devilstwin said:
There is no doubt Prince HAS been influential and, yes you can hear his influence on many artists today. and then he said: I really doubt that anyone can say that he has had been so influential. which is it? Only a journalist could so misquote me! My position is that Prince has been influential in that he has been inspirational to artist who have wanted to cover his records or to some extent mimic his sound. What he hasn't done is provide a blue print for a new kind of music which to me one ought to do to be acclaimed a creative genius. He got close to this with 'Lovesexy' which many people accept appears to come from a different place - it is an incredible mismash of funk and gospel with superlative songwriting throughout.If this incredible record had somehow been taken further to create something like funky gospel then which had then been taken up by others who imitated a genre would then have been created. To me it is a lost chapter in music | |
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Only a journalist could so misquote me! My position is that Prince has been influential in that he has been inspirational to artist who have wanted to cover his records or to some extent mimic his sound.
What he hasn't done is provide a blue print for a new kind of music which to me one ought to do to be acclaimed a creative genius. He got close to this with 'Lovesexy' which many people accept appears to come from a different place - it is an incredible mismash of funk and gospel with superlative songwriting throughout.If this incredible record had somehow been taken further to create something like funky gospel then which had then been taken up by others who imitated a genre would then have been created. To me it is a lost chapter in music[/quote] OK you made your point. So if you don't fancy his music don't listen to it. | |
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pumpkin71¤
02/25/05 7:50am Joined 10/04 Only a journalist could so misquote me! My position is that Prince has been influential in that he has been inspirational to artist who have wanted to cover his records or to some extent mimic his sound. What he hasn't done is provide a blue print for a new kind of music which to me one ought to do to be acclaimed a creative genius. He got close to this with 'Lovesexy' which many people accept appears to come from a different place - it is an incredible mismash of funk and gospel with superlative songwriting throughout.If this incredible record had somehow been taken further to create something like funky gospel then which had then been taken up by others who imitated a genre would then have been created. To me it is a lost chapter in music OK you made your point. So if you don't fancy his music don't listen to it. [/quote] Please at least read my commments before criticizing me! I do consider Prince to be Brilliant and I DO still enjoy listening to his music. I just don't consider him to be a Genius. | |
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If you're a newbie make sure the first thread you're gonna start is going to be VERY NEGATIVE. Highly recommended. Here's the boot.
Actually I agree to a point on the original view. However, what I hear constantly are "glimpses of genius" here and there. NPS, probably his weakest album to many (myself included) is totally loaded with genius moments (Those small tid-bits on "Come On" are good examples), it's just that they are scattered all around the music. Like pistachio, you know? I hear it on songs like "High" - it's pure genius all over, but not a terribly shiny track when viewed as a whole. I don't think Prince's genius had ever that much to do with the overall melodic quality of the written material, but those little prince-ly touches everywhere. You know, all those little, quirky elements adroning "Partyman" or "The Question Of U" - in fact if you had to pinpoint an era where Prince's genius was most apparent it'd have to be the 88-90 years. The albums might not be of the same quality in overall than the previous ones - but that sound, that sound is definitely Prince being Prince, the genius. He was comfortable being himself. Being weird in his own fashion. Might have gotten a bit self-indulgent in the process but what characterizes the years that came afterwards - certainly the post-"Emancipation" days - I think is that he has been constantly questioning his own talents. He knows he's not as good as he was when he was younger, why else write songs like "Props'n'pounds" or "Undisputed"? | |
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devilstwin said: devilstwin said:
