whodknee said: jacktheimprovident said: Not that I necessarily want to get dragged into another Beatles debate, but what you've said seems to indicate an ignorance of both rock history of the beatles. In terms of musical signifance and influence, the Beatles absolutely tower over Prince, and in terms of actual proficiency in terms of playing multiple instruments to a high standard and skill at all levels of music making Paul himself is at least Prince's rival; the man was recording one man albums while Prince was still a little kid. Here's a reiteration of my assessment of the Beatles' musical significance as stated in another thread: The Beatles were more or less the first act in rock music (or arguably popular music as a whole) to A."grow" artistically and make it acceptable, even expected for a band to expand and progress rather than keep rehashing the same songs over and over again. B. they were among the first bands to exclusively write their own material and not be beholden to outside songwriters, again making it expected for artists in popular music to write their own stuff. C. Were among the first groups to embrace all kinds of styles and influences. Revolver may not have been the first place where orchestral strings were used in rock music, or the first place a rock artist made forays into eastern music, or the first place a musician used tape loops to craft collage/soundscape, but it was the first record where all those things were done in the same place. D. Made the biggest contribution towards making rock music, and "popular" music as a whole, respectable and held on the same level as "Serious" art, not just disposable fluff that wouldn't have any relevance beyond it's time of release. I bet you the term "classic rock" would have never existed if not for them E. They just wrote dozens and dozens of excellent songs, both lyrically and musically, in almost every style and pioneered in some direct or indirect way just about every "hyphen rock" sub-genre that would come into existence in the next decades. and as another person pointed out, they also did the most towards making the album format the primary means of artistic expression in rock music, eventually causing albums to outsell singles. In terms of technical innovations, well they may not have been the absolute originators of any technical innovation (but then again who is) but they were among the first to be incorporate all manner of technical innovations into their music in a way that was accessible to a large audience without dumbing them down: sitar, fuzztone, tape loops, orchestral strings, exotic instrumentation, styles hitherto not in the vocabulary of rock, again they may not have been the first to do ANY of these things, but they were the first to do ALL of these things. You did everything but name a song. By the way, you don't have to belittle Prince (or anybody else) to defend the Beatles. Besides, you know damned well McCartney is no rival of Prince's on any instrument. Now McCartney could come up with a catchy melody with the best of them.... and yes, the Beatles pushed the envelope with rock and practically invented pop music as we know it. However, that very same envelope was pushed well beyond the scope of the Beatles long ago. Thanks for defending my position. Can you please try to get an answer to my question.....name a musically not commercially signigicant song made by the Beetles. "I wanna hold your hand I wanna hold your hand I wanna hold your hand I wanna hold your hand" real creative isn't it. | |
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KrystleEyes said: dseann said: Why the fuck should Prince be honored to be a "fifth Beetle". Please name a musically not commercially significant Beetle's song. Come on.....just one I have nothing against Paul or Sir Paul as he is now called...we're both avid weed smokers....but what has he done to be considered "one of the most respected MUSICIANS of the 20th century" Come on.....tell me [Edited 6/25/06 18:13pm] Way to prove yourself as completely ignorant Name a musically significant song by the Beetles. Please | |
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muirdo said: Prince actually spent sometime with Paul at his farm on the Mull of Kintyre.Apparently they used to go out riding,Paul on a clydesdale and Prince on a Shetland pony.
