Those Genesis box sets from a few years ago does have better sound quality. Like the original Lamb album sounds muddy, but the new version sounds clear. I think those were remixed and remastered though. I like the way the Yellow Submarine soundtrack was mixed in 1999. It has a fuller sound instead of the vocals on one speaker and the instruments on the other of the original versions of the songs. The Beatles 2009 remasters also sound better than the original 1987 CDs. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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Yes!! I can't speak for anyone else, but I usually LOVE remastered albums and I tend to never listen to the previous versions again. Often times, I will listen to them in my studio with studio monitors and all sorts of things start jumping out of the mix that I'd never heard before.
I'm a musician, but that doesn't automatically make me a big audiophile---some of the rest of you really sound like you know your stuff and have the ears to be able to tell a bad remaster from a good one. But, I've enjoyed most of the remasters I've purchased, better than the original releases. Just for the fact that to MY ears, they tend to sound more full with improved clarity. I was disappointed in the Stevie remasters, though. | |
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The GENESIS Box was one of the main things I had in mind. It sounds great!! But, it was indeed remixed from the ground up. I don't have a problem with that, except when things are altered to a point where it's expressing something different from the original---like the chorus of Back In NYC. I think they should have left that alone. But, at least I can clearly hear lots of things Steve Hackett was playing that I never knew he was playing.
The Beatles box set is one of my favorite purchases!! | |
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Yep!
I was pissed though when I found out later that some of the instrumentations were omitted from the studio version but were kept in the mono version and vice versa for the other instrumentations.
But I agree, the sound quality is top notch. | |
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I think a few of the mixes of songs on the USA Capitol albums were different than the ones on the British albums also. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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I don't get it. Why not keep the original mix as it is after you remaster it and make everybody happy? Why the hell would you manipulate the instrumentation during the process? Never could understand the purpose of this.
If the reason is because I should go out and buy all these different versions, you can go fuck yourself with the sharpest object made by man, this I will gladly & generously pay for. | |
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I think at the time (1960's), a lot of people had mono record players. A lot of acts records were released with different mono and stereo mixes. As far as the Capitol albums go, they were trying to make as much money off the Beatles as possible, so they chopped up the albums, mixed them with singles, and you have records like Hey Jude and Beatles 64 or A Hard Day's Night with George Martin instrumentals. The group didn't like this and that was why they did that infamous "Butcher Babies" cover, which was quickly banned and worth a lot of money now. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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