There is no doubt Prince HAS been influential and, yes you can hear his influence on many artists today. and then he said: I really doubt that anyone can say that he has had been so influential. which is it? Only a journalist could so misquote me! My position is that Prince has been influential in that he has been inspirational to artist who have wanted to cover his records or to some extent mimic his sound. What he hasn't done is provide a blue print for a new kind of music which to me one ought to do to be acclaimed a creative genius. He got close to this with 'Lovesexy' which many people accept appears to come from a different place - it is an incredible mismash of funk and gospel with superlative songwriting throughout.If this incredible record had somehow been taken further to create something like funky gospel then which had then been taken up by others who imitated a genre would then have been created. To me it is a lost chapter in music See Dirty Mind and 1999 for that - This WAS the blueprint for a lot of today's artists. The sound with sparse instrumentation, the Linn Drum machine, and synthesizers which doubled for horn arrangements. If you can't hear that direct impact in hip-hop, techno, and r&b, I don't know what to tell ya. I dare say he has influenced more genres than the Beatles. They are what they are as a group not their individual parts. Watch the latest release of Purple Rain on DVD. The Special Features section talks about all of this and how many groups tried to make it out of Minneapolis due to Prince's impact. He had a whole movement behind him. That's as close as you can get to naming a blueprint for him because the man has no real format. He always changes up and tries something different win or lose. [Edited 2/25/05 8:29am] | |
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Genius is the only way 2 describe him | |
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devilstwin said: devilstwin said:
There is no doubt Prince HAS been influential and, yes you can hear his influence on many artists today. and then he said: I really doubt that anyone can say that he has had been so influential. which is it? Only a journalist could so misquote me! My position is that Prince has been influential in that he has been inspirational to artist who have wanted to cover his records or to some extent mimic his sound. What he hasn't done is provide a blue print for a new kind of music which to me one ought to do to be acclaimed a creative genius. He got close to this with 'Lovesexy' which many people accept appears to come from a different place - it is an incredible mismash of funk and gospel with superlative songwriting throughout.If this incredible record had somehow been taken further to create something like funky gospel then which had then been taken up by others who imitated a genre would then have been created. To me it is a lost chapter in music Ok this statement sounds like you're saying he's not a genius (despite all of the thoughtful commentary which seem to prove the opposite posted on this thread)because the music industry didn't create a specific name for the type of music he created like Teddy Riley and New Jack Swing or Miles Davis and Be-Bop. . [Edited 2/25/05 13:10pm] ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I'll play it first and tell you what it is later. -Miles Davis- | |
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devilstwin said: Please at least read my commments before criticizing me! I do consider Prince to be Brilliant and I DO still enjoy listening to his music. I just don't consider him to be a Genius. Yeah right ! Ask any musician what it takes to produce, arrange, compose and perform nearly all instruments on albums like SOTT and TRC. You are going nowhere. [Edited 2/25/05 8:59am] Il n'y a pas de sentiment plus exaltant que celui d'appartenir à une nation si diverse, si libre et si douée pour le bonheur. | |
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Ok this statement sounds like your saying he's not a genius (despite all of thoughful commentary which seem to prove the opposite posted on this thread)because the music industry didn't create a specific name for the type of music he created like Teddy Riley and New Jack Swing or Miles Davis and Be-Bop.[/quote]
they never created a new name for the beatles either, yet he gives it up to them. but hey, can't win everyone over. | |
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devilstwin said: I'll try to restate what I'm getting at. There is no doubt Prince HAS been influential and, yes you can hear his influence on many artists today. However once upon a time it seemed to me that he would deliver so much more, perhaps even reinvent the genres he was working in in the same way Einstein reinvented science, Beethoven classical music, the Beatles rock music. I really thought he was going to be on THAT level. I really doubt that anyone can say that he has had been so influential. He may do in the future, but the signs are not good because his music has lost some vitality
And there you have it...Prince has lost the right to be called a genius because he didn't live up to the expectations of devilstwin... And that's a pretty normal mistake for many of us to make...we easily call Mozart and Hendrix "geniuses" because they died at the right time, allowing us our fantasies of how their artistic careers would have continued "had they lived"...in those scenarios, these proclaimed geniuses never make a bad move, never stop wowing us, never repeat themselves, never have a downward slope...with their deaths we get the luxury of imagining that they just keep ascending higher and higher in their displays of genius. (and by the way, how exactly did the Beatles "reinvent" rock music??)... | |
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"and by the way, how exactly did the Beatles "reinvent" rock music??.."
