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2. Cindy C. (6:15)
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During the 1980s and 1990s, Cindy was among the most popular supermodels, a ubiquitous presence on magazine covers, runways, and in fashion campaigns. In July, 1988, she became the first modern supermodel to pose nude for Playboy magazine, in a shoot by photographer Herb Ritts. In October, 1998 Crawford returned to the pages of Playboy for a second, more revealing nude pictorial. That issue was one of the magazine's all-time biggest sellers. Cindy C. Yeah! CHORUS: Super-fine heifer, U're so bloody vogue (Super fine) CHORUS The passion's in the mix (Serve it up, Sheila) Don't all girls look the same? (Poppy, tell me what it's all about) I'm talkin' 'bout a long crucial leg (Cindy C. – listen 2 me) Girl, if I have 2 beg (She's so tired) I'ma see U in your birthday suit 2night (Look at me) I'm sure U're quite intelligent (U think she does, but think again) A whiz at math and all that shit (Look at her, she can't even walk in those shoes) Baby, is that alright? (Cindy C.) Oh Cindy C., will U play with me? 2 organ solos 2 go Oh Cindy C. {repeat} Oh Cindy C., will U play with me? Help me! (Ah shit) Excuse my savoir-faire (Cindy, where are U?) Shockadelia! Oh Cindy C., won't U play with me? [b]{Rap from "Music Is The Key" by J.M. Silk} Oh Cindy C., won't U play with me?
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New Directions in Garage Music
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Music was better on this one, but Madhouse as a 'band' didn't showcase. Probably because the Lovesexy tour was very extended. But I believe there were some shows in Minneapolis and others where Madhouse w/Prince did after shows or off night performances, doing Prince material as well.
I don't remember any videos 4 this album?? | |
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[Edited 8/23/10 11:47am] | |
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[img:$uid]http://i757.photobucket.com/albums/xx218/MMikeyBee/Prince%20and%20related/Prince%20record%20and%20mag%20covers/1987-madhouse16-ad-smaller.jpg[/img:$uid][img:$uid]http://i757.photobucket.com/albums/xx218/MMikeyBee/Prince%20and%20related/Prince%20record%20and%20mag%20covers/13_single.jpg[/img:$uid][img:$uid]http://i757.photobucket.com/albums/xx218/MMikeyBee/Prince%20and%20related/Prince%20record%20and%20mag%20covers/madhouse-10.jpg[/img:$uid] [Edited 8/23/10 11:59am] | |
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OMG! How could anyone forget Tony, Damon, and Kirk's finger waves? I believe the video was for 10. TRUE BLUE | |
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Great pictures, always good to see him let rip on the cloud.
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Seriously? What year was it released?
I know the first album had a video or 2 | |
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US version (Cat: 25677-1)
In former years the consensus was that less than six US vinyls survived. However according to Alan Leeds, who was Prince's former tour/production/paisley park manager, personal assistant and coordinator there are surely more than six. But they are not out on the collector's market. He claims that Prince had at least hundred and gave away most of them to band members, friends and other artists like Madonna, Miles Davis, Sheena Easton, Sheila E and Kim Basinger. Also many of the Paisley staff took one each. He's also thinks that the some Warner employees also managed to get one, although Warner's did go on a sort of lockdown the day it was cancelled and an executive was given the responsibility to gather whatever advance copies were floating around their offices. According to a post in a forum from philly1247, who worked at a WEA's distribution facility, several original US non-promo copies survived. Several co-workers took some copies when they heard that the release was cancelled.