oh happy days. | |
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dseann said: KrystleEyes said: Way to prove yourself as completely ignorant Name a musically significant song by the Beetles. Please Oh, good grief. Well in order to avoid confusion, and you just going "that's not what i meant" -first you need to define what you mean by musically significant. Then we'll happily give you examples, unless your definition makes it impossible to do so. | |
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Omadon said: dseann said: Name a musically significant song by the Beetles. Please Oh, good grief. Well in order to avoid confusion, and you just going "that's not what i meant" -first you need to define what you mean by musically significant. Then we'll happily give you examples, unless your definition makes it impossible to do so. I thought "musically significant" was self explanatory. The Spice Girls came out with an album that set all kinds of European records for sales. Some would consider that a musically significant album. I find that to be commercially significant, but what new musical ground was broken with that album for it to be considered Musically significant? Michael Jackson's Off The Wall wasn't as commercially successful as Purple Rain, but the blend of vocals, bass, beats, horns and melody's(Rock with you, Don't Stop til You Get Enough, Off The Wall) made it his best album ever and transformed Michael from a good singer to a Superstar. Dirty Mind and Sign O The Times weren't commercially successful as Madonna's Like a Virgin album, but again the blend of beats, vocals and pure musicanship(Uptown, Dirty Mind, Got a Broken Heart Again, Adore, I could never Take the Place of Your Man, The Ballad of Dorothy Parker) showed that Prince was more than just a Superstar, but musically diverse. These albums have musical significance in the industry and in the hearts of anyt true lover of music. I won't mention other Prince gems like "When the Lights Go Down", "Strollin'","Damn You", "Money Don't Matter Tonight" "The Morning Papers" But please name a Beetles song with some musical significance. I'm a novice, to them, I was born in 1971, I'm too young to remember them so name a musically significant song of theirs and maybe I'll look them up and compare them to my cache of musical significance. C | |
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dseann said: I thought "musically significant" was self explanatory. It's not self-explanatory at all. One could mean "musically significant" in terms of innovating a certain musical structure to a song. One could mean "musically significant" in terms of influencing musicians further down the line. One could mean "musically significant" in terms of being a virtuoso on an instrument. One could mean "musically significant" in terms of having a huge impact, like the Beatles did, on the format of albums. There are tons of possible meanings. Michael Jackson's Off The Wall wasn't as commercially successful as Purple Rain, but the blend of vocals, bass, beats, horns and melody's(Rock with you, Don't Stop til You Get Enough, Off The Wall) made it his best album ever and transformed Michael from a good singer to a Superstar.Dirty Mind and Sign O The Times weren't commercially successful as Madonna's Like a Virgin album, but again the blend of beats, vocals and pure musicanship(Uptown, Dirty Mind, Got a Broken Heart Again, Adore, I could never Take the Place of Your Man, The Ballad of Dorothy Parker) showed that Prince was more than just a Superstar, but musically diverse.
You seem to be suggesting that 'musical significance' is about the blend of vocals and other instrumentation (and 'musicanship' and musically diverse, in the case of Prince). That's a pretty odd definition to me, but fair enough. The Beatles weren't the best musicians in terms of playing ability. So you're never going to listen to a Beatles song and say, "wow - that's the greatest guitar solo i've ever heard!" like you might with Hendrix. They were songwriters and innovators. I would echo everything jacktheimprovident said above to you about Revolver. Listen to Tomorrow Never Knows and the use of the sitar in what is essentially a dance song - cum - South Asian instrumental - and you can hear its influence today. Listen to Eleanor Rigby and the use of the octet. Realise that the Beatles were also 'musically significant' in the use of stereo. Look at the Sgt Pepper album - that album has been just phenomenally influential. If you want musical diversity (like you mention for Prince re: Dirty Mind and SOTT), then go and listen to the White Album (for example), and if you only want to listen to a few diverse tracks, then listen to While my guitar gently weeps, Blackbird, Why don't we do it in the road, Helter Skelter, Revolution 1 and then Revolution 9. These albums have musical significance in the industry and in the hearts of anyt true lover of music.
I find them significant too. But damn, man, every album from Rubber Soul onwards - Abbey Road for the Beatles has musical signifcance in the industry and in the hearts of music lovers. I won't mention other Prince gems like "When the Lights Go Down", "Strollin'","Damn You", "Money Don't Matter Tonight" "The Morning Papers"
They're just pretty songs. .If you want me to list pretty songs by the Beatles, then I can give you hundreds of 'em. Go and listen to Here, There and Everywhere, Julia, Because, Yesterday, Something, Blackbird, Sun King,... But please name a Beetles song with some musical significance.