The Beatles from "rollingstone.com---- "The Beatles cast such a large shadow over their contemporaries -- even the most popular of them -- that sometimes it's difficult to distinguish what they actually contributed to the world of pop music and what they simply popularized. Something they definitely did do was open the floodgates for the British Invasion of the '60s, beginning, for all intents and purposes, with Ed Sullivan's portentous introduction in the beginning of 1964: "Ladies and gentlemen, the Beatles." Popular music has never been the same; at least that's definite. They were also one of the first bands to take rock 'n' roll and merge it with other forms like popular standards, folk (with a little help from Bob Dylan), blues, etc. And although they are often derided for their weaknesses as a true-blue, hard-living, hard-rocking, parent-frightening, cooler-than-all band, one need only compare the versions of "I Wanna Be Your Man" as done by the Fab Four and by the Rolling Stones; their early days in Hamburg taught them well the rules of blistering rock 'n' roll. At least their retreat from the stage was matched by a wealth of awesome material -- everything from the "Penny Lane" / "Strawberry Fields Forever" single to what was to be the band's death knell, "The End" off of Abbey Road, was arguably the most advanced popular music of the time. They had the resources, the talent, the producer ("fifth Beatle" George Martin) and the desire to push the boundaries of their music. Even more amazing is that it has maintained such a grip on the public's ear and imagination. " That's how they reinvented rock music "New Power slide...." | |
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If Prince rode the city bus and worked as a janitor is it possible that MJ likes girls?
[Edited 2/25/05 9:34am] [Edited 2/25/05 9:37am] Haters travel in packs and they are offended or threatened by klhk, haters express intense hostility toward the subject of hate. Haters are annoyed and roll thier eyes when klhk is paid a compliment. ask yourself, are u a hater? | |
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skywalker said: "and by the way, how exactly did the Beatles "reinvent" rock music??.."
The Beatles from "rollingstone.com---- "The Beatles cast such a large shadow over their contemporaries -- even the most popular of them -- that sometimes it's difficult to distinguish what they actually contributed to the world of pop music and what they simply popularized. Something they definitely did do was open the floodgates for the British Invasion of the '60s, beginning, for all intents and purposes, with Ed Sullivan's portentous introduction in the beginning of 1964: "Ladies and gentlemen, the Beatles." Popular music has never been the same; at least that's definite. They were also one of the first bands to take rock 'n' roll and merge it with other forms like popular standards, folk (with a little help from Bob Dylan), blues, etc. And although they are often derided for their weaknesses as a true-blue, hard-living, hard-rocking, parent-frightening, cooler-than-all band, one need only compare the versions of "I Wanna Be Your Man" as done by the Fab Four and by the Rolling Stones; their early days in Hamburg taught them well the rules of blistering rock 'n' roll. At least their retreat from the stage was matched by a wealth of awesome material -- everything from the "Penny Lane" / "Strawberry Fields Forever" single to what was to be the band's death knell, "The End" off of Abbey Road, was arguably the most advanced popular music of the time. They had the resources, the talent, the producer ("fifth Beatle" George Martin) and the desire to push the boundaries of their music. Even more amazing is that it has maintained such a grip on the public's ear and imagination. " That's how they reinvented rock music Um, that didn't explain at all how rock was "reinvented" by the Beatles...it only explained their popularity and what they brought to the table, talent wise... The only sentence in there that comes remotely close to explaining a reinvention of the genre was this one: "They were also one of the first bands to take rock 'n' roll and merge it with other forms like popular standards, folk (with a little help from Bob Dylan), blues, etc." Notice three things...1) They were "one" of the first bands...not THE first band...2) I think Bob Dylan had FAR more than a "little" influence in merging rock and folk...3) It mentions "bands" merging these genres of music, not "musicians"..because individual rockers that were in existence well before the Beatles came on the scene had elements of folk, blues, "etc" in their music...Bottom line, even this sentence doesn't come close to explaining how rock was reinvented... Were the Beatles great, even genius??...I think so, yes. Did they "reinvent" rock??...If so, not in the ways talked about in that paragraph. | |
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For me, Prince is a genius simply because when I listen to his music I think "wow, that's incredible". No other music has the same impact on me, doesn't even come close. | |
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Byron said: skywalker said: "and by the way, how exactly did the Beatles "reinvent" rock music??.."
