iloveannie said: ills meant to read old. Predictive text again? "Drop that stereo before I blow your Goddamn nuts off, asshole!"
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Exactly. Nuff said. | |
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It was definitely geared toward mainstream. That's what makes it one of his worst albums ever. Andy is a four letter word. | |
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With MPLSound (or any other new P album that I don't love), I would take myself back to 1992, when I was listening to and thinking it was the shittiest Prince album I had ever heard. But I kept listening, and once, I thought "what would I think if I had never heard Prince before?" and suddenly I liked the album a lot. I realized how much of my opinion was based on my expectations.
I wonder the same about MPLSound. If you'd never heard Prince before, what would you think of it? Granted, you would think he was cheesy and really weird, but would you notice that he was a phenomenal musician and be interested in the album based solely on that?
I mean, the Katy Perry comment actually makes sense considering she has an army behind her, and this is still the product of one man. If Katy Perry did MPLSound by herself, people WOULD be impressed! My Legacy
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why do prince fans always think people will be impressed just because prince can play all the instruments half decent? it doesn't matter .. at all .. it does not make an album or song worth listening to ... no one would get into mpls just because prince did it himself and it doesnt sound sloppy ... the songs suck .. beginning middle and end of 'what makes a record work or not work'
prince can play shitty and write a good song and people will buy it ... prince cannot play great on shitty songs and expect people to give a rats ass just because he didn't hit any bad notes
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If u like it, does it matter? | |
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And these top 40 songs that are in constant rotation on these shitty radio stations aren't shitty? I would rather listen to a horrible P cut than the junk that's out there. Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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sure...if you don't care about musicianship. Some people actually do, that is why they gush over the fact that Gaga actually plays an instrument! That's why Madonna tries to pretend she does. That was my point about "if you'd never heard him." If this was some new artist, critics and promoters would be gushing about this guy being a genius of some kind. But because it's Prince, they expect some culmination of all his 30 years of greatest hits put into every single record, forgetting that they didn't love Batman, Graffiti Bridge, or even most of Parade.
I agree, playing guitar well is not the only determining factor in whether or not a pop album is good. But I don't think MPLSound is bad. I think it's good, in fact. And the musicianship is still fantastic. It's just not nearly as creative as Parade. [Edited 7/13/12 12:07pm] My Legacy
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That's part of the problem. I'm in the margin of folks that thinks that MPLSoUND was a great album. People just love putting the stuff he's done recent to his legendary past output. We all know what P is capable of, but come on...alot of folks' expectations are way too high and haughty. [Edited 7/13/12 12:11pm] Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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Yeah, I am not going to say it's a great album, but I do quite like Dance 4 Me, Here, Old School Company, No More Candy.
And I don't hate the others. My Legacy
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I still love No More Candy 4 U. | |
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Nope. LFlower never had a shot. 3121 was the last, best hope for a hit. Black Sweat, Lolita, and Fury could have been those hits. (Insert something clever here) | |
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"Black Sweat" was surprisingly a nice sizable hit for P and it helped push the 3121 project further. I still feel that he missed the boat with having "Te Amo Corazon" as the lead single, even though it was a good cut. But he came back out on top with "Black Sweat." He had everyone on the pop charts jealous and shook up. Then, the hype for that album and era decreased.
But the success of "BS" is one reason why I feel P could've pushed MPLSoUND, as an individual album, to the fullest and go all out, if he was in that frame of mind. I respect highly what he is doing at this point in his career, but you have to admit, P misses alot of opportunities. He is an icon who makes original music and doesn't have to depend on any mold, but at the same time, has some flaws in the distribution and promotion department. Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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Yeah I thought he was REALLY back with "Black Sweat", then nothing else. I did buy the album though. | |
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It seemed like everyone was singing in his praises and it was a nice move after the huge momentum of Musicology. But then, it all vanished and he was on to something new. 3121 was an excellent album nonetheless. Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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If there was ever a better moment to catch the opportunity it was with that. But Prince never really operated like that. | |
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True, but then again, how would you explain him signing distribution deals with major labels such as Columbia and Universal? Prince has never operated with the norm as an artist and businessman, but he talks out the side of his mouth sometimes. Some of his motives have been questionable. (Hint: Clive Davis, Arista). Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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I don't think an album from an artist in his 50's can be a megahit in this day and age no matter how good it may be.