I'm a novice, to them, I was born in 1971, I'm too young to remember them so name a musically significant song of theirs and maybe I'll look them up and compare them to my cache of musical significance. C Look, I like Prince very much - I wouldn't be here if I didn't - but the Beatles are way up there in terms of significance, musically. [Edited 6/26/06 8:44am] | |
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dseann said: whodknee said: You did everything but name a song. By the way, you don't have to belittle Prince (or anybody else) to defend the Beatles. Besides, you know damned well McCartney is no rival of Prince's on any instrument. Now McCartney could come up with a catchy melody with the best of them.... and yes, the Beatles pushed the envelope with rock and practically invented pop music as we know it. However, that very same envelope was pushed well beyond the scope of the Beatles long ago. Thanks for defending my position. Can you please try to get an answer to my question.....name a musically not commercially signigicant song made by the Beetles. "I wanna hold your hand I wanna hold your hand I wanna hold your hand I wanna hold your hand" real creative isn't it. Oh good grief, is this actually a real conversation here? Here are some songs by the Beatles that were musically innovative and significant: Yesterday I Am The Walrus Strawberry Fields Forever Paperback Writer Revolution #9 Come Together Something A Day in The Life dozens and dozens of others. If you're going to judge the Beatles by "I Wanna Hold Your Hand," then should we also judge Prince by "Sexy motherfucker shakin' that ass, shakin' that ass, shakin' that ass"????? | |
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dseann said: Name a musically significant song by the Beetles. Please A Day in the Life Strawberry Fields Forever Yesterday [Edited 6/26/06 8:45am] My art book: http://www.lulu.com/spotl...ecomicskid
VIDEO WORK: http://sharadkantpatel.com MUSIC: https://soundcloud.com/ufoclub1977 | |
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whodknee said: jacktheimprovident said: Not that I necessarily want to get dragged into another Beatles debate, but what you've said seems to indicate an ignorance of both rock history of the beatles. In terms of musical signifance and influence, the Beatles absolutely tower over Prince, and in terms of actual proficiency in terms of playing multiple instruments to a high standard and skill at all levels of music making Paul himself is at least Prince's rival; the man was recording one man albums while Prince was still a little kid. Here's a reiteration of my assessment of the Beatles' musical significance as stated in another thread: The Beatles were more or less the first act in rock music (or arguably popular music as a whole) to A."grow" artistically and make it acceptable, even expected for a band to expand and progress rather than keep rehashing the same songs over and over again. B. they were among the first bands to exclusively write their own material and not be beholden to outside songwriters, again making it expected for artists in popular music to write their own stuff. C. Were among the first groups to embrace all kinds of styles and influences. Revolver may not have been the first place where orchestral strings were used in rock music, or the first place a rock artist made forays into eastern music, or the first place a musician used tape loops to craft collage/soundscape, but it was the first record where all those things were done in the same place. D. Made the biggest contribution towards making rock music, and "popular" music as a whole, respectable and held on the same level as "Serious" art, not just disposable fluff that wouldn't have any relevance beyond it's time of release. I bet you the term "classic rock" would have never existed if not for them E. They just wrote dozens and dozens of excellent songs, both lyrically and musically, in almost every style and pioneered in some direct or indirect way just about every "hyphen rock" sub-genre that would come into existence in the next decades. and as another person pointed out, they also did the most towards making the album format the primary means of artistic expression in rock music, eventually causing albums to outsell singles. In terms of technical innovations, well they may not have been the absolute originators of any technical innovation (but then again who is) but they were among the first to be incorporate all manner of technical innovations into their music in a way that was accessible to a large audience without dumbing them down: sitar, fuzztone, tape loops, orchestral strings, exotic instrumentation, styles hitherto not in the vocabulary of rock, again they may not have been the first to do ANY of these things, but they were the first to do ALL of these things. You did everything but name a song. By the way, you don't have to belittle Prince (or anybody else) to defend the Beatles. Besides, you know damned well McCartney is no rival of Prince's on any instrument. Now McCartney could come up with a catchy melody with the best of them.... and yes, the Beatles pushed the envelope with rock and practically invented pop music as we know it. However, that very same envelope was pushed well beyond the scope of the Beatles long ago. I think the Beatles have done more for RockNRoll and Pop music than any1 even P. This debate is useless.... Stand Up! Everybody, this is your life!
https://www.facebook.com/...pope2the9s follow me on twitter @thepope2the9s | |
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maxwells silver hammer :booyah:
Black Bird the entire SGT Peppers experience. class. Kaiser. Fuck the funk - it's time to ditch the worn-out Vegas horns fills, pick up the geee-tar and finally ROCK THE MUTHA-FUCKER!! He hinted at this on Chaos, now it's time to step up and fully DELIVER!!