The Beatles from "rollingstone.com---- "The Beatles cast such a large shadow over their contemporaries -- even the most popular of them -- that sometimes it's difficult to distinguish what they actually contributed to the world of pop music and what they simply popularized. Something they definitely did do was open the floodgates for the British Invasion of the '60s, beginning, for all intents and purposes, with Ed Sullivan's portentous introduction in the beginning of 1964: "Ladies and gentlemen, the Beatles." Popular music has never been the same; at least that's definite. They were also one of the first bands to take rock 'n' roll and merge it with other forms like popular standards, folk (with a little help from Bob Dylan), blues, etc. And although they are often derided for their weaknesses as a true-blue, hard-living, hard-rocking, parent-frightening, cooler-than-all band, one need only compare the versions of "I Wanna Be Your Man" as done by the Fab Four and by the Rolling Stones; their early days in Hamburg taught them well the rules of blistering rock 'n' roll. At least their retreat from the stage was matched by a wealth of awesome material -- everything from the "Penny Lane" / "Strawberry Fields Forever" single to what was to be the band's death knell, "The End" off of Abbey Road, was arguably the most advanced popular music of the time. They had the resources, the talent, the producer ("fifth Beatle" George Martin) and the desire to push the boundaries of their music. Even more amazing is that it has maintained such a grip on the public's ear and imagination. " That's how they reinvented rock music Um, that didn't explain at all how rock was "reinvented" by the Beatles...it only explained their popularity and what they brought to the table, talent wise... The only sentence in there that comes remotely close to explaining a reinvention of the genre was this one: "They were also one of the first bands to take rock 'n' roll and merge it with other forms like popular standards, folk (with a little help from Bob Dylan), blues, etc." Notice three things...1) They were "one" of the first bands...not THE first band...2) I think Bob Dylan had FAR more than a "little" influence in merging rock and folk...3) It mentions "bands" merging these genres of music, not "musicians"..because individual rockers that were in existence well before the Beatles came on the scene had elements of folk, blues, "etc" in their music...Bottom line, even this sentence doesn't come close to explaining how rock was reinvented... Were the Beatles great, even genius??...I think so, yes. Did they "reinvent" rock??...If so, not in the ways talked about in that paragraph. see its the whole 're-invention' thing of the beatles. they merged styles as well and did it successfully. but i don't think they did this any more than p. to 're-invent' is highly subjective. to me, it mostly reflects the fact that the beatles were a lot of people's gateway into other styles. most people don't even know who their influences are. but i don't believe they re-invented anything. | |
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Ifsixwuz9
02/25/05 8:47am Joined 2/02 devilstwin said: devilstwin said: There is no doubt Prince HAS been influential and, yes you can hear his influence on many artists today. and then he said: I really doubt that anyone can say that he has had been so influential. which is it? Only a journalist could so misquote me! My position is that Prince has been influential in that he has been inspirational to artist who have wanted to cover his records or to some extent mimic his sound. What he hasn't done is provide a blue print for a new kind of music which to me one ought to do to be acclaimed a creative genius. He got close to this with 'Lovesexy' which many people accept appears to come from a different place - it is an incredible mismash of funk and gospel with superlative songwriting throughout.If this incredible record had somehow been taken further to create something like funky gospel then which had then been taken up by others who imitated a genre would then have been created. To me it is a lost chapter in music Ok this statement sounds like your saying he's not a genius (despite all of thoughful commentary which seem to prove the opposite posted on this thread)because the music industry didn't create a specific name for the type of music he created like Teddy Riley and New Jack Swing or Miles Davis and Be-Bop. Are you saying that he did create a new type of music? because I've not heard anyone say that he has. | |
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JamesS said: For me, Prince is a genius simply because when I listen to his music I think "wow, that's incredible". No other music has the same impact on me, doesn't even come close.
That sounds pathetic. [Edited 2/25/05 9:54am] Haters travel in packs and they are offended or threatened by klhk, haters express intense hostility toward the subject of hate. Haters are annoyed and roll thier eyes when klhk is paid a compliment. ask yourself, are u a hater? | |
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For me, Prince is a genius simply because when I listen to his music I think "wow, that's incredible". No other music has the same impact on me, doesn't even come close.
