OldFriends4Sale said:
Wowee!! Mayte looks incredible here! | |
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I think her bangs look a lot better in this pic than in the others I've seen her in. *~Reach for the moon, if you miss it, you will land among the stars~* | |
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' how did I get in this predicament?.....how did I get in this jam?' Love that | |
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DETROIT FREE PRESS
COME: 1958-1993 -- Prince (Warner Bros.): "This is the Dawning of a New Spiritual Revolution" reads the legend on the back of Prince's new album. Problem is, "Come" marks the first time we've heard the often-visionary Prince treading musical water. The word is that for his Warner Bros. albums, Prince will be Prince -- not the multisexual hieroglyphic he's using for a name these days. "Come" and future Prince albums are purported to be vault-cleaning exercises, though some of the tunes here are new. And all of them traverse familiar James Brown-George Clinton musical terrain -- the spare, taught rhythms, funky bass lines, jazzy horn charts and the occasional rock guitar power chords. Lyrically his dirty mind runneth over, which should be no surprise considering song titles such as "Come," "Loose" and the "spoken" performance "Orgasm." It has some tuneful moments and a couple of hot grooves, but "Come" is largely a toss-off that doesn't merit the excitement usually accorded Prince albums.
-- GARY GRAFF
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(Pheromone make a nigga go crazy, fuckin' around make a nigga wanna die)
L is 4 lust
I can see the castle, I can see the throne
CHORUS:
I can feel the tension through the crack in the door
CHORUS
Her eyes are closed but there's no penetration
CHORUS
Pheromone rush over me like an ocean
Pheromone - But I'm helpless as a pet (Pheromone)
Pheromone {x4}
© 1994 Controversy Music - ASCAP
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I'm glad to hear all the love for this album! It truly is underrated but it's in my top favorites. Actually, it's my favorite at the moment! I'm sure most would agree that it's one of his only albums with enough consistency to listen to the entire thing. You get the luxury of just leaving this musical genius on without all the skipping. That always gets annoying haha. I recently discovered it, anyone able to share more background on the album's concept? I have an idea through the sound and lyrics, forming my own interpretation, but I'd love to hear what's been released or heard. And together we'll stare into silence. | |
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Love this era. IMHO it's the best one after 83 - 87. The earlier version of Come and Gold were better.
If you haven't read scififilmnerd's overview of this era, you should really do so when you have the time. http://prince.org/msg/7/317254
That Mayte picture is really great. Any more like it? | |
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I'm not sure it was put together that quickly. There were multiple configurations with songs being swapped between this and TGE for at least a year before it's release date.
I really think he believed in these songs and this album when it was going to be duel released, With TGE under the and Come as Prince. The fact he played them at the end of the ACT II concerts to prove he had good new material is I think proof of that.
I think the only reason he seemed to treat this as a throw away is because once he was told no by WB about TGE that's all he could see. He became single in his focus and the usual thing happened were once released the work becomes old and unimportant to him, He has a new cause.
Had they been released together I think you would have seen how much Prince really believed in this project at the time it was released
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I have been listening to this album so much lately. Loose, Letigo, Dark, Pheremone, Race, Space and Come. I just .
Gives me that early 90's feeling that I like a lot. | |
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So low, the curb looks like a skyscraper The angels, they watch in wonder U were so kind And now U're gone and I just wanna be still I'm so lost, no one can find me © 1994 Controversy Music - ASCAP | |
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Warfare chapt 14 Possessed: the Rise & Fall of Prince
p 198-199
Whether he read such commentaries is unknown, but Prince seemed determined to redefine himself and ot put the disappointements and frustrations of the last few years behind him. In public appearances, he kept emphasizing the Prince was dead. The Gold Experience - parts of which appeared on the Internet, placed there by fans who acquired the material on the bootleg market - contained segues between songs with spoken messages like "Prince esta muerta." Then, in a December 1994 appearance on the Late Show with David Letterman, he made the point even more explicit - after playing the unreleased Dolphin (a song about reincarnation) from the Gold Experience, he feigned his own death and was carried offstage.