KrystleEyes 22/03/05 | |
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dseann said: Omadon said: Oh, good grief. Well in order to avoid confusion, and you just going "that's not what i meant" -first you need to define what you mean by musically significant. Then we'll happily give you examples, unless your definition makes it impossible to do so. I thought "musically significant" was self explanatory. The Spice Girls came out with an album that set all kinds of European records for sales. Some would consider that a musically significant album. I find that to be commercially significant, but what new musical ground was broken with that album for it to be considered Musically significant? Michael Jackson's Off The Wall wasn't as commercially successful as Purple Rain, but the blend of vocals, bass, beats, horns and melody's(Rock with you, Don't Stop til You Get Enough, Off The Wall) made it his best album ever and transformed Michael from a good singer to a Superstar. Dirty Mind and Sign O The Times weren't commercially successful as Madonna's Like a Virgin album, but again the blend of beats, vocals and pure musicanship(Uptown, Dirty Mind, Got a Broken Heart Again, Adore, I could never Take the Place of Your Man, The Ballad of Dorothy Parker) showed that Prince was more than just a Superstar, but musically diverse. These albums have musical significance in the industry and in the hearts of anyt true lover of music. I won't mention other Prince gems like "When the Lights Go Down", "Strollin'","Damn You", "Money Don't Matter Tonight" "The Morning Papers" But please name a Beetles song with some musical significance. I'm a novice, to them, I was born in 1971, I'm too young to remember them so name a musically significant song of theirs and maybe I'll look them up and compare them to my cache of musical significance. C Yo homie...I was born in 1971 as well; In the south side of Chicago, not exactly Beatles' country....But even I know that those cats did some musically significant stuff....First of all, they turned POP music from party and love songs to serious minded compositions that could be praised as real art....The Beatles upped in the ante in studio innovation on such albums as Revolver and Sg. Peppers (Those albums used everything from early taped sampling to classical orchestration; unheard of in the rock n roll genre...); They made it possible for a pop/rock n roll band to write their own material and to have artistic freedom...Don't get it twisted; I cringe whenver I hear folks make the Beatles out to be the end all to be all in the history of music, as if people forget the likes of Chuck Berry, Ray Charles, Motown, Stevie Wonder ect...But that doesn't take away the greatness of the Beatles....Those dudes were the real deal... | |
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I've really started something haven't I?
What I mean essentially is Prince need to see how other elder statesmen of the music world stay in the game. Our boy Prince is closing in on fifty fast. He can't get on MTV to save his life. I think Mick Jagger is another legend Prince should seek wise council from. Mick is still pouting and struting as strong as ever (amazing considering all the drugs, but that's another thread.) What would happen if Mick, Paul, and Prince got together to as Prince calls it, save music from big corporations. Artist centered, artist ran, not ran by marketing executives and accountants. Would music get better, more daring and experimental? Stop having rap groups that look and sound like ever other rap group. Stop making any half-baked singer with some acting ability a Pop-star for pre-teens. These three shaped popular music as we know it today, I think they could stop the negative trends we see in music. Could egos be kept in check? Probably not, but we sure would have a lot to talk about on the org. No More Haters on the Internet. | |
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renfield said: dseann said: Thanks for defending my position. Can you please try to get an answer to my question.....name a musically not commercially signigicant song made by the Beetles. "I wanna hold your hand I wanna hold your hand I wanna hold your hand I wanna hold your hand" real creative isn't it. Oh good grief, is this actually a real conversation here? Here are some songs by the Beatles that were musically innovative and significant: Yesterday I Am The Walrus Strawberry Fields Forever Paperback Writer Revolution #9 Come Together Something A Day in The Life dozens and dozens of others. If you're going to judge the Beatles by "I Wanna Hold Your Hand," then should we also judge Prince by "Sexy motherfucker shakin' that ass, shakin' that ass, shakin' that ass"????? lol | |
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littlemissG said: I've really started something haven't I?
What I mean essentially is Prince need to see how other elder statesmen of the music world stay in the game. Our boy Prince is closing in on fifty fast. He can't get on MTV to save his life. I think Mick Jagger is another legend Prince should seek wise council from. Mick is still pouting and struting as strong as ever (amazing considering all the drugs, but that's another thread.) What would happen if Mick, Paul, and Prince got together to as Prince calls it, save music from big corporations. Artist centered, artist ran, not ran by marketing executives and accountants. Would music get better, more daring and experimental? Stop having rap groups that look and sound like ever other rap group. Stop making any half-baked singer with some acting ability a Pop-star for pre-teens. These three shaped popular music as we know it today, I think they could stop the negative trends we see in music. Could egos be kept in check? Probably not, but we sure would have a lot to talk about on the org. True but I'd rather see Prince, Sting and Bono hook up with something....think of the possibilities. | |
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dseann said: littlemissG said: I've really started something haven't I?