This just makes the whole concept of Genius redundant because in that case anyone who has a nutcase fan who reckons that their idol is a genius de facto they are one | |
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devilstwin said: Ok I take your point. I'm just trying to understand what happened to Prince after 'Lovesexy', why he seemed to go backward. I'm not saying that prince isn't brilliant - he is, no doubt about it - but to be a Genius most people agree that you have to be truly exceptional, a true orignator - hence my reference to Einstein. He doesn't appear to have had that kind of effect on pop music when it appeared that he was about to have, and I wonder why he appeared to run out of steam after 'Lovesexy'????
He started second guessing himself after that. I do agree that something was lost after Lovesexy (of course in retrospect). But I don't think he lost his "genius". He changed his sound is all. He had a new band too and wasn't working with the people I think he was most creative with. A lot of that stuff was completed with the Grafitti Bridge Album. FOr me that was the end of "The Purple Period" Many of the instruments and tricks he was doing in the studio, took a back seat to the band and the music. He certainly has gotten to be a better musician and composer, I think. I also think he isn't experimenting as much nor is the music very carefree. I am not certain of how he makes music today, but back in the day..EVERYTHING was a piece of something else and made references within the music. We don't get that today either...well a little bit, but not as much. There is genius after Lovesexy... You can find it in Come, TGE, The WAR TRC, and Many of the single releases he put through the NPGMC. I have yet to go 2 years without hearing something that makes me go Heeeyyyy! Christian Zombie Vampires | |
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There are many facets to being a "genius". One is the ability to break new ground, and to provoke conversation. Over the years P has done exactly this., Once a genius always a genius. It is not something you "lose". You sir, on the other hand, have lost your right to be called a P fan.To quote a famous rapper, you need to "check yourself before you wreck yourself..." tell me how you wanna be done... | |
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"The only sentence in there that comes remotely close to explaining a reinvention of the genre was this one:
"They were also one of the first bands to take rock 'n' roll and merge it with other forms like popular standards, folk (with a little help from Bob Dylan), blues, etc." Notice three things...1) They were "one" of the first bands...not THE first band...2) I think Bob Dylan had FAR more than a "little" influence in merging rock and folk...3) It mentions "bands" merging these genres of music, not "musicians"..because individual rockers that were in existence well before the Beatles came on the scene had elements of folk, blues, "etc" in their music...Bottom line, even this sentence doesn't come close to explaining how rock was reinvented... Were the Beatles great, even genius??...I think so, yes. Did they "reinvent" rock??...If so, not in the ways talked about in that paragraph." Listen, it sounds like you need a music lesson if you have to ask about The Beatles. I'm not that old, nor a Beatles fan, but this is not speculation nor opinion it is rock music history fact: Here it is in plain terms--- The Beatles took rock n' roll as it was (think Elvis, Little Richard, Bill Haley ,Buddy Holly, rockabilly) and saved it by turning into something new. Right before The Beatles arrived Rock n' roll was on it's last breath. Elvis was in hollywood, Buddy Holly, Ritcie Valens, and The Big Bopper were dead, and Little Richard had found God. and the whole genre was growing stagnant and the initial rebellion of rock in the 50's had turned into safe commercialism and teen/beach movies. Rock was over run by producers and "teen idols" who were more cute than talented. from MTV.com---- "So much has been said and written about the Beatles -- and their story is so mythic in its sweep -- that it's difficult to summarize their career without restating clichés that have already been digested by tens of millions of rock fans. To start with the obvious, they were the greatest and most influential act of the rock era, and introduced more innovations into popular music than any other rock band of the 20th century. Moreover, they were among the few artists of any discipline that were simultaneously the best at what they did and the most popular at what they did. Relentlessly imaginative and experimental, the Beatles grabbed a hold of the international mass consciousness in 1964 and never let go for the next six years, always staying ahead of the pack in terms of creativity but never losing their ability to communicate their increasingly sophisticated ideas to a mass audience. Their supremacy as rock icons remains unchallenged to this day, decades after their breakup in 1970. Even when couching praise in specific terms, it's hard to convey the scope of the Beatles' achievements in a mere paragraph or two. They synthesized all that was good about early rock & roll, and changed it into something original and even more exciting. They established the prototype for the self-contained rock group that wrote and performed its own material. As composers, their craft and melodic inventiveness were second to none, and key to the evolution of rock from its blues/R&B-based forms into a style that was far more eclectic, but equally visceral. As singers, both John Lennon and Paul McCartney were among the best and most expressive vocalists in rock; the group's harmonies were intricate