But while the clear intent of Prince's various stunts was to foment outrage about Warners' treatment of him, the public response was bemusement, to the extent that anyone cared at all. His grievances, rather than being part of any larger movement for artists' rights, were transparently personal. In fact, the more meritorious parts of his campaign against Warners and the major label system - such as that artists received far too small a portion of their profits (generally less than fifteen percent) - were lost amidst his grandiose actions.
Come, released in August 1994, hammered the "Prince is dead" message home one more time. The black-and-white cover showed him outside the gates of what appears to be a cemetery (actually La Sagrada Familia cathedral in Barcelona, Spain). Below the word "Prince" are the dates "1958-1993)," serving as a tombstone inscription.
Surely one of the few albums in pop history to have been intentionally fashioned as a mediocre project, Come was, unsurprisingly, a commercial failure. It sold 345,000 copies in the United States - the worst performance of his career to date - and reached only No. 15 on the Billboard Pop Chart. Neither Prince nor Warner Bros. did much to promote the record; it was, quite simply, contract filler.
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In retrospect, Come was not a good Prince album. But it sure as hell wasn't boring by a long shot! Lyrically, the title track is as nasty as Dirty Mind and Darling Nikki.
Pheromone, Dark, & Letitgo are worth another good listen. | |
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Space is my fav album cut, I was just listening to a playlist that went from Planet Earth into Space a nice feel | |
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^
It's arguable as to whether you can see the tip of his typhoon. ALT+PLS+RTN: Pure as a pane of ice. It's a gift. | |
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omg U guys
I just don't see this stuff until someone points it out, | |
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LOL...in this case it doesn't look much like a 'shadow' to me! | |
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Great album...so underrated, but isnt everything after "S.O.T.T"?.One day people other than us will get it.I love "darker",more introspective music. Exiles of the Nation
"Liquidation", the NEW 18th LP. Available everywhere now. https://youtube.com/chann...-ieACvEQMA | |
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That picture!!!! Who finds these things?!?! Not that I'm complaining or anything! | |
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My fav song! | |
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Wow. Definitely see that.
Come might not be my favorite Prince record, but it's probably my favorite era. He was so fuckin dark, man.
It's funny, as of late I've been playin this shit a lot.
Pheromone! | |
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I love the Come test pressing configuration with Interactive, Endorphinmachine and Strays Of The World. Was a little disappointed in the released configuration.
Would love to hear the original 1993 configuration. FREE THE 29 MAY 1993 COME CONFIGURATION!
FREE THE JANUARY 1994 THE GOLD ALBUM CONFIGURATION | |
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Letitgo Ready or not, here I come (Letitgo) {repeated whisper in BG of song} All my life I've kept my feelings deep inside CHORUS: I'm ready 4 the real All my life this heart's been under lock and key CHORUS I... I'm ready 4 the real 14 years and tears I've longed 2 sing my song Until now all I wanted 2 do is... I... I'm ready 4 the real (Letitgo) © 1994 Controversy Music - ASCAP
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I made myself a CD with the outtakes from this era. It goes like this:
1. Poem (3:30) 2. Come (4:43) 3. Endorphinmachine (3:51) 4. Dolphin (4:57) - from Glam Slam Ulysses 5. Calhoun Square (4:46) - from Crystal Ball 6. Interactive (3:03) - from Crystal Ball 7. Loose! (3:23) - from Glam Slam Ulysses 8. Pheromone (Instrumental) (3:57) 9. What's My Name (3:05) - from Crystal Ball 10. Pope (3:29) - from The Hits 11. Zannalee (2:49) 12. Strays Of The World (5:07) - from Crystal Ball
The sequencing is great if I must say so myself. FREE THE 29 MAY 1993 COME CONFIGURATION!
FREE THE JANUARY 1994 THE GOLD ALBUM CONFIGURATION | |
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sounds awesome. I also made a similar one back in the day, it had What's My Name segued into The Ride (linking the drum kick of what's my name outro and the intro of the ride). And Dolphin was the extended mix between the gold exp version and the udnertaker outro (similar to the one on The Dawn from Boris)... | |
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