What I mean essentially is Prince need to see how other elder statesmen of the music world stay in the game. Our boy Prince is closing in on fifty fast. He can't get on MTV to save his life. I think Mick Jagger is another legend Prince should seek wise council from. Mick is still pouting and struting as strong as ever (amazing considering all the drugs, but that's another thread.) What would happen if Mick, Paul, and Prince got together to as Prince calls it, save music from big corporations. Artist centered, artist ran, not ran by marketing executives and accountants. Would music get better, more daring and experimental? Stop having rap groups that look and sound like ever other rap group. Stop making any half-baked singer with some acting ability a Pop-star for pre-teens. These three shaped popular music as we know it today, I think they could stop the negative trends we see in music. Could egos be kept in check? Probably not, but we sure would have a lot to talk about on the org. True but I'd rather see Prince, Sting and Bono hook up with something....think of the possibilities. Where the heck is Sting these days? No More Haters on the Internet. | |
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dseann said: GustavoRibas said: wow...Paul really said so many nice things about Prince? You all read it? That´s cool, because Paul is one of the most respected musician/songwriters of the 20th century.
If this George Harrison quote is true, it´s real good also. Or are u all being ironic? hehe Why the fuck should Prince be honored to be a "fifth Beetle". Please name a musically not commercially significant Beetle's song. Come on.....just one I have nothing against Paul or Sir Paul as he is now called...we're both avid weed smokers....but what has he done to be considered "one of the most respected MUSICIANS of the 20th century" Come on.....tell me [Edited 6/25/06 18:13pm] come together a day in the life a little help from my friends let it be taxman | |
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littlemissG said: dseann said: True but I'd rather see Prince, Sting and Bono hook up with something....think of the possibilities. Where the heck is Sting these days? Counting his money... I am a Rail Road, Track Abandoned
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How the hell did this turn into a conversation on the cultural significance of the beatles...
I can admit im not a beatles fan but any shmuck knows their imprint upon musical history will span centuries... though imo Paul is the less talented beatle (my own opinion) he deserves his props But culturally significant songs? i'll give you albums Abbey Road The White Album Sgt Peppers Lonely hearts club one of the first groups to mix Blues with pop probably an influence of every rock band on earth I am a Rail Road, Track Abandoned
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Although everyone has made excellent points re the beatles, I do feel the need to defend their pre-rubber soul days somewhat.
I Wanna Hold Your Hand may seem ridiculously simplistic NOW, but when it came out it triggered a musical revolution. Bob Dylan cites this as a song that BLEW HIM AWAY and prompted him to using electric guitars in his music. This is BOB Fucking DYLAN! For its time, 1963, it was one of the most influential songs ever. As such, it completely qualifies as a musically significant song in the Beatles' back catalogue. | |
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softandwet said: Although everyone has made excellent points re the beatles, I do feel the need to defend their pre-rubber soul days somewhat.
I Wanna Hold Your Hand may seem ridiculously simplistic NOW, but when it came out it triggered a musical revolution. Bob Dylan cites this as a song that BLEW HIM AWAY and prompted him to using electric guitars in his music. This is BOB Fucking DYLAN! For its time, 1963, it was one of the most influential songs ever. As such, it completely qualifies as a musically significant song in the Beatles' back catalogue. well thats musically not lyrically... but granted i get the point I am a Rail Road, Track Abandoned
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Okay yeah this is really silly. I am a casual Beatles fan but I can REALLY see where they helped music grow. Think about the time between "Meet The Beatles" and "Let It Be". Now that is some musical growth. Now you can argue all day long the what ifs...Like what if the Beatles were still performing many years later like Prince or the Stones. The Beatles really pushed the envelope for their time. But that is what all great musicians do. Paul McCartney can surely live on his past accomplishments. I really don't like more than a handful of stuff he has done since the Beatles but I think it is relevent that he still selling albums at his age. Oh and I read a comment a few posts back about Prince getting on MTV...Only late at night(or early morning to some) will any music videos come on but yes I saw "Black Sweat" on there every night for over a month. No Paul McCartney though. Different markets dictate what comes on that channel and truth is almost all of us on here are "too old" to be the targets for MTV and I say that as a 25 year old. Hilary Duff and Good Charlotte are the MTV crowd. | |
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dseann said:_____