and exhilarating. As performers, they were (at least until touring had ground them down) exciting and photogenic; when they retreated into the studio, they were instrumental in pioneering advanced techniques and multi-layered arrangements. They were also the first British rock group to achieve worldwide prominence, launching a British Invasion that made rock truly an international phenomenon. What the Beatles had done was take the best elements of the rock and pop they loved and make them their own. Since the Quarrymen days, they had been steeped in the classic early rock of Elvis, Buddy Holly, Chuck Berry, Little Richard, Carl Perkins, and the Everly Brothers; they'd also kept an ear open to the early '60s sounds of Motown, Phil Spector, and the girl groups. What they added was an unmatched songwriting savvy (inspired by Brill Building teams such as Gerry Goffin and Carole King), a brash guitar-oriented attack, wildly enthusiastic vocals, and the embodiment of the youthful flair of their generation, ready to dispense with postwar austerity and claim a culture of their own. They were also unsurpassed in their eclecticism, willing to borrow from blues, popular standards, gospel, folk, or whatever seemed suitable for their musical vision. Producer George Martin was the perfect foil for the group, refining their ideas without tinkering with their cores; during the last half of their career, he was indispensable for his ability to translate their concepts into arrangements that required complex orchestration, innovative applications of recording technology, and an ever-widening array of instruments. ...Just as crucially, the Beatles were never ones to stand still and milk formulas. All of their subsequent albums and singles would show remarkable artistic progression (though never at the expense of a damn catchy tune). Even on their second LP, With the Beatles (1963), it was evident that their talents as composers and instrumentalists were expanding furiously, as they devised ever more inventive melodies and harmonies, and boosted the fullness of their arrangements. "She Loves You" and "I Want to Hold Your Hand" established the group not just as a popular music act, but as a phenomenon never before seen in the British entertainment business, as each single sold over a million copies in the U.K. After some celebrated national TV appearances, Beatlemania broke out across the British Isles in late 1963, and the group generating screams and hysteria at all of their public appearances, musical or otherwise. Hard as it may be to believe today, the Beatles were often dismissed by cultural commentators of the time as nothing more than a fad that would vanish within months as the novelty wore off. The group ensured this wouldn't happen by making A Hard Day's Night in early 1964, a cinéma vérité-style motion picture comedy/musical that cemented their image as "the Fab Four": happy-go-lucky, individualistic, cheeky, funny lads with nonstop energy." [Edited 2/25/05 11:14am] "New Power slide...." | |
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People can say what they want about Prince,okay.
I don't think he has lost any right to be called a genius at all. This is my personal opinion though. I very much believe that Prince is a musical genius. Guys, do u still want 2 hear the sounds of 1984 forever, or can u let the man make new music. Prince has broken so many barriers in the music world with things like Batman and LoveSexy. They aren't alwalys gonna b top 40 hits. It's not how many albums u sell, it's the music and the people it reaches. People may not like him,but they recognize greatness when they see it! I'm gonna quote someone here."Beauty is in the ear of the Beholder". I'm back!!!!!!! | |
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greedygreg
02/25/05 11:04am Joined 2/05 There are many facets to being a "genius". One is the ability to break new ground, and to provoke conversation. Over the years P has done exactly this., Once a genius always a genius. It is not something you "lose". You sir, on the other hand, have lost your right to be called a P fan.To quote a famous rapper, you need to "check yourself before you wreck yourself..." What? I have to slavishly confess that he is a Genius before I can be entiltled to call myself a fan? I'm glad you don't run the org! | |
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skywalker¤
02/25/05 11:12am Joined 3/02 "The only sentence in there that comes remotely close to explaining a reinvention of the genre was this one: "They were also one of the first bands to take rock 'n' roll and merge it with other forms like popular standards, folk (with a little help from Bob Dylan), blues, etc." Notice three things...1) They were "one" of the first bands...not THE first band...2) I think Bob Dylan had FAR more than a "little" influence in merging rock and folk...3) It mentions "bands" merging these genres of music, not "musicians"..because individual rockers that were in existence well before the Beatles came on the scene had elements of folk, blues, "etc" in their music...Bottom line, even this sentence doesn't come close to explaining how rock was reinvented... Were the Beatles great, even genius??...I think so, yes. Did they "reinvent" rock??...If so, not in the ways talked about in that paragraph." Listen, it sounds like you need a music lesson if you have to ask about The Beatles. I'm not that old, nor a Beatles fan, but this is not speculation nor opinion it is rock music history fact: Here it is in plain terms--- The Beatles took rock n' roll as it was (think Elvis, Little Richard, Bill Haley ,Buddy Holly, rockabilly) and saved it by turning into something new. Right before The Beatles arrived Rock n' roll