The days of Santana and Cher having huge hits like they did in the late 90's are over, IMO.
JERKIN' EVERYTHING IN SIGHT!!!!! | |
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Because he's Prince. He wouldn't be Prince if he wasn't so contradictory. That's what makes him who he is. He was no different than, say, James Brown because of that. | |
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He's a mindfuck indeed. He has the mind of a Jack Johnson, crudeness of a James Brown, and the spirit of Miles. Can't fault him, but it's just me I guess. Prince has always been like that, so it's not totally surprising anyway. Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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Yup! [Edited 7/13/12 19:38pm] | |
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You may have a point there, but you never know. Al Green hit a commercial resurgence back in 2008, without any promo really. I know I'm looking at two hugely different spheres, but people love late-career hits sometimes. Santana and Cher went toward trends anyways and it backfired on both of them quickly. [Edited 7/13/12 19:44pm] Check me out and add me on:
www.last.fm/user/brandosoul "Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for." -Bob Marley | |
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Paris9748430 said: I don't think an album from an artist in his 50's can be a megahit in this day and age no matter how good it may be.
The days of Santana and Cher having huge hits like they did in the late 90's are over, IMO.
That's not true. Springsteen. Dylan. Others. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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Some of you are truly deluded!!
"MPLSound" was a shit album full of shit songs filled with shit lyrics and a shitty production. I am the greatest fan of the Minneapolis Sound, but this was an embarrassing attempt by Prince to rehash his old sounds that almost completely missed the spot.
A good album starts with good songs, no matter the production, and there are simply not enough good songs on here to make a good album, let alone a "megahit album".
Sorry folks! RIP Prince: thank U 4 a funky Time... | |
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^ "deluded"?
just because we have a different opinion?
Dance 4 Me Ol' Skool Company
these are fantastic songs, imo.
Even these are not like "17 Days" or "Erotic City" if that is what you mean..?
The MPLSound album is really not that shitty like you say,
but ok that is your opinion..
imo the album deserves 8/10,
it's 1 of the best since the Gold Exp. Prince 4Ever. | |
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8/10? Like the man said, "deluded." "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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Quality is subjective.
Prince's most "successful" albums were/are his most heavily promoted. Check the sales stats. There is a direct correlation between Prince's "megahits" and promotion. You think Batman and Diamonds and Pearls are among his best ever efforts? They certainly were among his best promoted works. "New Power slide...." | |
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I like Ol'Skool Company and Dance 4 Me as well, and have been cautiously enjoying VAlentina at times. These tracks I will give a 7 out of 10. The rest is extremely poor IMO, certainly no "megahit album" material. So I stand by my "deluded", sorry... RIP Prince: thank U 4 a funky Time... | |
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For me MPLSoUND is by a wide margin my least favourite Prince album circa 2004-present so I can't really see it being a megahit. Of course Diamonds and Pearls is one of my least favourite Prince albums too and it was a pretty big hit, you just never know what the general public is going to take to. | |
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Only if he had released it during the summer of 2007 (or early 2008), and promoted by a big label, and maybe a remix single/video of Dance4Me with Timbaland (still fresh at that time) or the Neptunes; Planet Earth basically killed the 3121/Superbowl momentum, MPLS arrived two years too late and was poorly promoted and poorly distributed, the triple-album thing didn't help either...
that said, do we really want Prince as a mainstream pop star all over again??
[Edited 7/15/12 12:22pm] | |
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