I thought "musically significant" was self explanatory. The Spice Girls came out with an album that set all kinds of European records for sales. Some would consider that a musically significant album. I find that to be commercially significant, but what new musical ground was broken with that album for it to be considered Musically significant? Michael Jackson's Off The Wall wasn't as commercially successful as Purple Rain, but the blend of vocals, bass, beats, horns and melody's(Rock with you, Don't Stop til You Get Enough, Off The Wall) made it his best album ever and transformed Michael from a good singer to a Superstar. Dirty Mind and Sign O The Times weren't commercially successful as Madonna's Like a Virgin album, but again the blend of beats, vocals and pure musicanship(Uptown, Dirty Mind, Got a Broken Heart Again, Adore, I could never Take the Place of Your Man, The Ballad of Dorothy Parker) showed that Prince was more than just a Superstar, but musically diverse. These albums have musical significance in the industry and in the hearts of anyt true lover of music. I won't mention other Prince gems like "When the Lights Go Down", "Strollin'","Damn You", "Money Don't Matter Tonight" "The Morning Papers" But please name a Beetles song with some musical significance. I'm a novice, to them, I was born in 1971, I'm too young to remember them so name a musically significant song of theirs and maybe I'll look them up and compare them to my cache of musical significance. C[/quote] across the universe (a John's Song), a day in the life, eleonor rigby..yesterday is the most covered song ever. | |
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whodknee said: jacktheimprovident said: Not that I necessarily want to get dragged into another Beatles debate, but what you've said seems to indicate an ignorance of both rock history of the beatles. In terms of musical signifance and influence, the Beatles absolutely tower over Prince, and in terms of actual proficiency in terms of playing multiple instruments to a high standard and skill at all levels of music making Paul himself is at least Prince's rival; the man was recording one man albums while Prince was still a little kid. Here's a reiteration of my assessment of the Beatles' musical significance as stated in another thread: The Beatles were more or less the first act in rock music (or arguably popular music as a whole) to A."grow" artistically and make it acceptable, even expected for a band to expand and progress rather than keep rehashing the same songs over and over again. B. they were among the first bands to exclusively write their own material and not be beholden to outside songwriters, again making it expected for artists in popular music to write their own stuff. C. Were among the first groups to embrace all kinds of styles and influences. Revolver may not have been the first place where orchestral strings were used in rock music, or the first place a rock artist made forays into eastern music, or the first place a musician used tape loops to craft collage/soundscape, but it was the first record where all those things were done in the same place. D. Made the biggest contribution towards making rock music, and "popular" music as a whole, respectable and held on the same level as "Serious" art, not just disposable fluff that wouldn't have any relevance beyond it's time of release. I bet you the term "classic rock" would have never existed if not for them E. They just wrote dozens and dozens of excellent songs, both lyrically and musically, in almost every style and pioneered in some direct or indirect way just about every "hyphen rock" sub-genre that would come into existence in the next decades. and as another person pointed out, they also did the most towards making the album format the primary means of artistic expression in rock music, eventually causing albums to outsell singles. In terms of technical innovations, well they may not have been the absolute originators of any technical innovation (but then again who is) but they were among the first to be incorporate all manner of technical innovations into their music in a way that was accessible to a large audience without dumbing them down: sitar, fuzztone, tape loops, orchestral strings, exotic instrumentation, styles hitherto not in the vocabulary of rock, again they may not have been the first to do ANY of these things, but they were the first to do ALL of these things. You did everything but name a song. By the way, you don't have to belittle Prince (or anybody else) to defend the Beatles. Besides, you know damned well McCartney is no rival of Prince's on any instrument. Now McCartney could come up with a catchy melody with the best of them.... and yes, the Beatles pushed the envelope with rock and practically invented pop music as we know it. However, that very same envelope was pushed well beyond the scope of the Beatles long ago. I believe you way underestimate paul's skill as a musician if you think he's "no rival of prince's on any instrument", check out the guitar solos he plays on Taxman and Good Morning Good morning (both of which qualify as Beatles songs with musical significance incidentally), or the things he does with his bass over the course of I want you (She's so heavy), or the tight snappy drums he provides for "Back In The Ussr" or albums like Band on the Run where he layed almost every track himself (and Paul plays a few instruments Prince doesn't like flugelhorn and trumpet). In any case, practically every Beatles song recorded between 1965 and 1969 has some musical significance, hell if they'd only recorded "Tomorrow Never Knows" they'd have been remembered as one of the most innovative acts in rock music history. Oh and to whoever said they considered Paul the least talented Beatle: talent may somewhat subjective, but paul was by far the most proficient multi-instrumentalist, the most prolific songwriter, and the creatively dominant member of the group from 1966 onwards. | |
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dseann said: Please name a musically not commercially significant Beetle's song. Come on.....just one [Edited 6/25/06 18:13pm] You know you sound really silly now don't you There are so many to choose from....silly human | |
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dseann said: Can you please try to get an answer to my question.....name a musically not commercially signigicant song made by the Beetles.