was on it's last breath. Elvis was in hollywood, Buddy Holly, Ritcie Valens, and The Big Bopper were dead, and Little Richard had found God. and the whole genre was growing stagnant and the initial rebellion of rock in the 50's had turned into safe commercialism and teen/beach movies. Rock was over run by producers and "teen idols" who were more cute than talented. from MTV.com---- "So much has been said and written about the Beatles -- and their story is so mythic in its sweep -- that it's difficult to summarize their career without restating clichés that have already been digested by tens of millions of rock fans. To start with the obvious, they were the greatest and most influential act of the rock era, and introduced more innovations into popular music than any other rock band of the 20th century. Moreover, they were among the few artists of any discipline that were simultaneously the best at what they did and the most popular at what they did. Relentlessly imaginative and experimental, the Beatles grabbed a hold of the international mass consciousness in 1964 and never let go for the next six years, always staying ahead of the pack in terms of creativity but never losing their ability to communicate their increasingly sophisticated ideas to a mass audience. Their supremacy as rock icons remains unchallenged to this day, decades after their breakup in 1970. Even when couching praise in specific terms, it's hard to convey the scope of the Beatles' achievements in a mere paragraph or two. They synthesized all that was good about early rock & roll, and changed it into something original and even more exciting. They established the prototype for the self-contained rock group that wrote and performed its own material. As composers, their craft and melodic inventiveness were second to none, and key to the evolution of rock from its blues/R&B-based forms into a style that was far more eclectic, but equally visceral. As singers, both John Lennon and Paul McCartney were among the best and most expressive vocalists in rock; the group's harmonies were intricate and exhilarating. As performers, they were (at least until touring had ground them down) exciting and photogenic; when they retreated into the studio, they were instrumental in pioneering advanced techniques and multi-layered arrangements. They were also the first British rock group to achieve worldwide prominence, launching a British Invasion that made rock truly an international phenomenon. What the Beatles had done was take the best elements of the rock and pop they loved and make them their own. Since the Quarrymen days, they had been steeped in the classic early rock of Elvis, Buddy Holly, Chuck Berry, Little Richard, Carl Perkins, and the Everly Brothers; they'd also kept an ear open to the early '60s sounds of Motown, Phil Spector, and the girl groups. What they added was an unmatched songwriting savvy (inspired by Brill Building teams such as Gerry Goffin and Carole King), a brash guitar-oriented attack, wildly enthusiastic vocals, and the embodiment of the youthful flair of their generation, ready to dispense with postwar austerity and claim a culture of their own. They were also unsurpassed in their eclecticism, willing to borrow from blues, popular standards, gospel, folk, or whatever seemed suitable for their musical vision. Producer George Martin was the perfect foil for the group, refining their ideas without tinkering with their cores; during the last half of their career, he was indispensable for his ability to translate their concepts into arrangements that required complex orchestration, innovative applications of recording technology, and an ever-widening array of instruments. ...Just as crucially, the Beatles were never ones to stand still and milk formulas. All of their subsequent albums and singles would show remarkable artistic progression (though never at the expense of a damn catchy tune). Even on their second LP, With the Beatles (1963), it was evident that their talents as composers and instrumentalists were expanding furiously, as they devised ever more inventive melodies and harmonies, and boosted the fullness of their arrangements. "She Loves You" and "I Want to Hold Your Hand" established the group not just as a popular music act, but as a phenomenon never before seen in the British entertainment business, as each single sold over a million copies in the U.K. After some celebrated national TV appearances, Beatlemania broke out across the British Isles in late 1963, and the group generating screams and hysteria at all of their public appearances, musical or otherwise. Hard as it may be to believe today, the Beatles were often dismissed by cultural commentators of the time as nothing more than a fad that would vanish within months as the novelty wore off. The group ensured this wouldn't happen by making A Hard Day's Night in early 1964, a cinéma vérité-style motion picture comedy/musical that cemented their image as "the Fab Four": happy-go-lucky, individualistic, cheeky, funny lads with nonstop energy." I read this with interest, they are a good couple of quotes, but your argument only stands if you accept them unquestioningly. Nevertheless to me it matters less whether the Beatles were verifiably "the first" band to reinvent rock'n'roll, rather the immensity of the impact of they have had is really what counts | |
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I read this with interest, they are a good couple of quotes, but your argument only stands if you accept them unquestioningly. Nevertheless to me it matters less whether the Beatles were verifiably "the first" band to reinvent rock'n'roll, rather the immensity of the impact of they have had is really what counts.
