tell the difference between things like dolby digital (DD) and digital theatre sound (DTS), and stuff like dolby B and C and tape hiss drove met nuts
but others simply don't notice these things, or they overlook it naturally, so they don't care so much about hissing and crackling and pops and rumble and mains hum or earth noise, and that accounts for most people, which is why being a true audiophile is very much a enthusiasts pursuit, and why LCD tv's have speakers that sound as flat as the screen. as an AV enthusiast and audiophile, my main screen has no speakers at all. the panel comes without them as default and there are a number of different speaker and stand/mounting options for the customer to pick, but as it's a high end product aimed at the top end of the market, they know most people won't use built in speakers and have a seperate amp and speaker package. but hit the lower end of the market and few people will watch a movie or tv on anything other than the built in speakers and uncalibrated panel, probably still stuck in demo mode with retina burning contrast and colour | |
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ufoclub said:
The only parts of the sound that jumping from 16 bit to 24 bit effect within human perception are the quiet moments or the fade outs. CD 16bit quality in quiet parts might not be considered as bad as the degrading sound quality you get towards the inner grooves of vinyl records (as the curve gets more extreme), but that is where CD's can get a bit rough on the sound. For example listening to the higher resolution version of George Harrison's demo for "While My Guitar Gently Weeps" where it is just his vocal and an acoustic guitar sounds DRAMATICALLY more live and present on the the higher bit version.
But that is only about BITS, which which can be thought of as resolution of wave amplitude (volume).
Now the 96 or + hz advantage is probably only in the natural harmonics and unpredicable collisions that might result out of your speakers that can effect the frequencies in the limited perceptive range. This could result in more natural and lifelife changes or "defects".
Someone here could test this for themselves by bouncing down some originally produced full layered type music at a high frequency sampling of 120 and then at a lower like 44.1, and then listening to the two results on great speakers, or great headphones.
The other day I was playing the mono remaster of Sgt Pepper, and clearly heard where the dog whistle is laid in before the inner groove loop (it must have been a whistle that had part of it's voice still in human range). A friend of mine could not hear it, even if I rewound right to it. But it sounded exactly like the high pitched whine that an old analog tv makes when it is still on with no signal and no static. My point is: that not everyone even has the same range of hearing.
[Edited 3/29/13 7:52am] I'm one of those people who can hear that high pitched TV whine, even though it drives me crazy when there's no TV in the immediate vicinity! But I still can't hear that "quiet" that you speak of.... nor is it really that big of a deal for me to. I love good sound, have good equipment and have spent a bit of time getting what I consider a great sound. There are very few times when "perfect" sound matters to me, because I believe there's no such thing. I play 8-tracks one minute, 24-bit files the next. Hell, I just got a Sony Elcaset player yesterday because I love audio equipment. But I love music more. We all do in the end. | |
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Anyone who believes record companies are just going to hand over the rights to those recordings needs to wake up. © Bart Van Hemelen
This posting is provided AS IS with no warranties, and confers no rights. It is not authorized by Prince or the NPG Music Club. You assume all risk for your use. All rights reserved. | |
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rdhull said:
just to be fair, yall talking all technical etc are not above reproach or being above our usual prince org insults
you are no better than the rest of us
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Sigh... There are FOUR formats to choose from. Is it really that much trouble to spend a little time investigating which one is best for you, especially considering that there are helpful guides all over that website? Is simply READING now too much to ask? © Bart Van Hemelen
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Winamp has been rubbish for aeons. Look for foobar2000, developed by a guy who actually wrote Winamp before it became crap. © Bart Van Hemelen
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I'm sorry but that is nonsense. That sound in the studio gets played through very expensive speakers, and even then it is not the final stage, since then a record still needs to be mastered.
CDs get a bad rep because initial CD mastering simply wasn't that good, both due to the hardware used and the inexperience of the people doing the mastering. The medium was simply too young, and only after many years CD mastering became "grown up".
In the end we can only hope to approximate what an artist meant for us to hear when he put something on tape (or HD). Higher bitrates get us closer to that goal, but in reality it is an unobtainable one since each of us has a particular ear. © Bart Van Hemelen
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now that's rubbish
winamp has not been rubbish for aeons. whilst you may prefer foobar, i and plenty of others don't. it takes up too much screen space when vieweing a playlist
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