"I wanna hold your hand I wanna hold your hand I wanna hold your hand I wanna hold your hand" real creative isn't it. Oh boy...you're losing it here: "lalala hee hee hee" - must be the statement of the century | |
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ufoclub said: dseann said: Why the fuck should Prince be honored to be a "fifth Beetle". Please name a musically not commercially significant Beetle's song. Come on.....just one I have nothing against Paul or Sir Paul as he is now called...we're both avid weed smokers....but what has he done to be considered "one of the most respected MUSICIANS of the 20th century" Come on.....tell me [Edited 6/25/06 18:13pm] I'll tell you! He composed more culturally and artistically influential works of art in the form of produced and recorded pop music then most anyone else. quite simply he has made music (a musician) that has helped shaped trends of pop music and is more prolific than many others. His particular melodies and structures resonate in the world psyche with formidible strength. It's actually qite magical. I've noticed that most classically/technically trained musicians are usually horrible at coming up with anything remotely interesting as far as a composition. I've worked with self taught "ear" creative types, and musicians that have gone to college for an instrument/theory. And it's always the "educated" "musicians" that LACK any ability in creatively coming up with anything someone would WANT to hear. 1. And how did your self-taught "ear" types do in playing Beethoven's last 3 piano sonatas? (if you get the point) 2. Yeah, the classically trained Mozart really failed to come up with "anything interesting as far as composition". That's why he is still played 200+ years after his death (something which has to be still proven for both Sir Paul and Prince). 3. Creativity is not something that can be taught to people - they have it or they don't (regardless of their education/training). 4. To say "that's not something anyone would want to hear" is really slicky territory. People also didn't like many stuff first that are considered everlasting masterpieces now... Oh, and concerning the original topic: I think Anx pretty much sums it up... | |
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dseann said: Omadon said: Oh, good grief. Well in order to avoid confusion, and you just going "that's not what i meant" -first you need to define what you mean by musically significant. Then we'll happily give you examples, unless your definition makes it impossible to do so. I thought "musically significant" was self explanatory. The Spice Girls came out with an album that set all kinds of European records for sales. Some would consider that a musically significant album. I find that to be commercially significant, but what new musical ground was broken with that album for it to be considered Musically significant? Michael Jackson's Off The Wall wasn't as commercially successful as Purple Rain, but the blend of vocals, bass, beats, horns and melody's(Rock with you, Don't Stop til You Get Enough, Off The Wall) made it his best album ever and transformed Michael from a good singer to a Superstar. Dirty Mind and Sign O The Times weren't commercially successful as Madonna's Like a Virgin album, but again the blend of beats, vocals and pure musicanship(Uptown, Dirty Mind, Got a Broken Heart Again, Adore, I could never Take the Place of Your Man, The Ballad of Dorothy Parker) showed that Prince was more than just a Superstar, but musically diverse. These albums have musical significance in the industry and in the hearts of anyt true lover of music. I won't mention other Prince gems like "When the Lights Go Down", "Strollin'","Damn You", "Money Don't Matter Tonight" "The Morning Papers" But please name a Beetles song with some musical significance. I'm a novice, to them, I was born in 1971, I'm too young to remember them so name a musically significant song of theirs and maybe I'll look them up and compare them to my cache of musical significance. C | |
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littlemissG said: Paul Mc Cartney could release an album tomorrow and it would be in the Top 10 even after all these years. And frequently it would be a mediocre album... "Todo está bien chévere" Stevie | |
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dammme said: littlemissG said: Paul Mc Cartney could release an album tomorrow and it would be in the Top 10 even after all these years. And frequently it would be a mediocre album... he went through a slump for quite a while in the '80s and '90s, but i think his '70s albums are fantastic, and his latest album with nigel godrich is really, really nice. | |
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