http://www.theblackalbum.info/
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July 8. 1988
1.Instrumental Jam
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[img:$uid]http://i397.photobucket.com/albums/pp59/ungustl_photos/Prince_Lovesexy.jpg[/img:$uid]
LOVESEXY TOUR - WESTFALENHALLE, DORTMUND
DivX VIDEO; 2300 kbits TRACKLIST:
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review by http://www.twelvebar.com/...g-for.html
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I make no apologies whatsoever for returning repeatedly throughout the pages of A Story To Tell to the purple genius that is Prince Rogers Nelson. After all, a man with a reputed virtual lifetime’s worth of songs, hidden album projects, videos and god knows what else in his vaults Is surely worthy of our attention every now and then. And that is the thing with Prince, his output is so prodigious that there is just so much to say about him. And I don’t even count myself to be particularly knowledgeable, certainly when compared to the reams and reams of information that can be unearthed on fan sites across the world wide web. Seriously, the amount that has been written on forgotten bootlegs, rumoured side-projects, lost albums is itself a sight to behold. I came across one the other day which is all about a rumoured song that can only be found in the vaults of the US Library of Congress, a song written but rejected in 1988 for Madonna’s “Like A Prayer” album, entitled “By Alien Means”. Almost worth a trip to DC for. I say almost, but trust me there are plenty of fans who would have made that crazy pilgrimage, and more power to them I say. That is truly dedication. But I wanted to talk briefly here about a song which is one of those that is fully released and available, indeed featuring on 1988’s incredible “Lovesexy” album, but rarely heralded or commented upon. To me however it epitomises much of what there is to love about Prince, through it’s obvious musical accomplishment, but also the innovation that lies behind it and seeps out of the speakers on each listen. The song in question is the skittering funk of “Dance On”, a tune that continues the social commentary of “Sign O The Times” in terms of its subject matter, but which does so to a syncopation of stunning complexity. For some this jars as an aural experience, the amalgam of a frenetic drum pattern interspersed with some rock guitar licks and a driving bass (indeed the running bass throb sounds remarkably like the source for Q-Tip’s solo stormer “Breathe and Stop” but I am unsure if this is truly the case). Whatever the case, for me this song does something that perhaps even the master of 80s funk didn’t set out to achieve. Because “Dance On” is a song that packs so much funk per ounce into its tiny body, that it almost transcends the music that it is rooted in. If funk is the groove that gets into your soul and shakes your booty in a primeval sex-swamp, then “Dance On” is a record that is so damn funky it goes over the precipice and takes the funk a step further in evolution, into a place where the usual rules don’t apply. It is a dance record with so much groove you can’t actually dance to it. Now that, my friends, is the true source. An over the top appraisal you may feel, but it is a point worth making in urging a repeat listen to this tune, and indeed the whole of the “Lovesexy” set, an album which commercially marked a slight downturn for Prince, but which is a stunning collection for all sorts of reasons, some of which we have mentioned, and some we will doubtless return to. For now though, if you can catch the groove, just dance on, dance on* | |
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I love this thread, Oldfriends.... Prince 4Ever. | |
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Dead On It Riding in my Thunderbird on the freeway Negroes from Brooklyn play the bass pretty good Funky dead on it, wow See, the rapper's problem usually stem from being tone deaf Parking lots on fire, brothers peelin' outta town All the sisters like it when U lick 'em on the knees Shoo bee doo wa, dead on it What does that have 2 do with the funk? Nothing! La, la, la, la My bed's a coffin, Dracula ain't got shit on me (Asses is crackin') {x2} La, la, la, la Wait now, hang up, dial tone on the 3 (Shoo bee doo wa wa, dead on it) Dead on it, on it, on it {fade out}
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intro: Anna Fantastic aka Anna Garcia
music 2 the mini motion picture: R U Legal Yet?(Madhouse) Anna Waiting, Rave Un2 the Joy Fantastic, Pink Cashmere, 18 & Over
At the age of sixteen, Anna met the musician Prince at his concert in London. At seventeen, she lived with Prince in Minneapolis, Minnesota.On Anna's 18th birthday, Prince gave her a pink cashmere coat, thus leading to the song "Pink Cashmere" that would be released in 1993. Anna inspired the songs "Vicki Waiting" (an 18th-birthday gift for Anna, originally titled "Anna Waiting") and "Lemon Crush" (her favorite drink) on Prince's Batman soundtrack from 1989. She also wrote the song "Fantasia Erotica," which resurfaced on Carmen Electra's debut album in 1992. Liner notes from the Batman soundtrack, released in 1989, credits Garcia as "Anna Fantastic." Anna is featured on the Prince Madhouse #3 album, on the 18-minute song "The Dopamine Rush Suite," and is credited as Anna Garcia
R U Legal Yet? R U Legal Yet? My fathers got a shot gun I hope he doesn't use it
18 & over, I wants 2 bone ya Electricity (Electricity) 18 & over, I wants 2 bone ya
This is where she wants 2 be
Rave un2 the joy fantastic — Rave!
