Either Planet Earth or Chelsea Rodgers . I can't decide.

fleuretty said:

it changes everyday, there is a song for every mood. Based on my Itunes Play Count S.H.O.E. and The 1 U Wanna C (great song to work out to) are tied for most plays. I love Prince's adlibs 3:44 throughout in The 1 U Wanna C

From day to day my favorite will change. These past few of days (actually week or so) it's been Future Baby Mama.

Last week it was Chelsea Rogers.

The week before... Somewhere Here On Earth.

I guess it's the mood I get in that determines what song pleases my ears at the time.

Definitely "The One You Wanna See" Lots of energy, besides gotta love the line "If you wanna get creamy, "line; I'm gunna have to cop that line for the ladies

Resolution. Because it's the LAST song

All the people who answered 'Mr. Goodnight', please commit suicide... NOW.
Good lawd... that's one of the worst songs EVER written.

FuNkeNsteiN said:

bad lyrics, nice groove, but you can turn on the radio and hear something even worse.

My personal favourite is one of the songs most other people seem to hate:

All the midnights in the world

Personally i think it just one of his best little pop-gems from the last well, 15 years at least.
The power of it lies its in simplicity, it probably makes people say this song is 'whimsical' or a 'childrens song', but the truth is: its often harder to create this type of song than some drawn out funky jam (like Chelsea Rodgers), or heavy riff-rocker (like Guitar).
Jamming on instruments can bring you far when you wanna create those types of song, its takes a bit more patience and "polishing" to create a fluent popmelody like ATMITW.

IMO the melodyline of ATMITW is exquisite, the playing is sober but just 'right' for this type of song, the semi-acoustic sound fits the melody very well and next to that: the lyrics are the most charming and poetic.

Its a song that sounds rather fresh for him, because he hasnt done many songs in this vein (Raspberry Beret, Starfish and Coffee and Dinner with Dolores especially come to mind) and next to that, on a lyrical level it fits his age better then tiresome attempts to play the pimp again (Mr. Goodnight) or him delivering clichéd social commentary (Planet Earth).

for me its resolution because thats when the record ends

FuNkeNsteiN said:

You'd better watch urself.
People might actually take your advice...

I personally enjoy that one a lot... and as someone else said, something worse can be found on the radio.
Lyrics are cheesy, but the music is like another world altogether, but I be diggin' it just the same.

That's why I always back myself up by saying I believe "Somewhere here on Earth" is the best written on the album...

I like chilling with "Mr. Good-night" cuz I happen to enjoy it. That's just the way it is.

Lion of Judah

and then...

Mr Goodnight is good for amusement

Planet Earth is the only song on the album I truly dig. I think the lyrics are profound and rhythm is on. It's the most inspired trak of the whole album.

"Chelsae Rodgers" is my favorite and then I love "Somewhere Here On Earth".

Exactly. It's a shitty shit hop sounding mess. Pure sellout song.

The groove is the first thing I notice. It sounds like shit hop and that's what's wrong with it. Sure, you could turn on the radio and find something worse but unfortunately, even though the radio is worse, it's similar to "Mr. Goodnight" (or should I say, "Mr. Goodnight" is similar to the radio).

Somewhere Here On Earth and Chelsa Rogers.

Somewhere Here On Earth is beautiful done

Chelsa Rogers I love that bounce that P puts
in his music just makes U dance/Club mix pls.

hilton02895 said:

Planet Earth was the first song on this album that struck me and I liked instantly.

All The Midnights In The World...

Mr Goodnight because of his sultry sexy voice and hands down Chelsea Rogers.

Too funky. Love the break beat. You think its finished and then the twangy

guitar comes back in. Dance round in circles to this tune!