I didn't know that we were looking for "the first" to re-invent rock-just the fact that they did. It's like how the Earth is round. "New Power slide...." | |
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devilstwin said: Ifsixwuz9
02/25/05 8:47am Joined 2/02 devilstwin said: devilstwin said: There is no doubt Prince HAS been influential and, yes you can hear his influence on many artists today. and then he said: I really doubt that anyone can say that he has had been so influential. which is it? Only a journalist could so misquote me! My position is that Prince has been influential in that he has been inspirational to artist who have wanted to cover his records or to some extent mimic his sound. What he hasn't done is provide a blue print for a new kind of music which to me one ought to do to be acclaimed a creative genius. He got close to this with 'Lovesexy' which many people accept appears to come from a different place - it is an incredible mismash of funk and gospel with superlative songwriting throughout.If this incredible record had somehow been taken further to create something like funky gospel then which had then been taken up by others who imitated a genre would then have been created. To me it is a lost chapter in music Ok this statement sounds like your saying he's not a genius (despite all of thoughful commentary which seem to prove the opposite posted on this thread)because the music industry didn't create a specific name for the type of music he created like Teddy Riley and New Jack Swing or Miles Davis and Be-Bop. Are you saying that he did create a new type of music? because I've not heard anyone say that he has. As a matter of fact I'm not saying he created a new genre of music. But, that's hardly the point. My point was that you seemed to be implying (with that statement I highlighted) that in order for him to be considered a genius he needs to have created a new genre of music. Moreover, is Teddy Riley more of a genius than Prince because the music industry termed the style of music he created -- by blending styles -- New Jack Swing? You seem to be skirting the questions people have been putting to you by asking more questions or rephrasing your initial comments. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I'll play it first and tell you what it is later. -Miles Davis- | |
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TheMistress said: :rainbow:My man Prince is a genius ...full stop | |
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devilstwin, throughout the entire 100+ posts this thread has garnered so far, not once have you proven your case...you keep runnin around in circles with your rebuttals and everybody's basically handin your ass back to you on a platter.
and you still haven't answered my question from a few posts back. | |
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devilstwin said: There was a time when Prince seemed to be about to do something which would change the direction of Pop Music forever (a category to which he must belong due to his general blending of 'popular music styles') - after SOT, after Lovesexy, he seemed to be on course to produce a Massive Innovation (like the General Theory Of Relativity in music terms) Then suddenly,too suddenly, he lost his way. He took a backward step with Graffiti Bridge. Then another with Batman which sounds at times like him trying to make Lovesexy more 'rocky'. Suddenly he is self cannabalizing, mining ideas he has already had instead of plunging headlong in to the abyss. Everything since sounds like a rehash of somebody elses idea - queenlike operatic rock of The Symbol album, to poppy mainstream jazz of TRC. It is just not good enough for someone who wishes to be perceived as a Genius. He ceased to create the new, just to rehash the old.
He was on the edge of being a Genius, now he is just in the foothills of mediocrity What?! Well, what am I expecting...this is the typical attitude of a mainstream lover. Prince's 90's music is far better than Mainstream Lover's perceive it as, but oh well, I guess it's just an acquired taste, and you either love it or disrespect it. My vote is for . | |
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devilstwin said: 'Prince has lost the right to be called a 'Genius''
You have lost the right to be called an 'orger' | |
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