World full of lovers, city full of good time — Rave!
Anna Garcia a.k.a Anna Fantastic a name which was given to her by Prince. Anna born in London England from Spanish and Italian decent.Coming from a musical family Anna was exposed to a variety of musical genres from Motown to Madonna. Her mother was a singer and her uncles all played in bands through out the local music scene from London to Australia. Bolstered by those influences, Anna began gravitating towards pop and R&B.
Blessed with keen intelligence and stunning good looks, Anna Fantastic could have chosen any number of career paths. yet always knew her future had in store for her. "I always knew that music was what I was going to do," You can here that desire in Anna's voice. It's a voice that's sweet, sassy and sultry with a hint of bad girl edge. Anna Fantastic's brand of soul is both infectious and intoxicating. With the love of music and the desire to perform driving here, Anna Fantastic at the age of 10 began studing vocal and dance at the world renowned Sylvia Young theatre School of London. After high school Anna decided to take her dreams to the next level and began singing in talent shows through out Europe when she landed a deal with Arista Records/Europe with her first string of dance singles. While touring through out Europe she was approached by Playboy magazine to appear in Playboy Germany she welcomed the opportunity and thus began a succesful career in modeling and counless magazine features and layouts. Wanting to pursue her career in new territory she packed up and moved to Los Angeles.
Ooh, here I go again fallin' in love all over CHORUS: Girl, can U understand I never used 2 go dancin'? Ooh, I'm makin' U a coat of pink cashmere Here I go again fallin' in love all over (I'm makin' U a coat of pink cashmere) When I get my arms around U baby (Yeah) (CHORUS) Cuz U got 2 know how I feel about U baby I'm gonna make U a coat of cashmere baby
[Edited 8/26/10 6:24am] | |
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The Line
Can U talk 2 me with your body, baby? Can U be my lover and still be my friend? (Can U be my friend?) CHORUS: Can U tolerate? Why am I not so free? Hey CHORUS (Cross the line) Cross the line sugar, cross the line {x3} I want U 2 cross the line, hey! {used as sample in "Acknowledge Me"} Cross the line Cross the line (New dance) {repeat in BG} Boni? (What?) Cross the line {repeat} Precious Lord, take my hand
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9.14.1988 Met Center, Minneapolis concert set list coming soon
_____Aftershow- Paisley Park We're gonna play till the farmers come & get us
Prince & Lovesexy band featuring George Clinton, Mavis Staples, Wendy Melvoin & Lisa Coleman Walking The Dog A Paisley Homecoming
Prince's return to Minneapolis to open the US leg of his Lovesexy tour was an auspicious homecoming. After his show, he & some 500 guests including Miles Davis, George Clinton & Chaka Khan, as well as such former musical cohorts as Revolution members Wendy & Lisa and the Time members Jellybean Johnson, Jerome Benton, Jimmy Jam & Terry Lewis, retired to Paisley Park studios complex to party. "That was the best show I've seen in my life." exclaimed Jam. But there was more to come. In the small hours, Prince and the band opened a 90min. set including appearances by Clinton, Mavis Staples & Wendy and Lisa. "We're gonna play till the farmers come & get us." Prince told the crowd. True to his word, the Royal One jammed until complaints from Paisley Park rural neighbors closed the party at 4 am.
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Love the Boni pictures. Would it be appropriate to discuss how apparently Prince and Boni fought voraciously on the Lovesexy tour? I've often heard that said, although I've never been clear on why. Can anyone shed some insight as to why they didn't get along? Or correct me if I've got it wrong? | |
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Cat said in an interview this dress looked so much better backwards
July 25. 1988 ( LoveSexy Tour )
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This thing we got - it's alive! CHORUS: I know I hold U 2 tight (2 tight) CHORUS Heavy feather, flicka nipple Sun is risen, moon is gone This thing we got - it's alive! (Alive) CHORUS Glam Slam © 1988 Controversy Music - ASCAP
[Edited 8/29/10 9:39am] | ||
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HERE WE GO AGAIN!!! | |
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